The Arthur Machen Megapack: 25 Classic Works

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by Arthur Machen


  How say ye that I was lost? I wandered among roses.

  Can he go astray who enters the rose garden?

  The lover in the house of his Darling is not forlorn.

  I wandered among roses. How say ye that I was lost?

  His voice, murmuring the strange words, had persuaded her, and now she had the rapture of the perfect knowledge. She had looked out into the silvery uncertain night in order that she might experience the sense that for her these things no longer existed. She was not any more a part of the garden, or of the lake, or of the wood, or of the life that she had led hitherto. Another line that he had quoted came to her:

  The kingdom of I and We forsake, and your home in annihilation make.

  It had seemed at first almost nonsense, if it had been possible for him to talk nonsense; but now she was thrilled and filled with the meaning of it. Herself was annihilated; at his bidding she had destroyed all her old feelings, and emotions, her likes and dislikes, all the inherited loves and hates that her father and mother had given her; the old life had been thrown utterly away.

  It grew light, and when the dawn burned she fell asleep, murmuring:

  “How say ye that I was lost?”

  THE CEREMONY

  From her childhood, from those early and misty days which began to seem unreal, she recollected the grey stone in the wood.

  It was something between the pillar and the pyramid in shape, and its grey solemnity amidst the leaves and the grass shone and shone from those early years, always with some hint of wonder. She remembered how, when she was quite a little girl, she had strayed one day, on a hot afternoon, from her nurse’s side, and only a little way in the wood the grey stone rose from the grass, and she cried out and ran back in panic terror.

  “What a silly little girl!” the nurse had said. “It’s only the —— stone.” She had quite forgotten the name that the servant had given, and she was always ashamed to ask as she grew older.

  But always that hot day, that burning afternoon of her childhood when she had first looked consciously on the grey image in the wood, remained not a memory, but a sensation. The wide wood swelling like the sea, the tossing of the bright boughs in the sunshine, the sweet smell of the grass and flowers, the beating of the summer wind upon her cheek, the gloom of the underglade rich, indistinct, gorgeous, significant as old tapestry; she could feel it and see it all, and the scent of it was in her nostrils. And in the midst of the picture, where strange plants grew gross in shadow, was the old grey shape of the stone.

  But there were in her mind broken remnants of another and far earlier impression. It was all uncertain, the shadow of a shadow, so vague that it might well have been a dream that had mingled with the confused waking thoughts of a little child. She did not know that she remembered, she rather remembered the memory. But again it was a summer day, and a woman, perhaps the same nurse, held her in her arms, and went through the wood. The woman carried bright flowers in one hand; the dream had in it a glow of bright red, and the perfume of cottage roses. Then she saw herself put down for a moment on the grass, and the red colour stained the grim stone, and there was nothing else—except that one night she woke up and heard the nurse sobbing.

  She often used to think of the strangeness of very early life; one came, it seemed, from a dark cloud, there was a glow of light, but for a moment, and afterwards the night. It was as if one gazed at a velvet curtain, heavy, mysterious, impenetrable blackness, and then, for the twinkling of an eye, one spied through a pinhole a storied town that flamed, with fire about its walls and pinnacles. And then again the folding darkness, so that sight became illusion, almost in the seeing. So to her was that earliest, doubtful vision of the grey stone, of the red colour spilled upon it, with the incongruous episode of the nursemaid, who wept at night.

  But the later memory was clear; she could feel, even now, the inconsequent terror that sent her away shrieking, running to the nurse’s skirts. Afterwards, through the days of girlhood, the stone had taken its place amongst the vast array of unintelligible things which haunt every child’s imagination. It was part of life, to be accepted and not questioned; her elders spoke of many things which she could not understand, she opened books and was dimly amazed, and in the Bible there were many phrases which seemed strange. Indeed, she was often puzzled by her parents’ conduct, by their looks at one another, by their half-words, and amongst all these problems which she hardly recognized as problems, was the grey ancient figure rising from dark grass.

  Some semi-conscious impulse made her haunt the wood where shadow enshrined the stone. One thing was noticeable: that all through the summer months the passers-by dropped flowers there. Withered blossoms were always on the ground, amongst the grass, and on the stone fresh blooms constantly appeared. From the daffodil to the Michaelmas daisy there was marked the calendar of the cottage gardens, and in the winter she had seen sprays of juniper and box, mistletoe and holly. Once she had been drawn through the bushes by a red glow, as if there had been a fire in the wood, and when she came to the place, all the stone shone and all the ground about it was bright with roses.

  In her eighteenth year she went one day into the wood, carrying with her a book that she was reading. She hid herself in a nook of hazel, and her soul was full of poetry, when there was a rustling, the rapping of parted boughs returning to their place. Her concealment was but a little way from the stone, and she peered through the net of boughs, and saw a girl timidly approaching. She knew her quite well: it was Annie Dolben, the daughter of a labourer, lately a promising pupil at Sunday school. Annie was a nice-mannered girl, never failing in her curtsey, wonderful for her knowledge of the Jewish Kings. Her face had taken an expression that whispered, that hinted strange things; there was a light and a glow behind the veil of flesh. And in her hand she bore lilies.

  The lady hidden in hazels watched Annie come close to the grey image; for a moment her whole body palpitated with expectation, almost the sense of what was to happen dawned upon her. She watched Annie crown the stone with flowers; she watched the amazing ceremony that followed.

  And yet, in spite of all her blushing shame, she herself bore blossoms to the wood a few months later. She laid white hot-house lilies upon the stone, and orchids of dying purple, and crimson exotic flowers. Having kissed the grey image with devout passion, she performed there all the antique immemorial rite.

  A DOUBLE RETURN

  The express from the west rushed through Acton with a scream, whirling clouds of dust around it; and Frank Halswell knocked out the ashes from his pipe and proceeded to gather from various quarters of the carriage his newspapers, his hat-box, his handbag, and, chief of all, a large portfolio carefully packed in brown paper. He looked at his watch, and said to himself: “6.30; we shall be at Paddington in five minutes; and only five minutes late, for a wonder.” But he congratulated himself and the railway company rather too soon: a few minutes later and the train began to slacken, the speed grew slower and slower, and at last came the grinding sound of the brakes and a dead stop. Halswell looked out of the window over the dreary expanse of Wormwood Scrubbs, and heard someone in the next carriage explaining the cause of the delay with pardonable pride in his technical knowledge. “You see, them there signals is against us, and if we was to go on we should jolly well go to kingdom come, we should.” Halswell looked at his watch again and drummed his heels against the floor, wondering impatiently when they would be at Paddington, when, with a sudden whirl, a down train swept by them and the western express once more moved on. Halswell rubbed his eyes; he had looked up as the down train passed, and in one of the carriages he thought he had seen his own face. It was only for a second, and he could not be sure. “It must have been a reflection,” he kept on saying, “from the glass of one window to the other. Still, I fancied I saw a black coat, and mine is light. But of course it was a reflection.”

  The express rolled into the terminus with dignity—it was only ten minutes late, after all; and Frank Halswell bundled h
imself and his traps into a hansom, congratulating himself on the paucity of his bags and the absence of his trunks as he watched the excited mob rushing madly at a Redan of luggage. “153, the Mall, Kensington!” he shouted to the driver above the hubbub of the platform; and they were soon threading deftly along the dingy streets that looked so much dingier than usual after the blue mist upon the sea, the purple heather and the sunny fields. Frank (he was a very popular artist in those days—a rising man, indeed) had been on a sketching tour in Devon and Cornwall: he had wandered along the deep sheltered lanes from hill to hill, by the orchards already red and gold, by moorland and lowland, by the rocky coast and combes sinking down to the wondrous sea.

  On the Cornish roads he had seen those many ancient crosses, with their weird interlacing carving, which sometimes stand upon a mound and mark where two ways meet; and as he put his portfolio beside him he could not help feeling a glow of pride at its contents. “I fancy I shall make a pretty good show by next spring,” he thought, Poor fellow! He was never to paint another picture; but he did not know it. Then, as the hansom verged westward, gliding with its ringing bells past the great mansions facing the park, Halswell’s thoughts went back to the hotel at Plymouth and the acquaintance he had made there. “Yes; Kerr was an amusing fellow,” he thought; “glad I gave him my card. Louie is sure to get on with him. Curious thing, too, he was wonderfully like me, if he had been only clean shaven and not ‘bearded like the pard,’ Dare say we shall see him before long; he said he was going to pay a short visit to London. I fancy he must be an actor; I never saw such a fellow to imitate a man’s voice and gestures. I wonder what made him go off in such a hurry yesterday. Hullo! Here we are; hi, cabman! There’s 153.”

  The twin doors of the hansom banged open; the garden gate shrieked and clanged, and Halswell bounded up the steps and rapped loudly at the door. The maid opened it. Even as he said, “Thank you, Jane; your mistress quite well, I suppose?” he thought he noticed a strange look, half questioning, half surprised, in her eyes; but he ran past her, up the stairs, and burst into the pretty drawing-room. His wife was lying on the sofa; but she rose with a cry as he came in.

  “Frank! Back again so soon? I am so glad! I thought you said you might have to be away a week.”

  “My dear Louie, what do you mean? I have been away three weeks, haven’t I? I rather think I left for Devonshire in the first week of August.”

  “Yes, of course, my dear: but then you came back late last night.”

  “What! I came back last night? I slept last night at Plymouth. What are you talking about?”

  “Don’t be silly, Frank. You know very well you rang us all up at twelve o’clock. Just like you, to come home in the middle of the night when nobody expected you. You know you said in your last letter you were not coming until today.”

  “Louise dear, you must be dreaming. I never came here last night. Here is my bill at the hotel; you see, it is dated this morning.” Mrs. Halswell stared blankly at the bill; then she got up and rang the bell. How hot it was! The close air of the London street seemed to choke her. Halswell walked a few paces across the room then suddenly stopped and shuddered. “Jane, I want to ask you whether your master did not come here last night at twelve o’clock; and whether you did not get him a cab early this morning?”

  “Yes, mum, at least—”

  “At least what? You let him in yourself.”

  “Yes, mum, of course I did. But, begging your pardon, sir, I thought as how your voice didn’t sound quite natural this morning when you called out to the cabman to drive to Stepney, because you had changed your mind, and didn’t want to go to Waterloo.”

  “Good God! What are you thinking about? I never came here. I was in Plymouth.”

  “Frank! You are joking! Look here, you left this behind you.”

  She showed him a little silver cigarette case with his initials engraved on it. It was a present from his wife, he had missed it one day when he was strolling with Kerr, and had regretted it deeply, searching in the grass in vain.

  Halswell held the toy in his hand. He thought he was indeed in a dream, and through the open window came the shrieks of the newsboys, “Extry speshal! Extry speshal!” The light had faded; it was getting dark. But suddenly it all flashed upon him. He remembered Kerr and the face he had caught sight of in the passing train; he remembered the strange likeness; he knew who had found the cigarette case; he knew well who it was that had come to his house.

  The maid was a good girl; she had stolen away. No one knows what manner of conversation Frank and his wife had together in the darkness; but that night he went away, as it was said, to America. Mrs. Halswell was dead before the next summer.

  THE TERROR

  A Mystery

  CHAPTER I

  The Coming of the Terror

  After two years we are turning once more to the morning’s news with a sense of appetite and glad expectation. There were thrills at the beginning of the war; the thrill of horror and of a doom that seemed at once incredible and certain; this was when Namur fell and the German host swelled like a flood over the French fields, and drew very near to the walls of Paris. Then we felt the thrill of exultation when the good news came that the awful tide had been turned back, that Paris and the world were safe; for awhile at all events.

  Then for days we hoped for more news as good as this or better. Has Von Kluck been surrounded? Not today, but perhaps he will be surrounded tomorrow. But the days became weeks, the weeks drew out to months; the battle in the West seemed frozen. Now and again things were done that seemed hopeful, with promise of events still better. But Neuve Chapelle and Loos dwindled into disappointments as their tale was told fully; the lines in the West remained, for all practical purposes of victory, immobile. Nothing seemed to happen; there was nothing to read save the record of operations that were clearly trifling and insignificant. People speculated as to the reason of this inaction; the hopeful said that Joffre had a plan, that he was “nibbling,” others declared that we were short of munitions, others again that the new levies were not yet ripe for battle. So the months went by, and almost two years of war had been completed before the motionless English line began to stir and quiver as if it awoke from a long sleep, and began to roll onward, overwhelming the enemy.

  The secret of the long inaction of the British Armies has been well kept. On the one hand it was rigorously protected by the censorship, which severe, and sometimes severe to the point of absurdity—“the captains and the…depart,” for instance—became in this particular matter ferocious. As soon as the real significance of that which was happening, or beginning to happen, was perceived by the authorities, an underlined circular was issued to the newspaper proprietors of Great Britain and Ireland. It warned each proprietor that he might impart the contents of this circular to one other person only, such person being the responsible editor of his paper, who was to keep the communication secret under the severest penalties. The circular forbade any mention of certain events that had taken place, that might take place; it forbade any kind of allusion to these events or any hint of their existence, or of the possibility of their existence, not only in the Press, but in any form whatever. The subject was not to be alluded to in conversation, it was not to be hinted at, however obscurely, in letters; the very existence of the circular, its subject apart, was to be a dead secret.

  These measures were successful. A wealthy newspaper proprietor of the North, warmed a little at the end of the Throwsters’ Feast (which was held as usual, it will be remembered), ventured to say to the man next to him: “How awful it would be, wouldn’t it, if.…” His words were repeated, as proof, one regrets to say, that it was time for “old Arnold” to “pull himself together”; and he was fined a thousand pounds. Then, there was the case of an obscure weekly paper published in the county town of an agricultural district in Wales. The Meiros Observer (we will call it) was issued from a stationer’s back premises, and filled its four pages with accounts of local flower s
hows, fancy fairs at vicarages, reports of parish councils, and rare bathing fatalities. It also issued a visitors’ list, which has been known to contain six names.

  This enlightened organ printed a paragraph, which nobody noticed, which was very like paragraphs that small country newspapers have long been in the habit of printing, which could hardly give so much as a hint to any one—to any one, that is, who was not fully instructed in the secret. As a matter of fact, this piece of intelligence got into the paper because the proprietor, who was also the editor, incautiously left the last processes of this particular issue to the staff, who was the Lord-High-Every-thing-Else of the establishment; and the staff put in a bit of gossip he had heard in the market to fill up two inches on the back page. But the result was that the Meiros Observer ceased to appear, owing to “untoward circumstances” as the proprietor said; and he would say no more. No more, that is, by way of explanation, but a great deal more by way of execration of “damned, prying busybodies.”

  Now a censorship that is sufficiently minute and utterly remorseless can do amazing things in the way of hiding…what it wants to hide. Before the war, one would have thought otherwise; one would have said that, censor or no censor, the fact of the murder at X or the fact of the bank robbery at Y would certainly become known; if not through the Press, at all events through rumor and the passage of the news from mouth to mouth. And this would be true—of England three hundred years ago, and of savage tribelands of today. But we have grown of late to such a reverence for the printed word and such a reliance on it, that the old faculty of disseminating news by word of mouth has become atrophied. Forbid the Press to mention the fact that Jones has been murdered, and it is marvelous how few people will hear of it, and of those who hear how few will credit the story that they have heard. You meet a man in the train who remarks that he has been told something about a murder in Southwark; there is all the difference in the world between the impression you receive from such a chance communication and that given by half a dozen lines of print with name, and street and date and all the facts of the case. People in trains repeat all sorts of tales, many of them false; newspapers do not print accounts of murders that have not been committed.

 

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