Eve listened to the little choked sound that creaked in Katie's throat, than watched the brunette's eyes roll back in her head.
"All yours," she said as Roarke swore and stepped in to catch Katie before she toppled over.
"You could have done that in a more sensitive and delicate way."
"Sure. But-this was quicker. When she comes to, she can pack what she needs. Then you get her out."
He hefted Katie, headed with her to a sofa. "You're not staying here alone and waiting for him to come hunting." "That's my job," she began. "But I'm calling for backup."
"Call for it now, and I'll have her out of your way inside twenty minutes."
She pulled out her, communicator and prepared to set up the next stage of her operation.
She spent the hours until dawn sitting in the dark, waiting. A surveillance vehicle sat outside, and two armed uniforms were stationed` in the living area of the Mitchell apartment. But the watch team had its orders.
Renquist, when he came, was hers.
And he sat in his quiet room in a small apartment on the edge of the Village. He'd decorated it carefully, selecting each piece so that it would have a European feel, and a rich one, rich and colorful and sexy.
So unlike the cool, stagnant home he shared with his wife when he was Niles.
When he was in this warm, deeply toned room, he was Victor Clarence. A small, amusing joke and a play on His Royal Highness Prince Albert Victor, Duke of Clarence, who some credited with the Ripper murders of Whitechapel.
Renquist liked to believe it, enjoyed the notion of a killer prince. He considered himself no less.
A prince among men. A king among killers.
And like that famed stylist of death, he would never be caught. But he was more than his prototypes. Because he would never stop.
He drank a brandy and smoked a thin cigar laced with just a whiff of loner. He loved these times alone, the quiet, reflective times when all the preparation was done.
He was pleased he'd decided to feign a business trip, to get away on his own for a few days. Pamela was irritating him more than usual with her long, speculative stares, her pointed questions.
Who was she to question him, to look at him?
If she only knew how many times he'd imagined killing her. The many and creative ways he'd devised. She'd run screaming. The image of his cold and rigid wife running for her life made him chuckle.
Of course, he would never do it. It would bring it all too close to home, and he was no fool. Pamela was safe simply because he was stuck with her. Besides, if he killed her, who would handle all the annoying details of his social life?
No, it was enough just to have these periodic rests from her, and the female she'd saddled him with. Irritating, sneaky little brat. Children were, as he'd learned from his dear old nanny, meant to be neither seen nor heard.
If they rebelled or failed to obey smartly, they were to be put somewhere, in the dark. Where they were no longer seen, where they couldn't be heard no matter how loud they screamed.
Oh yes, he remembered-remembered the dark room. Nanny Gable had had a way about her. He would like to kill her, slowly, painfully, while she screamed and screamed as he'd once done.
But that wouldn't be wise. Like Pamela, she was safe because he was stuck with-her.
In any case, she'd taught him, hadn't she? Nanny Gable had certainly taught him. Children were meant to-be raised by someone paid and paid well to discipline and tutor. Not that the sly little Italian thing disciplined his girl., Spoiled her, coddled her. But she was convenient. Her fear and loathing of him gave him such a rush of pleasure.
Everything in his life had finally fallen into place. He was respected, admired, obeyed. He was comfortable financially, and had an active and rarified social life. He had a-wife who presented the proper image, and a young mistress who was just fearful enough to do anything, absolutely anything, he required.
And he had the most fascinating and entertaining hobby.
Years of study, of planning, of strategy. Of practice. It was all coming to fruition now in ways even he hadn't anticipated. How could he have known how much fun it would be, to assume the guise of one of his heroes, and follow in their bloody footsteps?
Men who took charge, who took life. Who did what they wished to women because they understood, as others couldn't, that women needed to be debased, hurt, killed. They asked for death with their first breath.
Trying to run the world. Trying to run him.
He took a slow drag of the cigar, letting the Zoner calm him before one of his rages could take over. It wasn't the time for rage, but for cool, calculating action.
He worried that he'd been too clever. But really, could one be too clever? Some might consider it a mistake to have deliberately put himself forward as a suspect. But it was so much more satisfying, so much more exciting that way. It allowed him to participate on two levels and made it all so intimate.
In a way, he'd already fucked the whore cop. What a thrill it was to watch her scramble around, unable to out think him, to anticipate him. Being forced to come to him and apolotizc. He hugged himself -as he played that scene over in his head. Oh that had been a moment.
Selecting Eve Dallas had been a brilliant stroke, if he did say so himself. And oh; he did.
A man wouldn't have given him nearly the same buzz. But a woman, a woman who like most of her kind considered herself superior to a man simply because she could trap him between her legs. That added spice to the brew.
He could think about choking her, beating her, raping her, gutting her even as she watched him with those cool, flat eyes.
He would never have known the same level of excitement with a male adversary.
She would be punished, of course, when she failed to stop him. When others were killed, as the accountant bitch would be killed. The lieutenant would be punished and disciplined by her superiors, as it should be.
And she would suffer, never knowing who'd bested her, she would. suffer until the laser blast struck her in the back of the head.
If only he could find a way to let her know, to tell her, reveal himself to her an instant before her death. Then it would be perfect. There was time, of course, to work that out. Content, he settled into bed, to dream his terrible dreams.
They had obviously been off by a night, Eve thought, as she set up the morning briefing in her home office with a small, tight team. She didn't want to risk Central, or a larger operation. A leak, even a trickle might send Renquist into the wind. Now they could tighten the trap so he'd never get away.
She used her board, the wall screens, and one of Roarke's new toys, a portable holo-unit.
"We'll have units set here, and here." She highlighted the map on-screen with a laser pointer. "They are for observation only. I want to take Renquist inside the loft where he can be contained and no civilians are at risk. We moved Mitchell's across-the-hall neighbor out at oh seven hundred on the pretext of a broken water pipe. The cooperation of the building super is ensured and we've got him under wraps in case he gets an itch to share any of this with the media. The empty loft will be Observation Post C."
She highlighted the third floor of the building blueprint on the second screen. "We're installing cameras. The loft will be under constant observation. It's unlikely Renquist will use the elevator, but we'll have cameras there as well. And once he's inside the loft, the power to the elevator will be shut down, giving him only one exit. A team will move in to block that exit, another will be set on the street below in case he decides to take a header from the windows."
"Rat in a trap," Feeney commented.
"That's the idea. I'll be inside the loft, as will Officer Peabody, who will be briefed when her examination is finished. Captain Feeney will run electronics from Mitchell's home office inside the loft, and Detective McNab will head Observation Post C."
She ordered up the holo and brought a scaled-down version of the Mitchell loft into her office.
"Me
morize it," she ordered. "Officer Peabody will be decoy. She and the target are approximately the same size and coloring. She'll be in the bed here, I'll be posted in this closet. Getting Renquist in the bedroom is optimum. No windows, no escape route."
"He'll be armed," McNab put in.
She nodded, noting the worry in his eyes. That was the trouble, she thought, when a cop fell for another cop. "So will we. It's possible he'll bring his own blades, or that he'll detour into the kitchen first to avail himself of Mitchell's kitchen stock. He may have a blaster or another weapon, though he has yet to utilize one. We will go into this assuming he's armed, as Marsonini habitually carried a blaster or stunner, and act accordingly."
She waited a beat. "We're working on finding him before tonight. He's in the city, and as he's emulating Marsonini, it's likely he's settled in somewhere near his target's home. Marsonini habitually had a good meal, with wine, on the evening before a murder. He dressed well, generally in suits by Italian designers, and carried his tools in an expensive briefcase. He did his work to opera, again Italian. He spoke with.an accent, though it was affected as he was born in St. Louis. History, details, and a complete bio of this subject are in your packs."
She waited again while members of the team shuffled and took out the bio. "Renquist will become Marsonini, attempt and likely succeed in copying his mannerisms, habits, and routines. You also have, in your packs, the projected image of how he'll look wearing the long red hair and sunshades. Now let's go over the details. If Renquist follows this pattern, this is going down tonight."
She spent another hour before dismissing her team. Since she'd seen McNab look at his purple-banded wrist unit three times during the briefing, she held him back.
"She's got another two hours. You'd better chill."
"Sorry. She was just so wigged this morning. She's going into the sims now. She keeps choking on the sims."
"If she chokes, she's not ready to make the grade. The timing blows on this, McNab, but the fact is we've got a lot more at stake here than Peabody getting her detective shield."
"I know it. She's so damn worried about letting you down she's turned her guts inside out."
"Jesus. It's not about me."
He pressed his lips together as if wrestling with a decision, then shrugged. "Yeah, it is. Sure it is. A big part of it. I wasn't supposed to tell you, but I figure you gotta know so if she messes up on this, you can handle it. Handle her."
"She better handle herself. She's going straight into this op when she's done, and she won't have the results. She better handle herself, and do the job."
He slipped his hands into his pockets and gave Eve a cheeky grin. "See, you know just how to handle her."
"Get out of here."
She sat on the corner of the desk for a moment, to clear Peabody out of her head. It was one thing to be responsible for lives, for justice. But it was a hell of a kick in the ass to be told you had somebody's psyche in your hands.
How the hell had it gotten there?
"Lieutenant?" Roarke stood in the doorway of their adjoining offices, watching her. "A minute of your time."
"Yeah." She rose to walk into the simulation of the Mitchell bedroom again, judging distances, angles, moves. "That's about all I've got for you. We could take him on the street," she said half to herself. "But Marsonini carried a blaster or stunner, so Renquist will have a blaster or stunner. If he gets to it, starts popping off heat...maybe some idiot civilian gets in the, way. Potential hostage. Better-do it inside. Contained and controlled inside. No place to run, no civilian targets. It should be cleaner inside."
She looked over, shrugged when she realized she'd walked in and out of the holographic bedroom closet. "Sorry."
"It's not a problem. You're worried because Peabody will be in the bed, in the open."
"She can take care of herself.
"So she can. But the fact that you're worried should help you understand I've some concerns of my own. So- I'm asking you to let me in on this operation."
Deliberately she cocked her brow. "Asking?' Me? Why don't you just go to your good' pal Jack, or your buddy Ryan?"
"One tries to learn by one's mistakes."
"Does one?"
"I want to be there for several reasons, and one is because it's become personal for you. It's trickier when it's personal."
She turned back. "End hologram program. Screens off." There was cold coffee on her desk. She picked up the cup, put it down. Then found herself reaching for the little statue of the goddess Peabody's mother had given her.
"It's not the notes. They're just irritating on a personal level, and helpful otherwise. It's not the fact that he's marked me as a future target. That goes with the territory. It's not even that he's a vicious, arrogant, sick son of a bitch. You get that all the time. It was watching Marlene Cox fighting to come back, and more than that, seeing her mother will her back. Sitting beside that hospital bed, reading to her, holding her hand, talking to her, believing-refusing not to believe because she loved her more than... Well, more than anything."
She set the statue down again. "The way the mother looked at me, with this utter faith that I'd make it right. In my line you're almost always trying to make it right for the dead. But Marlene's-alive. So it's personal. It got turned on me, and yeah, it's trickier when it's personal."
"Can you use. me?"
"Slick operator like you? Don't see why not. I'll give you a ride into Central. You can report to Feeney in EDD. "
Her first task at Central was to arrange for Pamela Renquist to be brought to an interview room.
Renquist's high-priced lawyers were already working on her release. Eve would consider herself lucky to hold the woman another twelve hours.
Pamela came in without her attorney, but wearing her own clothes rather than prison garb. Used her pull for her priority, Eve assumed and gestured to the table.
"I've agreed to speak with you, and alone, because I don't want to give you the importance of my attorneys." Pamela sat, brushed at her soft, silk pants. "I'll be released shortly, and have already instructed my attorneys to initiate suit against you for harassment, false arrest and imprisonment, and slander."
"Gosh, I'm in big trouble now. Tell me where he is, Pam, and we'll end this without anyone else getting hurt."
"First, I don't appreciate your familiar form of address."
"Gee, now you hurt my feelings."
"Secondly," Pamela continued in a voice iced as February, "my husband is in London on business, and when he returns he will use all his influence to destroy you."
"Hey, here's a flash for you: Your husband is in New York City, finalizing his preparation to kill a female accountant using the method of Enrico Marsonini, who was infamous for the rape and torture of his victims before he cut them to pieces. He always took a finger or toe with him, as a kind of door prize."
"You're disgusting."
"I'm disgusting." Eve let out a baffled laugh. "You are some piece of work. To continue. Following the pattern of his latest mentor, Niles visited his intended victim in her home yesterday afternoon."
Pamela curled her fingers, examined her manicure. "That's preposterous."
"You know it's not. You know that your husband, the father of your child, the man you live with, is a psychopath. You've smelled the blood on him, haven't you, Pam? You've seen what he is when you look at his face. You have a daughter. Isn't it time for you to -protect her?"
Pamela's gaze flashed up, and a hint of rage eked through. "My daughter is none of your concern."
"And apparently none of yours, either. I sent a child liaison officer to your home last evening. Rose, along with Sophia DiCarlo, has been taken into protective custody. The reason this is news to you is that you haven't bothered contacting your daughter since you were brought in yesterday."
"You had no right to remove my daughter from my home."
"I do. But it was the liaison who opted to do so after speaking with her and hher au pair, an
d other members of your staff. If you want your daughter back, it's time to step away from the madman and stand with them against him. It's time to shield your child."
The rage, that tiny hint of emotion, was iced over again: "Lieutenant Dallas, my husband is an important man. Within a year, he will be named the new British Ambassador to Spain. It's been promised to us. You will not besmirch his reputation or mine with your horrendous and ugly fantasies."
"Go down with him then. It's a nice bonus for me." Eve rose, paused. "Eventually, he'd have done you, and your daughter. He wouldn't have been able to stop himself. You're not going to Spain, Pam, but wherever you end up, you're going to have plenty of time to think about the fact that I saved your worthless life."
J D Robb - Dallas 17 - Imitation in Death Page 36