The New Annotated Sherlock Holmes: The Complete Short Stories: The Return of Sherlock Holmes, His Last Bow and The Case-Book of Sherlock Holmes (Non-slipcased edition) (Vol. 2) (The Annotated Books)

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The New Annotated Sherlock Holmes: The Complete Short Stories: The Return of Sherlock Holmes, His Last Bow and The Case-Book of Sherlock Holmes (Non-slipcased edition) (Vol. 2) (The Annotated Books) Page 93

by Doyle, Arthur Conan


  The big Rugby three-quarter was trembling all over. Holmes put his hand soothingly upon his arm.

  “I fear that there is pain for you, Mr. Ferguson, whatever the solution may be,” said he. “I would spare you all I can. I cannot say more for the instant but before I leave this house I hope I may have something definite.”

  “Please God you may! If you will excuse me, gentlemen, I will go up to my wife’s room and see if there has been any change.”

  He was away some minutes, during which Holmes resumed his examination of the curiosities upon the wall. When our host returned it was clear from his downcast face that he had made no progress. He brought with him a tall, slim, brown-faced girl.

  “The tea is ready, Dolores,” said Ferguson. “See that your mistress has everything she can wish.”

  “She verra ill,” cried the girl, looking with indignant eyes at her master. “She no ask for food. She verra ill. She need doctor. I frightened stay alone with her without doctor.”

  Ferguson looked at me with a question in his eyes.

  “I should be so glad if I could be of use.”

  “Would your mistress see Dr. Watson?”

  “I take him. I no ask leave. She needs doctor.”

  “Then I’ll come with you at once.”

  I followed the girl, who was quivering with strong emotion, up the staircase and down an ancient corridor. At the end was an iron-clamped and massive door. It struck me as I looked at it that if Ferguson tried to force his way to his wife he would find it no easy matter. The girl drew a key from her pocket, and the heavy oaken planks creaked upon their old hinges. I passed in and she swiftly followed, fastening the door behind her.

  On the bed a woman was lying who was clearly in a high fever. She was only half conscious, but as I entered she raised a pair of frightened but beautiful eyes and glared at me in apprehension. Seeing a stranger, she appeared to be relieved and sank back with a sigh upon the pillow. I stepped up to her with a few reassuring words, and she lay still while I took her pulse and temperature. Both were high, and yet my impression was that the condition was rather that of mental and nervous excitement than of any actual seizure.

  “She lie like that one day, two day. I ’fraid she die,” said the girl.

  The woman turned her flushed and handsome face towards me.

  “Where is my husband?”

  “He is below and would wish to see you.”

  “I will not see him. I will not see him.” Then she seemed to wander off into delirium. “A fiend! A fiend! Oh, what shall I do with this devil?”

  “Can I help you in any way?”

  “No. No one can help. It is finished. All is destroyed. Do what I will, all is destroyed.”

  The woman must have some strange delusion. I could not see honest Bob Ferguson in the character of fiend or devil.

  “Madame,” I said, “your husband loves you dearly. He is deeply grieved at this happening.”

  Again she turned on me those glorious eyes.

  “He loves me. Yes. But do I not love him? Do I not love him even to sacrifice myself rather than break his dear heart? That is how I love him. And yet he could think of me—he could speak of me so.”

  “He is full of grief but he cannot understand.”

  “No, he cannot understand. But he should trust.”

  “Will you not see him?” I suggested.

  “No, no; I cannot forget those terrible words nor the look upon his face. I will not see him. Go now. You can do nothing for me. Tell him only one thing. I want my child. I have a right to my child. That is the only message I can send him.” She turned her face to the wall and would say no more.

  The woman turned her flushed and handsome face toward me.

  “Where is my husband?” she asked.

  Howard Elcock, Strand Magazine, 1924

  I returned to the room downstairs, where Ferguson and Holmes still sat by the fire. Ferguson listened moodily to my account of the interview.

  “How can I send her the child?” he said. “How do I know what strange impulse might come upon her? How can I ever forget how she rose from beside it with its blood upon her lips?” He shuddered at the recollection. “The child is safe with Mrs. Mason, and there he must remain.”

  A smart maid, the only modern thing which we had seen in the house, had brought in some tea. As she was serving it the door opened and a youth entered the room. He was a remarkable lad, pale-faced and fair-haired, with excitable light blue eyes which blazed into a sudden flame of emotion and joy as they rested upon his father. He rushed forward and threw his arms round his neck with the abandon of a loving girl.

  “Oh, daddy,” he cried. “I did not know that you were due yet. I should have been here to meet you. Oh, I am so glad to see you!”

  Ferguson gently disengaged himself from the embrace with some little show of embarrassment.

  “Dear old chap,” said he, patting the flaxen head with a very tender hand. “I came early because my friends, Mr. Holmes and Dr. Watson, have been persuaded to come down and spend an evening with us.”

  “Is that Mr. Holmes, the detective?”

  “Yes.”

  The youth looked at us with a very penetrating and, as it seemed to me, unfriendly gaze.

  “What about your other child, Mr. Ferguson?” asked Holmes. “Might we make the acquaintance of the baby?”

  “Ask Mrs. Mason to bring baby down,” said Ferguson. The boy went off with a curious, shambling gait which told my surgical eyes that he was suffering from a weak spine. Presently he returned, and behind him came a tall, gaunt woman bearing in her arms a very beautiful child, dark-eyed, golden-haired, a wonderful mixture of the Saxon and the Latin. Ferguson was evidently devoted to it, for he took it into his arms and fondled it most tenderly.

  “Fancy anyone having the heart to hurt him,” he muttered, as he glanced down at the small, angry red pucker upon the cherub throat.

  It was at this moment that I chanced to glance at Holmes, and saw a most singular intentness in his expression. His face was as set as if it had been carved out of old ivory, and his eyes, which had glanced for a moment at father and child, were now fixed with eager curiosity upon something at the other side of the room. Following his gaze I could only guess that he was looking out through the window at the melancholy, dripping garden. It is true that a shutter had half closed outside and obstructed the view, but none the less it was certainly at the window that Holmes was fixing his concentrated attention. Then he smiled, and his eyes came back to the baby. On its chubby neck there was this small puckered mark. Without speaking, Holmes examined it with care. Finally he shook one of the dimpled fists which waved in front of him.

  “Fancy anyone having the heart to hurt him,” Ferguson muttered as he glanced at the angry red pucker on his baby’s throat. All this time Holmes was staring intently at the window across the room.

  W. T. Benda, Hearst’s International, 1924

  “Good-bye, little man. You have made a strange start in life. Nurse, I should wish to have a word with you in private.”

  He took her aside and spoke earnestly for a few minutes. I only heard the last words, which were. “Your anxiety will soon, I hope, be set at rest.” The woman, who seemed to be a sour, silent kind of creature, withdrew with the child.

  “What is Mrs. Mason like?” asked Holmes.

  “Not very prepossessing externally, as you can see, but a heart of gold, and devoted to the child.”

  “Do you like her, Jack?” Holmes turned suddenly upon the boy. His expressive mobile face shadowed over, and he shook his head.

  “Jacky has very strong likes and dislikes,” said Ferguson, putting his arm round the boy. “Luckily I am one of his likes.”

  The boy cooed and nestled his head upon his father’s breast. Ferguson gently disengaged him.

  At this moment I chanced to glance at Holmes, and saw a most singular intentness in his expression. His eyes with fixed with eager curiosity upon something at the other
side of the room.

  Howard Elcock, Strand Magazine, 1924

  “Run away, little Jacky,” said he, and he watched his son with loving eyes until he disappeared. “Now, Mr. Holmes,” he continued when the boy was gone, “I really feel that I have brought you on a fool’s errand, for what can you possibly do save give me your sympathy? It must be an exceedingly delicate and complex affair from your point of view.”

  “It is certainly delicate,” said my friend with an amused smile, “but I have not been struck up to now with its complexity. It has been a case for intellectual deduction, but when this original intellectual deduction is confined point by point by quite a number of independent incidents, then the subjective becomes objective and we can say confidently that we have reached our goal. I had, in fact, reached it before we left Baker Street, and the rest has merely been observation and confirmation.”

  Ferguson put his big hand to his furrowed forehead.

  “For heaven’s sake, Holmes,” he said hoarsely, “if you can see the truth in this matter, do not keep me in suspense. How do I stand? What shall I do? I care nothing as to how you have found your facts so long as you have really got them.”

  “Certainly I owe you an explanation, and you shall have it. But you will you permit me to handle the matter in my own way? Is the lady capable of seeing us, Watson?”

  “She is ill, but she is quite rational.”

  “Very good. It is only in her presence that we can clear the matter up. Let us go up to her.”

  “She will not see me,” cried Ferguson.

  “Oh, yes, she will,” said Holmes. He scribbled a few lines upon a sheet of paper. “You at least have the entrée, Watson. Will you have the goodness to give the lady this note?”

  I ascended again and handed the note to Dolores, who cautiously opened the door. A minute later I heard a cry from within, a cry in which joy and surprise seemed to be blended. Dolores looked out.

  “She will see them. She will leesten,” said she.

  At my summons Ferguson and Holmes came up. As we entered the room Ferguson took a step or two towards his wife, who had raised herself in the bed, but she held out her hand to repulse him. He sank into an arm-chair, while Holmes seated himself beside him, after bowing to the lady, who looked at him with wide-eyed amazement.

  “I think we can dispense with Dolores,” said Holmes. “Oh, very well, madame, if you would rather she stayed I can see no objection. Now, Mr. Ferguson, I am a busy man with many calls, and my methods have to be short and direct. The swiftest surgery is the least painful. Let me first say what will ease your mind. Your wife is a very good, a very loving, and a very ill-used woman.”

  Ferguson sat up with a cry of joy.

  “Prove that, Mr. Holmes, and I am your debtor forever.”

  “I will do so, but in doing so I must wound you deeply in another direction.”

  “I care nothing so long as you clear my wife. Everything on earth is insignificant compared to that.”

  “Let me tell you, then, the train of reasoning which passed through my mind in Baker Street. The idea of a vampire was to me absurd. Such things do not happen in criminal practice in England. And yet your observation was precise. You had seen the lady rise from beside the child’s cot with the blood upon her lips.”

  “I did.”

  “Did it not occur to you that a bleeding wound may be sucked for some other purpose than to draw the blood from it? Was there not a Queen in English history who sucked such a wound to draw poison from it?”18

  “Poison!”

  “A South American household. My instinct felt the presence of those weapons upon the wall before my eyes ever saw them. It might have been other poison, but that was what occurred to me. When I saw that little empty quiver beside the small bird-bow, it was just what I expected to see. If the child were pricked with one of those arrows dipped in curare19 or some other devilish drug, it would mean death if the venom were not sucked out.

  “And the dog! If one were to use such a poison, would one not try it first in order to see that it had not lost its power? I did not foresee the dog, but at least I understood him and he fitted into my reconstruction.20

  “Now do you understand? Your wife feared such an attack. She saw it made and saved the child’s life, and yet she shrank from telling you all the truth, for she knew how you loved the boy and feared lest it break your heart.”

  “Jacky!”

  “I watched him as you fondled the child just now. His face was clearly reflected in the glass of the window where the shutter formed a background. I saw such jealousy, such cruel hatred, as I have seldom seen in a human face.”

  “My Jacky!”21

  “You have to face it, Mr. Ferguson. It is the more painful because it is a distorted love, a maniacal exaggerated love for you, and possibly for his dead mother, which has prompted his action. His very soul is consumed with hatred for this splendid child, whose health and beauty are a contrast to his own weakness.”

  “Good God! It is incredible!”

  “Have I spoken the truth, madame?”

  The lady was sobbing, with her face buried in the pillows. Now she turned to her husband.

  “How could I tell you, Bob? I felt the blow it would be to you. It was better that I should wait and that it should come from some other lips than mine. When this gentleman, who seems to have powers of magic, wrote that he knew all, I was glad.”

  “I think a year at sea would be my prescription for Master Jacky,” said Holmes, rising from his chair. “Only one thing is still clouded, madame. We can quite understand your attacks upon Master Jacky. There is a limit to a mother’s patience. But how did you dare to leave the child these last two days?”

  “I had told Mrs. Mason. She knew.”

  “Exactly. So I imagined.”

  Ferguson was standing by the bed, choking, his hands outstretched and quivering.

  “This, I fancy, is the time for our exit, Watson,” said Holmes in a whisper. “If you will take one elbow of the too faithful Dolores, I will take the other. There, now,” he added as he closed the door behind him, “I think we may leave them to settle the rest among themselves.”

  I have only one further note of this case. It is the letter which Holmes wrote in final answer to that with which the narrative begins. It ran thus:

  BAKER STREET,

  Nov. 21st.

  Re Vampires

  SIR:—

  Referring to your letter of the 19th, I beg to state that I have looked into the inquiry of your client, Mr. Robert Ferguson, of Ferguson & Muirhead, tea brokers, of Mincing Lane, and that the matter has been brought to a satisfactory conclusion. With thanks for your recommendation,

  I am, Sir,

  Faithfully yours,

  SHERLOCK HOLMES.22

  “BUT WHAT DO WE KNOW ABOUT VAMPIRES?”

  CHRONOLOGISTS place “The Sussex Vampire” in 1896, the year before publication of Bram Stoker’s Dracula. But even if Robert Ferguson, Holmes, and Watson had not yet added Stoker’s popular account to their knowledge of vampires, Dracula was only the culmination of a Victorian interest in accounts of vampires that had been growing since the beginning of the century.

  The first significant vampire story published in English was John Polidori’s “The Vampyre,” appearing in the New Monthly Magazine for April 1819. In 1816, Polidori, a physician, had accompanied George Gordon, Lord Byron, on a trip to Italy and Switzerland. One rainy night in Geneva, Polidori was present—along with Byron’s friends Percy Bysshe and Mary Shelley—at the now-famous conversation in which Byron announced, “We will each write a ghost story.” Mary Shelley’s effort became the novel Frankenstein, published two years later. Shelley wrote nothing; Byron started on a story but soon abandoned it. And Polidori’s attempt was “The Vampyre,” which featured the vampire Lord Ruthven, a nobleman marked by his aloof manner and the “deadly hue of his face, which never gained a warmer tint. . . .” The enigmatic yet strangely compelling Ruthven befriends
a gentleman named Aubrey, eventually attacking and killing the object of Aubrey’s affections and, finally, Aubrey’s beloved sister. It is unsurprising that “The Vampyre” is the only literary effort for which Polidori is remembered, considering lines such as the ending, “Lord Ruthven had disappeared, and Aubrey’s sister had glutted the thirst of a VAMPYRE!”

  Also hugely influential was the popular Varney the Vampyre, written by James Malcolm Rymer and serialised in 109 weekly installments, from 1845 to 1847. Considered the first novel-length account of a vampire written in English, Varney is written in the style of an unabashedly sensationalist potboiler: “Her bosom heaves, and her limbs tremble, yet she cannot withdraw her eyes from that marble-looking face. . . . With a plunge he seizes her neck in his fang-like teeth—a gush of blood, and a hideous sucking noise follows. The girl has swooned, and the vampire is at his hideous repast!” Still, literary quality aside, Varney offers a vivid, monstrous portrait of the undead that echoes throughout later accounts of vampires. Rymer’s vampire is a “tall gaunt figure” whose face, similar to Ruthven’s, is “perfectly white—perfectly bloodless,” with eyes like “polished tin” and “fearful-looking teeth-projecting like those of some wild animal, hideously, glaringly white, and fang-like.”

  The most influential record of vampires published in the 1800s, which Bram Stoker specifically acknowledged reading, is Joseph Sheridan Le Fanu’s 1872 story “Carmilla.” This account, which features a character that may well have resonated in Robert Ferguson’s mind, records the tale of a female vampire. After a carriage accident, the charming and beautiful Carmilla is taken in by Laura, the narrator, a lonely young lady who quite literally falls under her new friend’s spell. Like the vampires described before her, Carmilla exudes a powerful sexuality, and the story does not shy from depicting a charged, complicated relationship between the two women. Laura experiences terrifying dreams in which a mysterious woman visits her in bed and kisses her neck, and recalls that in the daytime the doting Carmilla occasionally “would press me more closely in her trembling embrace, and her lips in soft kisses gently glow upon my cheek. . . . In these mysterious moods I did not like her. I experienced a strange tumultuous excitement that was pleasurable, ever and anon, mingled with a vague sense of fear and disgust. . . . I was conscious of a love growing into adoration, and also of abhorrence.” Carmilla, it turns out, is Millarca, Countess of Karnstein, dead for more than a century. Following the traditions of eastern European superstition, Laura and a band of men exhume Countess Millarca’s body, driving a stake through her heart.

 

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