And so, finally, he'd found his way back to baseball. Nothing like it really. Not the actual game so much—to tell the truth, real baseball bored him—but rather the records, the statistics, the peculiar balances between individual and team, offense and defense, strategy and luck, accident and pattern, power and intelligence. And no other activity in the world had so precise and comprehensive a history, so specific an ethic, and at the same time, strange as it seemed, so much ultimate mystery. He had started out by selecting eight teams from baseball's early days in the Civil War and Reconstruction eras, and supplying them with rosters of twenty-one ballplayers each. Marshall Williams. Verne Mackenzie. Fancy Dan Casey. Barnaby North. How clearly he remembered the stars of that first year! He even recalled the precise results of those first games, how the Beaneaters won their first six games in a row and never gave up the lead, beating out the Keystones by five full games. If he tried hard enough, he could probably even remember the exact scores.
Of course, the abrupt beginning had its disadvantages. It was, in a sense, too arbitrary, too inexplicable. In spite of the almost excessive warmth he felt toward those first ballplayers, it always troubled him that their life histories were so unavailable to him: What had a great player already in his thirties been doing for the previous ten years? It was much better once a kind of continuity had been established, and when new players had taken over the league who had their whole careers still ahead of them. It was, in fact, when the last Year I player had retired that Henry felt the Association had come of age, and when, a couple years ago, the last veteran of Year I, old ex-Chancellor Barnaby North, had died, he had felt an odd sense of relief: the touch with the deep past was now purely "historic," its ambiguity only natural. Luckily, all the first-year records had been broken. And soon there would be no more living veterans born before Year I.
The rain tumbled like gentle applause on his umbrella. Under it he walked, skirting the puddles, dry in the deluge, as though glassed in under a peaked black dome. Hunched-up cars pushed through the streets like angry defeated ballplayers jockeying through crowds on their way to the showers. Henry waited at a corner for a red light. Offices emptied out, filling the streets. A policeman in a slicker stood stoically in the thick of the traffic, blowing his whistle and jerking his arms like a base coach urging a runner on. The light changed to green and Henry crossed over to his bus stop. Green. Slicker. Cop. Cop* per Greene. Might try it. Have to jot it down when he got home.
Everywhere he looked he saw names. His head was full of diem. Bus stop. Whistlestop. Whistlestop Busby, second base. Simple as that. Over a storefront across the street: Thornton's. He'd been looking for a name to go with Shadwell, and maybe that was it. Thornton Shadwell. Tim's boy. Pitcher like the old man? Probably. But a lefty. Will he play for the Stones? No. Unless the old man gets sacked this year. His Keystones were in a slump. Manager of the Year last year, in trouble this. Life was fast and brutal. More likely, Mel Trench's Excelsiors will grab young Shadwell up. Outstanding prospect.
Henry was always careful about names, for they were what gave the league its sense of fulfillment and failure, its emotion. The dice and charts and other paraphernalia were only the mechanics of the drama, not the drama itself. Names had to be chosen, therefore, that could bear the whole weight of perpetuity. Brock Rutherford was a name like that; Horace (n) Zifferblatt wasn't. Now, it was funny about names. All right, you bring a player up from the minors, call him A. Player A, like his contemporaries, has, being a Rookie, certain specific advantages and disadvantages with the dice. But it's exactly the same for all Rookies. You roll, Player A gets a hit or he doesn't, gets his man out or he doesn't. Sounds simple. But call Player A "Sycamore Flynn" or "Melbourne Trench" and something starts to happen. He shrinks or grows, stretches out or puts on muscle. Sprays singles to all fields or belts them over the wall. Throws mostly fast balls like Swanee Law or curves like Mickey Halifax. Choleric like Rag Rooney or slow and smooth like his old first-base rival Mose Stanford. Not easy to tell just how or why. Or take Old Fennimore McCaffree. He was "Old" the year he came up to play third base for the Knicks. And not just because he'd got an unlucky throw of the dice on the Rookie Age Chart and started in as a thirty-year-older, but because that was simply who he was: Old Fennimore. Scholar and statesman. Dark. Angular. Intense. Sinewy. Fast. Tough. Year XIX. Same Rookie year as Brock Rutherford. Fenn got overlooked in all the other excitement that year, but in XXI he stroked out a .371 to cop both the batting title and the year's Most Valuable Player Award. Determined man. But still Old Fenn. Now, just inquire of poor Woody Winthrop, who till then had been the perennial third-base All Star selection, and who, in fact, if Henry remembered rightly, had himself in that Year of the Rookie, Year XIX, won the MVP Award, if that was Player A he was getting eclipsed by. No, friends and voters, that was Old Fennimore. Shrewd, relentless, cool, reliable Fenn. When you scored against the Knickerbockers in those years, you even felt a chill just crossing third under Old Fenn's glare. Then, suddenly, he was not just old, he was too old. Great playing record, but too brief to be sure of making the Hall of Fame. And for Fenn there was no halfway house in history. A spectacular career as manager might be enough more to do the trick, he figured. So he talked Woody Winthrop, by then the champion Knickerbockers boss, into quitting his job to enter Association politics, while he himself, wily Old Fenn McCaffree, took over as manager of the team Woody had built. Something of a bastard, but he won ball games, and that was what counted in baseball. Twelve years, six championships. And so he did make it: Hall of Fame. And now he was even the UBA Chancellor. And whom did he succeed? Woody Winthrop. Looking back, it seemed all but necessary. Strange. But name a man and you make him what he is. Of course, he can develop. And in ways you don't expect. Or something can go wrong. Lot of nicknames invented as a result of Rookie-year surprises. But the basic stuff is already there. In the name. Or rather: in the naming.
The bus was late. Due to the bad weather probably. He might as well have stayed at the office. But no, he'd enjoyed this moment. It had given him time to think. Prepare his mind for tonight's activity. Exciting year, LVI. Years from now, he'd look back on it with the same nostalgia he was feeling now for Year XIX.
"Henry!" It was his friend Lou, trotting flatfooted through the puddles, holding his hat, coat undone and flapping in the rain. "Henry!" lie called again, but then couldn't get his breath to continue. The bus came. Henry smiled at Lou, squeezed aboard. "I... guess (wheeze) I'll... ride along," Lou gasped, and intruded his bulk.
The bus was jammed, they had to stand. People jostled, rammed them moistly toward the rear. Rain drummed on the roof. If skyscrapers were penis-prisons, what were the buses? the efferent tubes? The driver barked orders. Passengers protested at the shoving. Lou was the biggest in sight, so everybody turned their darkest looks on him. A woman complained about getting elbowed, and though it wasn't Lou's fault, he tipped his hat in apology, dripping water from the brim onto the evening paper of a man sitting next to them. The paper spoke blackly of bombs, births, wars, weddings, infiltrations, and social events. "You know, Lou," Henry said, "you can take history or leave it, but if you take it you have to accept certain assumptions or ground rules about what's left in and what's left out."
"How's . . . that?" squeaked Lou, wrinkling up his nose. His breath was still coming in short spasmodic gulps, and one gulp broke his question right in the middle. Lou oughtn't run so hard with his weight.
"History. Amazing, how we love it. And did you ever stop to think that without numbers or measurements, there probably wouldn't be any history?" He asked it that way for Lou's sake. Really, he was thinking the thoughts he always thought on buses and subways, drawing the old comparisons—why, he wondered, at such an inherently joyful moment, was he feeling so melancholy? Was it the rain? or maybe the unspoken recognition that Damon Rutherford, wonderful as he was, would someday have to hang up his cleats like all the rest? Maybe it was only because this was Year LVI: he and the Association were the
same age, though of course their "years" were reckoned differently. He saw two time lines crossing in space at a point marked "56." Was it the vital moment? Silly idea. It would probably get better next season. "At 4:34 on a wet November afternoon, Lou Engel boarded a city bus and spilled water from his hat brim on a man's newspaper. Is that history?"
"I... I dunno," stammered Lou, reddening before the sudden distrustful scowl of the man with the newspaper. "I (wheeze) guess so."
"Who's writing it down?" Henry demanded.
"Henry, listen, what's the matter? (Wheeze.) What was the point of that row with Mr. Zifferblatt anyhow? Where were you this (wheeze) morning? And where were you going in such a rush? Why, you left nine (wheeze) minutes early, did you know that? I had to run five blocks"—here his voice broke, and he had to gulp for air again—"almost to catch up to you. What is it, Henry? Can I help somehow? Is (wheeze) something wrong?" Once he got his wind, it came like a gale.
"No, no, like I told you, Lou, everything's fine, just fine. Wonderful, in fact." His stop. He stepped down, and Lou clumsily followed. Henry was impatient to get home, to look at that box score again, but he waited for Lou, who had no umbrella.
"I just don't understand you anymore, Henry!" Lou protested. There was an awkward silence as they walked along under the drumroll of rain. "Look, Henry, I got an idea, why don't you come along with me tonight? I found a new place, Mitch's Bar and Grill, great steaks—"
"Sorry, Lou, I'm busy tonight."
"That's what you always say, Henry. What do you do? I don't understand. Look, I got an idea—"
"Not tonight, Lou." They were at the front door of Diskin's Delicatessen. Maybe tonight was the night to show Lou the game. Yet, damn it, somehow he felt jealous of that perfect game, felt an uncommonly strong wish to be alone this evening, and besides, Lou could spoil it. His questions were almost never the right ones. "Some other time. I may want to go out and celebrate soon, in fact."
"Celebrate . . . ?"
"Would you like to use my umbrella, Lou? the rest of the way?"
"No, thanks, Henry, I catch a bus on the next corner and it's... but, but listen—"
"Say, Lou," Henry interrupted as he turned into the doorway of the stairs leading up to his apartment. "Is Mitch a first or last name?"
"Mitch? You mean the ... ? First, but... ?"
"What's his last name?"
"Porter, I think."
"Mitch Porter." Henry collapsed his umbrella and stood at the edge of the rain, listening to the name of Mitch Porter. Might make an outfielder. Or a good third baseman. "We'll have to try it sometime. Good night, Lou."
Lou sighed. "Night, Henry." His friend Lou looked dismal in the rain, hat brim adroop, eyebrows soggy, and if it hadn't been for the recording of the perfect game that awaited him, Henry would have relented, would have taken leave from the Association tonight and gone with Lou to Mitch's Bar and Grill, try to cheer him up. And, yes, someday, no doubt about it, he'd have to show Lou the game. If he didn't get it, so what? At least let him have his chance.
The stairway always had a certain smell that quickened Henry's pulse. Like hot dogs and beer in a ball park. Probably came from the delicatessen, but in any case it always made Henry take the last ten or fifteen steps on the run. At the door of his apartment, he was often grabbed by mild panic, felt the fragility of this thing he'd fashioned: a fire, theft, even a hard wind ... he drove the key into the lock, turned it, stepped inside.
But on the kitchen table, everything was in order, just as he had left it. Scorecard of the game, final entries scrawled a little excitedly perhaps. The dice still showed Hard John Hor-vath's grounder to third. In a sense, it was still that moment, and if he wanted to savor it or if he got occupied with something else, it could go on being that moment for weeks. And then, when things got going again, would the players have any awareness of how time had stopped? No . . . but they might wonder how all the details of that moment had got so firmly etched in their minds.
Of course, there were other games yesterday. The lowly Excelsiors had risen up to knock off the league-leading Knickerbockers, 6-to-2, trimming their edge over the surging Pioneers to two games. The Pastime Club, riding a winning streak, had edged the Keystones in the ninth inning, 4-to-3, to tie that team for third place and give troubled Tim Shad-well another white hair. And, in a second-division free-for-all, Winslow Beaver's Beaneaters had nailed Wally Wickersham's bumbling Bridegrooms deeper into the cellar, 12-to-8, both teams using five of their six pitchers in the hectic course of the game. The first thing Henry did after hanging up his hat, coat, and umbrella, was to bring the Team Standings Board up to date. The Board, which years ago Henry had constructed with removable wooden name-slats and numbers, hung on the wall behind the kitchen table. When he was done, it read:
Then he put on fresh coffee and switched on the light, a hundred-watt bulb with a green metal topee, painted white on the underside, that hung directly over the table. Next, he got out the binder of running pitching statistics for this year, filled in the details from the forty-seventh round of games. Henry had the forms for these statistics, like all his forms now, printed up for him by a small-job printer. There was room on each form for a full team of six pitchers, and there, with little marks that ended up looking like railroad tracks, he recorded their Games Pitched, Complete Games, Games Won, Games Lost, Shutouts, Strikeouts, Walks, Hits Allowed, Innings Pitched, Earned Runs Allowed, and Special Remarks. There were spaces for writing in, at year's end, the Won-Lost Percentage and Earned Run Average.
The coffee was done, so he poured himself a cup, returned now to the table to post the day's batting statistics. These charts were larger, had room for a full roster of twenty-one players (pitchers had batting averages, too, of course, and a couple of pitchers in UBA history had, in spite of the odds against them, hit their way into Star categories and become right fielders in the course of time), contained such information as Games Played, At Bats, Runs, Hits, Doubles, Triples, Home Runs,
Runs Batted In, Stolen Bases, and so on, with special columns to record Injuries, as well as Most Valuable Player points, awarded after each game. Room, too, for end-of-season Batting and Slugging Averages. As for injuries, these occurred with a dice roll of 3-3-3 on all nine of the basic charts; the dice were then thrown again to obtain the details of it from the special Injuries Chart, which included everything from a hit batsman who, uninjured, took his base, to multiple injuries that sometimes kept ballplayers out of the line-up for several games, or even the season. It was every manager's headache and it was probably the worst way to lose a pennant, to have your Ace nursing a chip in his elbow or your Stars hobbling around in casts, but it was a crucial part of the whole game, and though Henry always felt a twinge of remorse when it happened, he was pleased with that detail in his system.
Finally, the dullest job—recording of fielding statistics. The trouble was, all these averages stayed pretty much the same, and worth was a hard thing to judge by them. Incompetent ballplayers just didn't make it up to the big leagues in the first place, and as for the competent ones, a couple percentage points here or there didn't tell much of a story. He had managed to bring a little color and pattern to them with small subtleties worked in over the years, such that brilliant fielders took more chances, made fewer errors, had a better chance of throwing out base runners from the outfield or setting up double plays, but except for a handful of unusually flashy glovemen, he couldn't keep his mind on it. He had thought of giving them up altogether, they took a lot of time and didn't seem worth it, but there were all those fielding records already established, and what would they mean if they had no challengers? Besides, it was, as Sandy Shaw knew, the third part of the game: "... Pitchin', catchin', swingin', out on the field all day!" So he had stayed loyal even to this, the most wearying part of his game.
This done, the posting of all statistics from the day's play, Henry turned to the job he enjoyed most—writing it up in the Book. He'd begun the logs in Year IX, feeling
the need by then to take counsel with himself, though even before that, he had been writing up uncommonly exciting moments on loose sheets of typing paper (glad he did; these later got bound in). Now it consisted of some forty volumes, kept in shelves built into the kitchen wall, along with the permanent record books, league financial ledgers, and the loose-leaf notebooks of running life histories. He seemed to find more to write about, the more he played the game, and he foresaw the day when the number of archive volumes would pass the number of league years. He always used a standard-size record book, three hundred pages, good rag content for durability; he kept a shorthand point on his fountain pen and never used anything but permanent black ink, except when he underlined or boxed in extraordinary incidents or insights in a draughtsman's red ink. On the title page of each volume were the volume number and these words:
The Universal Baseball Association, Inc., J. Henry Waugh, Prop Page 5