P G Wodehouse - Uneasy Money

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by Uneasy Money

'But you were very nice to him. You told me yourself that you spent hours helping him to get rid of his slice, whatever that is.'

  'We happened to be the only two down there at the time, so I was as civil as I could manage. If you're marooned at a Cornish seaside resort out of the season with a man, you can't spend your time dodging him. And this man had a slice that fascinated me. I felt at the time that it was my mission in life to cure him, so I had a dash at it. But I don't see how on the strength of that I could expert the old boy to adopt me. He probably forgot my existence after I had left.'

  'You said you met him in London a month or two afterwards, and he hadn't forgotten you.'

  'Well, yes, that's true. He was walking up the Haymarket and I was walking down. I caught his eye, and he nodded and passed on. I don't see how I could construe that into an invitation to go and sit on his lap and help myself out of his pockets.'

  'You couldn't expect him to go out of his way to help you; but probably if you had gone to him he would have done something.'

  'You haven't the pleasure of Mr Ira Nutcombe's acquaintance, Claire, or you wouldn't talk like that. He wasn't the sort of man you could get things out of. He didn't even tip the caddie. Besides, can't you see what I mean? I couldn't trade on a chance acquaintance of the golf links to--'

  'That is just what I complain of in you. You're too diffident.'

  'It isn't diffidence exactly. Talking of old Nutcombe, I was speaking to Gates again the other night. He was telling me about America. There's a lot of money to be made over there, you know, and the committee owes me a holiday. They would give me a few weeks off any time I liked.

  'What do you say? Shall I pop over and have a look round? I might happen to drop into something. Gates was telling me about fellows he knew who had dropped into things in New York.'

  'What's the good of putting yourself to all the trouble and expense of going to America? You can easily make all you want in London if you will only try. It isn't as if you had no chances. You have more chances than almost any man in town. With your title you could get all the directorships in the City that you wanted.'

  'Well, the fact is, this business of taking directorships has never quite appealed to me. I don't know anything about the game, and I should probably run up against some wildcat company. I can't say I like the directorship wheeze much. It's the idea of knowing that one's name would be being used as a bait. Every time I saw it on a prospectus I should feel like a trout fly.'

  Claire bit her lip.

  'It's so exasperating!' she broke out. 'When I first told my friends that I was engaged to Lord Dawlish they were tremendously impressed. They took it for granted that you must have lots of money. Now I have to keep explaining to them that the reason we don't get married is that we can't afford to. I'm almost as badly off as poor Polly Davis who was in the Heavenly Waltz Company with me when she married that man, Lord Wetherby. A man with a title has no right not to have money. It makes the whole thing farcical.

  'If I were in your place I should have tried a hundred things by now, but you always have some silly objection. Why couldn't you, for instance, have taken on the agency of that what-d'you-call-it car?'

  'What I called it would have been nothing to what the poor devils who bought it would have called it.'

  'You could have sold hundreds of them, and the company would have given you any commission you asked. You know just the sort of people they wanted to get in touch with.'

  'But, darling, how could I? Planting Breitstein on the club would have been nothing compared with sowing these horrors about London. I couldn't go about the place sticking my pals with a car which, I give you my honest word, was stuck together with chewing-gum and tied up with string.'

  'Why not? It would be their fault if they bought a car that wasn't any good. Why should you have to worry once you had it sold?'

  It was not Lord Dawlish's lucky afternoon. All through lunch he had been saying the wrong thing, and now he put the coping-stone on his misdeeds. Of all the ways in which he could have answered Claire's question he chose the worst.

  'Er--well,' he said, '-noblesse oblige-, don't you know, what?'

  For a moment Claire did not speak. Then she looked at her watch and got up.

  'I must be going,' she said, coldly.

  'But you haven't had your coffee yet.'

  'I don't want any coffee.'

  'What's the matter, dear?'

  'Nothing is the matter. I have to go home and pack. I'm going to Southampton this afternoon.'

  She began to move towards the door. Lord Dawlish, anxious to follow, was detained by the fact that he had not yet paid the bill. The production and settling of this took time, and when finally he turned in search of Claire she was nowhere visible.

  Bounding upstairs on the swift feet of love, he reached the street. She had gone.

  2

  A grey sadness surged over Bill Dawlish. The sun hid itself behind a cloud, the sky took on a leaden hue, and a chill wind blew through the world. He scanned Shaftesbury Avenue with a jaundiced eye, and thought that he had never seen a beastlier thoroughfare. Piccadilly, however, into which he shortly dragged himself, was even worse. It was full of men and women and other depressing things.

  He pitied himself profoundly. It was a rotten world to live in, this, where a fellow couldn't say -noblesse oblige- without upsetting the universe. Why shouldn't a fellow say -noblesse oblige?- Why--? At this juncture Lord Dawlish walked into a lamp-post.

  The shock changed his mood. Gloom still obsessed him, but blended now with remorse. He began to look at the matter from Claire's viewpoint, and his pity switched from himself to her. In the first place, the poor girl had rather a rotten time. Could she be blamed for wanting him to make money? No. Yet whenever she made suggestions as to how the thing was to be done, he snubbed her by saying -noblesse oblige-. Naturally a refined and sensitive young girl objected to having things like -noblesse oblige- said to her. Where was the sense in saying -noblesse oblige?- Such a confoundedly silly thing to say. Only a perfect ass would spend his time rushing about the place saying -noblesse oblige- to people.

  'By Jove!' Lord Dawlish stopped in his stride. He disentangled himself from a pedestrian who had rammed him on the back. 'I'll do it!'

  He hailed a passing taxi and directed the driver to make for the Pen and Ink Club.

  The decision at which Bill had arrived with such dramatic suddenness in the middle of Piccadilly was the same at which some centuries earlier Columbus had arrived in the privacy of his home.

  'Hang it!' said Bill to himself in the cab, 'I'll go to America!' The exact words probably which Columbus had used, talking the thing over with his wife.

  Bill's knowledge of the great republic across the sea was at this period of his life a little sketchy. He knew that there had been unpleasantness between England and the United States in seventeen-something and again in eighteen-something, but that things had eventually been straightened out by Miss Edna May and her fellow missionaries of the Belle of New York Company, since which time there had been no more trouble. Of American cocktails he had a fair working knowledge, and he appreciated ragtime. But of the other great American institutions he was completely ignorant.

  He was on his way now to see Gates. Gates was a comparatively recent addition to his list of friends, a New York newspaperman who had come to England a few months before to act as his paper's London correspondent. He was generally to be found at the Pen and Ink Club, an institution affiliated with the New York Players, of which he was a member.

  Gates was in. He had just finished lunch.

  'What's the trouble, Bill?' he inquired, when he had deposited his lordship in a corner of the reading-room, which he had selected because silence was compulsory there, thus rendering it possible for two men to hear each other speak. 'What brings you charging in here looking like the Soul's Awakening?'

  'I've had an idea, old man.'

  'Proceed. Continue.'

  'Oh! Well, you remembe
r what you were saying about America?'

  'What was I saying about America?'

  'The other day, don't you remember? What a lot of money there was to be made there and so forth.'

  'Well?'

  'I'm going there.'

  'To America?'

  'Yes.'

  'To make money?'

  'Rather.'

  Gates nodded--sadly, it seemed to Bill. He was rather a melancholy young man, with a long face not unlike a pessimistic horse.

  'Gosh!' he said.

  Bill felt a little damped. By no mental juggling could he construe 'Gosh!' into an expression of enthusiastic approbation.

  Gates looked at Bill curiously. 'What's the idea?' he said. 'I could have understood it if you had told me that you were going to New York for pleasure, instructing your man Willoughby to see that the trunks were jolly well packed and wiring to the skipper of your yacht to meet you at Liverpool. But you seem to have sordid motives. You talk about making money. What do you want with more money?'

  'Why, I'm devilish hard up.'

  'Tenantry a bit slack with the rent?' said Gates sympathetically.

  Bill laughed.

  'My dear chap, I don't know what on earth you're talking about. How much money do you think I've got? Four hundred pounds a year, and no prospect of ever making more unless I sweat for it.'

  'What! I always thought you were rolling in money.'

  'What gave you that idea?'

  'You have a prosperous look. It's a funny thing about England. I've known you four months, and I know men who know you; but I've never heard a word about your finances. In New York we all wear labels, stating our incomes and prospects in clear lettering. Well, if it's like that it's different, of course. There certainly is more money to be made in America than here. I don't quite see what you think you're going to do when you get there, but that's up to you.

  'There's no harm in giving the city a trial. Anyway, I can give you a letter or two that might help.'

  'That's awfully good of you.'

  'You won't mind my alluding to you as my friend William Smith?'

  'William Smith?'

  'You can't travel under your own name if you are really serious about getting a job. Mind you, if my letters lead to anything it will probably be a situation as an earnest bill-clerk or an effervescent office-boy, for Rockefeller and Carnegie and that lot have swiped all the soft jobs. But if you go over as Lord Dawlish you won't even get that. Lords are popular socially in America, but are not used to any great extent in the office. If you try to break in under your right name you'll get the glad hand and be asked to stay here and there and play a good deal of golf and dance quite a lot, but you won't get a job. A gentle smile will greet all your pleadings that you be allowed to come in and save the firm.'

  'I see.'

  'We may look on Smith as a necessity.'

  'Do you know, I'm not frightfully keen on the name Smith. Wouldn't something else do?'

  'Sure. We aim to please. How would Jones suit you?'

  'The trouble is, you know, that if I took a name I wasn't used to I might forget it.'

  'If you've the sort of mind that would forget Jones I doubt if ever you'll be a captain of industry.'

  'Why not Chalmers?'

  'You think it easier to memorize than Jones?'

  'It used to be my name, you see, before I got the title.'

  'I see. All right. Chalmers then. When do you think of starting?'

  'To-morrow.'

  'You aren't losing much time. By the way, as you're going to New York you might as well use my flat.'

  'It's awfully good of you.'

  'Not a bit. You would be doing me a favour. I had to leave at a moment's notice, and I want to know what's been happening to the place. I left some Japanese prints there, and my favourite nightmare is that someone has broken in and sneaked them. Write down the address--Forty-blank East Twenty-seventh Street. I'll send you the key to Brown's to-night with those letters.'

  Bill walked up the Strand, glowing with energy. He made his way to Cockspur Street to buy his ticket for New York. This done, he set out to Brown's to arrange with the committee the details of his departure.

  He reached Brown's at twenty minutes past two and left it again at twenty-three minutes past; for, directly he entered, the hall porter had handed him a telephone message. The telephone attendants at London clubs are masters of suggestive brevity. The one in the basement of Brown's had written on Bill's slip of paper the words: '1 p.m. Will Lord Dawlish as soon as possible call upon Mr Gerald Nichols at his office?' To this was appended a message consisting of two words: 'Good news.'

  It was stimulating. The probability was that all Jerry Nichols wanted to tell him was that he had received stable information about some horse or had been given a box for the Empire, but for all that it was stimulating.

  Bill looked at his watch. He could spare half an hour. He set out at once for the offices of the eminent law firm of Nichols, Nichols, Nichols, and Nichols, of which aggregation of Nicholses his friend Jerry was the last and smallest.

  3

  On a west-bound omnibus Claire Fenwick sat and raged silently in the June sunshine. She was furious. What right had Lord Dawlish to look down his nose and murmur '-Noblesse oblige-' when she asked him a question, as if she had suggested that he should commit some crime? It was the patronizing way he had said it that infuriated her, as if he were a superior being of some kind, governed by codes which she could not be expected to understand. Everybody nowadays did the sort of things she suggested, so what was the good of looking shocked and saying '-Noblesse oblige-'?

  The omnibus rolled on towards West Kensington. Claire hated the place with the bitter hate of one who had read society novels, and yearned for Grosvenor Square and butlers and a general atmosphere of soft cushions and pink-shaded lights and maids to do one's hair. She hated the cheap furniture of the little parlour, the penetrating contralto of the cook singing hymns in the kitchen, and the ubiquitousness of her small brother. He was only ten, and small for his age, yet he appeared to have the power of being in two rooms at the same time while making a nerve-racking noise in another.

  It was Percy who greeted her to-day as she entered the flat.

  'Halloa, Claire! I say, Claire, there's a letter for you. It came by the second post. I say, Claire, it's got an American stamp on it. Can I have it, Claire? I haven't got one in my collection.'

  His sister regarded him broodingly. 'For goodness' sake don't bellow like that!' she said. 'Of course, you can have the stamp. I don't want it. Where is the letter?'

  Claire took the envelope from him, extracted the letter, and handed back the envelope. Percy vanished into the dining-room with a shattering squeal of pleasure.

  A voice spoke from behind a half-opened door--

  'Is that you, Claire?'

  'Yes, mother; I've come back to pack. They want me to go to Southampton to-night to take up Claudia Winslow's part.'

  'What train are you catching?'

  'The three-fifteen.'

  'You will have to hurry.'

  'I'm going to hurry,' said Claire, clenching her fists as two simultaneous bursts of song, in different keys and varying tempos, proceeded from the dining-room and kitchen. A girl has to be in a sunnier mood than she was to bear up without wincing under the infliction of a duet consisting of the Rock of Ages and Waiting for the Robert E. Lee. Assuredly Claire proposed to hurry. She meant to get her packing done in record time and escape from this place. She went into her bedroom and began to throw things untidily into her trunk. She had put the letter in her pocket against a more favourable time for perusal. A glance had told her that it was from her friend Polly, Countess of Wetherby: that Polly Davis of whom she had spoken to Lord Dawlish. Polly Davis, now married for better or for worse to that curious invertebrate person, Algie Wetherby, was the only real friend Claire had made on the stage. A sort of shivering gentility had kept her aloof from the rest of her fellow-workers, but it took
more than a shivering gentility to stave off Polly.

  Claire had passed through the various stages of intimacy with her, until on the occasion of Polly's marriage she had acted as her bridesmaid.

  It was a long letter, too long to be read until she was at leisure, and written in a straggling hand that made reading difficult. She was mildly surprised that Polly should have written her, for she had been back in America a year or more now, and this was her first letter. Polly had a warm heart and did not forget her friends, but she was not a good correspondent.

  The need of getting her things ready at once drove the letter from Claire's mind. She was in the train on her way to Southampton before she remembered its existence.

  It was dated from New York.

  MY DEAR OLD CLAIRE,--Is this really my first letter to you? Isn't that awful! Gee! A lot's happened since I saw you last. I must tell you first about my hit. Some hit! Claire, old girl, I own New York. I daren't tell you what my salary is. You'd faint.

  I'm doing barefoot dancing. You know the sort of stuff. I started it in vaudeville, and went so big that my agent shifted me to the restaurants, and they have to call out the police reserves to handle the crowd. You can't get a table at Reigelheimer's, which is my pitch, unless you tip the head waiter a small fortune and promise to mail him your clothes when you get home. I dance during supper with nothing on my feet and not much anywhere else, and it takes three vans to carry my salary to the bank.

  Of course, it's the title that does it: 'Lady Pauline Wetherby!' Algie says it oughtn't to be that, because I'm not the daughter of a duke, but I don't worry about that. It looks good, and that's all that matters. You can't get away from the title. I was born in Carbondale, Illinois, but that doesn't matter--I'm an English countess, doing barefoot dancing to work off the mortgage on the ancestral castle, and they eat me. Take it from me, Claire, I'm a riot.

  Well, that's that. What I am really writing about is to tell you that you have got to come over here. I've taken a house at Brookport, on Long Island, for the summer. You can stay with me till the fall, and then I can easily get you a good job in New York. I have some pull these days, believe me. Not that you'll need my help. The managers have only got to see you and they'll all want you. I showed one of them that photograph you gave me, and he went up in the air. They pay twice as big salaries over here, you know, as in England, so come by the next boat.

 

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