Mr. President? she said. Did I do something wrong?
Come now, sweetheart, he said. That’s no way to talk to your husband. How many times have I told you to call me Jean? You have that right now, you know. You are my wife. You are no longer the girl working in that awful orphanage. I’m no longer the president of Haiti. As of this morning I gave up the job, remember? I threw it all away for you, my love. In fact, once we get on that plane, I’ll have the UN PR guy send a press release out telling the whole world that I shall be known henceforth as Mr. Natasha Robert. Your name will be my name. That’s my new name. Do you like it? I like it. I think it has a nice ring to it.
Natasha did like it. She looked past his smiling eyes at the range of treeless brown mountains that bordered the airport. Two days earlier, they had gotten married in a hastily arranged ceremony that fell somewhere between a shotgun and a bazooka wedding. Held in Sacré Coeur, a small yet beautiful church, the ceremony struggled for cheer. The sky was overcast. The mood inside the church was rushed and tense. Sweat ran down her back, causing her body-fitting dress to cling too tightly to her muscular frame. They exchanged their vows in whispers at an altar filled with flowers and candles the scent of vanilla. The groom cried. The bride didn’t. His ancient mother and seemingly even more ancient friends wore looks of disbelief. Many of them were giddy as girlfriends. Natasha suspected some of them had cashed in longtime bets on whether their buddy would ever make it down the aisle. She didn’t invite anyone she knew to bear witness to their union. She didn’t even tell her few friends about her wedding plans. They would have disapproved. Weren’t you supposed to marry the other guy? they’d say, a reminder she didn’t need. She wished to be as alone as possible during the transaction, er, event. She also hoped the event went by quickly, which it did; thus only now did Natasha Robert find herself asking questions with answers the young girl should have intuited much sooner, if she was into such things like forethought when it came to men.
Again, she thought of her parents. Such sweet losers. Her mother was a beggar, a peddler, and an all-around hustler. Her dear papa never had a job that she could think of, but somehow he rarely came home empty-handed. He could read too. Bedtime stories were the best. They had one book—The Adventures of Pippi Longstocking by Astrid Lindgren—but the best part of the night was after he’d close the book and talk to her. He told her she was the embodiment of his happiness, thus she was destined to always be happy. He told her this every night.
We were so happy you were born, he said. You were such a happy baby. We didn’t have much, but we had love. We loved each other, and we loved you. À mort. We were badass about love.
The word “ass” made her laugh. It brightened her mood. We were badass about love. You used a bad word, Papa, she’d giggle, and voilà, all funk was lifted, the memory of her latest fight with her mother was swept under her spiritual rug.
Do you understand how much we love you, chérie?
Yes, Papa.
Never forget it, sweetheart, but, uh, don’t use that language around your mom, OK? I don’t want her to kick my ass. You know how she is. I ain’t as tough as you are.
Oh, Papa, she’d swoon.
Papa wore an Afro and a handlebar mustache long after they stopped being cool. Why don’t men wear mustaches anymore? Papa came from the north, probably Port-de-Paix. He never specified. I was born in a manger deep in a jungle, he said. My parents were kind and God-fearing, so angels visited them after my birth, like they visited us after you arrived.
That was all he offered by way of origin story. It confused Natasha, but she was often too tired and grateful for his undivided attention to question it, choosing instead to listen quietly to the soothing purr of his baritone voice and romantic take on everything. At a young age, he said another night, I came to Port-au-Prince, alone, barefoot, and shirtless. My pants were too small. I was young, but I was happy to be here. This is the city of dreams. I was eager to get my piece of it. I was famished, you see. Hungry. My father had been a captain in the army back when we had an army. Our country had no obvious need for an army, but an army had freed us from slavery, and we grew paranoid about going back to slavery, so a new army had to be available to try to keep potential new slave-masters at bay. Anyway, a new president came into power at the peak of my father’s powers and was kindly told by the foreigners who bankrolled his existence to disband the army, and disband it he did. Our family fell on hard times. Of course, our hardest times were nothing compared to the hard times of most of our neighbors. But still. Yes, dear, my father was an ex-mighty man. Nothing worse than a man of highly visible importance to his community fallen to the level of the ordinary. Papi struggled terribly with anonymity. That’s partly why I hope you never develop a taste for alcohol or celebrity or both. Your grandfather had his flaws but he was a good man. He never cut a corner nor smiled unnecessarily. See these muscles on my arms? His were bigger. If he was a little bit corrupt, if he was one of those people who thought the job in the army was a crown and not a difficult public service for a difficult public in need of more services than the government had means to deliver, if he didn’t worry about how I would think of him after word got out that he worked for the bad guys doing bad things, even though I was a child who thought he could do no wrong, if his legacy to me was less of a preeminent concern of his, which indirectly led to his loss of career and subsequent bankruptcy and love affair with Rhum Barbancourt—how that man, come to think of it, managed to drink himself to death, discreetly too, in our little quartier, is pretty fucking genius, pardonne mon français—if he was less noble, we’d be richer but much poorer for it. Because of his sense of honor we were never that poor.
Natasha laughed a small laugh. These confessions by her father often took place in her small candlelit room after her father had tucked her in bed, a bed made of cardboard and a too-small towel. He spoke carefully in a valedictory tone. It was as if he wasn’t sure he’d be around or alive in the morning and he had to make sure Natasha knew the Robert family history. Like most things in their country, their familial existence was fragile and easily snuffed out by unexpected forces, he felt. If he didn’t share their story with her, there was nowhere else for her to look it up. It wasn’t recorded much anywhere else and whatever records did exist could disappear in a flash of random fires and other disasters, though her father often made clear that she had no reason ever to feel unlucky or cursed or any such nonsense.
Oh, Papa, she said. This was the way the sleepy little girl indicated she’d gotten her father’s lesson de la soirée and wished to sleep. But Papa wanted her to like him and think him an honorable man. That these things mattered, that integrity and a sense of charity even when inhabiting a “borrowed” house with no roof in a country where any half-wit with a good smile could scare up money to live beyond his means, these were essential aspects of the Robert family character. He wanted five-year-old Natasha, and fifteen-year-old Natasha, and, hopefully, twenty-, thirty-, and fifty-year-old Natasha to remember these values as deeply and permanently as her pigmentation. Neither Papa nor young Natasha had any idea that Natasha would eventually become a twenty-year-old who’d sold her soul for a pot of gold.
She looked around her: a dozen stone-faced, armed, and oddly young Asian, Latino, and African soldiers stood behind her, the most powerful man in the country was in front, a jet with its engines running was impatiently welcoming her, open-ribbed. That morning, she had locked the one person capable of persuading her not to leave Haiti in a bedroom closet. For good measure, she had thrown away the key. Yes, Natasha, she told her herself, you screwed up. There’s no way out of this one. There won’t be a do-over.
You know, Natasha, Ernst Robert, her papi, would say at the end of her bedtime sermon in a bid to keep Natasha’s eyes from completely glazing over, You know, I know that all my talk about love, of legacies, honor, and family values will no longer be fashionable by the time you grow up and have to make tough decisions. They were already out of fashion
when I was your age.
Fashionable or not, Papi said, being good for goodness’ sake, and not simply for beneficial outcomes, is what separates us from the animals, sweetheart.
Damn it, Natasha, stop thinking about that boy, or else you’re going to start crying again. A woman without grace—Papa’d say “woman” pointedly, like, this is no literary trick, I’m talking about you, girl; the candlelight at her bedside would flicker—a woman without grace and a sense of love towards her family will make decisions that could cause her enough grief to wound and scar and torture her for the rest of her life, a living death of a life, let me tell you. You betray your soul and you never get to live it down. Trust me. I know. There are worse ways to kill yourself than drinking yourself to death. Just look down your street. Just look at some of the faces on the sidewalk, on porches, hell, the stories on the radio, all the begging, all the false pride, there are way worse ways . . .
Papa would then shake his head in sadness for broken families and wayward children turned wayward adults. As a little girl listening to these sermons, Natasha had only a faint idea of what her father was talking about. The girl dug the moments just the same. She felt loved by his undivided attention. The care and tenderness were heavy and sweet. That’s all that mattered to her. Her father’s brown eyes got smoky. Come with me, he said, come forgive your mother for loving you too hard, you lovable brat.
Papa would get up, turn and walk, and expect me to follow him like I was his equal, his friend. He’d never ask for my hand, like I was too mature for that. I’d grab his hand with both of mine anyway and nuzzle against his strong arm. He’d soften up his posture. I held on to him with both hands way longer than I needed and way tighter than I would hold on to anything else ever in my life.
Natasha stared at her new husband’s hand with a fine layer of horror. On his ring finger he wore a big gold ring crowned with blue diamonds. The diamonds sparkled in the afternoon sun. She felt the full weight of the cliché she was becoming collapse on her shoulders after months of denial. The cliché her ex who shouldn’t be an ex probably believed she had become, and, worse, probably always thought she would become. Part of her hated the ex for being right. And she loved him, too, despite her desperate wish to stop doing so. If she ever saw him again—and the feelings this thought created gave her heartburn—if he forgave her for what she did to him, the ordeal her rejection put him through, if she saw him again, just one more time, even if it was only to say a proper good-bye, she would be straight with him. She would love him for who he was and no longer hold all the things he wasn’t against him. On that day, she, the poor girl made damn good, would hope she would be spared the look of disappointment her father in the real heaven would someday give her if they ever met. She knew winning her ex-lover’s forgiveness would require her to withstand her lover’s pain. The boy would make her feel like shit. Or worse, he would go all Haitian on her and fucking hide his disappointment from her rejection with a shrug and a blank, distant, higher-minder stare. Indifference. Oh, that would kill her. She would rather die now than experience the killing stroke of his indifference.
Is something the matter, Natasha? the President said, his face obscured by the shadow cast by the immense erect American Learjet.
No, Natasha said. Everything’s fine. Allons, chérie. With that, Natasha clasped her husband’s hand fully. She squeezed the hand too, for good measure. The President was so visibly relieved his face and body shrank. He closed his cell phone and began climbing the stairs to get on the airplane with Natasha in tow. However, the minute Natasha put her foot on the first step, the earth shook. Wildly, like a beast. Then came the roar of an explosion, like the cracking of the biggest oak tree ever—the tree of life?—and the ground split and splintered, into ever-growing waves that extended as far as the eye could see. As if she weighed as little as a doll, the force picked Natasha up and threw her backward, but the ground reached her before she could begin a downward arc. The ground rose up to hit her, repeatedly, and rapidly, so quickly, in fact, she barely felt the blows. The sound beneath the wave of earth reaching for her was a roar, a guttural outburst like the explosion of thousands of volcanoes. The roar horrified and enveloped Natasha. It suffocated her, and she found herself floating, body-surfing in a cocoon of violent sounds. Her arms and fingers flailed, clutching nothing but air. In her panic, she looked to the soldiers for help. They were too busy being crushed by tons of cream-painted walls. The airport’s walls casually snuffed out their lives and newly lit cigarettes, as the falling walls of nearly every building in Port-au-Prince did to almost everyone else in their way that instant.
Alain! Natasha screamed, with, presumably, her dying breath.
A CLOSET IN THE NATIONAL PALACE
The morning before the earthquake struck, Alain Destiné was trapped in a closet in the National Palace, paralyzed with self-pity after losing his girlfriend. Sitting on a carpeted floor, naked as a bird and staring at his shriveled glory with a dumbfound look, he spent the entire day trying to figure out how his luck had run out on him. How he didn’t get the girl. Before getting trapped in the closet, he was splayed on Natasha’s large bed in a sea of creamy silk sheets, awash in a postcoital glow. Caressed by streams of pale yellow light filtering through the venetian blinds of his lover’s mansion in the center of town, Alain watched the love of his life pack her things to leave him and their country for another man, yet, out of habit, for he was a born optimist, he still liked his chances of changing her mind.
Last night was incredible, baby, he said. He joked that she shouldn’t put their condoms away too early.
I’m almost ready for round four.
Alain did that, joke when life was taking a bad turn. Natasha wore that studious look she got whenever she wanted to create calm around her to lock in a decision, a quality he found deeply attractive, if unnerving. She looked lovely in her white sundress.
You do realize you don’t have to go, he said.
The crack in his voice made Alain wish he hadn’t said what he said as soon as he’d said it.
Natasha sucked her teeth. Really, Alain? she said. Please let’s not talk about this anymore. What’s the alternative for me? Stay here with you until you get tired of me and leave me behind?
I’ll ignore that provocation, he said. You know I will never leave you. You own me.
Alain smiled at this, for it was true. Despite her effort not to, Natasha smiled at this one truth they shared.
Stay, he continued. Together, we could turn the bookstore and all the other businesses I’ve started into something special. It won’t be long before someone pays my father a lot of money for the store. We’ll live in the big house. Have children . . .
You and your big business fantasies! They never stop, do they? They take too long to become reality.
Because they’re realistic. Growth takes time. It’s normal. It’s normal in the US and Europe, too. So it should be normal here. Come on, you loved hanging out at the bookstore. I told you about that Canadian couple that was interested in buying it a few months back. Once we spruce it up, we’ll get an even better price for it. I’ll have the nest egg to set us up in Montreal or New York.
Those cities are too cold for me, she said.
Miami then. Even though I hate Miami.
I love Miami, though I’ve never been. I hear it’s nice and small and warm.
It’s also dirty. You have to drive too much there for me. There’s a highway there, I-95. Almost every day you see a couple cars on the side of the road crunched up in ridiculous shapes after accidents. Sometimes I can’t even figure out how the cars collided to produce those shapes. I suppose you could have fun there, turning those scenes into paintings. You love the macabre.
Even while blustering to buy time, Alain Destiné could tell he’d upset Natasha. She stiffened in her thin white dress, which had acquired a bluish tint from the first rays of the dawn sunlight. She hated the way he, like many people, spoke of art, especially her art, as though th
e work allowed them to read the artist. Like they knew her. Don’t tell me what I love to do, she thought. Don’t tell me about myself because part of you was aroused while taking in my art. The connection between the work produced and me, my heart, is never as simple and linear as you want it to be. Alain remembered the first lecture Natasha had given her about this: I create because I like to do it when I’m moved to do it, and it feels natural, funny. The colors and shapes flow through me. I create images and not words because I’m not interested in debate or discussion. I even know novelists who feel the same way. I bet most do. I could care less what you think of it. Experience it as romantic or macabre all you want, for sure, but keep your theories about it, and me, to yourself.
She didn’t say all that to Alain this time, for she was tired and ready to move on with her life. Still . . .
You and that fucking nest egg, she said.
Yeah, that fucking nest egg, he said. You’re an artist, baby. People don’t have to know who you are or what you look like or even if you can speak English before they buy your work, invest in you. Me, I’ve been to other countries. I’ve seen life there. Jobs good enough to take care of a family are almost as hard to secure in lands of plenty when you’re a foreigner as they are here. No one likes immigrants, especially your precious Europeans. Notice how I talk about jobs when it comes to life abroad while here I talk about creating organizations. Out there, I can’t just go out, make shit up, and make a living. I can here.
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