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Violins of Hope

Page 24

by James A. Grymes

“Hatikvah,” 56, 81, 87, 210, 232, 281

  Haydn, Joseph, 20, 63, 64, 160–62

  Hechalutz, 75–76

  Heide, Harald, 160–62, 164–66

  Heifetz, Jascha, 3, 10

  Helios, 80–82

  Helset, Olaf, 190

  Herset, Kjellaug, 179–80

  Himmler, Heinrich, 117

  Hird, 153, 169

  Hitler, Adolf, 18, 63, 65, 107, 133, 143, 153, 171, 247, 279

  Hitler Youth, 160

  Hlinka Guard, 77–79

  Holocaust History Museum, 281

  Höss, Rudolf, 118

  Hubay, Jenő, 43

  Huberman, Bronisław, 11, 15, 29–49, 51, 52, 57

  Iaşi, 197–99, 203

  Israel, 56, 231, 232, 279

  Winingers in, 232–33

  Israel Philharmonic Orchestra, 29, 56, 209

  Järvsö, 190

  Jawor, Tadeusz, 116

  Jewish Agency for Palestine, 45–46, 48

  Jewish Culture League, 22–29, 32, 38, 39, 45, 108, 109

  Jewish Historical Institute, 279

  Jewish National Fund, 50

  Joachim, Joseph, 30

  Johan de Witt, 94–95

  Johannesen, Jim, 169

  Juilliard School, 5

  Juliek (violinist), 144–45

  Kaddish, 249–50, 262

  “Kaddish” (Ravel), 210

  Karajan, Herbert von, 66

  Karol (informant), 265–66, 269–72

  Kirkenes, 190

  Kirkenes March, 190

  Kishinev, 240

  Klemperer, Otto, 26–27

  Klezmer, 10, 291

  “Kol Nidrei,” 224

  Kopka, Franz, 123–28

  Kopyciński, Adam, 119

  Korets massacre, 249–50, 278, 279

  Krasnovka, 238–40, 242, 243, 245–46, 255, 256

  Kreisler, Fritz, 20

  Kristallnacht, 27–28, 57, 70, 108, 156–57

  Krongold, Chaim, 288–89

  Krongold, Edna, 290

  Krongold, Nadir, 289–90

  Krongold, Shimon, 5, 12–13, 283, 288–91

  Kursk, 265

  Laks, Szymon, 120–21, 125–32, 135, 138, 147

  LaSalle Quartet, 147

  Law for the Restoration of the Professional Civil Service, 18–19

  Léhar, Franz, 273

  Lengsfeld, Josef, 29

  Levi, Primo, 145–46

  Levin, Robert, 186–87, 189, 190, 193

  Lewin, Heinz, 137

  Liese, Teodor, 291–92

  Löbel, Harry, 208–10

  Loeb, Dora, 40

  Lubin, 257–59

  Lunde, Gulbrand, 167, 169–70, 173

  Lunger, Alfred, 42

  Lwów, 285

  Mahler, Alma, 138

  Mahler, Gustav, 20, 137–39

  Malmö, 183

  Malmö Symphony Orchestra, 183

  Manchester Guardian, 31

  Mandel, Maria, 137

  Mania (radio operator), 263–64

  Mauritius, 11, 91, 95–104

  Medinat Israel, 232

  Melamed, Avraham (Harry Löbel), 208–10

  Melk, 80–82

  Mendelssohn, Felix, 10, 20, 36, 55, 121

  Mengele, Josef, 123, 130, 139, 141, 142, 176

  Menuhin, Yehudi, 10

  Meyer, Henry, 24, 107–10, 121–23, 125–26, 134, 146–47

  Meyerbeer, Giacomo, 20

  Milos, 82, 83, 87–90

  Mintz, Shlomo, 5, 10, 148, 194

  Mogilev, 214

  Mogilev-Podolski, 208–10

  Molotov-Ribbentrop Pact, 242–43

  Møre, 168

  Møystad, Oliver, 169

  Mozart, Wolfgang Amadeus, 20, 32, 118, 129

  “My Yiddishe Momme,” 221–22

  Narvik, 152, 168

  National Union Party, 152, 154, 161, 184

  National Youth, 160–66

  Nazi Germany:

  borders sealed in, 107

  Final Solution enacted in, 26, 72

  Jewish Culture League in, 22–29, 32, 38, 39, 45, 108, 109

  Kristallnacht in, 27–28, 57, 70, 108, 156–57

  Law for the Restoration of the Professional Civil service in, 18–19

  Molotov-Ribbentrop Pact and, 242–43

  musical instruments and manuscripts seized in, 286–88

  Nuremberg Laws in, 25, 181, 197, 246

  Reich Association of Jewish Culture Leagues in, 25–26

  Reich Chamber of Culture in, 19, 154

  Reich Chamber of Music in, 19–20, 36, 162

  removal of Jews from employment in, 18–19

  Nazi Soldiers Club, 12, 269–75, 280

  Neumann, Hans, 79

  New Music Association, 193

  New York Times, 34

  Nierychło, Franciszek, 116, 119

  Nieuw Zeeland, 94–95

  Norway:

  Glaser’s escape from, 176–82

  Glaser’s return to, 191

  Nazi occupation of, 152–54, 165, 167–70, 175

  resistance movement in, 171–72, 176–78, 186

  Norwegian Academy of Music, 193

  Norwegian Broadcasting Corporation, 154

  Norwegian National Revival, 158

  Norwegian National Theatre, 158

  Nuremberg Laws, 25, 181, 197, 246

  Obukhov, 213

  Olyka, 248

  Öreryd, 187–89

  Ornati, Giuseppe, 8

  Oslo, 152, 154, 158, 165, 167–69, 172, 174, 175, 179, 181, 191, 193

  Oslo Philharmonic Orchestra, 11, 149, 151, 155–57, 159, 167, 189, 191–93

  chamber orchestra of, 192

  Oświęcim, 110

  Ovruch, 265–66, 269–72, 274

  Pacific, 82, 83, 87–90

  Paderewski, Ignacy Jan, 268

  Palestine, 3–4, 11, 26, 31, 33–34, 73–77, 82–84, 86–94, 102, 103, 209, 232

  Balfour Declaration and, 44–45, 50

  conflict between Arabs and Jews in, 45, 47, 74, 88

  White Papers and, 45, 74

  Palestine Orchestra, 11, 15, 33–58, 73, 107, 155

  first concert of, 47, 54–56

  immigration visas for members of, 44–49

  musicians’ arrival at, 49–52

  Patria, 87, 89–91

  Patrónka, 77–80

  Peer Gynt, 185

  Pentcho, 81

  Perlman, Itzhak, 10

  Philosophy Club, 189

  Placht Brothers violins, 226–27

  of Wininger, 226–27, 230, 233–34

  Poland, 242

  Polischuk, Basia, 39

  Ponary, 6, 7

  Popov (explosives expert), 271, 272

  Poulsson, Magnus, 172

  Poulsson, Berit, 177

  Puccini, Giacomo, 99

  Quakers, 11, 72–73

  Quisling, Vidkun, 152–53, 161, 165, 167–70, 181, 184

  Ravel, Maurice, 210

  Reich Association of Jewish Culture Leagues, 25–26

  Reich Chamber of Culture, 19, 154

  Reich Chamber of Music, 19–20, 36, 162

  Reidarson, Per, 154

  Riefling, Robert, 172

  Robinson, Judge, 216–17, 221, 223

  Romance for Violin, 189

  Romania, 197–99, 231–32

  Romsdal, 168

  Rosé, Alma, 137–39

  Rosé, Arnold, 137

  Rosenstock, Joseph, 26–27

  Rossini, Gioachino, 55

  Rostal, Max, 155

  Rovno, 248

  Sachnowitz, Herman, 174–76

  Sachsenhausen, 27, 136

  Sagberg, Lars, 179–80

  St. Louis, 74–75

  Salomon, Horst, 39

  Sarasate, Pablo de, 187

  Scazinetz, 210, 213

  Schiefer, Heinrich, 38–39

  Schlein, Batyale, 238, 240, 241, 243, 244, 248, 251, 252, 275, 279

  Schlein, Burtzik, 238, 239, 243, 244, 2
46–48, 250–52, 256, 275, 279

  Schlein, Chana, 238–40, 243–44, 246, 251, 252, 275, 279

  Schlein, Mordechai “Motele,” 12, 237–48, 250–81

  death of, 278–79

  farmer and, 254–56

  in forest, 237–39, 253–54, 257

  Soldiers Club and, 12, 269–75, 280

  in Uncle Misha’s Jewish Group, 12, 235, 239, 250, 257–80

  violin of, 237, 241–42, 253, 254, 266–69, 271–74, 279–81, 290

  Schnéevoigt, Georg, 174, 183–84

  Schoenberg, Arnold, 20

  Schönbrunn, 81–82

  Schubert, Franz, 55, 132

  Schumann, Heinz “Coco,” v, 142–43

  Schuschnigg, Kurt, 63

  Schuyer, Ary, 40

  Schwalbé, Michel, 4–5, 283

  Schwarz, Rudolf, 27, 41

  Schwarzhuber, Johann, 120, 126, 130–36

  Sgarabotto, Pietro, 8

  Shargorod, 214, 228

  Shargorod Ghetto, 214–16, 220–22, 228

  Shargorod Jewish Police, 222–23

  Shavuot, 249

  Sibelius, Jean, 191

  Sinding, Christian, 157

  Singer, Kurt, 22, 25, 41

  Slobodárni, 77–78, 80

  Soldiers Club, 12, 269–75, 280

  Solomon (teacher), 240–42

  “Solveig’s Song,” 185

  Sommerfeld, Kurt, 21–22, 39, 41

  Sommerfelt, Søren Christian, 174

  Sonderkommando, 127, 134–35

  Sørensen, Henrik, 173

  Sousa, John Philip, 117

  Soviet Union, 161, 199, 228–29, 231

  Molotov-Ribbentrop Pact and, 242–43

  Poland invaded by, 242

  Spanish Dances, 187

  Steen, Randi Heide, 187

  Steinberg, Hans Wilhelm, 27, 32, 38–41, 52

  Steltzer, Theodor, 170–71

  Stern, Isaac, 10

  Stettin, 175

  Storfer, Berthold, 76, 77, 79–80, 86

  Stormoen, Hans, 164

  Stradivari, Antonio, 217

  Strauss, Richard, 36

  Strongin, David, 281

  Stroumsa, Jacques, 111–15, 120, 129, 147

  Surowicz, Jacob, 42

  Svendsen, Johan, 189

  Sweden, 152, 169–71

  Glaser’s escape to, 176–90

  Swedish Aid for Norway, 186, 189

  Swedish Music Society, 183

  Sydspissen, 168

  Sylou-Creutz, Edvard, 154

  Tartini, Giuseppe, 122

  Taube, Michael, 26, 32

  Tchaikovsky, Pyotr Ilyich, 161

  Tel Aviv, 5, 31–32, 34, 50, 51, 232–33

  Theresienstadt, 140, 142

  Toeplitz, Erich, 24, 26, 40, 49–50

  Torgersen, Christine, 192–93

  Torgersen, Torleif, 193

  Toscanini, Arturo, 15, 35–38, 43, 51–55

  Transnistria, 12, 199–209, 214, 215, 219, 228, 233, 286, 292

  Treblinka, 6

  Tromsø, 168

  Trøndelag, 168

  Trondheim, 165, 168

  Two Hebrew Melodies, 210

  Uncle Misha’s Jewish Group, 12, 235, 239, 250, 257–80

  Red Army and, 275

  Union of Norwegian Artists and Journalists, 154

  Uranus, 80–82

  Van Weren, Lex, 118

  Vatelot, Étienne, 8

  Vatra Dornei, 218

  Verbena, 89

  Vilna, 6–7

  violins, 10, 20, 58, 286

  Amati, see Amati violins

  of Bull, 151, 159–61, 163, 166, 172, 191, 193–94, 217, 292

  of Glaser, 178, 183

  Guarneri, 159, 217, 288; see also Guarneri, Bartolomeo Giuseppe

  in Holocaust, 10–13, 285–92

  Jewish symbols on, 291

  Placht Brothers, see Placht Brothers violins

  of Schlein, 237, 241–42, 253, 254, 266–69, 271–74, 279–81, 290

  unidentified, 290–92

  Wagner, 57–58, 280

  of Weininger, 67, 69, 87, 93–94, 99, 103, 104

  of Wininger (Amati), 217, 219–23, 226, 227, 286, 292

  of Wininger (Placht Brothers), 226–27, 230, 233–34

  Violins of Hope, 59, 281

  Bull’s violin and, 193–94

  Schlein’s violin and, 280–81

  Weininger’s violin and, 67, 69, 87, 93–94, 99, 103, 104

  “Volga Song,” 273

  Volhyn, 245

  Volhynia, 235, 237–39

  Nazi occupation of, 245–53

  Vollan, 168

  Wagner, Benedict, 57

  Wagner, Richard, 18, 20, 38, 57

  Wagner Violin, 57–58, 280

  Walter, Bruno, 26

  Weber, Carl Maria von, 55

  Weinberger, Jaromír, 161

  Weingartner, Felix, 43

  Weininger, Erich, 11, 63, 65, 67, 69–70, 72–76, 79, 82, 87, 90, 93–94, 99, 103–4, 107, 108, 232

  in Beau Bassin Boys, 61, 99

  death of, 104

  marriage of, 101

  violin of, 67, 69, 87, 93–94, 99, 103, 104

  Weininger, Karl, 73

  Weininger, Otto, 73

  Weininger, Ruth Rosenthal, 101

  Weininger, Tova, 104

  Weininger, Ze’ev, 101, 104

  Weinstein, Amnon, 1, 3, 5, 7–10, 58–59, 285–86, 290–92

  Krongold’s violin and, 290, 291

  Schlein’s violin and, 279–81, 290

  Weininger’s violin and, 104

  Wininger’s violin and, 233–34

  Zimmerman and, 8, 290, 291

  Weinstein, Assi, 8–9

  Weinstein, Avshalom, 8, 9

  Weinstein, Esther, 3, 5

  Weinstein, Golda (Zahava), 3–4, 5–7

  Weinstein, Moshe, 1, 3–8, 57–58, 290

  Weinstein, Yaakov, 4

  Weintraub, Leon, 132, 136

  Weizmann, Chaim, 48

  Wieniawski, Henryk, 241

  Wiesel, Elie, 144

  Wininger, Feivel, 12, 195, 200–202, 204–8, 210–34

  Amati violin of, 217, 219–23, 226, 227, 286, 292

  cello of, 224–25

  in Israel, 232–33

  Placht Brothers violin of, 226–27, 230, 233–34

  Wininger, Helen, 195, 201, 202, 204, 205, 207, 208, 212, 214, 223, 229, 232–34

  Wininger, Tzici, 201, 202, 204, 205, 207, 208, 212, 214, 215, 223, 227, 229, 232, 233

  World War I, 17–18, 21

  World War II:

  end of, 102

  Nazis’ seizure of musical items during, 286–87

  neutrality in, 171

  World Zionist Organization, 48

  Yad Vashem, 148, 171, 281

  Holocaust History Museum, 281

  Yellin, Thelma, 56

  Zaborski, Jan, 121, 123

  “Zapateado,” 187–88

  Zeiss Ikon factory, 109

  Zelmanowicz, Rachela, 139

  Zhytomyr, 235, 265, 266, 269

  Zimmerman, Heinrich, 40

  Zimmerman, Yaakov, 4–5, 8, 283, 290, 291

  Zionism, 3–4, 26, 31, 45, 48, 75, 231–32

  Zipper, Herbert, 65–69, 72, 116

  Zukerman, Pinchas, 5, 10

  ABOUT THE AUTHOR

  JAMES A. GRYMES is an internationally respected musicologist and a critically acclaimed author. He holds a bachelor’s degree in music education from Virginia Commonwealth University, master’s degrees in historical musicology and music performance, and a PhD in historical musicology from Florida State University. His three previous books are about the Hungarian musician Ernst von Donhányi, a forgotten hero of the Holocaust resistance who was later falsely accused of Nazi war crimes. Dr. Grymes is a professor of musicology at the University of North Carolina at Charlotte.

  www.jamesagrymes.com

  Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.


  COPYRIGHT

  COVER DESIGN AND ILLUSTRATION BY RICHARD LJOENES

  VIOLIN CLIPART © YOKO DESIGN / SHUTTERSTOCK

  VIOLINS OF HOPE. Copyright © 2014 by James A. Grymes. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  FIRST EDITION

  ISBN 978-0-06-224683-7

  EPub Edition August 2014 ISBN 9780062246844

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