Moving laboriously yet gracefully, as though as he shuffled along he imagined he was dancing, the grizzled organ grinder came into the square pulling his barrel organ, leaving its track in the fresh snow. With him was a black-haired dog. With an innate sense of rhythm, the dog always kept the same distance from its master, respecting his every pause, stagger, change of pace. The old man was dressed after a fashion in a threadbare-looking dark overcoat and a translucent cape. He came to a halt on one side of the square. Slowly and carefully, he spread out his things, as though miming what he was going to do later. Once installed, he untied the battered umbrella fastened to the cart handle. He opened it and placed it on top of his instrument to protect it from the flurry of snow. This gesture touched Hans, who stood waiting for the organ grinder to play a tune.
The old man was in no hurry, or he enjoyed dawdling. Beneath his beard Hans saw him smile knowingly at his dog, which gazed up at him, its triangular ears pricked. The barrel organ was of modest size—sitting on the cart, it barely reached the organ grinder’s waist, obliging him to stoop even lower to play it. The cart was painted green and orange. The wooden wheels had once been red. Enclosed by a metal hoop barely holding them together, they were not round but a more uneven shape, like the years they had spent rolling. The front of the organ had once been decorated with a naive landscape of a tree-lined river.
Hans never felt nostalgia for anything: he preferred to think about his next journey. And yet, when the organ grinder began to play, something touched the edge of something. When he heard the barrel organ’s metallic past, Hans sensed that someone else, some past self, was trembling inside him. Following the melody as if it were words streaming on the wind, Hans experienced something unusual—he was aware of what he was feeling, he could see himself being moved. He was listening because the barrel organ was playing, the barrel organ was playing because he was listening. Hans had the impression that the organ grinder was not so much playing as trying to remember. With an airy hand, his fingers stiff with cold, he turned the handle. As he did so the dog’s tail, the square, the weathervane, the light, noon itself, went spinning round and round, and as soon as the tune was approaching the end, the organ grinder’s timekeeping hand created not so much a pause, or even a silence, more a slight tear in a fabric, before turning the handle again, so that the music started up once more, and everything carried on spinning round, and it was no longer cold.
Coming back down to earth, Hans found it odd that no one else seemed to notice the barrel-organ music. Used to it, or in too much of a hurry, everyone walked by without even looking. Finally, a small boy stopped in front of the organ grinder. The old man said hello with a smile to which he responded shyly. Two huge shoes planted themselves behind the boy’s loose shoelaces; a voice leant over saying: Don’t look at the man, can’t you see the way he’s dressed? Don’t bother him, come along now, come along. In front of the old man was a shiny dish into which people would occasionally drop small copper coins. Hans noticed that those showing this consideration did not stop to listen to the music either, but left the money as if they were giving it to a beggar. This did not seem to spoil the organ grinder’s concentration, or the rhythm of his hand.
At first, Hans was content to watch him. After a while, as though waking up from a dream, he realised that he too was part of the scene. He walked over noiselessly, and, in an attempt to show his appreciation, bent over to leave an offering that was twice as much as what was already in the dish. At this, for the first time since he had arrived, the organ grinder straightened up. He smiled openly at Hans with an expression of calm content, then carried on playing, unperturbed. Hans assumed the old man had not interrupted his playing because he knew he was enjoying the music. More matter-of-factly, the organ grinder’s dog appeared to think this called for some sort of formal recognition—he squinted as though the sun had just come out, opened his jaws very wide and unfurled his long pink tongue.
When the organ grinder took a break, Hans decided to talk to him. They stood for a while conversing, the falling snow soaking their clothes. They discussed the cold, the colour of Wandernburg’s trees, the differences between the mazurka and the cracovienne. Hans found the organ grinder’s polite manners charming, and the organ grinder appreciated the deep timbre of Hans’s voice. Hans looked at the clock on the Tower of the Wind and calculated that he had an hour left before going back to the inn to fetch his luggage and wait for the coach. He invited the organ grinder for a drink at one of the taverns in the square. The organ grinder accepted with a nod and added: In that case I must introduce you two. He asked Hans’s name, then said: Franz, this is Herr Hans, Herr Hans, this is my dog, Franz.
To Hans it seemed that the organ grinder followed him as if he had been expecting him that morning. On their way to the tavern, the old man stopped to greet a couple of beggars. He exchanged a few friendly words that revealed he knew them, and as he took his leave he handed them half the money from his dish, then calmly carried on walking. Do you always do that? Hans asked, gesturing towards the beggars. Do what? said the organ grinder. You mean the money? No, no, I couldn’t afford to. I shared what you gave me today so that you know I’m accepting your invitation not out of self-interest, but because I like you.
When they reached the door of the Central Tavern, the old man ordered Franz to wait outside. Bringing the barrel organ with them, they went inside, Hans first, then the organ grinder. The Central Tavern was crammed to the rafters. The stoves, the oven and the tobacco smoke created a blanket of heat that smothered voices, breathing and smells. The smokers blew out spirals like ribcages—a smoke animal devoured the patrons. Hans pulled a face. Doing their best to protect the barrel organ, they managed with difficulty to make a tiny space for themselves at the bar. The organ grinder had a dreamy smile on his face. Less relaxed, Hans resembled a prince watching a carnival. They ordered two wheat beers, and, elbow-to-elbow, raised their glasses in a toast before resuming their conversation. Hans said he had not seen the old man the previous day. The organ grinder explained that in wintertime he went to the square every morning, but never in the afternoons because it was too cold. Hans still had the feeling that they had missed out the main topic, that they were both talking as though they had already said the things that in fact had not even been mentioned. They ordered two more beers, followed by another two. That’s good, the old man said, his whiskers covered in froth. Through the bottom of his glass, Hans’s smile was lopsided.
A coachman came here asking for you, Herr Zeit declared. He waited a few minutes then stomped off angrily. Herr Zeit added thoughtfully, as if he had reached this conclusion after a great deal of effort: It’s Tuesday already! Playing along with him, Hans replied: Quite right, it’s Tuesday. Herr Zeit seemed satisfied and asked whether he planned to stay more nights. Hans paused, genuinely unsure this time, and said: I don’t think so. I really must get to Dessau. Then, since he was feeling quite merry, he added: Although you never know.
Ensconced on the sofa in the dining room, her face glowing orange in front of the fire, Frau Zeit was darning a pair of enormous socks: Hans wondered whether they belonged to her or her husband. When she saw him come in, she stood up. She told him his supper was ready and asked him not to make any noise because the children had just gone to bed. Almost at once, Thomas contradicted her by bursting through the door clutching a handful of lead soldiers. Colliding with his mother, he stopped dead, a pale skinny leg flailing in mid-air. And as swiftly as he had arrived he turned tail and ran. A door slammed in the Zeits’ apartment. Instantly, a shrill adolescent voice screamed out Thomas’s name, followed by some other protests they could not hear. The little scallywag, the landlady muttered under her breath.
Lying in bed, mouth half-open as though waiting for a drip to fall from the ceiling, Hans listened to his own thoughts: Tomorrow for sure, at the very latest the day after, I’ll gather my things and leave. As he drifted into oblivion he thought he heard light footsteps padding down the corridor an
d pausing outside his room. He even imagined he could hear someone breathing nervously on the other side of the door. But he could not be sure. Perhaps it was his own breathing, growing gradually deeper, his own breathing, his own, his.
Hans had gone to the market square to find the organ grinder. He had discovered him in the same place, in the same position. On seeing him, the old man had gestured to his dog and Franz had gone to greet him, tail wagging from side to side like a metronome. They had shared a lunch of warm soup, hard sheep’s cheese, bread with liver pâté and several beers. The organ grinder had finished his day’s work and now they were strolling together along the River Walk towards High Gate, where Wandernburg ended and the countryside began. After objecting to Hans paying for his lunch, the old man had insisted on inviting him to his house for tea.
They walked side by side, waiting for each other whenever the organ grinder stopped pushing the cart to catch his breath, Hans lagged behind to peer into a side street or Franz paused to lift his leg here and there. By the way, asked Hans, what’s your name? Well, the old man replied, switching to a less formal way of addressing him, as if they were already firm friends, it’s an ugly name and since I seldom use it I hardly remember what it is. Just call me organ grinder—that’s the best name for me. And what’s yours? (Hans, said Hans.) I know that, but what’s your surname? (Hans, repeated Hans, laughing.) Well, what does it matter, eh? Hey, Franz, will you stop pissing on every stone please? We have a guest for tea today, behave yourself, it’s getting dark and we’re not home yet, good, that’s what I like to see.
They walked through High Gate, continuing along a narrower earthen track. The countryside opened out before them, smooth and white. For the first time, Hans saw the vastness of the U-shaped plain to the south-east of Wandernburg. In the distance he glimpsed the hedges of crop fields, the pastures for the farm animals, the sown cornfields lying in frozen expectancy. At the end of the path he could make out a wooden footbridge, the ribbon of the river, and beyond it a pinewood and rocky outcrops. Surprised at not seeing any houses, Hans wondered where the old man was taking him. Sensing Hans’s thoughts, and at the same time adding to his bewilderment, the organ grinder set down his cart for a moment, took him by the arm and said: We’re almost there.
Hans calculated that they had walked more than half a league from the market square. Had he been able to climb the rocks behind the pinewoods, he would have had a panorama of the whole of the surrounding countryside and the city. He would have been able to observe the highway along which he had traveled on the first night, as it skirted the eastern edge of the city—at that very moment, several coaches were making their way north to Berlin, or south to Leipzig. On the far side, to the west of the plain, the air was stirred by the sails of the windmills around the textile mill with its brick chimney stack polluting the atmosphere. In the hedged fields, a few peasants were dotted about, carrying out the first hoeing of the year, slowly scratching at the soil. And snaking through it all, a silent witness, ran the River Nulte. Too shallow for boats, the Nulte was an anaemic river. Its waters seemed worn out, resigned to their fate. Bordered by two rows of poplars, the Nulte trickled through the valley as though in search of help. Looked at from the top of the hill, it was a loop of water flattened by the wind. Less a river than the memory of a river. Wandernburg’s river.
They crossed the tiny wooden footbridge over the Nulte. The pinewood and the stony outcrop seemed to be the only things ahead of them. Hans did not dare ask where they were going, partly out of politeness and partly because, wherever they were going, he had enjoyed discovering the outskirts of the city. They walked through the pinewood almost in a straight line. The wind hummed in the branches, the organ grinder whistled to echo the sound, and Franz echoed his master’s whistles with barks. When they had reached the first rocks, Hans said to himself that the only possibility left was for them to go through the rock.
And, to his astonishment, that was what they did.
The organ grinder stopped in front of a cave and began unloading his cart. Franz ran inside and trotted out with a morsel of herring in his mouth. Hans’s first thought was that this must be some mistake. On second thoughts, it struck him as altogether wonderful. And that nobody in a long while had surprised him as much as this old man. The organ grinder, who was smiling at him again, welcomed him with a sweep of his arm and said: Make yourself at home. Hans responded with a theatrical bow, stepping back a few paces in order to get a better view of the cave’s setting. On close inspection, and ignoring the fact that it bore no resemblance to a house, the cave could not have been better situated. There were enough pine trees surrounding it to soften the effects of the wind or the rain, without making it inaccessible. It was close to a bend in the River Nulte, and thus guaranteed a source of water. Unlike other barren, muddy areas at the foot of the hill, the entrance to the cave was blessed with a thick patch of grass. As though concurring with Hans, the organ grinder said: Of all the caves and grottos in the hill, this is the cosiest. As he stooped to enter, Hans discovered that, although undeniably damp, the cave was warmer than he had expected. The old man lit some tinder and tallow candles. By their light, the organ grinder took Hans on a tour of the cave, showing him every nook and cranny as if it were a palace. One of the great advantages to this dwelling is the lack of doors, he began, which means Franz and I can enjoy the view from our beds. As you see the walls aren’t exactly smooth, but the irregularities break the monotony and create an interesting play of light, and what light! (The old man raised his voice, wheeling round with surprising agility—the candle he was carrying traced a faint circle on the walls, sputtered, but stayed alight.) Besides, how can I put it, they provide plenty of opportunity to enjoy some privacy or sheltered sleep. The reason I mention privacy (the organ grinder whispered, winking) is because Franz is a bit nosey, he always wants to know what I’m doing, sometimes it feels like he’s the owner of the house. Anyway, sshh! I didn’t say a word, let’s carry on! Here we have the back of the cave, which, as you can see, is simple, but notice how still, how quiet it is, all you can hear are the leaves. Ah, and as for the acoustics, the echoes are amazing, when I play the barrel organ in here it feels as if you’ve downed a bottle of wine in one.
Hans listened to the organ grinder spellbound. Although he found the damp, the gloom and the dirtiness of the cave uncomfortable, he thought it would be an excellent idea to spend the evening or even the night there. The old man lit a fire with some broom, dry grass and newspaper. Franz had been down to the river to drink and had come back shivering, his fur standing on end, the flecks on his paws a little paler. When he saw the fire, he trotted over to it, almost singeing his tail. Hans burst out laughing. The organ grinder passed him a demijohn of wine he kept in a corner. Only then, in the glow of the fire the old man had lit, could Hans appreciate the entire cave and study its odd furnishings. A few bits of clothing hung from a rope stretched across the entrance. Beneath the rope, the sharp point of the umbrella was embedded in the ground. Next to the umbrella were two pairs of shoes, one almost in tatters, stuffed with balls of paper. Lined up against the wall in order of size stood a row of earthenware cups, some plates, empty bottles with corks in them, tin pitchers. In one corner lay a straw pallet, and on top of it a heap of sheets and scraps of filthy wool. Scattered around the mattress like a ruined dressing table lay bowls, small wooden boxes and pieces of soap. A bunch of newspapers was hanging between two rock ledges. At the back of the cave was a pile of shoeboxes filled with pins, screws and various pieces of equipment and tools necessary for repairing the barrel organ. Spectacularly out of place in the midst of all this lay the immaculate rug the instrument sat on. There was not a single book in sight.
There were two temperatures in the cave now. Within a half-yard radius of the fire, the air was warming up, caressing their skin. An inch beyond that, the room was freezing, lending a hard outline to everything. Franz appeared to be asleep, or intent on getting warm. Rubbing his hands together, Han
s puffed into them. He pulled down his liberty beret, wound his scarf twice more round his neck, turned up the collar of his frock coat. He gazed at the organ grinder’s threadbare overcoat, its baggy seams and worn buttons. Aren’t you cold in that? said Hans. Well, it’s seen better days, the old man replied. But it brings back good memories, and they keep us warm, too, don’t they?
The fire shrank slowly.
A few days after meeting the organ grinder, Hans was still intending to leave Wandernburg at any moment. And yet, without really knowing why, he kept putting off his departure. One of the things that most captivated Hans about his new acquaintance, besides the way he played his instrument, was his relationship with his dog. Franz was a Hovawart with a broad forehead, an alert muzzle and a bushy, restless tail. He was as sparing with his barks as if they were coins. The old man would let Franz guide him through the countryside; he would talk to him and whistle tunes from the barrel organ to lull him to sleep. Franz seemed to have a remarkable ear for music, and would growl if the old man stopped in mid-tune. Occasionally they would look at one another knowingly, as though they could both hear some inaudible sound.
Without giving away too much, Hans had explained to the old man that he was a sort of traveler, who journeyed from place to place, stopping off at unfamiliar destinations to discover what they were like, then moving on when he grew bored, felt the urge to travel again or found something better to do elsewhere. A few days earlier, Hans had suggested to the organ grinder that he accompany him to Dessau. The old man, who never asked questions Hans did not seem happy to answer, proposed he stay on another week and keep him company before leaving.
Traveler of the Century Page 2