Complete Works of Joseph Conrad (Illustrated)

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Complete Works of Joseph Conrad (Illustrated) Page 650

by Joseph Conrad


  This interval of bondage in the docks rounds each period of a ship’s life with the sense of accomplished duty, of an effectively played part in the work of the world. The dock is the scene of what the world would think the most serious part in the light, bounding, swaying life of a ship. But there are docks and docks. The ugliness of some docks is appalling. Wild horses would not drag from me the name of a certain river in the north whose narrow estuary is inhospitable and dangerous, and whose docks are like a nightmare of dreariness and misery. Their dismal shores are studded thickly with scaffold-like, enormous timber structures, whose lofty heads are veiled periodically by the infernal gritty night of a cloud of coal-dust. The most important ingredient for getting the world’s work along is distributed there under the circumstances of the greatest cruelty meted out to helpless ships. Shut up in the desolate circuit of these basins, you would think a free ship would droop and die like a wild bird put into a dirty cage. But a ship, perhaps because of her faithfulness to men, will endure an extraordinary lot of ill-usage. Still, I have seen ships issue from certain docks like half-dead prisoners from a dungeon, bedraggled, overcome, wholly disguised in dirt, and with their men rolling white eyeballs in black and worried faces raised to a heaven which, in its smoky and soiled aspect, seemed to reflect the sordidness of the earth below. One thing, however, may be said for the docks of the Port of London on both sides of the river: for all the complaints of their insufficient equipment, of their obsolete rules, of failure (they say) in the matter of quick despatch, no ship need ever issue from their gates in a half-fainting condition. London is a general cargo port, as is only proper for the greatest capital of the world to be. General cargo ports belong to the aristocracy of the earth’s trading places, and in that aristocracy London, as it is its way, has a unique physiognomy.

  The absence of picturesqueness cannot be laid to the charge of the docks opening into the Thames. For all my unkind comparisons to swans and backyards, it cannot be denied that each dock or group of docks along the north side of the river has its own individual attractiveness. Beginning with the cosy little St. Katherine’s Dock, lying overshadowed and black like a quiet pool amongst rocky crags, through the venerable and sympathetic London Docks, with not a single line of rails in the whole of their area and the aroma of spices lingering between its warehouses, with their far-famed wine-cellars — down through the interesting group of West India Docks, the fine docks at Blackwall, on past the Galleons Reach entrance of the Victoria and Albert Docks, right down to the vast gloom of the great basins in Tilbury, each of those places of restraint for ships has its own peculiar physiognomy, its own expression. And what makes them unique and attractive is their common trait of being romantic in their usefulness.

  In their way they are as romantic as the river they serve is unlike all the other commercial streams of the world. The cosiness of the St. Katherine’s Dock, the old-world air of the London Docks, remain impressed upon the memory. The docks down the river, abreast of Woolwich, are imposing by their proportions and the vast scale of the ugliness that forms their surroundings — ugliness so picturesque as to become a delight to the eye. When one talks of the Thames docks, “beauty” is a vain word, but romance has lived too long upon this river not to have thrown a mantle of glamour upon its banks.

  The antiquity of the port appeals to the imagination by the long chain of adventurous enterprises that had their inception in the town and floated out into the world on the waters of the river. Even the newest of the docks, the Tilbury Dock, shares in the glamour conferred by historical associations. Queen Elizabeth has made one of her progresses down there, not one of her journeys of pomp and ceremony, but an anxious business progress at a crisis of national history. The menace of that time has passed away, and now Tilbury is known by its docks. These are very modern, but their remoteness and isolation upon the Essex marsh, the days of failure attending their creation, invested them with a romantic air. Nothing in those days could have been more striking than the vast, empty basins, surrounded by miles of bare quays and the ranges of cargo-sheds, where two or three ships seemed lost like bewitched children in a forest of gaunt, hydraulic cranes. One received a wonderful impression of utter abandonment, of wasted efficiency. From the first the Tilbury Docks were very efficient and ready for their task, but they had come, perhaps, too soon into the field. A great future lies before Tilbury Docks. They shall never fill a long-felt want (in the sacramental phrase that is applied to railways, tunnels, newspapers, and new editions of books). They were too early in the field. The want shall never be felt because, free of the trammels of the tide, easy of access, magnificent and desolate, they are already there, prepared to take and keep the biggest ships that float upon the sea. They are worthy of the oldest river port in the world.

  And, truth to say, for all the criticisms flung upon the heads of the dock companies, the other docks of the Thames are no disgrace to the town with a population greater than that of some commonwealths. The growth of London as a well-equipped port has been slow, while not unworthy of a great capital, of a great centre of distribution. It must not be forgotten that London has not the backing of great industrial districts or great fields of natural exploitation. In this it differs from Liverpool, from Cardiff, from Newcastle, from Glasgow; and therein the Thames differs from the Mersey, from the Tyne, from the Clyde. It is an historical river; it is a romantic stream flowing through the centre of great affairs, and for all the criticism of the river’s administration, my contention is that its development has been worthy of its dignity. For a long time the stream itself could accommodate quite easily the oversea and coasting traffic. That was in the days when, in the part called the Pool, just below London Bridge, the vessels moored stem and stern in the very strength of the tide formed one solid mass like an island covered with a forest of gaunt, leafless trees; and when the trade had grown too big for the river there came the St. Katherine’s Docks and the London Docks, magnificent undertakings answering to the need of their time. The same may be said of the other artificial lakes full of ships that go in and out upon this high road to all parts of the world. The labour of the imperial waterway goes on from generation to generation, goes on day and night. Nothing ever arrests its sleepless industry but the coming of a heavy fog, which clothes the teeming stream in a mantle of impenetrable stillness.

  After the gradual cessation of all sound and movement on the faithful river, only the ringing of ships’ bells is heard, mysterious and muffled in the white vapour from London Bridge right down to the Nore, for miles and miles in a decrescendo tinkling, to where the estuary broadens out into the North Sea, and the anchored ships lie scattered thinly in the shrouded channels between the sand-banks of the Thames’ mouth. Through the long and glorious tale of years of the river’s strenuous service to its people these are its only breathing times.

  XXXIII.

  A ship in dock, surrounded by quays and the walls of warehouses, has the appearance of a prisoner meditating upon freedom in the sadness of a free spirit put under restraint. Chain cables and stout ropes keep her bound to stone posts at the edge of a paved shore, and a berthing-master, with brass buttons on his coat, walks about like a weather-beaten and ruddy gaoler, casting jealous, watchful glances upon the moorings that fetter a ship lying passive and still and safe, as if lost in deep regrets of her days of liberty and danger on the sea.

  The swarm of renegades — dock-masters, berthing-masters, gatemen, and such like — appear to nurse an immense distrust of the captive ship’s resignation. There never seem chains and ropes enough to satisfy their minds concerned with the safe binding of free ships to the strong, muddy, enslaved earth. “You had better put another bight of a hawser astern, Mr. Mate,” is the usual phrase in their mouth. I brand them for renegades, because most of them have been sailors in their time. As if the infirmities of old age — the gray hair, the wrinkles at the corners of the eyes, and the knotted veins of the hands — were the symptoms of moral poison, they prowl about the q
uays with an underhand air of gloating over the broken spirit of noble captives. They want more fenders, more breasting-ropes; they want more springs, more shackles, more fetters; they want to make ships with volatile souls as motionless as square blocks of stone. They stand on the mud of pavements, these degraded sea-dogs, with long lines of railway-trucks clanking their couplings behind their backs, and run malevolent glances over your ship from headgear to taffrail, only wishing to tyrannize over the poor creature under the hypocritical cloak of benevolence and care. Here and there cargo cranes looking like instruments of torture for ships swing cruel hooks at the end of long chains. Gangs of dock-labourers swarm with muddy feet over the gangways. It is a moving sight this, of so many men of the earth, earthy, who never cared anything for a ship, trampling unconcerned, brutal and hob-nailed upon her helpless body.

  Fortunately, nothing can deface the beauty of a ship. That sense of a dungeon, that sense of a horrible and degrading misfortune overtaking a creature fair to see and safe to trust, attaches only to ships moored in the docks of great European ports. You feel that they are dishonestly locked up, to be hunted about from wharf to wharf on a dark, greasy, square pool of black water as a brutal reward at the end of a faithful voyage.

  A ship anchored in an open roadstead, with cargo-lighters alongside and her own tackle swinging the burden over the rail, is accomplishing in freedom a function of her life. There is no restraint; there is space: clear water around her, and a clear sky above her mastheads, with a landscape of green hills and charming bays opening around her anchorage. She is not abandoned by her own men to the tender mercies of shore people. She still shelters, and is looked after by, her own little devoted band, and you feel that presently she will glide between the headlands and disappear. It is only at home, in dock, that she lies abandoned, shut off from freedom by all the artifices of men that think of quick despatch and profitable freights. It is only then that the odious, rectangular shadows of walls and roofs fall upon her decks, with showers of soot.

  To a man who has never seen the extraordinary nobility, strength, and grace that the devoted generations of ship-builders have evolved from some pure nooks of their simple souls, the sight that could be seen five-and-twenty years ago of a large fleet of clippers moored along the north side of the New South Dock was an inspiring spectacle. Then there was a quarter of a mile of them, from the iron dockyard-gates guarded by policemen, in a long, forest-like perspective of masts, moored two and two to many stout wooden jetties. Their spars dwarfed with their loftiness the corrugated-iron sheds, their jibbooms extended far over the shore, their white-and-gold figure-heads, almost dazzling in their purity, overhung the straight, long quay above the mud and dirt of the wharfside, with the busy figures of groups and single men moving to and fro, restless and grimy under their soaring immobility.

  At tide-time you would see one of the loaded ships with battened-down hatches drop out of the ranks and float in the clear space of the dock, held by lines dark and slender, like the first threads of a spider’s web, extending from her bows and her quarters to the mooring-posts on shore. There, graceful and still, like a bird ready to spread its wings, she waited till, at the opening of the gates, a tug or two would hurry in noisily, hovering round her with an air of fuss and solicitude, and take her out into the river, tending, shepherding her through open bridges, through dam-like gates between the flat pier-heads, with a bit of green lawn surrounded by gravel and a white signal-mast with yard and gaff, flying a couple of dingy blue, red, or white flags.

  This New South Dock (it was its official name), round which my earlier professional memories are centred, belongs to the group of West India Docks, together with two smaller and much older basins called Import and Export respectively, both with the greatness of their trade departed from them already. Picturesque and clean as docks go, these twin basins spread side by side the dark lustre of their glassy water, sparely peopled by a few ships laid up on buoys or tucked far away from each other at the end of sheds in the corners of empty quays, where they seemed to slumber quietly remote, untouched by the bustle of men’s affairs — in retreat rather than in captivity. They were quaint and sympathetic, those two homely basins, unfurnished and silent, with no aggressive display of cranes, no apparatus of hurry and work on their narrow shores. No railway-lines cumbered them. The knots of labourers trooping in clumsily round the corners of cargo-sheds to eat their food in peace out of red cotton handkerchiefs had the air of picnicking by the side of a lonely mountain pool. They were restful (and I should say very unprofitable), those basins, where the chief officer of one of the ships involved in the harassing, strenuous, noisy activity of the New South Dock only a few yards away could escape in the dinner-hour to stroll, unhampered by men and affairs, meditating (if he chose) on the vanity of all things human. At one time they must have been full of good old slow West Indiamen of the square-stern type, that took their captivity, one imagines, as stolidly as they had faced the buffeting of the waves with their blunt, honest bows, and disgorged sugar, rum, molasses, coffee, or logwood sedately with their own winch and tackle. But when I knew them, of exports there was never a sign that one could detect; and all the imports I have ever seen were some rare cargoes of tropical timber, enormous baulks roughed out of iron trunks grown in the woods about the Gulf of Mexico. They lay piled up in stacks of mighty boles, and it was hard to believe that all this mass of dead and stripped trees had come out of the flanks of a slender, innocent-looking little barque with, as likely as not, a homely woman’s name — Ellen this or Annie that — upon her fine bows. But this is generally the case with a discharged cargo. Once spread at large over the quay, it looks the most impossible bulk to have all come there out of that ship along-side.

  They were quiet, serene nooks in the busy world of docks, these basins where it has never been my good luck to get a berth after some more or less arduous passage. But one could see at a glance that men and ships were never hustled there. They were so quiet that, remembering them well, one comes to doubt that they ever existed — places of repose for tired ships to dream in, places of meditation rather than work, where wicked ships — the cranky, the lazy, the wet, the bad sea boats, the wild steerers, the capricious, the pig-headed, the generally ungovernable — would have full leisure to take count and repent of their sins, sorrowful and naked, with their rent garments of sailcloth stripped off them, and with the dust and ashes of the London atmosphere upon their mastheads. For that the worst of ships would repent if she were ever given time I make no doubt. I have known too many of them. No ship is wholly bad; and now that their bodies that had braved so many tempests have been blown off the face of the sea by a puff of steam, the evil and the good together into the limbo of things that have served their time, there can be no harm in affirming that in these vanished generations of willing servants there never has been one utterly unredeemable soul.

  In the New South Dock there was certainly no time for remorse, introspection, repentance, or any phenomena of inner life either for the captive ships or for their officers. From six in the morning till six at night the hard labour of the prison-house, which rewards the valiance of ships that win the harbour went on steadily, great slings of general cargo swinging over the rail, to drop plumb into the hatchways at the sign of the gangway-tender’s hand. The New South Dock was especially a loading dock for the Colonies in those great (and last) days of smart wool-clippers, good to look at and — well — exciting to handle. Some of them were more fair to see than the others; many were (to put it mildly) somewhat over-masted; all were expected to make good passages; and of all that line of ships, whose rigging made a thick, enormous network against the sky, whose brasses flashed almost as far as the eye of the policeman at the gates could reach, there was hardly one that knew of any other port amongst all the ports on the wide earth but London and Sydney, or London and Melbourne, or London and Adelaide, perhaps with Hobart Town added for those of smaller tonnage. One could almost have believed, as her gray-whiskered se
cond mate used to say of the old Duke of S-, that they knew the road to the Antipodes better than their own skippers, who, year in, year out, took them from London — the place of captivity — to some Australian port where, twenty-five years ago, though moored well and tight enough to the wooden wharves, they felt themselves no captives, but honoured guests.

  XXXIV.

  These towns of the Antipodes, not so great then as they are now, took an interest in the shipping, the running links with “home,” whose numbers confirmed the sense of their growing importance. They made it part and parcel of their daily interests. This was especially the case in Sydney, where, from the heart of the fair city, down the vista of important streets, could be seen the wool-clippers lying at the Circular Quay — no walled prison-house of a dock that, but the integral part of one of the finest, most beautiful, vast, and safe bays the sun ever shone upon. Now great steam-liners lie at these berths, always reserved for the sea aristocracy — grand and imposing enough ships, but here to-day and gone next week; whereas the general cargo, emigrant, and passenger clippers of my time, rigged with heavy spars, and built on fine lines, used to remain for months together waiting for their load of wool. Their names attained the dignity of household words. On Sundays and holidays the citizens trooped down, on visiting bent, and the lonely officer on duty solaced himself by playing the cicerone — especially to the citizenesses with engaging manners and a well-developed sense of the fun that may be got out of the inspection of a ship’s cabins and state-rooms. The tinkle of more or less untuned cottage pianos floated out of open stern-ports till the gas-lamps began to twinkle in the streets, and the ship’s night-watchman, coming sleepily on duty after his unsatisfactory day slumbers, hauled down the flags and fastened a lighted lantern at the break of the gangway. The night closed rapidly upon the silent ships with their crews on shore. Up a short, steep ascent by the King’s Head pub., patronized by the cooks and stewards of the fleet, the voice of a man crying “Hot saveloys!” at the end of George Street, where the cheap eating-houses (sixpence a meal) were kept by Chinamen (Sun-kum-on’s was not bad), is heard at regular intervals. I have listened for hours to this most pertinacious pedlar (I wonder whether he is dead or has made a fortune), while sitting on the rail of the old Duke of S- (she’s dead, poor thing! a violent death on the coast of New Zealand), fascinated by the monotony, the regularity, the abruptness of the recurring cry, and so exasperated at the absurd spell, that I wished the fellow would choke himself to death with a mouthful of his own infamous wares.

 

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