The one with the green beret had eyes that blazed red, and he shouted and shredded some papers on the table. It was he who pressed the sole of his boot on Mr. Richard's backside and said, "White man! Oyinbo! Don't shit hot shit here, oh!" It was he, too, who placed his gun to Master's head and said, "Are you sure you are not hiding Biafran money here?"
The other one, with the mole on his chin, said, "We are searching for any materials that will threaten the unity of Nigeria" and then went to the kitchen and came out with two plates heaped with Ugwu's jollof rice. After they ate, after they drank some water and belched loudly, they got into their station wagon and drove away. They had left the front door open. Olanna stood up first. She walked into the kitchen and poured the rest of the jollof riceinto the dustbin. Master locked the door. Ugwu helped Baby up and took her inside. "Bath time," he said, although it was a little early.
"I can do it myself," Baby said, and so he stood by and watched her bathe herself for the first time. She splashed some water on him, laughing, and he realized that she would not always need him.
Back in the kitchen, he found Mr. Richard reading the sheets of paper he had left on the countertop.
"This is fantastic, Ugwu." Mr. Richard looked surprised. "Olanna told you about the woman carrying her child's head on the train?"
"Yes, sah. It will be part of a big book. It will take me many more years to finish it and I will call it 'Narrative of the Life of a Country. '"
"Very ambitious," Mr. Richard said.
"I wish I had that Frederick Douglass book."
"It must have been one of the books they burned," Mr. Richard said and shook his head. "Well, I'll look for it when I'm in Lagos next week. I'm going to see Kainene's parents. But I'll go first to Port Harcourt and Umuahia."
"Umuahia, sah?"
"Yes."
Mr. Richard said nothing else; he never spoke about his search for Kainene.
"If you have time, sah, please find out about somebody for me."
"Eberechi?"
A smile creased Ugwu's face before he hastily looked solemn again. "Yes, sah."
"Certainly."
Ugwu gave him the family's name and address, and Mr. Richard wrote it down, and afterward they were both silent and Ugwu fumbled, awkwardly, for something to say. "Are you still writing your book, sah?"
"No."
""The World Was Silent When We Died." It is a good title."
"Yes, it is. It came from something Colonel Madu said once." Richard paused. "The war isn't my story to tell, really."
Ugwu nodded. He had never thought that it was.
"Can I give you a letter, in case you see Eberechi, sah?"
"Of course."
Ugwu took the sheets of paper from Mr. Richard and, as he turned to make Baby's dinner, he sang under his breath.
36
Richard walked into the orchard and toward the spot where he had sat to watch the sea. His favorite orange tree was gone. Many of the trees had been cut, and the orchard now had stretches of cultivated grass. He stared at the point where Kainene had burned his manuscript and remembered days ago in Nsukka, how he had felt nothing, absolutely nothing, watching Harrison dig and dig in the garden. "Sorry, sah. Sorry, sah. I am burying the manscrit here, I know I am burying it here."
Kainene's house was repainted a muted green; the bougainvillea that had wreathed it was cut down. Richard went around to the front door and rang the doorbell and imagined Kainene coming to the door and telling him she was fine, she had simply wanted to spend some time alone. The woman who came out had slender tribal marks on her face, two lines on each cheek. She opened the door a crack. "Yes?"
"Good afternoon," Richard said. "My name is Richard Churchill. I'm Kainene Ozobia's fiance."
"Yes?"
"I used to live here. This is Kainene's house."
The woman's face tightened. "This was abandoned property. It is now my house." She started to close the door.
"Please, wait," Richard said. "I'd like our photos, please. Can I have some of Kainene's photographs? The album on the shelf in the study?"
The woman whistled. "I have a vicious dog, and if you don't go now I will turn it on you."
"Please, just the photographs."
The woman whistled again. From somewhere inside, Richard heard a dog growl. He slowly turned and left. As he drove, his windows down, the smell of the sea in his nose, he thought about the many times Kainene had driven him down the same lonely road. Inside the town, he slowed down as he passed a tall woman, but she was too light-skinned to be Kainene. He had delayed coming to Port Harcourt because he first wanted to find her so that they would visit the house together, look together at what they had lost. She would try to get it back, he was sure, she would write petitions and go to court and tell everyone that the federal government had stolen her house, in that fearless way of hers. The same way she had stopped the beating of the young soldier. It was his last full memory of her, and his mind edited it of its own accord-sometimes the sleep-tussled wrapper tied across her waist was flaked with gold, other times with red.
He would not have come to the house now if her mother had not asked him to.
"Go to the house, Richard, please just go and see." Her voice was small on the phone. During his first conversations with her, when they first returned from London, she had sounded so different, so full of certitude.
"Kainene must have been wounded somewhere. We must get the word out. We have to do it quickly so we can move her to a better hospital. When she is well, I will ask her what we can do about that Yoruba sheep we thought was our friend. Imagine the man making us buy our own house. Imagine forging ownership papers and everything and saying we should be happy he was not asking for much; on top of that he took the furniture. Kainene's father is too afraid to say anything. He is grateful they let him keep a house that is his own. Kainene would never tolerate that."
She was different now. It was as if the more time had passed, the more her faith had leaked away. Just go and see the house, she had said. Just go and see. She no longer spoke in specifics, in definites. Madu was staying with them in Lagos, now that he had been released from his long detention at Alagbon Close; now that he had been dismissed from the Nigerian Army; now that he had been given fifty pounds for all the money he had before and during the war. It was Madu who had received word that a thin, tall educated woman had been found wandering in Onitsha. Richard went with Olanna to Onitsha and her mother met them there, but the woman was not Kainene. Richard had been so certain that it was Kainene-she had amnesia, she had forgotten herself, it all made sense-and when he looked into the stranger's eyes, he had felt for the first time a deep hate for a person he did not know.
He thought of it now as he drove to Umuahia, to the center for displaced persons. The building was empty. Nearby, a bomb crater gaped unfilled. He drove around for a while before he found the address Ugwu had given him. The elderly woman he greeted looked completely indifferent, as though it was often that an Igbo-speaking white man came in to ask about her relative. It surprised Richard; he was used to his Igbo-speaking whiteness being noticed, being marveled at. She brought him a seat. She told him she was the sister of Eberechi's father and, as soon as she told him what had happened to Eberechi, Richard decided that he would not tell Ugwu. He would never tell Ugwu. Eberechi's aunty had a white scarf tied around her head and a soiled wrapper around her chest and she spoke so quietly that Richard had to ask her to repeat herself. She looked at him for a moment before she told him, again, that Eberechi had been killed by shelling, that it had happened on the day that Umuahia fell, and that, only days later, Eberechi's brother in the army came back alive and well. Richard did not know why, but he sat down and told the woman about Kainene.
"My wife went on afia attack some days before the war ended, and we have not seen her since."
The woman shrugged. "One day you will know," she said.
Richard thought about those words on his way to Lagos the next day and he be
came even more convinced that he would not tell Ugwu that Eberechi was dead. One day Ugwu would know. For now, he would not break Ugwu's dream.
It was raining when he arrived in Lagos. On the car radio, Gowon's speech was broadcast yet again: No victor and no vanquished. Newspaper vendors were running around in traffic with their papers wrapped in polythene bags. He no longer read newspapers because each one he opened seemed to have the advertisement that Kainene's parents had placed, with the photo of Kainene taken by the pool, under the heading missing. It was oppressive, as oppressive as Aunt Elizabeth telling him to "be strong," her voice warbly over the phone, as if there were something she knew that he did not. He did not need to be strong for anything. And Kainene was not missing; she was just taking her time before she came home.
Her mother hugged him. "Have you been eating, Richard?" she asked, in a fond familiar way, the way a mother would speak to a son who had neglected to take care of himself. She held him tightly, leaning on him, when they walked into the sparse living room, and he had the glorious and uncomfortable feeling that she thought she was somehow holding on to Kainene by holding on to him.
Kainene's father was sitting with Madu and two other men from Umunnachi. Richard shook hands and joined them. They were drinking beer and talking about the indigenization decree, the civil servants being jobless. Their voices were low, as though being indoors was not secure enough. Richard got up and climbed the stairs to Kainene's old room, but nothing of hers was left. The walls were studded with nails; perhaps the Yoruba occupier had hung up many photos.
The stew that was served at lunch had too much crayfish; Kainene would not have liked it and she would have leaned toward him and said so. After lunch, Richard and Madu went out to sit on the veranda. The rain had stopped, and the leaves of the plants down below looked greener.
"The foreigners say that one million died," Madu said. "That can't be."
Richard waited. He was not sure he wanted to have one of those conversations so many Biafrans had now, passing kernels of blame to others, oiling their own faces with a valor they had never had. He wanted to remember how he and Kainene had often stood here and looked down at the silver swimming pool.
"It can't be just one million." Madu sipped his beer. "Will you go back to England?"
The question annoyed him. "No."
"You'll stay in Nsukka?"
"Yes. I'm joining the new Institute for African Studies."
"Are you writing anything?"
"No."
Madu placed his glass of beer down; water droplets clustered on it like tiny see-through pebbles. "I don't understand how we have found out nothing about Kainene, I don't understand it at all," Madu said.
Richard did not like the sound of we, did not know who Madu included in it. He got up and walked across the balcony and looked down at the drained pool; the floor was made of polished whitish stone, visible through the thin sheet of rainwater. He turned back to Madu. "You love her, don't you?" he asked.
"Of course I love her."
"Did you ever touch her?"
Madu's laugh was short and harsh.,
"Did you ever touch her?" Richard asked again, and Madu was suddenly responsible for Kainene's disappearance. "Did you ever touch her?"
Madu got up. Richard reached out and grasped his arm. Come back, he wanted to say, come back here and tell me if you ever laid your filthy black hand on her. Madu shrugged Richard's hand off. Richard hit him across the face and felt his hand begin to throb.
"You idiot," Madu said, surprised, staggering slightly.
Richard saw Madu's arm raised, saw the swift blurred movement of a coming punch. It landed on his nose, and the pain exploded all over his face and his body felt very light as it sank down to the floor. When he touched his nose, there was blood on his fingers.
"You idiot," Madu said again.
Richard could not get up. He pulled out his handkerchief; his hands trembled and he got some of the blood on his shirt. Madu watched him for a moment and then bent down and held his face between wide palms and examined his nose closely. Richard could smell the crayfish on Madu's breath.
"I didn't break it," Madu said, and straightened up.
Richard dabbed at his nose. Darkness descended on him, and when it lifted he knew that he would never see Kainene again and that his life would always be like a candlelit room; he would see things only in shadow, only in half glimpses.
37
Olanna's moments of solid hope, when she was certain that Kainene would come back, were followed by stretches of raw-pain, and then a surge of faith would make her hum under her breath, until the downward slide came and she would be crumpled on the floor, weeping and weeping. Miss Adebayo visited and said something about grief, something nice-sounding and facile: Grief was the celebration of love, those who could feel real grief were lucky to have loved. But it was not grief that Olanna felt, it was greater than grief. It was stranger than grief. She did not know where her sister was. She did not know. She raged at herself for not waking up early the day that Kainene left for afia attack and for not knowing what Kainene wore that morning and for not going with her and for trusting that Inatimi knew where he was leading her. She raged at the world when she boarded buses or climbed in beside Odenigbo or Richard to go to crowded hospitals and dusty buildings to search for Kainene and did not find her.
When she first saw her parents, her father called her "Ola m," my gold, and she wished he wouldn't because she felt tarnished.
"I did not even see Kainene before she left. When I woke up, she was gone," she said to them.
"Anyiga-achotaya, we will find her," her mother said.
"We will find her," her father repeated.
"Yes, we will find her," Olanna said too, and she felt as if they were all scratching desperate fingernails on a hard scarred wall. They told one another stories of people who had been found, who had come back after months of being lost. They did not tell one another the other stories, of those still missing, of families burying empty caskets.
The two soldiers who had come and eaten her jollqf'rice filled her with rage. She lay on the living room floor and prayed that they would not find her Biafran pounds. After they left, she took the folded notes out from the envelope hidden in her shoe and went out and lit a match under the lemon tree. Odenigbo watched her. He disapproved, she knew, because he kept his flag folded inside the pocket of a pair of trousers.
"You're burning memory," he told her.
"I am not." She would not place her memory on things that strangers could barge in and take away. "My memory is inside me."
The weeks passed and the water started running again and the butterflies were back in the front yard and Baby's hair grew jet-black. Boxes of books came for Odenigbo from overseas. For a war-robbed colleague, the notes read, from fellow admirers of David Blackwell in the brotherhood of mathematicians. Odenigbo spent days poring over them. "Look, I had the first edition of this one," he said often.
Edna sent books and clothes and chocolate. Olanna looked at the enclosed pictures and Edna looked foreign, a woman who lived in Boston and had greasy-pressed hair. It seemed very long since Edna had lived next door to her flat on Elias Avenue, and it seemed even longer since this yard on Odim Street had formed the boundaries of her life. When she took long walks on campus, past the tennis courts and Freedom Square, she thought how quick leaving had been and how slow returning was.
Her bank account in Lagos was gone. It no longer existed. It was like being forcibly undressed; somebody had snatched at all her clothes and left her shivering naked in the cold. But she saw a good sign there. Since she had lost her savings, then she could not possibly lose her sister too; the custodians of fate were not that wicked.
"Why is Aunty Kainene still at qfia attack?" Baby asked often, with a steady suspicious look.
"Stop asking me, this child!" Olanna said. But she saw a sign in Baby's questions too, although she could not yet decipher its meaning. Odenigbo told her that she h
ad to stop seeing signs in everything. She was angry that he could disagree with her seeing signs of Kainene's return and then she was grateful that he did, because it meant he did not believe that anything had happened that would make his disagreeing inappropriate.
When some relatives came from Umunnachi and suggested that they consult a dibia, Olanna asked her Uncle Osita to go. She gave him a bottle of whisky and some money to buy a goat for the oracle. She drove to the River Niger to throw in a copy of Kainene's photo. She went to Kainene's house in Orlu and walked around it three times. And she waited for the week that the dibia had stipulated, but Kainene did not come home.
"Maybe I didn't do something right," she told Odenigbo. They were in his study. The floor was littered with blackened paper crisps from the pages of his half-burned books.
"The war has ended but hunger has not, nkem. That dibia was just hungry for goat meat. You can't believe in that."
"I do believe in it. I believe in everything. I believe in anything that will bring my sister home." She stood up and went to the window.
"We come back again," she said.
"What?"
"Our people say that we all reincarnate, don't they?" she said. "Uwa m, uwa ozo. When I come back in my next life, Kainene will be my sister."
She had started to cry softly. Odenigbo took her in his arms.
8. The Book: The World Was Silent When We Died
Ugwu writes his dedication last: For Master, my good man.
Author's Note
This book is based on the Nigeria-Biafra War of 1967-70 but I have taken many liberties for the purposes of fiction; my intent is to portray my own imaginative truths and not the facts of the war. While some of the characters are based on actual persons, their portrayals are fictitious as are the events surrounding them. I have listed below the books (most use the anglicized spelling Ibo for Igbo) that helped in my research. I owe much thanks to their authors. In particular, Chuk-wuemeka Ike's Sunset at Dawn and Flora Nwapa's Never Again were indispensable in creating the mood of middle-class Biafra; Christopher Okigbo's own life and Labyrinths inspired the character of Okeoma; while Alexander Madiebo's The Nigerian Revolution and the Biafran War was central to the character of Colonel Madu.
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