Yours truly,
Harold S.
He stopped reading. Christ was the answer, but, if he did not want to get sick, he had to stay away from the Christ business. Besides, Christ was Shrike’s particular joke. “Soul of Miss L, glorify me. Body of Miss L, save me. Blood of…” He turned to his typewriter.
Although his cheap clothes had too much style, he still looked like the son of a Baptist minister. A beard would become him, would accent his Old-Testament look. But even without a beard no one could fail to recognize the New England puritan. His forehead was high and narrow. His nose was long and fleshless. His bony chin was shaped and cleft like a hoof. On seeing him for the first time, Shrike had smiled and said, “The Susan Chesters, the Beatrice Fairfaxes and the Miss Lonelyhearts are the priests of twentieth-century America.”
A copy boy came up to tell him that Shrike wanted to know if the stuff was ready. He bent over the typewriter and began pounding its keys.
But before he had written a dozen words, Shrike leaned over his shoulder. “The same old stuff,” Shrike said. “Why don’t you give them something new and hopeful? Tell them about art. Here, I'll dictate:
“Art Is a Way Out.
“Do not let life overwhelm you. When the old paths are choked with the débris of failure, look for newer and fresher paths. Art is just such a path. Art is distilled from suffering. As Mr. Polnikoff exclaimed through his fine Russian beard, when, at the age of eighty-six, he gave up his business to learn Chinese, ‘We are, as yet, only at the begining….’
“Art Is One of Life’s Richest Offerings.
“For those who have not the talent to create, there is appreciation. For those…
“Go on from there.”
Miss Lonelyhearts and the Dead Pan
When Miss Lonelyhearts quit work, he found that the weather had turned warm and that the air smelt as though it had been artificially heated. He decided to walk to Delehanty’s speakeasy for a drink. In order to get there, it was necessary to cross a little park.
He entered the park at the North Gate and swallowed mouthfuls of the heavy shade that curtained its arch. He walked into the shadow of a lamp-post that lay on the path like a spear. It pierced him like a spear.
As far as he could discover, there were no signs of spring. The decay that covered the surface of the mottled ground was not the kind in which life generates. Last year, he remembered, May had failed to quicken these soiled fields. It had taken all the brutality of July to torture a few green spikes through the exhausted dirt.
What the little park needed, even more than he did, was a drink. Neither alcohol nor rain would do. Tomorrow, in his column, he would ask Broken-hearted, Sick-of-it-all, Desperate, Disillusioned-with-tubercular-husband and the rest of his correspondents to come here and water the soil with their tears. Flowers would then spring up, flowers that smelled of feet.
“Ah, humanity…” But he was heavy with shadow and the joke went into a dying fall. He tried to break its fall by laughing at himself.
Why laugh at himself, however, when Shrike was waiting at the speakeasy to do a much better job? “Miss Lonelyhearts, my friend, I advise you to give your readers stones. When they ask for bread don’t give them crackers as does the Church, and don’t, like the State, tell them to eat cake. Explain that man cannot live by bread alone and give them stones. Teach them to pray each morning: ‘Give us this day our daily stone.’”
He had given his readers many stones; so many, in fact, that he had only one left—the stone that had formed in his gut.
Suddenly tired, he sat down on a bench. If he could only throw the stone. He searched the sky for a target. But the gray sky looked as if it had been rubbed with a soiled eraser. It held no angels, flaming crosses, olive-bearing doves, wheels within wheels. Only a newspaper struggled in the air like a kite with a broken spine. He got up and started again for the speakeasy.
Delehanty’s was in the cellar of a brownstone house that differed from its more respectable neighbors by having an armored door. He pressed a concealed button and a little round window opened in its center. A blood-shot eye appeared, glowing like a ruby in an antique iron ring.
The bar was only half full. Miss Lonelyhearts looked around apprehensively for Shrike and was relieved at not finding him. However, after a third drink, just as he was settling into the warm mud of alcoholic gloom, Shrike caught his arm.
“Ah, my young friend!” he shouted. “How do I find you? Brooding again, I take it.”
“For Christ’s sake, shut up.”
Shrike ignored the interruption. “You’re morbid, my friend, morbid. Forget the crucifixion, remember the Renaissance. There were no brooders then.” He raised his glass, and the whole Borgia family was in his gesture. “I give you the Renaissance. What a period! What pageantry! Drunken popes… Beautiful courtesans… Illegitimate children….”
Although his gestures were elaborate, his face was blank. He practiced a trick used much by moving-picture comedians—the dead pan. No matter how fantastic or excited his speech, he never changed his expression. Under the shining white globe of his brow, his features huddled together in a dead, gray triangle.
“To the Renaissance!” he kept shouting. “To the Renaissance! To the brown Greek manuscripts and mistresses with the great smooth marbly limbs…. But that reminds me, I’m expecting one of my admirers—a cow-eyed girl of great intelligence.” He illustrated the word intelligence by carving two enormous breasts in the air with his hands. “She works in a book store, but wait until you see her behind.”
Miss Lonelyhearts made the mistake of showing his annoyance.
“Oh, so you don’t care for women, eh? J. C. is your only sweetheart, eh? Jesus Christ, the King of Kings, the Miss Lonelyhearts of Miss Lonelyhearts….”
At this moment, fortunately for Miss Lonelyhearts, the young woman expected by Shrike came up to the bar. She had long legs, thick ankles, big hands, a powerful body, a slender neck and a childish face made tiny by a man’s haircut.
“Miss Farkis,” Shrike said, making her bow as a ventriloquist does his doll, “Miss Farkis, I want you to meet Miss Lonelyhearts. Show him the same respect you show me. He, too, is a comforter of the poor in spirit and a lover of God.”
She acknowledged the introduction with a masculine handshake.
“Miss Farkis,” Shrike said, “Miss Farkis works in a book store and writes on the side.” He patted her rump.
“What were you talking about so excitedly?” she asked.
“Religion.”
“Get me a drink and please continue. I’m very much interested in the new thomistic synthesis.”
This was just the kind of remark for which Shrike was waiting. “St. Thomas!” he shouted. “What do you take us for—stinking intellectuals? We’re not fake Europeans. We were discussing Christ, the Miss Lonelyhearts of Miss Lonelyhearts. America has her own religions. If you need a synthesis, here is the kind of material to use.” He took a clipping from his wallet and slapped it on the bar.
“ADDING MACHINE USED IN RITUAL OF WESTERN SECT…Figures Will Be Used for Prayers for Condemned Slayer of Aged Recluse…. DENVER, COLO., Feb. 2 (A. P.) Frank H. Rice, Supreme Pontiff of the Liberal Church of America has announced he will carry out his plan for a ‘goat and adding machine’ ritual for William Moya, condemned slayer, despite objection to his program by a Cardinal of the sect. Rice declared the goat would be used as part of a ‘sack cloth and ashes’ service shortly before and after Moya’s execution, set for the week of June 20. Prayers for the condemned man’s soul will be offered on an adding machine. Numbers, he explained, constitute the only universal language. Moya killed Joseph Zemp, an aged recluse, in an argument over a small amount of money.”
Miss Farkis laughed and Shrike raised his fist as though to strike her. His actions shocked the bartender, who hurriedly asked them to go into the back room. Miss Lonelyhearts did not want to go along, but Shrike insisted and he was too tired to argue.
They seate
d themselves at a table inside one of the booths. Shrike again raised his fist, but when Miss Farkis drew back, he changed the gesture to a caress. The trick worked. She gave in to his hand until he became too daring, then pushed him away.
Shrike again began to shout and this time Miss Lonelyhearts understood that he was making a seduction speech.
“I am a great saint,” Shrike cried, “I can walk on my own water. Haven’t you ever heard of Shrike’s Passion in the Luncheonette, or the Agony in the Soda Fountain? Then I compared the wounds in Christ’s body to the mouths of a miraculous purse in which we deposit the small change of our sins. It is indeed an excellent conceit. But now let us consider the holes in our own bodies and into what these congenital wounds open. Under the skin of man is a wondrous jungle where veins like lush tropical growths hang along over-ripe organs and weed-like entrails writhe in squirming tangles of red and yellow. In this jungle, flitting from rock-gray lungs to golden intestines, from liver to lights and back to liver again, lives a bird called the soul. The Catholic hunts this bird with bread and wine, the Hebrew with a golden ruler, the Protestant on leaden feet with leaden words, the Buddhist with gestures, the Negro with blood. I spit on them all. Phooh! And I call upon you to spit. Phooh! Do you stuff birds? No, my dears, taxidermy is not religion. No! A thousand times no. Better, I say unto you, better a live bird in the jungle of the body than two stuffed birds on the library table.”
His caresses kept pace with the sermon. When he had reached the end, he buried his triangular face like the blade of a hatchet in her neck.
Miss Lonelyhearts and the Lamb
Miss Lonelyhearts went home in a taxi. He lived by himself in a room that was as full of shadows as an old steel engraving. It held a bed, a table and two chairs. The walls were bare except for an ivory Christ that hung opposite the foot of the bed. He had removed the figure from the cross to which it had been fastened and had nailed it to the wall with large spikes. But the desired effect had not been obtained. Instead of writhing, the Christ remained calmly decorative.
He got undressed immediately and took a cigarette and a copy of The Brothers Karamazov to bed. The marker was in a chapter devoted to Father Zossima.
“Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth. Love all God’s creation, the whole and every grain of sand in it. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you perceive it, you will begin to comprehend it better every day. And you will come at last to love the whole world with an all-embracing love.”
It was excellent advice. If he followed it, he would be a big success. His column would be syndicated and the whole world would learn to love. The Kingdom of Heaven would arrive. He would sit on the right hand of the Lamb.
But seriously, he realized, even if Shrike had not made a sane view of this Christ business impossible, there would be little use in his fooling himself. His vocation was of a different sort. As a boy in his father’s church, he had discovered that something stirred in him when he shouted the name of Christ, something secret and enormously powerful. He had played with this thing, but had never allowed it to come alive.
He knew now what this thing was—hysteria, a snake whose scales are tiny mirrors in which the dead world takes on a semblance of life. And how dead the world is…a world of doorknobs. He wondered if hysteria were really too steep a price to pay for bringing it to life.
For him, Christ was the most natural of excitements. Fixing his eyes on the image that hung on the wall, he began to chant: “Christ, Christ, Jesus Christ. Christ, Christ, Jesus Christ.” But the moment the snake started to uncoil in his brain, he became frightened and closed his eyes.
With sleep, a dream came in which he found himself on the stage of a crowded theater. He was a magician who did tricks with doorknobs. At his command, they bled, flowered, spoke. After his act was finished, he tried to lead his audience in prayer. But no matter how hard he struggled, his prayer was one Shrike had taught him and his voice was that of a conductor calling stations.
“Oh, Lord, we are not of those who wash in wine, water, urine, vinegar, fire, oil, bay rum, milk, brandy, or boric acid. Oh, Lord, we are of those who wash solely in the Blood of the Lamb.”
The scene of the dream changed. He found himself in his college dormitory. With him were Steve Garvey and Jud Hume. They had been arguing the existence of God from midnight until dawn, and now, having run out of whisky, they decided to go to the market for some applejack.
Their way led through the streets of the sleeping town into the open fields beyond. It was spring. The sun and the smell of vegetable birth renewed their drunkenness and they reeled between the loaded carts. The farmers took their horseplay good-naturedly. Boys from the college on a spree.
They found the bootlegger and bought a gallon jug of applejack, then wandered to the section where livestock was sold. They stopped to fool with some lambs. Jud suggested buying one to roast over a fire in the woods. Miss Lonelyhearts agreed, but on the condition that they sacrifice it to God before barbecuing it.
Steve was sent to the cutlery stand for a butcher knife, while the other two remained to bargain for a lamb. After a long, Armenian-like argument, during which Jud exhibited his farm training, the youngest was selected, a little, stiff-legged thing, all head.
They paraded the lamb through the market. Miss Lonelyhearts went first, carrying the knife, the others followed, Steve with the jug and Jud with the animal. As they marched, they sang an obscene version of “Mary Had a Little Lamb.”
Between the market and the hill on which they intended to perform the sacrifice was a meadow. While going through it, they picked daisies and buttercups. Half way up the hill, they found a rock and covered it with the flowers. They laid the lamb among the flowers. Miss Lonelyhearts was elected priest, with Steve and Jud as his attendants. While they held the lamb, Miss Lonelyhearts crouched over it and began to chant.
“Christ, Christ, Jesus Christ. Christ, Christ, Jesus Christ.”
When they had worked themselves into a frenzy, he brought the knife down hard. The blow was inaccurate and made a flesh wound. He raised the knife again and this time the lamb’s violent struggles made him miss altogether. The knife broke on the altar. Steve and Jud pulled the animal’s head back for him to saw at its throat, but only a small piece of blade remained in the handle and he was unable to cut through the matted wool.
Their hands were covered with slimy blood and the lamb slipped free. It crawled off into the underbrush.
As the bright sun outlined the altar rock with narrow shadows, the scene appeared to gather itself for some new violence. They bolted. Down the hill they fled until they reached the meadow, where they fell exhausted in the tall grass.
After some time had passed, Miss Lonelyhearts begged them to go back and put the lamb out of its misery. They refused to go. He went back alone and found it under a bush. He crushed its head with a stone and left the carcass to the flies that swarmed around the bloody altar flowers.
Miss Lonelyhearts and the Fat Thumb
Miss Lonelyhearts found himself developing an almost insane sensitiveness to order. Everything had to form a pattern: the shoes under the bed, the ties in the holder, the pencils on the table. When he looked out of a window, he composed the skyline by balancing one building against another. If a bird flew across this arrangement, he closed his eyes angrily until it was gone.
For a little while, he seemed to hold his own but one day he found himself with his back to the wall. On that day all the inanimate things over which he had tried to obtain control took the field against him. When he touched something, it spilled or rolled to the floor. The collar buttons disappeared under the bed, the point of the pencil broke, the handle of the razor fell off, the window shade refused to stay down. He fought back, but with too much violence, and was decisively defeated by the spring of the alarm clock.
He fled to the
street, but there chaos was multiple. Broken groups of people hurried past, forming neither stars nor squares. The lamp-posts were badly spaced and the flagging was of different sizes. Nor could he do anything with the harsh clanging sound of street cars and the raw shouts of hucksters. No repeated group of words would fit their rhythm and no scale could give them meaning.
He stood quietly against a wall, trying not to see or hear. Then he remembered Betty. She had often made him feel that when she straightened his tie, she straightened much more. And he had once thought that if her world were larger, were the world, she might order it as finally as the objects on her dressing table.
He gave Betty’s address to a cab driver and told him to hurry. But she lived on the other side of the city and by the time he got there, his panic had turned to irritation.
She came to the door of her apartment in a crisp, white linen dressing-robe that yellowed into brown at the edges. She held out both her hands to him and her arms showed round and smooth like wood that has been turned by the sea.
With the return of self-consciousness, he knew that only violence could make him supple. It was Betty, however, that he criticized. Her world was not the world and could never include the readers of his column. Her sureness was based on the power to limit experience arbitrarily. Moreover, his confusion was significant, while her order was not.
He tried to reply to her greeting and discovered that his tongue had become a fat thumb. To avoid talking, he awkwardly forced a kiss, then found it necessary to apologize.
“Too much lover’s return business, I know, and I…” He stumbled purposely, so that she would take his confusion for honest feeling. But the trick failed and she waited for him to continue:
“Please eat dinner with me.”
“I’m afraid I can’t.”
Her smile opened into a laugh.
She was laughing at him. On the defense, he examined her laugh for “bitterness,” “sour-grapes,” “a-broken-heart,” “the-devil-may-care.” But to his confusion, he found nothing at which to laugh back. Her smile had opened naturally, not like an umbrella, and while he watched her laugh folded and became a smile again, a smile that was neither “wry,” “ironical” nor “mysterious.”
Miss Lonelyhearts & the Day of the Locust Page 2