I'd Kill For That

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I'd Kill For That Page 1

by Marcia Talley




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  contents

  Title Page

  Copyright Notice

  Dedication

  Acknowledgments

  Introduction

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Also edited by Marcia Talley

  Outstanding Praise for I’d Kill for That

  About the Authors

  Copyright

  To the millions of

  breast cancer survivors everywhere,

  in hope of an imminent cure

  acknowledgments

  Like its predecessor, I’d Kill for That is in every way a collaboration. First, I must thank the twelve extraordinary women who carved time out of their own incredibly busy schedules to write a chapter for this book: Gayle, Rita Mae, Lisa, Linda, Kay, Kathy, Julie, Heather, Jenny, Tina, Anne, and Katherine. Month after month, as each chapter hit my mailbox dead on time—or even early!—I was grateful to be working with such talented professionals.

  To my friend Sherriel Mattingly of Annapolis, Maryland, who stopped by my house one day with a head full of amazing characters all clamoring to audition for parts in the novel—several of whom made the final cut—you have a weird and wacky sense of humor. Don’t ever change.

  To Lt. Cmdr. Cindy Silberblatt, U.S. Navy, retired, whose generous bid at a charity auction sponsored by the 2002 Malice Domestic Convention bought her the right to be a character in our novel, thank you! We hope you enjoy being dockmaster of Gryphon Gate.

  To our skateboarding guru, Neil Sutherland, of Warrenton, Virginia, for introducing us to the tricks of the trade—thanks, dude. It was a hoot to have thirteen successful female authors trolling the Web to learn the meaning of “nollie backside lipslide” or “crouch and ollie while turning backside 180.”

  To Lawrence Baker, R.I.P., and to Saul Woythaler, senior principal electrical engineer at Raytheon, for explaining how it could be done.

  Thanks to our editor at St. Martin’s Minotaur, Jennifer Weis, and her talented assistant, Stefanie Lindskog, and as always, to my agent, Jimmy Vines, who listens, smiles, and instead of saying, “No way!” asks, “Why not?”

  Introduction

  I’d Kill for That is my second expedition into collaborative serial novel territory, and what an adventure it has been! For the uninitiated, let me explain that the novel, like its predecessor (Naked Came the Phoenix), was written in round-robin style: One author writes the first chapter, then passes it to the second, who picks up the story where the first author left off, then passes it on to the third, and so on.

  For me, coming up with the scenario—murder in an exclusive gated community—and creating a smorgasbord of fascinating characters for the others to play with were just the beginning. The fun really started when I turned it all over to my fellow authors, then sat back and waited to see where my dream team would run with it. And they didn’t disappoint me.

  Under the talented pen of Gayle Lynds, the “greedy real estate developer” suggested in my proposal leapt to life “with a clash of cymbals and a drumroll” as Vanessa Smart-Drysdale, a petite, chestnut-haired beauty in black leather slacks who possesses all the compassion of Cruella de Vil. Little did I know what Lisa Gardner had in store for poor, tormented Roman Gervase, and Julie Smith’s take on Sunday services at St. Francis of Assisi Interfaith Chapel had me chuckling for weeks.

  As you might guess, my job as editor/contributor resembled a cross between tour guide and traffic cop, as I assembled the team and worked out the intricacies of scheduling—each author had just a month to complete her chapter—and made sure, for example, that each author received packets of background information and copies of the chapters that preceded hers. Timing was critical. We met at conferences, spoke on the telephone, and exchanged e-mails at a furious rate. As we raced to the finish line, Anne, Katherine, and I kept the transatlantic telephone lines hot as we brainstormed and worked out plot details. Anne pointed out that the novel needed a love story, and she was right, so we put one in. Often we found ourselves revisiting an earlier chapter to plant a clue or clear up a discrepancy, and it fell to the amazing Katherine Neville—who volunteered for the job, I should point out—to tie up all the loose ends as our novel sprinted to its stunning conclusion.

  The history of the collaborative serial novel goes back, as far as I have been able to determine, to the early 1930s, when Britain’s famed Detection Club produced Behind the Screen, which first appeared as a serial in the Listener in 1930. Written jointly by Hugh Walpole, Agatha Christie, Dorothy L. Sayers, Anthony Berkeley, E. C. Bentley, and Ronald Knox, Behind the Screen was followed in quick succession in 1931 by The Scoop and that classic of the genre, The Floating Admiral, where G. K. Chesterton, Canon Victor L. Whitechurch, Freeman Wills Crofts, Clemence Dane, Anthony Berkeley, and several others joined the usual suspects.

  It wasn’t until 1969, however, with the publication of the now classic Naked Came the Stranger, that the words “Naked Came…” became synonymous with a novel written by multiple authors in a serial fashion. Its author was “Penelope Ashe,” a fictitious suburban housewife who turned out to be two dozen Newsday reporters headed by mastermind Mike McGrady. In 1996 another group of reporters, this time from the Miami Herald, revived the form with their slapstick novel, Naked Came the Manatee, and soon “Naked Cames…” were cropping up all over, including Philip José Farmer’s Naked Came the Farmer, a benefit for the Peoria Library described by author Barbara D’Amato as a “high-octane blend of humor, talent, and hog farms!” Farmer was followed in 1999 by Naked Came the Plowman, a similar effort by twenty-five Midwestern writers.

  There were not-so-Nakeds, too, as in Pete And Shirley: The Great Tar Heel Novel, sponsored in 1995 by the Raleigh News & Observer, with such writers as Clyde Edgerton, Lee Smith, Kaye Gibbons, and Margaret Maron. In 2000, The Putt at the End of the World became a worthy addition to the canon where nine authors drawn from a spectrum of genres, including Dave Barry, Tami Hoag, Tim O’Brien, Lee K. Abbott, and Les Standiford, contributed chapters to this farcical thriller about golf. And in 2001 William Bernhardt and ten others devised a legal thriller, Natural Suspect, with this twist—the author of each chapter was not identified.

  It has been suggested that the Irish cornered the market on the serial novel with such romps as Finbar’s Hotel and its sequel, Ladies Night at Finbar’s Hotel; yet these are essentially collections of short stories linked by a central theme—each author is given a room in a fictitious Dublin hotel—rather than a true serial novel like the more traditional Yeats Is Dead, described by Claire Dederer reviewing for Amazon.com as “a protracted pub crawl in the company of fifteen hyperarticulate writers” where each writer seems intent on outdoing the last by killing off as many characters as possible.

  Most recently, harking back to that 1931 mystery classic, The Floating Admiral, and in homage to it, Elizabeth Foxwell has put together an English country house murder mystery for Malice Domestic, Inc., entitled (appropriately) The Sunken Sailor. Published in 2004, this collaboration features an introduction by Anne Perry and chapters by Simon Brett, Jan Burke, Deborah Crombie, Walter Sattersthwait, Sarah Smith, and nine others, including D
orothy Cannell, who also wrote a chapter for Naked Came the Farmer.

  It’s common for serial collaborations to benefit a worthy cause and I’d Kill for That is no exception. Like Naked Came the Phoenix before it, a percentage of our royalties is earmarked to support breast cancer research.

  1

  ALEXANDRIA, VIRGINIA, CITY OF cobbled streets and graceful door lamps, of austere Federalist architecture, and at least one millionaire per block—guaranteed. Quaint, expensive, highly desirable—that was Alexandria. History and the future met in this tony metropolis with a clash of cymbals and a drumroll, or at least that was the way Vanessa Smart-Drysdale imagined it.

  Today was lovely, a perfect May afternoon, and Vanessa was determined to not let her worries ruin it for her. With her cell phone in one hand and a cup of fresh espresso in the other, she walked past her desk and out onto her balcony, where she gazed east across Alexandria’s gabled roofs, over the silvery expanse of the Potomac River, and onward over the rolling hills of Maryland, where her fortune and revenge lay. It was only a matter of time.

  She owned the penthouse condo here, an opulent hideaway high above Alexandria, with hand-knotted Berber rugs, Impressionist paintings, museum-quality antiques, and walls of glass that co-opted the blue sky into a priceless backdrop for her pricey decor. The penthouse was also the perfect getaway from Gryphon Gate, where her ex-husband was mayor. The selfish fool wanted her to sell her house there, but she wouldn’t do it. At least not yet. Her county residency helped legitimatize her as a local developer. He just wanted to get rid of her.

  She felt herself grow irritable as she tried to savor the panorama. She sipped her espresso, the rich aroma scenting the spring air. Still, she hardly noticed it. Instead, as she studied Maryland’s forested countryside in the distance, she found herself imagining murdering the Chesapeake County planning board. The entire board. All of them, even the ones who supported her rezoning request. They were too damn much trouble. She wanted to slice them, dice them, and asphyxiate them under the mountains of papers her lawyers, engineers, architects, landscapers, and environmentalists had to generate at an appalling—and costly—rate.

  Her cell phone rang. With an angry flick of her wrist, she opened it. “Yes?”

  “Vanessa, you bitch.”

  She smiled. “Yes, Peter. I thought it might be you.”

  “How could you do this to me!”

  “Darling, I didn’t do it. You did. All by yourself, I might add.”

  “This is extortion!”

  “Well, not really all by yourself,” she went on as if he’d said nothing. “Sorry. There was Mignon, too. Silly of me to forget her. I’m sure her husband hasn’t. Such a beautiful body under that ridiculous Burberry trench coat. I hope she didn’t catch cold. Oh my, I’m wandering off the point. Sorry again. We’re talking about adultery here, of course. Not just hers, but yours. Tsk, tsk. Screwing around with someone not your spouse. Bad boy, Peter. Stupid, too, to both be caught in flagrante delicto. What will your congregation think?”

  “Vanessa!” His voice was a cry of outrage. Then there was a sound in his throat, something between a growl and a choke.

  She drank espresso.

  At last he managed, “What’s this going to cost me?”

  “Relax. You won’t have to murder anyone.”

  Without another glance at her glorious view, Vanessa Smart-Drysdale turned on her heel and walked back into the condo. Her nerves were on fire. This was dirty work, and part of her hated it. But another part of her felt incredibly alive, excited.

  As she realized that, and enjoyed it thoroughly, she caught sight of herself in the decorative mirror at the end of the hall. She looked like her usual self—small, slender, and sophisticated. But now there was more: Her eyes were particularly large and bright, snapping with hot blue light. Two spots of rosy color had appeared on her cheeks. Her chestnut hair—long and casually loose today because she was working at home—seemed unusually vibrant and glossy. Altogether, she was more than attractive in her black leather trousers and vest. She was appealing, perhaps even magnetic. Not too bad, she told herself modestly, then grinned.

  He assured her, “I wouldn’t murder anyone. I couldn’t. I had one little slip, a tiny moment of weakness. As you said yourself, Mignon Gervase is—well—impossible to ignore.” His voice hardened. “And the way you soften me up for whatever you want is to say it’s not murder? I’m shocked, Vanessa. I thought better of you.”

  She laughed. “Guilt, Peter? How amusing that you’re trying to make me feel guilty.” She continued around to her Chippendale desk, sat, put her cup on a hand-painted Delft tile, and leaned back.

  He retorted, “How many affairs did you have while you were still married?”

  “There’s a big difference. I’m no hypocrite. I never said I was any better than I am. You, however, hold yourself up as a paragon.” She was growing angry again. “You could go public about everything. Then we wouldn’t be having this conversation.” Of course, she thought, if the Reverend Dr. Peter Armbruster let his wife and the world know of his sexual frolic in the woods, he’d lose his place at the helm of the St. Francis of Assisi Interfaith Chapel, the most popular church in Gryphon Gate. And, considering his wife—the pinch-faced Laura Armbruster—he’d probably lose her, too. On the other hand, that might not be such a bad outcome for him.

  He announced firmly, “I want your video of us. I’d like to take away your camcorder, too, but I’m determined to be reasonable about this.”

  “It’s worse than that,” she said cheerfully. “I’ve just upgraded my equipment, and I’m all set to put the video and audio on RealPlayer and post it to the Gryphon Gate Web site. What that means, of course, is that not only all the 250 homeowners in our little exclusive enclave can watch you and Mignon in living color and hear all your coos and squeals, but anyone who checks out the Web site can catch the show, too…”

  “Stop, Vanessa. Stop!” He groaned loudly. “What exactly do you want from me?”

  Without hesitation, she told him, “Your vote on the county planning commission to rezone Forest Glen for greater density. I’ve spent a fortune to develop that land. When the houses are built and the project’s finished, it’ll be a sweeping monument to art and livability, a place that developers from around the world will come to study and copy. I’ll make it the best of everything, far better than even Gryphon Gate.”

  “And bigger, too,” he said bitterly. “A gargantuan sprawl. And right next door. You know I’ve already taken a public stand against it. We need to protect our open space. That’s why the homeowners association offered to buy it from you. Forest Glen is bad on every level, from the additional stress on the Chesapeake watershed to increased traffic and pollution. I can’t change my vote. I’ll look like an idiot.”

  “Well, darling, you are an idiot. Or you’ve been one. Truth in advertising and all that. Be grateful I caught you before you jammed yourself up with a serious zipper problem. Next thing, it’d be cigars.”

  “Vanessa!” It was a scream.

  “Do I have your vote? Or do I send a friendly E-mail to all our friends in Gryphon Gate, letting them know about the sexy addition to the Web site?”

  He erupted, “I’ll do it, dammit. I’ll vote to rezone your land. But I want all your evidence. Everything.”

  “Of course. And I’ll throw in a nice cup of espresso, too.” The phone on her fax line rang. “I’ve got to go, Reverend Armbruster. It’s been a delight. See you in church.”

  “When can I come over and get that video?” he demanded.

  “Once Forest Glen breaks ground.”

  “That could be years!”

  “Not if you help me.” Vanessa hung up and pulled the fax from her machine.

  As she read, her throat tightened, and fear made her heart pound like a kettledrum. There was just one sheet of paper, and in the middle were typed four words: I know about Carbury. The meaning was horrifying. She stared, shocked. How could anyone have found o
ut? Then lower down the page: 8:00 P.M., sixth hole, sand trap. Tonight. Come alone.

  She looked for a name, a return phone number, anything to indicate who’d sent the fax. But the paper was otherwise completely blank. Her hands trembled as she read the message one last time. Then she checked her watch. It was nearly six o’clock. A murderous rage shook her. There wasn’t much time. She tore the fax into small pieces, grabbed her purse, jumped to her feet, and ran out the door.

  * * *

  Born in controversy, Gryphon Gate, Maryland, was an elite community with sky-scraping house prices, tight security, and sentry-guarded kiosks at its three arched entries. Many in Chesapeake County had fought its construction intensely, complaining it would denude the bucolic countryside, planting houses where Mother Nature’s towering timber had thrived for millions of years. It was blasphemy, they claimed. They were right, and they were wrong.

  Nestled in rolling woodlands, Gryphon Gate was now a fait accompli, home to briefcase barons and political pundits, philanthropists and society mavens, and young families boasting large investment portfolios because they’d sold their tech shares before the market went south. The township spread along the banks of the tranquil Truxton River, just minutes from the nation’s capital. Residents here enjoyed the finest of everything—neighborhood clubhouses, hiking and riding trails, a championship golf course, a yacht-filled marina, an interior forest of some twenty-two pristine acres, even a five-star restaurant. Trees were everywhere. So were Southern Living flower gardens, lush shrubbery manicured into topiary shapes, and delightful wildlife, especially deer.

  For Antoinette “Toni” Sinclair, the township was pure magic. A paradise. She, her husband Lincoln, and their daughter Miranda had moved in six years ago. While she vaguely knew all about Gryphon Gate’s contentious history, her fundamental belief in live and let live erased its significance from her mind.

  Even more important, she didn’t like to think about the past. It was too painful. Shortly after they’d settled into their wonderful new life here, Lincoln was killed in a terrible accident at his dot.com start-up in Alexandria. He’d been wearing his headphones, which were plugged directly into his office TV so he could get the highest quality sound, while he put in thirty vigorous minutes on his Nordictrak, working off the double cheeseburger and fries he’d had for lunch. He was still wearing the headset when he went into his private bathroom to wash up. The headset, which he prized not only for its technical virtues but because it was a birthday gift from his employees, had been made of an experimental polymer. Flexible, light … who knew it would conduct electricity? Ordinarily, it wouldn’t have mattered, except that the stereo amplifier custom built into the bathroom wall had been faultily wired, according to the police. So when Lincoln sat on his stainless-steel toilet seat and plugged himself in, he was electrocuted.

 

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