Candy had never gone to college. Her first big modeling break had happened in her senior year in high school, and she had promised her parents she'd go back to school later. She wanted to take advantage of the opportunities she had, while she had them. She put aside a ton of money, although she'd spent plenty on a penthouse apartment in New York, and a lot of great clothes and fancy pastimes. College was becoming an ever more unlikely plan. She just couldn't see the point. Besides, as she always pointed out to her parents, she wasn't nearly as smart as her sisters, or so she claimed. Her parents and sisters denied it, and still thought she should go to college when her life slowed down, if it ever did. But for now, she was still going at full speed, and loving every minute of it. She was on the fast track, fully enjoying the fruits of her enormous success.
“I can't believe you're going home for a Fourth of July picnic, or whatever the hell it is. Can I talk you out of it?” Matt asked hopefully. He had a girlfriend, but she wasn't in France, and he and Candy had always been good friends. He enjoyed her company, and it would be much more amusing having her in St. Tropez for the weekend.
“Nope,” she answered, obviously unswayable. “My mom would be heartbroken. I can't do that to her. And my sisters would be really pissed. They're all coming home too.”
“Yeah, but that's different. I'm sure they don't have choices like parties on Valentino's yacht.”
“No, but they have stuff to do too. We all go home for the Fourth of July, no matter what.”
“How patriotic,” he said cynically, teasing her, as people continued to walk past their table and stare. You could see Candy's breasts through her paper-thin white tank top, which was a man's undershirt, a “wife beater” as they called it in the business. She wore them a lot, and didn't need a bra. She had had her breasts enlarged three years before, and they contrasted sharply with her rail-thin body. The new ones weren't huge, but they were spectacular looking and had been done well. They were still soft to the touch, unlike most breast implants, particularly those that cost less. She had had hers done at the best plastic surgeon in New York, much to her mother and sisters' horror. But she explained that she needed to do it for her work. None of her sisters or her mother would have considered doing such a thing, and two of them didn't need to. And her mother still had a great figure and was beautiful at fifty-seven.
All the women in the family were knockouts, although their looks were very different from each other. Candy looked nothing like the other women in her family. She was by far the tallest, and she had her father's looks and height. He was a very good-looking man, had played football at Yale, was six foot four, and he had blond hair like hers when he was young. Jim Adams was turning sixty in December. Neither one of her parents looked their age. They were still a striking couple. Like Candy's sister Tammy, her mother was a redhead. Her sister Annie's hair was chestnut brown with coppery auburn highlights, and her sister Sabrina's hair was almost jet black. They had one of every color, their father liked to tease them. And in their youth, they had looked like the old Breck ads, eastern, patrician, distinguished, and handsome. The four girls had been beautiful as children, and often caused comment, and still did when they went out together, even with their mother. Because of her height, weight, fame, and profession, Candy always got the most attention, but the others were lovely too.
They finished lunch at L'Avenue. Matt ate a pink macaron with raspberry sauce on it, while Candy grimaced and said it was too sweet, and drank a cup of black café filtre, allowing herself one tiny square of chocolate as a treat, which was rare. The driver took them to the Arc de Triomphe after lunch. They had a trailer for her there, parked on the Avenue Foch, behind the Arc de Triomphe, and after a short time she emerged in a startlingly beautiful red evening gown, trailing a sable wrap behind her. She looked absolutely breathtaking, as two policemen helped her cross through the traffic to where Matt and his crew were waiting for her under the huge French flag flying from the Arc de Triomphe. Matt beamed as he saw her coming. Candy was truly the most beautiful woman he'd ever seen, and possibly in the world.
“Holy shit, kid, you look unbelievable in that dress.”
“Thanks, Matt,” she said modestly, smiling at the pair of gendarmes, who also looked dazzled by her. She had nearly caused several accidents, as crazed Parisian drivers came to a screeching halt to stare as the two policemen led her through the traffic.
They finished shooting under the Arc just after five o'clock. She went back to the Ritz for a four-hour break then. She took a shower, called her agency in New York, and was at the Eiffel Tower for the last of the shoot at nine P.M., when the light was soft. They finished shooting at one A.M., after which she went to a party she had promised to attend. And she walked back into the Ritz at four o'clock in the morning, full of energy, and none the worse for wear. Matt had dropped out two hours before. As he had pointed out, there was nothing like being twenty-one years old. At thirty-seven, he couldn't keep up with her, nor could most of the men who pursued her.
Candy packed her bags, took a shower, and lay down for an hour after that. She had had a good time that night, but the party she had gone to had been standard fare, nothing new and different for her. She had to leave the hotel at seven A.M., and be at Charles de Gaulle airport by eight o'clock for a ten A.M. flight, which would get her into Kennedy by noon, local time. With an hour to get her bags and go through customs, and a two-hour drive to Connecticut, she would be home at her parents' house by three P.M., in plenty of time for their Fourth of July party the next day. She was looking forward to spending the night with her parents and sisters before the craziness of the party the following night.
Candy smiled at the familiar concierges and security as she walked out of the Ritz, in jeans, and a T-shirt, her hair in a ponytail she had barely bothered to comb. She was carrying a huge old alligator Hermès bag in a brandy color that she had found in a vintage store at the Palais Royal. A limousine was waiting outside for her, and she was on her way. She knew she'd be back in Paris again soon, since so much of her work was there. She had two shoots already scheduled in Paris in September, after her trip to Japan at the end of July. She hadn't figured out August yet, and was hoping to take a few days off, either in the Hamptons, or the south of France. She had endless opportunities for good times and work. It was a great life for her, and she was looking forward to spending a couple of weeks at home. It was always fun for her, even though her sisters teased her about the life she led. The little girl who had been Candace Adams, the tallest, most awkward girl in every grade, had turned into the swan who was known simply as “Candy” around the world. But even though she loved what she did, and had a great time wherever she was, there was no place like home, and no one on the planet she loved as she did her sisters and her mom. She loved her dad as well, but they shared a different bond.
As they drove through Paris in the early morning traffic, she settled back against the seat. And as glamorous as she looked, at heart she was in many ways still her mom's little girl.
Chapter 2
The sun beat down on the Piazza della Signoria in Florence, as a pretty young woman bought a gelato from a street vendor. She asked for lemon and chocolate in fluent Italian, and savored the combination as the two scoops of ice cream dripped from the cone onto her hand. She licked the excess gelato away, while the sun glinted off her dark copper hair, and she walked past the Uffizi gallery on her way home. She had lived in Florence for two years, after finishing college with a bachelor's degree in fine arts at the Rhode Island School of Design, a respected institution for people with artistic talent, mostly designers, but there had been a number of fine arts students there too. After Rhode Island, she got a master's degree at the École des Beaux Arts in Paris, which she had loved too. She had dreamed of studying art in Italy all her life, and had finally come here, after Paris, and this was where she knew she was meant to be.
She took drawing classes every day, and was learning the painting techniques of the old masters
. In the past year, she felt she had done some very worthwhile work, although she still felt she had much to learn. She was wearing a cotton skirt and sandals she had bought from a street vendor for fifteen euros, and a peasant blouse she had bought on a driving trip to Siena. She had never been as happy in her life as she was here. Living in Florence was her dream come true.
She was planning to attend an informal life drawing class with a live model, at an artist's studio at six o'clock that night, and she was leaving for the States the next day. She hated to leave, but had promised her mother she'd come home, as she did every year. It was wrenching for her to leave Florence even for a few days. She was returning in a week, and then leaving for a trip to Umbria with friends. She had seen a lot of Italy since she'd been there, gone to Lake Como, spent some time in Portofino, and it seemed as if she had visited every church and museum in Italy. She had a particular passion for Venice and the churches and architecture there. She knew with absolute certainty that Italy was where she was meant to be, she had come alive since she'd been there. It was where she had found herself.
She had rented a tiny garret apartment in a crumbling building, which suited her to perfection. The work she was doing showed the fruits of her hard work for the past several years. She had given her parents one of her paintings for Christmas, and they had been astounded by the depth and beauty of her work. It was a painting of a madonna and child, very much in the style of the Old Masters, and using all of her new techniques. She had even mixed the paint herself, according to an ancient process. Her mother said it was truly a masterpiece, and had hung it in the living room. Annie had carried it home herself, wrapped in newspapers, and unveiled it for them on Christmas Eve.
Now she was going home for the Fourth of July party they gave every year, which she and her sisters moved heaven and earth to attend. It was a sacrifice for Annie this year. There was so much work she wanted to do, she hated to pull herself away, even for a week. But like her sisters, she didn't want to disappoint her mother, who lived to see them, and thrived having all four of her girls home at the same time. She talked about it all year. There was no phone in Annie's quaint apartment, but her mother called her often on her cell phone to see how she was, and she loved hearing the excitement in her daughter's voice. Nothing thrilled Annie more than her work and the deep satisfaction she derived from studying art, here at its most important source, in Florence. She got lost for hours at times in the Uffizi, studying the paintings, and drove often to see important work in neighboring towns. Florence was Mecca for her.
She had recently become romantically involved with a young artist from New York. He had arrived in Florence only six months before, and they had met only days after he arrived, when she got back from spending Christmas with her family in Connecticut. They met at the studio of a fellow artist, a young Italian, on New Year's Eve, and their romance had been hot and heavy ever since. They loved each other's work, and shared their deep commitment to art. His work was more contemporary, and hers more traditional, but many of their views and theories were the same. He had taken some time out to work as a designer, which he had hated, calling it prostitution. He had finally saved enough money to come to Italy to paint and study for a year.
Annie was more fortunate. At twenty-six, her family was still willing to help her. She could easily see herself living in Italy for the rest of her life, nothing would please her more. And although she loved her parents and sisters, she hated to go home. Every moment away from Florence and her work was painful for her. She had wanted to be an artist ever since she was a little girl, and as time went on, her determination and inspiration grew more intense. It set her apart from her sisters, whose pursuits were more worldly, and who were more involved in the moneymaking world, her oldest sister as an attorney, her next sister as the producer of a TV show in L.A., and her youngest sister as a supermodel whose face was known around the world. Annie was the only artist in the group, and could not have cared less about “making it” in the world as a commercial success. She was happiest when deeply engrossed in her work, and never even considered whether it would sell. She realized how lucky she was to have parents who supported her passion, although she was determined to become self-supporting one day. But for now, she was soaking up ancient techniques and the extraordinary atmosphere of Florence like a sponge.
Her sister Candy was in Paris often, but Annie could never tear herself away from her work to see her, and although she loved her youngest sister deeply, she and Candy had very little in common. When she was working, Annie didn't even care if she combed her hair, and everything she owned was splattered with paint. Candy's world of beautiful people and high fashion was light-years from her world of starving artists, and discovering the best way to mix her paints. Whenever she saw Candy, her supermodel sister tried to convince Annie to get a decent haircut and wear makeup, and Annie just laughed. It was the farthest thing from her mind. She hadn't been shopping or bought anything new to wear in two years. Fashion never made a blip on her radar screen. Annie ate, slept, drank, and lived art. It was what she knew and loved, and her current boyfriend Charlie was as passionate about it as she. They had been nearly inseparable for the past six months, and had traveled all over Italy together, studying both important and obscure works of art. The relationship was really going well. As she had told her mother on the phone, he was the first noncrazy artist she had ever met, and they had so much in common. Annie's only concern was that he planned to go back to New York at the end of the year, unless she could convince him to stay. She worked on him every day to extend his stay in Florence. But as an American, he couldn't work legally in Italy, and his money would run out eventually. With her parents' backing, Annie could live as long as she wanted in Florence. She was well aware of and deeply grateful for the blessing they provided her.
Annie had promised herself to be financially independent by the time she was thirty, hoping to sell her paintings in a gallery by then. She had had two shows in a small gallery in Rome, and had sold several paintings. But she couldn't have managed without her parents' help. It embarrassed her at times, but there was no way she could live on the sales of her paintings yet, and maybe not for many years. Charlie teased her about it at times, without malice, but he never failed to point out that she was one lucky girl, and if she was living in a threadbare-looking garret, it was something of a fraud. Her parents could have afforded to rent her a decent apartment, if she so chose. That was certainly not the case for most of the artists they knew. And however much he might have teased her about her parents supporting her, he had a deep respect for her talent and the quality of the work she produced. There was no question in his mind, or anyone else's, that she had the potential to be a truly extraordinary artist, and even at twenty-six she was well on her way. Her body of work showed depth, substance, and remarkable skill with technique. Her sense of color was delicate. Her paintings were a clear indication that she had a real gift. And when she mastered a particularly difficult subject, Charlie told her how proud of her he was.
He had wanted to travel to Pompeii with her that weekend, to study the frescoes there, and she had told him that she was going home for the week, for the Fourth of July party her parents gave every year.
“Why is that such a big deal?” He wasn't close to his family, and had no plans to visit them during his sabbatical year. He had mentioned more than once that he thought it was childish of her to be so attached to her sisters and parents. She was twenty-six after all.
“It's a big deal because my family is very close,” she explained. “It's not about the Fourth of July as a holiday. It's about spending a week with my sisters, and my mom and dad. I go home for Thanksgiving and Christmas too,” she warned, so there would be no disappointment or misunderstanding about it later on. The holidays were sacred times for all of them.
Charlie had been mildly annoyed, and rather than waiting for another week to go to Pompeii with her, he said he would make the trip with another artist friend. Annie was
disappointed not to go with him, but decided not to make an issue of it. At least that way he'd have something to do while she was gone. He had recently hit a slump in his work, and was struggling with some new techniques and ideas. For now, it wasn't going well, although she was sure he'd pull out of it soon. He was a very talented artist, although an older artist who had advised him in Florence said that the purity of his work had been corrupted by the time he had spent doing design. The senior artist thought there was a commercial quality to his work which he needed to undo. His comments had insulted Charlie profoundly, and he hadn't spoken to his self-appointed critic for weeks. He was extremely sensitive about his art, as many artists were. Annie was more open to critiques, and welcomed them, in order to improve her work. Like her sister Candy, there was a surprising modesty about her, and who she was. She was without artifice or malice, and was astonishingly humble about her work.
She had been trying to get Candy to visit her for months, and between her trips to Paris and Milan, there had been ample opportunity, but Florence was off Candy's beaten path, and Annie's scene among starving artists wasn't for her. Candy loved going to places like London and St. Tropez between jobs. Annie's art scene in Florence was light-years from Candy's life, and the reverse was true as well. Annie had no desire to fly to Paris to meet her sister, or stay in fancy hotels like the Ritz. She was much happier wandering around Florence, eating gelato, or going to the Uffizi for the thousandth time in her sandals and peasant skirt. She preferred that to getting dressed up or wearing makeup or high heels, as everyone in Candy's crowd did. She disliked the superficial people Candy hung out with. Candy always said that Annie's friends all looked like they needed a bath. The two sisters lived in totally different worlds.
Sisters Page 2