Praise for Castle
“Neither words nor emotions are wasted or spared in J. Robert Lennon’s Castle, a simply told, terrifying and psychologically complex mystery signaling an important American writer in full command of his powers … [This] slow burning work turns into a quickly moving page turner, morphing into a brilliant, classical, psychological horror story that sticks to and gnaws at the bones. Comparisons to Jack London or Hemingway are obvious, but in Loesch, Lennon has invented his own dark-burning mythology.”—Jeff Baker, The Oregonian
“Over the last decade, J. Robert Lennon’s literary imagination has grown increasingly morbid, convoluted and peculiar—just as his books have grown commensurately more surprising, rigorous and fun … Castle tells a terrific story, dire and confusing and convincing.”—Scott Bradfield, The New York Times Book Review
“As Lennon investigates the lethal consequences of failing to question authority, what begins as a claustrophobic tale of suspense gradually becomes an indictment of national policy.”—The New Yorker
“Castle blends a gothic sense of the un-canny with the more modern sophistication of the psychological thriller. Lennon displays an expert ability to fracture his narrator’s iron resolve with a steady series of disquieting revelations, slowly leading Loesch away from a preoccupation with the physical setting to an awareness that an unknown frontier dwells within him.”—Laura Stokes, Bookforum
“It’s only natural for novels to portray this chaotic moment in history, but few will tackle that task with the complexity and eeriness of [Castle]. Constructed like a Chinese box, Lennon nestles story within story to mimic the reality of a labyrinthine Iraqi military interrogation center. At first the novel seems a quaint, neo-Gothic tale of a naïve homebuyer taking possession of a dilapidated fixer-upper in New York state. With echoes of Nathaniel Hawthorne and Edgar Allan Poe, there’s a preternaturally gloomy forest, an eldritch outcropping of rock and, ultimately, a small scale castle with a mysterious owner… . Lennon pulls off a virtuoso performance with this convoluted structure, and like all good thrillers you can’t put it down. Clever and insightful, it compels the reader to solve a series of riddles that reveal the emotional rationale underpinning our most despicable behavior.”—William J. Cobb, The Dallas Morning News
“Shocking … with meticulous prose, Lennon has given voice to a main character who is suspicious and not particularly likable, but who nonetheless commands attention … a chilling, page-turning read.”—Bharti Kirchner, The Seattle Times
“Captivating … What begins as a story of loneliness and forgetting—with Loesch rebuilding his cabin and shrugging off the assistance of townspeople (as well as his own sister)—creeps into a haunting, once he climbs past a peak on his property and discovers evidence of its disturbing history. Lennon leads readers not only into Loesch’s past but, most shockingly, into an indictment of our country. The history is his—and ours.”—Andrew Sean Greer, The Rumpus
“Castle is a masterpiece of mood with an atmosphere suffused with dread. Even the discovery of a pile of moldy old books is freighted with the hysterical realism of Gothic horror.”—Jim Ruland, Flavorpill
“The upstate New York setting—with its narrow, stone-fenced roads twisting into the darkling woods—is perfectly pitched for a tale of anxiety. The rustling of wind through dead leaves quickly morphs into the sound of pages turning. It’s Lennon’s narrator, however—with his caginess, sudden rages and formal diction—that makes the novel worth the money.”—Emily Carter, Minneapolis Star Tribune
“The author methodically baits readers with mystery and the macabre until the hook is set and then yanks it back with a vengeance … the surprising denouement packs a powerful and brutal punch.”—Publishers Weekly
“A tense psychological thriller … As Loesch struggles to make sense of what’s going on around him, his narration gradually takes on a Poe-like quality of barely-suppressed madness. Lennon uses a combination of psychological uncertainty and the prospect of imminent danger in order to create a tremendous amount of suspense.”—Ryan Michael Williams, PopMatters
“This tale of alienation and unease, of a way both internal and external, serves as one of the best arguments I’ve read for the potency of neo-gothic literature in the 21st century. Lennon has mobilized all the elements of the classic horror tale—including the descent of a character into dark places—to speak to modern issues. Castle proves that in skillful hands these elements retain their power, relevance, and surprising ability to humanize, even in our jaded and surreal times.”—Jeff Vandermeer, The Barnes & Noble Review
“Castle opens like some hypnotic Kafkaesque mystery or alienated upstate fairytale, with its abandoned fortress deep in the woods, but soon turns modern and strange. J. Robert Lennon leads the reader through his tricky maze with the same consummate skill he’s shown his whole career.”—Stewart O’Nan
“This strange, visionary novel takes on no less a harrowing subject than the wages of Terror on the ordinary human psyche. Even as your sense of complicity builds, you can’t stop turning the pages.”—Kathryn Davis
CASTLE
ALSO BY J. ROBERT LENNON
Pieces for the Left Hand: 100 Anecdotes
Happyland (published serially in Harper’s)
Mailman
On the Night Plain
The Funnies
The Light of Falling Stars
CASTLE
a novel
J. Robert Lennon
Graywolf Press
Copyright © 2009 by J. Robert Lennon
Publication of this volume is made possible in part by a grant provided by
the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature; a grant from the Wells Fargo Foundation Minnesota;
and a grant from the National Endowment for the Arts, which believes that
a great nation deserves great art. Significant support has also been provided
by Target; the McKnight Foundation; and other generous contributions
from foundations, corporations, and individuals. To these organizations
and individuals we offer our heartfelt thanks.
Published by Graywolf Press
250 Third Avenue North, Suite 600
Minneapolis, MN 55401
All rights reserved.
www.graywolfpress.org
Published in the United States of America
Cloth ISBN 978-1-55597-522-7
Paperback ISBN 978-1-55597-559-3
Ebook ISBN 978-1-55597-003-1
2 4 6 8 9 7 5 3 1
Library of Congress Control Number: 2010920764
Cover design: Kyle G. Hunter
Cover art: istockphoto.com
CASTLE
ONE
In the late winter of 2006, I returned to my home town and bought 612 acres of land on the far western edge of the county. The land was forested, undeveloped, and surrounded by hills and farms; no one had lived on it for years. According to my information, it had been bought by the state from a variety of owners during the 1970s, with the intention of turning it into a recreational wilderness. But the state ran out of money and the project never got off the ground. The land, and the farmhouse that stood on it, were forgotten.
My interest in the land was greeted with suspicion by the real estate agent who had been contracted to sell it. A stocky, moon-faced, startlingly short woman in her thirties, she pursed her lips and gazed at me through tired pretty eyes across a cheap aluminum desk. Her name was Jennifer.
“Will you take me to see it?” I asked her.
“I can take you around it, anyway,” she told me. “No roads go through. At least not any I know about. I can show you the house, though.”
“That wo
uld be fine.”
“It’s a fixer-upper,” she warned.
“I’m very handy.”
She regarded me with a wary look, as though she doubted my seriousness. We couldn’t go out until after lunch, she said, when “the other girl” came in. It was ten in the morning.
“I’ll take a stroll around town and see the sights,” I said.
“That’ll kill maybe five minutes,” was her snorted reply. I responded with a smile and stepped out the door.
Gerrysburg, New York, population 2,310 and falling. That’s what the internet had told me. When I lived here, as a child, the town had been growing—4,000 people at least, many of whom worked at one of the two busy factories that stood between here and the nearby city of Milan. One of the plants was owned by General Electric, which moved production to Asia in the eighties. The other was run by a manufacturer of silverware and other cooking implements that went out of business before I even left. There was, at that time, a great deal of talk about keeping families and businesses in Gerrysburg and attracting tourists. But now it was clear that all efforts had failed. The town was in a state of decay.
I stood on the front stoop of the real estate office, facing the town park, a grassy square roofed with skeletal sycamore trees and crisscrossed by footpaths. A central plaza served as a commemoration of our county’s warriors: a bronze statue of a Second World War soldier, aiming his rifle, lay prone in front of a granite slab bearing the chiseled names of the dead. Three benches faced the memorial, empty now save for an abandoned fast food bag which a large black crow listlessly pecked.
The park was the only thing in the downtown area that was as I remembered. The rest had changed for the worse. Gerrysburg was laid out on a grid of perfect right angles, with the park in the center. I strolled along the cracked and weedy sidewalks, and surveyed the damage. It wasn’t just the businesses I remembered that were gone now—in some cases it was the buildings that had housed them, as well. The movie theater and diner that used to reside on opposite corners of the park had been razed and replaced by parking lots, which now stood empty of cars, save for a single rusted pickup truck, its tailgate bearing a faded “Support Our Troops” magnetic ribbon. The dental clinic was still here, but appeared closed down, and had fallen into disrepair. Two of the three banks were gone, one intact but abandoned, one supplanted by a vacant lot. The former sandwich shop had been transformed into a pet store that was now boarded up, and the laundromat was closed.
A few businesses were open, though none appeared to be thriving: a convenience store that advertised a large selection of pornographic magazines, a doctor’s office, and an ice cream parlor. As I passed the ice cream parlor, a man walked out sipping a cup of coffee. He ignored me as he passed, but he was the only other pedestrian I’d seen so far. I decided to go in.
The moment I crossed the threshold, I knew that I had been in this ice cream parlor before. The walls were white now, replacing the wood paneling I remembered, and the dark booths had given way to tables and chairs. But the freezer, with its curved glass surface, was in the right place, and beside it stood a heavyset girl of around twenty wearing a white apron. She smiled as I approached the counter.
“Here for coffee?” she said.
“I was thinking ice cream,” I replied. “If that’s all right.”
It was late March, and still cold outside. But the girl said, “It’s always all right with me.” I ordered a double scoop of rum raisin in a sugar cone and surveyed the place as the girl prepared it.
Jeremy’s. That was the name printed in reverse on the front window. It didn’t sound familiar. From the pressed-tin ceiling hung four fans, none of them turning. It seemed to me that I could remember them, spinning lazily on a summer’s day. I felt a disturbing vertigo and touched the counter for support.
“Those don’t work,” the clerk said, handing me my cone. “We could sure use them in the summer, though!”
I paid her and sat down with my ice cream. It was delicious, but I soon grew cold and had to buy a cup of coffee to warm myself back up. While I sat sipping it, a man emerged from a back room and began to talk to the clerk. I thought I recognized him, but couldn’t place him. He was younger than I—perhaps forty—and had a long face that terminated in a sharp chin. His hair was brown and gray, receding in the front, but in need of a cut at the back. He seemed agitated.
He walked out the front door, tossing his dirty apron on a chair. I heard the clerk sigh. After a moment, she picked it up and hung it on a coat rack.
“Is that man your boss?” I asked.
“Yes,” she said, but seemed reluctant to say any more.
A few minutes later he returned, holding a paper envelope from the last remaining bank. I couldn’t resist. “Excuse me,” I said.
He stopped, surprised. When he spoke, his voice was deep, dry, and impatient. “Yes?”
“I’m wondering—is this the same ice cream parlor that was here in the sixties?”
“Yes,” he said simply. His manner remained curt, but now he had grown curious.
“Did it have a different name then?”
“It was called Pernice’s. After my father, Donald Pernice. Are you from around here?”
I remembered now—as a boy, this man had used to come in with his mother for a free treat. I recalled my high school days, passing the time here, saying hello to the pretty lady and her young son. “Yes,” I said. “My name is Eric Loesch.”
Perhaps it was simply that the man was distracted, or that I had interrupted a thought in progress. But when I spoke, his face seemed to tighten, and his eyes glazed over just a little, as if he’d been transported to another place. After a moment, he blinked, and said, “Jeremy Pernice.”
“I remember you in here with your mother, when you were a boy.”
He gaped at me for a moment. “Is that so?”
“She was a beautiful lady. Is she living?”
“My mother? No.”
“I’m sorry.”
He seemed to have nothing more to say, so I thanked him for the ice cream and coffee. He nodded in acknowledgment, but lingered a moment, his body half-turned to go, staring at me quizzically. I recognized in his manner the faint anxiety and uncertainty of a man thrown off his bearings, and I wondered if he would voice his puzzlement. Instead, he remained silent and still.
“You remember me, perhaps?” I asked him.
“No,” he said quickly. “No. Just thinking of my mother.”
“Again,” I said, “I’m sorry.”
His only response was a nod, and he disappeared through the kitchen door.
I fell asleep in the park and woke up cold. The wind had picked up, blowing from the west-northwest at more than twenty knots, and clouds were moving across the face of the sun. I smelled, faintly, the odor of woodsmoke, and the rot from some nearby dumpster. The ice cream seemed to have curdled in my stomach, and I felt somewhat nauseated. I wished I hadn’t eaten it.
I heard a rustling to my left, and turned to find the crow I’d seen earlier, perched on the opposite armrest. It stared at me with its dumb black eyes, holding a crust of hamburger roll in its beak. Its feathers were worn and patchy, and it had been banded, a stamped metal ring fastened around one of its spindly legs. “Shoo,” I said, but instead of flying off, it cocked its head and seemed to regard me with curiosity and imperiousness. It made a quick motion with its beak, releasing the bread and grabbing it again before it fell, a trick to strengthen its grip. It really was a huge bird—a raven, you might call it, in fact.
As I stared at it, a figure approached, and the bird took off, as if in slow motion, with a deep, startling flutter, like the sound of a bedsheet in the wind. It was the real estate agent, Jennifer, filling the space in my field of vision that the raven had occupied. She stopped a few feet from the bench, her hands on her hips, her feet spread apart, and said sternly, “I’m ready.”
The land was located in the Town of Henford, at the northwestern corner of the county. On
the drive there, the real estate agent turned to me and asked me a question. She was sitting in the passenger seat, dwarfed by my enormous SUV, her thick pale knees pressed together below the hem of a coarse green skirt. Her hands were stubby and rested on her lap, the left laid flat over the right.
She said, “So, what brings you back to Gerrysburg?”
I had, in fact, been anticipating this question, and had spent the bulk of the drive so far attempting to formulate a reasonable answer. After a moment, I told her that I was trying to get back to my roots.
“Your parents. They still around here?”
“In a sense. They’re buried here,” I said. “They died when I was still a young man.”
“Oh.”
“Their names were Cybele and Brian Loesch,” I said. “They lived on Jefferson Street, where I grew up.”
She frowned. “Where’s that again?”
“The west end of town,” I said. “I understand it’s where they put the new sports field for the high school.”
She paused before replying, “Oh, right. They never finished that. The high school got consolidated with Milan High.” She looked up at me. “I remember it when I was a kid. Them knocking the houses down.”
I nodded. “It was after my time.”
“I guess so.”
The village quickly gave way to farmland, much of it abandoned and overgrown with scrub. If the area’s misfortune were to continue for another fifty years, it would all be forest again, as it had doubtless been before it was settled by Europeans. The road weaved and lurched, following the hills, and I grimaced as my ill-considered morning snack shifted in my stomach.
Luckily it was not far to the plot of land. Jennifer held a survey map, which she turned this way and that, studying it, then peering out the window. “Okay,” she said, as we passed a road marked MINERVA. “I think this is it, maybe? Starting on the left?”
Castle: A Novel Page 1