All Destiny MoON Fiction: A Mix of Old & New Short Stories

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  As I gazed the three men stood up and said something, but I could distinguish no words, though I was aware that it was the central one who was speaking. They then swept out of the room, followed by the two men with the papers. At the same instant several rough-looking fellows in stout jerkins came bustling in and removed first the red carpet, and then the boards which formed the dais, so as to entirely clear the room. When this screen was removed I saw some singular articles of furniture behind it. One looked like a bed with wooden rollers at each end, and a winch handle to regulate its length.

  Another was a wooden horse. There were several other curious objects, and a number of swinging cords which played over pulleys. It was not unlike a modern gymnasium.

  When the room had been cleared there appeared a new figure upon the scene. This was a tall, thin person clad in black, with a gaunt and austere face.

  The aspect of the man made me shudder. His clothes were all shining with grease and mottled with stains. He bore himself with a slow and impressive dignity, as if he took command of all things from the instant of his entrance. In spite of his rude appearance and sordid dress, it was now his business, his room, his to command. He carried a coil of light ropes over his left forearm. The lady looked him up and down with a searching glance, but her expression was unchanged. It was confident-even defiant. But it was very different with the priest. His face was ghastly white, and I saw the moisture glisten and run on his high, sloping forehead. He threw up his hands in prayer and he stooped continually to mutter frantic words in the lady’s ear. The man in black now advanced, and taking one of the cords from his left arm, he bound the woman’s hands together. She held them meekly toward him as he did so. Then he took her arm with a rough grip and led her toward the wooden horse, which was little higher than her waist.

  On to this she was lifted and laid, with her back upon it, and her face to the ceiling, while the priest, quivering with horror, had rushed out of the room. The woman’s lips were moving rapidly, and though I could hear nothing I knew that she was praying. Her feet hung down on either side of the horse, and I saw that the rough varlets in attendance had fastened cords to her ankles and secured the other ends to iron rings in the stone floor.

  My heart sank within me as I saw these ominous preparations, and yet I was held by the fascination of horror, and I could not take my eyes from the strange spectacle. A man had entered the room with a bucket of water in either hand.

  Another followed with a third bucket. They were laid beside the wooden horse. The second man had a wooden dipper-a bowl with a straight handle-in his other hand. This he gave to the man in black. At the same moment one of the varlets approached with a dark object in his hand, which even in my dream filled me with a vague feeling of familiarity.

  It was a leather funnel. With horrible energy he thrust it - but I could stand no more. My hair stood on end with horror. I writhed, I struggled, I broke through the bonds of sleep, and I burst with a shriek into my own life, and found myself lying shivering with terror in the huge library, with the moonlight flooding through the window and throwing strange silver and black traceries upon the opposite wall.

  Oh, what a blessed relief to feel that I was back in the nineteenth century - back out of that mediaeval vault into a world where men had human hearts within their bosoms. I sat up on my couch, trembling in every limb, my mind divided between thankfulness and horror. To think that such things were ever done - that they could be done without God striking the villains dead. Was it all a fantasy, or did it really stand for something which had happened in the black, cruel days of the world’s history? I sank my throbbing head upon my shaking hands. And then, suddenly, my heart seemed to stand still in my bosom, and I could not even scream, so great was my terror. Something was advancing toward me through the darkness of the room.

  It is a horror coming upon a horror which breaks a man’s spirit. I could not reason, I could not pray; I could only sit like a frozen image, and glare at the dark figure which was coming down the great room. And then it moved out into the white lane of moonlight, and I breathed once more. It was Dacre, and his face showed that he was as frightened as myself.

  ‘Was that you? For God’s sake what’s the matter?’ he asked in a husky voice.

  ‘Oh, Dacre, I am glad to see you! I have been down into hell. It was dreadful.’

  ‘Then it was you who screamed?’

  ‘I dare say it was.’

  ‘It rang through the house. The servants are all terrified.’ He struck a match and lit the lamp.

  ‘I think we may get the fire to burn up again,’ he added, throwing some logs upon the embers.

  ‘Good God, my dear chap, how white you are! You look as if you had seen a ghost.’

  ‘So I have-several ghosts.’

  ‘The leather funnel has acted, then?’

  ‘I wouldn’t sleep near the infernal thing again for all the money you could offer me.’ Dacre chuckled.

  ‘I expected that you would have a lively night of it,’ said he.

  ‘You took it out of me in return, for that scream of yours wasn’t a very pleasant sound at two in the morning. I suppose from what you say that you have seen the whole dreadful business.’

  ‘What dreadful business?’

  ‘The torture of the water-the `Extraordinary Question,’ as it was called in the genial days of `Le Roi Soleil.’ Did you stand it out to the end?’

  ‘No, thank God, I awoke before it really began.’

  ‘Ah! it is just as well for you. I held out till the third bucket. Well, it is an old story, and they are all in their graves now, anyhow, so what does it matter how they got there? I suppose that you have no idea what it was that you have seen?’

  ‘The torture of some criminal. She must have been a terrible malefactor indeed if her crimes are in proportion to her penalty.’

  ‘Well, we have that small consolation,’ said Dacre, wrapping his dressing-gown round him and crouching closer to the fire. ‘They WERE in proportion to her penalty. That is to say, if I am correct in the lady’s identity.’

  ‘How could you possibly know her identity?’

  For answer Dacre took down an old vellum-covered volume from the shelf.

  ‘Just listen to this,’ said he; ‘it is in the French of the seventeenth century, but I will give a rough translation as I go. You will judge for yourself whether I have solved the riddle or not. ‘The prisoner was brought before the Grand Chambers and Tournelles of Parliament, sitting as a court of justice, charged with the murder of Master Dreux d’Aubray, her father, and of her two brothers, MM. d’Aubray, one being civil lieutenant, and the other a counsellor of Parliament. In person it seemed hard to believe that she had really done such wicked deeds, for she was of a mild appearance, and of short stature, with a fair skin and blue eyes. Yet the Court, having found her guilty, condemned her to the ordinary and to the extraordinary question in order that she might be forced to name her accomplices, after which she should be carried in a cart to the Place de Greve, there to have her head cut off, her body being afterwards burned and her ashes scattered to the winds.’

  ‘The date of this entry is July 16, 1676.’

  ‘It is interesting,’ said I, ‘but not convincing. How do you prove the two women to be the same?’

  ‘I am coming to that.

  The narrative goes on to tell of the woman’s behaviour when questioned. `When the executioner approached her she recognized him by the cords which he held in his hands, and she at once held out her own hands to him, looking at him from head to foot without uttering a word.

  ‘How’s that?’

  ‘Yes, it was so.’

  She gazed without wincing upon the wooden horse and rings which had twisted so many limbs and caused so many shrieks of agony. When her eyes fell upon the three pails of water, which were all ready for her, she said with a smile, ‘All that water must have been brought here for the purpose of drowning me, Monsieur. You have no idea, I trust, of making a person of my
small stature swallow it all.’‘ Shall I read the details of the torture?’

  ‘No, for Heaven’s sake, don’t.’

  ‘Here is a sentence which must surely show you that what is here recorded is the very scene which you have gazed upon tonight:

  `The good Abbe Pirot, unable to contemplate the agonies which were suffered by his penitent, had hurried from the room.’ Does that convince you?’

  ‘It does entirely. There can be no question that it is indeed the same event. But who, then, is this lady whose appearance was so attractive and whose end was so horrible?’

  For answer Dacre came across to me, and placed the small lamp upon the table which stood by my bed. Lifting up the ill-omened filler, he turned the brass rim so that the light fell full upon it. Seen in this way the engraving seemed clearer than on the night before.

  ‘We have already agreed that this is the badge of a marquis or of a marquise,’ said he. ‘We have also settled that the last letter is B.’

  ‘It is undoubtedly so.’

  ‘I now suggest to you that the other letters from left to right are, M, M, a small d, A, a small d, and then the final B.’

  ‘Yes, I am sure that you are right. I can make out the two small d’s quite plainly.’

  ‘What I have read to you tonight,’ said Dacre, ‘is the official record of the trial of Marie Madeleine d’Aubray, Marquise de Brinvilliers, one of the most famous poisoners and murderers of all time.’

  I sat in silence, overwhelmed at the extraordinary nature of the incident, and at the completeness of the proof with which Dacre had exposed its real meaning. In a vague way I remembered some details of the woman’s career, her unbridled debauchery, the coldblooded and protracted torture of her sick father, the murder of her brothers for motives of petty gain. I recollected also that the bravery of her end had done something to atone for the horror of her life, and that all Paris had sympathized with her last moments, and blessed her as a martyr within a few days of the time when they had cursed her as a murderess. One objection, and one only, occurred to my mind.

  ‘How came her initials and her badge of rank upon the filler? Surely they did not carry their mediaeval homage to the nobility to the point of decorating instruments of torture with their titles?’

  ‘I was puzzled with the same point,’ said Dacre, ‘but it admits of a simple explanation. The case excited extraordinary interest at the time, and nothing could be more natural than that La Reynie, the head of the police, should retain this filler as a grim souvenir. It was not often that a marchioness of France underwent the Extraordinary question. That he should engrave her initials upon it for the information of others was surely a very ordinary proceeding upon his part.’

  ‘And this?’ I asked, pointing to the marks upon the leathern neck.

  ‘She was a cruel tigress,’ said Dacre, as he turned away.

  ‘I think it is evident that like other tigresses her teeth were both strong and sharp.’

  The New Catacomb by Sir Arthur Conan Doyle

  ‘Look here, Burger,’ said Kennedy, ‘I do wish that you would confide in me.’

  The two famous students of Roman remains sat together in Kennedy’s comfortable room overlooking the Corso.

  The night was cold, and they had both pulled up their chairs to the unsatisfactory Italian stove which threw out a zone of stuffiness rather than of warmth. Outside under the bright winter stars lay the modern Rome, the long, double chain of the electric lamps, the brilliantly lighted cafes, the rushing carriages, and the dense throng upon the footpaths. But inside, in the sumptuous chamber of the rich young English archaeologist, there was only old Rome to be seen.

  Cracked and timeworn friezes hung upon the walls, grey old busts of senators and soldiers with their fighting heads and their hard, cruel faces peered out from the corners. On the centre table, amidst a litter of inscriptions, fragments, and ornaments, there stood the famous reconstruction by Kennedy of the Baths of Caracalla, which excited such interest and admiration when it was exhibited in Berlin. Amphorae hung from the ceiling, and a litter of curiosities strewed the rich red Turkey carpet.

  And of them all there was not one which was not of the most unimpeachable authenticity, and of the utmost rarity and value; for Kennedy, though little more than thirty, had a European reputation in this particular branch of research, and was, moreover, provided with that long purse which either proves to be a fatal handicap to the student’s energies, or, if his mind is still true to its purpose, gives him an enormous advantage in the race for fame. Kennedy had often been seduced by whim and pleasure from his studies, but his mind was an incisive one, capable of long and concentrated efforts which ended in sharp reactions of sensuous languor. His handsome face, with its high, white forehead, its aggressive nose, and its somewhat loose and sensual mouth, was a fair index of the compromise between strength and weakness in his nature.

  Of a very different type was his companion, Julius Burger. He came of a curious blend, a German father and an Italian mother, with the robust qualities of the North mingling strangely with the softer graces of the South. Blue Teutonic eyes lightened his sun-browned face, and above them rose a square, massive forehead, with a fringe of close yellow curls lying round it. His strong, firm jaw was clean-shaven, and his companion had frequently remarked how much it suggested those old Roman busts which peered out from the shadows in the corners of his chamber. Under its bluff German strength there lay always a suggestion of Italian subtlety, but the smile was so honest, and the eyes so frank, that one understood that this was only an indication of his ancestry, with no actual bearing upon his character. In age and in reputation, he was on the same level as his English companion, but his life and his work had both been far more arduous.

  Twelve years before, he had come as a poor student to Rome, and had lived ever since upon some small endowment for research which had been awarded to him by the University of Bonn. Painfully, slowly, and doggedly, with extraordinary tenacity and single-mindedness, he had climbed from rung to rung of the ladder of fame, until now he was a member of the Berlin Academy, and there was every reason to believe that he would shortly be promoted to the Chair of the greatest of German Universities. But the singleness of purpose which had brought him to the same high level as the rich and brilliant Englishman, had caused him in everything outside their work to stand infinitely below him. He had never found a pause in his studies in which to cultivate the social graces. It was only when he spoke of his own subject that his face was filled with life and soul.

  At other times he was silent and embarrassed, too conscious of his own limitations in larger subjects, and impatient of that small talk which is the conventional refuge of those who have no thoughts to express.

  And yet for some years there had been an acquaintanceship which appeared to be slowly ripening into a friendship between these two very different rivals. The base and origin of this lay in the fact that in their own studies each was the only one of the younger men who had knowledge and enthusiasm enough to properly appreciate the other. Their common interests and pursuits had brought them together, and each had been attracted by the other’s knowledge. And then gradually something had been added to this.

  Kennedy had been amused by the frankness and simplicity of his rival, while Burger in turn had been fascinated by the brilliancy and vivacity which had made Kennedy such a favourite in Roman society. I say ‘had, ‘because just at the moment the young Englishman was somewhat under a cloud.

  A love-affair, the details of which had never quite come out, had indicated a heartlessness and callousness upon his part which shocked many of his friends. But in the bachelor circles of students and artists in which he preferred to move there is no very rigid code of honour in such matters, and though a head might be shaken or a pair of shoulders shrugged over the flight of two and the return of one, the general sentiment was probably one of curiosity and perhaps of envy rather than of reprobation.

  ‘Look here, Burger,’ said Kennedy
, looking hard at the placid face of his companion, ‘I do wish that you would confide in me.’

  As he spoke he waved his hand in the direction of a rug which lay upon the floor. On the rug stood a long, shallow fruit-basket of the light wicker-work which is used in the Campagna, and this was heaped with a litter of objects, inscribed tiles, broken inscriptions, cracked mosaics, torn papyri, rusty metal ornaments, which to the uninitiated might have seemed to have come straight from a dustman’s bin, but which a specialist would have speedily recognized as unique of their kind. The pile of odds and ends in the flat wicker-work basket supplied exactly one of those missing links of social development which are of such interest to the student. It was the German who had brought them in, and the Englishman’s eyes were hungry as he looked at them.

 

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