In this book they had set down such deviations from rectitude on the part of their fellow citizens as had reached their ears. Some of these false steps were those of grizzled men, stories that had become traditions in the city and were embalmed in the composition book by virtue of indiscreet exhumations at family dinner tables. Others were the more exciting sins, confirmed or merely rumored, of boys and girls their own age. Some of the entries would have been read by adults with bewilderment, others might have inspired wrath, and there were three or four contemporary reports that would have prostrated the parents of the involved children with horror and despair.
One of the mildest items, a matter they had hesitated about setting down, though it had shocked them only last year, was: “Elwood Leaming has been to the Burlesque Show three or four times at the Star.”
Another, and perhaps their favorite, because of its uniqueness, set forth that “H. P. Cramner committed some theft in the East he could be imprisoned for and had to come here”--H. P. Cramner being now one of the oldest and “most substantial” citizens of the city.
The single defect in the book was that it could only be enjoyed with the aid of the imagination, for the invisible ink must keep its secrets until that day when, the pages being held close to the fire, the items would appear. Close inspection was necessary to determine which pages had been used--already a rather grave charge against a certain couple had been superimposed upon the dismal facts that Mrs. R. B. Cary had consumption and that her son, Walter Cary, had been expelled from PawlingSchool. The purpose of the work as a whole was not blackmail. It was treasured against the time when its protagonists should “do something” to Basil and Riply. Its possession gave them a sense of power. Basil, for instance, had never seen Mr. H. P. Cramner make a single threatening gesture in Basil’s direction but let him even hint that he was going to do something to Basil, and there preserved against him was the record of his past.
It is only fair to say that at this point the book passes entirely out of this story. Years later a janitor discovered it beneath the trapdoor, and finding it apparently blank, gave it to his little girl; so the misdeeds of Elwood Leaming and H. P. Cramner were definitely entombed at last beneath a fair copy of Lincoln’s Gettysburg Address.
The book was Basil’s idea. He was more the imaginative and in most ways the stronger of the two. He was a shining-eyed, brown-haired boy of fourteen, rather small as yet, and bright and lazy at school. His favorite character in fiction was Arsène Lupin, the gentleman burglar, a romantic phenomenon lately imported from Europe and much admired in the first bored decades of the century.
Riply Buckner, also in short pants, contributed to the partnership a breathless practicality. His mind waited upon Basil’s imagination like a hair trigger and no scheme was too fantastic for his immediate “Let’s do it!” Since the school’s third baseball team, on which they had been pitcher and catcher, decomposed after an unfortunate April season, they had spent their afternoons struggling to evolve a way of life which should measure up to the mysterious energies fermenting inside them. In the cache beneath the trapdoor were some “slouch” hats and bandanna handkerchiefs, some loaded dice, half of a pair of handcuffs, a rope ladder of a tenuous crochet persuasion for rear-window escapes into the alley, and a make-up box containing two old theatrical wigs and crêpe hair of various colors--all to be used when they decided what illegal enterprises to undertake.
Their lemonades finished, they lit Home Runs and held a desultory conversation which touched on crime, professional baseball, sex and the local stock company. This broke off at the sound of footsteps and familiar voices in the adjoining alley.
From the window, they investigated. The voices belonged to Margaret Torrence, Imogene Bissel and Connie Davies, who were cutting through the alley from Imogene’s back yard to Connie’s at the end of the block. The young ladies were thirteen, twelve and thirteen years old respectively, and they considered themselves alone, for in time to their march they were rendering a mildly daring parody in a sort of whispering giggle and coming out strongly on the finale: “Oh, my dar-ling Clemon-tine.”
Basil and Riply leaned together from the window, then remembering their undershirts sank down behind the sill.
“We heard you!” they cried together.
The girls stopped and laughed. Margaret Torrence chewed exaggeratedly to indicate gum, and gum with a purpose. Basil immediately understood.
“Whereabouts?” he demanded.
“Over at Imogene’s house.”
They had been at Mrs. Bissel’s cigarettes. The implied recklessness of their mood interested and excited the two boys and they prolonged the conversation. Connie Davies had been Riply’s girl during dancing-school term; Margaret Torrence had played a part in Basil’s recent past; Imogene Bissel was just back from a year in Europe. During the last month neither Basil nor Riply had thought about girls, and, thus refreshed, they become conscious that the centre of the world had shifted suddenly from the secret room to the little group outside.
“Come on up,” they suggested.
“Come on out. Come on down to the Whartons’ yard.”
“All right.”
Barely remembering to put away the Scandal Book and the box of disguises, the two boys hurried out, mounted their bicycles and rode up the alley.
The Whartons’ own children had long grown up, but their yard was still one of those predestined places where young people gather in the afternoon. It had many advantages. It was large, open to other yards on both sides, and it could be entered upon skates or bicycles from the street. It contained an old seesaw, a swing and a pair of flying rings; but it had been a rendezvous before these were put up, for it had a child’s quality--the thing that makes young people huddle inextricably on uncomfortable steps and desert the houses of their friends to herd on the obscure premises of “people nobody knows.” The Whartons’ yard had long been a happy compromise; there were deep shadows there all day long and ever something vague in bloom, and patient dogs around, and brown spots worn bare by countless circling wheels and dragging feet. In sordid poverty, below the bluff two hundred feet away, lived the “micks”--they had merely inherited the name, for they were now largely of Scandinavian descent--and when other amusements palled, a few cries were enough to bring a gang of them swarming up the hill, to be faced if numbers promised well, to be fled from into convenient houses if things went the other way.
It was five o’clock and there was a small crowd gathered there for that soft and romantic time before supper--a time surpassed only by the interim of summer dusk thereafter. Basil and Riply rode their bicycles around abstractedly, in and out of trees, resting now and then with a hand on someone’s shoulder, shading their eyes from the glow of the late sun that, like youth itself, is too strong to face directly, but must be kept down to an undertone until it dies away.
Basil rode over to Imogene Bissel and balanced idly on his wheel before her. Something in his face then must have attracted her, for she looked up at him, looked at him really, and slowly smiled. She was to be a beauty and belle of many proms in a few years. Now her large brown eyes and large beautifully shaped mouth and the high flush over her thin cheek bones made her face gnome-like and offended those who wanted a child to look like a child. For a moment Basil was granted an insight into the future, and the spell of her vitality crept over him suddenly. For the first time in his life he realized a girl completely as something opposite and complementary to him, and he was subject to a warm chill of mingled pleasure and pain. It was a definite experience and he was immediately conscious of it. The summer afternoon became lost in her suddenly--the soft air, the shadowy hedges and banks of flowers, the orange sunlight, the laughter and voices, the tinkle of a piano over the way--the odor left all these things and went into Imogene’s face as she sat there looking up at him with a smile.
For a moment it was too much for him. He let it go, incapable of exploiting it until he had digested it alone. He rode around fast in a ci
rcle on his bicycle, passing near Imogene without looking at her. When he came back after a while and asked if he could walk home with her, she had forgotten the moment, if it had ever existed for her, and was almost surprised. With Basil wheeling his bicycle beside her, they started down the street.
“Can you come out tonight?” he asked eagerly. “There’ll probably be a bunch in the Whartons’ yard.”
“I’ll ask mother.”
“I’ll telephone you. I don’t want to go unless you’ll be there.”
“Why?” She smiled at him again, encouraging him.
“Because I don’t want to.”
“But why don’t you want to?”
“Listen,” he said quickly, “what boys do you like better than me?”
“Nobody. I like you and Hubert Blair best.”
Basil felt no jealousy at the coupling of this name with his. There was nothing to do about Hubert Blair but accept him philosophically, as other boys did when dissecting the hearts of other girls.
“I like you better than anybody,” he said deliriously.
The weight of the pink dappled sky above him was not endurable. He was plunging along through air of ineffable loveliness while warm freshets sprang up in his blood and he turned them, and with them his whole life, like a stream toward this girl.
They reached the carriage door at the side of her house.
“Can’t you come in, Basil?”
“No.” He saw immediately that that was a mistake, but it was said now. The intangible present had eluded him. Still he lingered. “Do you want my school ring?”
“Yes, if you want to give it to me.”
“I’ll give it to you tonight.” His voice shook slightly as he added, “That is, I’ll trade.”
“What for?”
“Something.”
“What?” Her color spread; she knew.
“You know. Will you trade?”
Imogene looked around uneasily. In the honey-sweet silence that had gathered around the porch, Basil held his breath. “You’re awful,” she whispered. “Maybe. . . . Good-by.”
II
It was the best hour of the day now and Basil was terribly happy. This summer he and his mother and sister were going to the lakes and next fall he was starting away to school. Then he would go to Yale and be a great athlete, and after that--if his two dreams had fitted onto each other chronologically instead of existing independently side by side--he was due to become a gentleman burglar. Everything was fine. He had so many alluring things to think about that it was hard to fall asleep at night.
That he was now crazy about Imogene Bissel was not a distraction, but another good thing. It had as yet no poignancy, only a brilliant and dynamic excitement that was bearing him along toward the Whartons’ yard through the May twilight.
He wore his favorite clothes--white duck knickerbockers, pepper-and-salt Norfolk jacket, a Belmont collar and a gray knitted tie. With his black hair wet and shining, he made a handsome little figure as he turned in upon the familiar but now re-enchanted lawn and joined the voices in the gathering darkness. Three or four girls who lived in neighboring houses were present, and almost twice as many boys; and a slightly older group adorning the side veranda made a warm, remote nucleus against the lamps of the house and contributed occasional mysterious ripples of laughter to the already overburdened night.
Moving from shadowy group to group, Basil ascertained that Imogene was not yet here. Finding Margaret Torrence, he spoke to her aside, lightly.
“Have you still got that old ring of mine?”
Margaret had been his girl all year at dancing school, signified by the fact that he had taken her to the cotillion which closed the season. The affair had languished toward the end; none the less, his question was undiplomatic.
“I’ve got it somewhere,” Margaret replied carelessly. “Why? Do you want it back?”
“Sort of.”
“All right. I never did want it. It was you that made me take it, Basil. I’ll give it back to you tomorrow.”
“You couldn’t give it to me tonight, could you?” His heart leaped as he saw a small figure come in at the rear gate. “I sort of want to get it tonight.”
“Oh, all right, Basil.”
She ran across the street to her house and Basil followed. Mr. and Mrs. Torrence were on the porch, and while Margaret went upstairs for the ring he overcame his excitement and impatience and answered those questions as to the health of his parents which are so meaningless to the young. Then a sudden stiffening came over him, his voice faded off and his glazed eyes fixed upon a scene that was materializing over the way.
From the shadows far up the street, a swift, almost flying figure emerged and floated into the patch of lamplight in front of the Whartons’ house. The figure wove here and there in a series of geometric patterns, now off with a flash of sparks at the impact of skates and pavement, now gliding miraculously backward, describing a fantastic curve, with one foot lifted gracefully in the air, until the young people moved forward in groups out of the darkness and crowded to the pavement to watch. Basil gave a quiet little groan as he realized that of all possible nights, Hubert Blair had chosen this one to arrive.
“You say you’re going to the lakes this summer, Basil. Have you taken a cottage?”
Basil became aware after a moment that Mr. Torrence was making this remark for the third time.
“Oh, yes, sir,” he answered--”I mean, no. We’re staying at the club.”
“Won’t that be lovely?” said Mrs. Torrence.
Across the street, he saw Imogene standing under the lamp-post and in front of her Hubert Blair, his jaunty cap on the side of his head, maneuvering in a small circle. Basil winced as he heard his chuckling laugh. He did not perceive Margaret until she was beside him, pressing his ring into his hand like a bad penny. He muttered a strained hollow good-by to her parents, and weak with apprehension, followed her back across the street.
Hanging back in a shadow, he fixed his eyes not on Imogene but on Hubert Blair. There was undoubtedly something rare about Hubert. In the eyes of children less than fifteen, the shape of the nose is the distinguishing mark of beauty. Parents may call attention to lovely eyes, shining hair or gorgeous coloring, but the nose and its juxtaposition on the face is what the adolescent sees. Upon the lithe, stylish, athletic torso of Hubert Blair was set a conventional chubby face, and upon this face was chiseled the piquant, retroussé nose of a Harrison Fisher girl.
He was confident; he had personality, uninhibited by doubts or moods. He did not go to dancing school--his parents had moved to the city only a year ago--but already he was a legend. Though most of the boys disliked him, they did homage to his virtuosic athletic ability, and for the girls his every movement, his pleasantries, his very indifference, had a simply immeasurable fascination. Upon several previous occasions Basil had discovered this; now the discouraging comedy began to unfold once more.
Hubert took off his skates, rolled one down his arm and caught it by the strap before it reached the pavement; he snatched the ribbon from Imogene’s hair and made off with it, dodging from under her arms as she pursued him, laughing and fascinated, around the yard. He cocked one foot behind the other and pretended to lean an elbow against a tree, missed the tree on purpose and gracefully saved himself from falling. The boys watched him noncommittally at first. Then they, too, broke out into activity, doing stunts and tricks as fast as they could think of them until those on the porch craned their necks at the sudden surge of activity in the garden. But Hubert coolly turned his back on his own success. He took Imogene’s hat and began setting it in various quaint ways upon his head. Imogene and the other girls were filled with delight.
Unable any longer to endure the nauseous spectacle, Basil went up to the group and said, “Why, hello, Hube,” in as negligent a tone as he could command.
Hubert answered: “Why, hello, old--old Basil the Boozle,” and set the hat a different way on his head, until Basil himself coul
dn’t resist an unwilling chortle of laughter.
“Basil the Boozle! Hello, Basil the Boozle!” The cry circled the garden. Reproachfully he distinguished Riply’s voice among the others.
“Hube the Boob!” Basil countered quickly; but his ill humor detracted from the effect, though several boys repeated it appreciatively.
Gloom settled upon Basil, and through the heavy dusk the figure of Imogene began to take on a new, unattainable charm. He was a romantic boy and already he had endowed her heavily from his fancy. Now he hated her for her indifference, but he must perversely linger near in the vain hope of recovering the penny of ecstasy so wantonly expended this afternoon.
He tried to talk to Margaret with decoy animation, but Margaret was not responsive. Already a voice had gone up in the darkness calling in a child. Panic seized upon him; the blessed hour of summer evening was almost over. At a spreading of the group to let pedestrians through, he maneuvered Imogene unwillingly aside.
“I’ve got it,” he whispered. “Here it is. Can I take you home?”
She looked at him distractedly. Her hand closed automatically on the ring.
“What? Oh, I promised Hubert he could take me home.” At the sight of his face she pulled herself from her trance and forced a note of indignation. “I saw you going off with Margaret Torrence just as soon as I came into the yard.”
“I didn’t. I just went to get the ring.”
“Yes, you did! I saw you!”
Her eyes moved back to Hubert Blair. He had replaced his roller skates and was making little rhythmic jumps and twirls on his toes, like a witch doctor throwing a slow hypnosis over an African tribe. Basil’s voice, explaining and arguing, went on, but Imogene moved away. Helplessly he followed. There were other voices calling in the darkness now and unwilling responses on all sides.
“All right, mother!”
“I’ll be there in a second, mother.”
Complete Works of F. Scott Fitzgerald UK (Illustrated) Page 200