Poe, Edgar Allen - The Complete Works of Edgar Allen Poe
Page 52
now final death-agonies, bore him to the floor a corpse, and a victim
to the terrors he had anticipated.
From that chamber, and from that mansion, I fled aghast. The
storm was still abroad in all its wrath as I found myself crossing
the old causeway. Suddenly there shot along the path a wild light,
and I turned to see whence a gleam so unusual could have issued ;
for the vast house and its shadows were alone behind me. The
radiance was that of the full, setting, and blood-red moon, which now
shone vividly through that once barely-discernible fissure, of which
I have before spoken as extending from the roof of the building, in a
zigzag direction, to the base. While I gazed, this fissure rapidly
widened - there came a fierce breath of the whirlwind - the entire
orb of the satellite burst at once upon my sight - my brain reeled as
I saw the mighty walls rushing asunder - there was a long tumultuous
shouting sound like the voice of a thousand waters - and the deep and
dank tarn at my feet closed sullenly and silently over the fragments
of the "_House of Usher_."
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SILENCE -- A FABLE
+L*@LF4< D@D,T< 6@*zLN"4 J, 6"4 N"D"((,.
ALCMAN. The mountain pinnacles slumber; valleys, crags and caves are
silent.
"LISTEN to me," said the Demon as he placed his hand upon my head.
"The region of which I speak is a dreary region in Libya, by the
borders of the river Zaire. And there is no quiet there, nor silence.
"The waters of the river have a saffron and sickly hue; and they flow
not onwards to the sea, but palpitate forever and forever beneath the
red eye of the sun with a tumultuous and convulsive motion. For many
miles on either side of the river's oozy bed is a pale desert of
gigantic water-lilies. They sigh one unto the other in that solitude,
and stretch towards the heaven their long and ghastly necks, and nod
to and fro their everlasting heads. And there is an indistinct murmur
which cometh out from among them like the rushing of subterrene
water. And they sigh one unto the other.
"But there is a boundary to their realm -- the boundary of the dark,
horrible, lofty forest. There, like the waves about the Hebrides, the
low underwood is agitated continually. But there is no wind
throughout the heaven. And the tall primeval trees rock eternally
hither and thither with a crashing and mighty sound. And from their
high summits, one by one, drop everlasting dews. And at the roots
strange poisonous flowers lie writhing in perturbed slumber. And
overhead, with a rustling and loud noise, the gray clouds rush
westwardly forever, until they roll, a cataract, over the fiery wall
of the horizon. But there is no wind throughout the heaven. And by
the shores of the river Zaire there is neither quiet nor silence.
"It was night, and the rain fell; and falling, it was rain, but,
having fallen, it was blood. And I stood in the morass among the tall
and the rain fell upon my head -- and the lilies sighed one unto the
other in the solemnity of their desolation.
"And, all at once, the moon arose through the thin ghastly mist, and
was crimson in color. And mine eyes fell upon a huge gray rock which
stood by the shore of the river, and was lighted by the light of the
moon. And the rock was gray, and ghastly, and tall, -- and the rock
was gray. Upon its front were characters engraven in the stone; and I
walked through the morass of water-lilies, until I came close unto
the shore, that I might read the characters upon the stone. But I
could not decypher them. And I was going back into the morass, when
the moon shone with a fuller red, and I turned and looked again upon
the rock, and upon the characters; -- and the characters were
DESOLATION.
"And I looked upwards, and there stood a man upon the summit of the
rock; and I hid myself among the water-lilies that I might discover
the actions of the man. And the man was tall and stately in form, and
was wrapped up from his shoulders to his feet in the toga of old
Rome. And the outlines of his figure were indistinct -- but his
features were the features of a deity; for the mantle of the night,
and of the mist, and of the moon, and of the dew, had left uncovered
the features of his face. And his brow was lofty with thought, and
his eye wild with care; and, in the few furrows upon his cheek I read
the fables of sorrow, and weariness, and disgust with mankind, and a
longing after solitude.
"And the man sat upon the rock, and leaned his head upon his hand,
and looked out upon the desolation. He looked down into the low
unquiet shrubbery, and up into the tall primeval trees, and up higher
at the rustling heaven, and into the crimson moon. And I lay close
within shelter of the lilies, and observed the actions of the man.
And the man trembled in the solitude; -- but the night waned, and he
sat upon the rock.
"And the man turned his attention from the heaven, and looked out
upon the dreary river Zaire, and upon the yellow ghastly waters, and
upon the pale legions of the water-lilies. And the man listened to
the sighs of the water-lilies, and to the murmur that came up from
among them. And I lay close within my covert and observed the actions
of the man. And the man trembled in the solitude; -- but the night
waned and he sat upon the rock.
"Then I went down into the recesses of the morass, and waded afar in
among the wilderness of the lilies, and called unto the hippopotami
which dwelt among the fens in the recesses of the morass. And the
hippopotami heard my call, and came, with the behemoth, unto the foot
of the rock, and roared loudly and fearfully beneath the moon. And I
lay close within my covert and observed the actions of the man. And
the man trembled in the solitude; -- but the night waned and he sat
upon the rock.
"Then I cursed the elements with the curse of tumult; and a frightful
tempest gathered in the heaven where, before, there had been no wind.
And the heaven became livid with the violence of the tempest -- and
the rain beat upon the head of the man -- and the floods of the river
came down -- and the river was tormented into foam -- and the
water-lilies shrieked within their beds -- and the forest crumbled
before the wind -- and the thunder rolled -- and the lightning fell
-- and the rock rocked to its foundation. And I lay close within my
covert and observed the actions of the man. And the man trembled in
the solitude; -- but the night waned and he sat upon the rock.
"Then I grew angry and cursed, with the curse of silence, the river,
and the lilies, and the wind, and the forest, and the heaven, and the
thunder, and the sighs of the water-lilies. And they became accursed,
and were still. And the moon ceased to totter up its pathway to
heaven -- and the thunder died away -- and the lightning did not
flash -- and the clouds hung motionless -- and the waters sunk to
their level and remained -- and the trees ceased to rock -- a
nd the
water-lilies sighed no more -- and the murmur was heard no longer
from among them, nor any shadow of sound throughout the vast
illimitable desert. And I looked upon the characters of the rock, and
they were changed; -- and the characters were SILENCE.
"And mine eyes fell upon the countenance of the man, and his
countenance was wan with terror. And, hurriedly, he raised his head
from his hand, and stood forth upon the rock and listened. But there
was no voice throughout the vast illimitable desert, and the
characters upon the rock were SILENCE. And the man shuddered, and
turned his face away, and fled afar off, in haste, so that I beheld
him no more."
Now there are fine tales in the volumes of the Magi -- in the
iron-bound, melancholy volumes of the Magi. Therein, I say, are
glorious histories of the Heaven, and of the Earth, and of the mighty
sea -- and of the Genii that over-ruled the sea, and the earth, and
the lofty heaven. There was much lore too in the sayings which were
said by the Sybils; and holy, holy things were heard of old by the
dim leaves that trembled around Dodona -- but, as Allah liveth, that
fable which the Demon told me as he sat by my side in the shadow of
the tomb, I hold to be the most wonderful of all! And as the Demon
made an end of his story, he fell back within the cavity of the tomb
and laughed. And I could not laugh with the Demon, and he cursed me
because I could not laugh. And the lynx which dwelleth forever in the
tomb, came out therefrom, and lay down at the feet of the Demon, and
looked at him steadily in the face.
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THE MASQUE OF THE RED DEATH.
THE "Red Death" had long devastated the country. No pestilence had
ever been so fatal, or so hideous. Blood was its Avatar and its seal
-- the redness and the horror of blood. There were sharp pains, and
sudden dizziness, and then profuse bleeding at the pores, with
dissolution. The scarlet stains upon the body and especially upon the
face of the victim, were the pest ban which shut him out from the aid
and from the sympathy of his fellow-men. And the whole seizure,
progress and termination of the disease, were the incidents of half
an hour.
But the Prince Prospero was happy and dauntless and sagacious. When
his dominions were half depopulated, he summoned to his presence a
thousand hale and light-hearted friends from among the knights and
dames of his court, and with these retired to the deep seclusion of
one of his castellated abbeys. This was an extensive and magnificent
structure, the creation of the prince's own eccentric yet august
taste. A strong and lofty wall girdled it in. This wall had gates of
iron. The courtiers, having entered, brought furnaces and massy
hammers and welded the bolts. They resolved to leave means neither of
ingress or egress to the sudden impulses of despair or of frenzy from
within. The abbey was amply provisioned. With such precautions the
courtiers might bid defiance to contagion. The external world could
take care of itself. In the meantime it was folly to grieve, or to
think. The prince had provided all the appliances of pleasure. There
were buffoons, there were improvisatori, there were ballet-dancers,
there were musicians, there was Beauty, there was wine. All these and
security were within. Without was the "Red Death."
It was toward the close of the fifth or sixth month of his seclusion,
and while the pestilence raged most furiously abroad, that the Prince
Prospero entertained his thousand friends at a masked ball of the
most unusual magnificence.
It was a voluptuous scene, that masquerade. But first let me tell of
the rooms in which it was held. There were seven -- an imperial
suite. In many palaces, however, such suites form a long and straight
vista, while the folding doors slide back nearly to the walls on
either hand, so that the view of the whole extent is scarcely
impeded. Here the case was very different; as might have been
expected from the duke's love of the bizarre. The apartments were so
irregularly disposed that the vision embraced but little more than
one at a time. There was a sharp turn at every twenty or thirty
yards, and at each turn a novel effect. To the right and left, in the
middle of each wall, a tall and narrow Gothic window looked out upon
a closed corridor which pursued the windings of the suite. These
windows were of stained glass whose color varied in accordance with
the prevailing hue of the decorations of the chamber into which it
opened. That at the eastern extremity was hung, for example, in blue
-- and vividly blue were its windows. The second chamber was purple
in its ornaments and tapestries, and here the panes were purple. The
third was green throughout, and so were the casements. The fourth was
furnished and lighted with orange -- the fifth with white -- the
sixth with violet. The seventh apartment was closely shrouded in
black velvet tapestries that hung all over the ceiling and down the
walls, falling in heavy folds upon a carpet of the same material and
hue. But in this chamber only, the color of the windows failed to
correspond with the decorations. The panes here were scarlet -- a
deep blood color. Now in no one of the seven apartments was there any
lamp or candelabrum, amid the profusion of golden ornaments that lay
scattered to and fro or depended from the roof. There was no light of
any kind emanating from lamp or candle within the suite of chambers.
But in the corridors that followed the suite, there stood, opposite
to each window, a heavy tripod, bearing a brazier of fire that
protected its rays through the tinted glass and so glaringly
illumined the room. And thus were produced a multitude of gaudy and
fantastic appearances. But in the western or black chamber the effect
of the fire-light that streamed upon the dark hangings through the
blood-tinted panes, was ghastly in the extreme, and produced so wild
a look upon the countenances of those who entered, that there were
few of the company bold enough to set foot within its precincts at
all.
It was in this apartment, also, that there stood against the western
wall, a gigantic clock of ebony. Its pendulum swung to and fro with a