Poe, Edgar Allen - The Complete Works of Edgar Allen Poe

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Poe, Edgar Allen - The Complete Works of Edgar Allen Poe Page 144

by Volume 01-05 (lit)


  AGATHOS. I mean to say that the Deity does not create.

  OINOS. Explain.

  AGATHOS. In the beginning only, he created. The seeming creatures

  which are now, throughout the universe, so perpetually springing into

  being, can only be considered as the mediate or indirect, not as the

  direct or immediate results of the Divine creative power.

  OINOS. Among men, my Agathos, this idea would be considered heretical

  in the extreme.

  AGATHOS. Among angels, my Oinos, it is seen to be simply true.

  OINOS. I can comprehend you thus far -- that certain operations of

  what we term Nature, or the natural laws, will, under certain

  conditions, give rise to that which has all the appearance of

  creation. Shortly before the final overthrow of the earth, there

  were, I well remember, many very successful experiments in what some

  philosophers were weak enough to denominate the creation of

  animalculae.

  AGATHOS. The cases of which you speak were, in fact, instances of the

  secondary creation -- and of the only species of creation which has

  ever been, since the first word spoke into existence the first law.

  OINOS. Are not the starry worlds that, from the abyss of nonentity,

  burst hourly forth into the heavens -- are not these stars, Agathos,

  the immediate handiwork of the King?

  AGATHOS. Let me endeavor, my Oinos, to lead you, step by step, to the

  conception I intend. You are well aware that, as no thought can

  perish, so no act is without infinite result. We moved our hands, for

  example, when we were dwellers on the earth, and, in so doing, gave

  vibration to the atmosphere which engirdled it. This vibration was

  indefinitely extended, till it gave impulse to every particle of the

  earth's air, which thenceforward, and for ever, was actuated by the

  one movement of the hand. This fact the mathematicians of our globe

  well knew. They made the special effects, indeed, wrought in the

  fluid by special impulses, the subject of exact calculation -- so

  that it became easy to determine in what precise period an impulse of

  given extent would engirdle the orb, and impress (for ever) every

  atom of the atmosphere circumambient. Retrograding, they found no

  difficulty, from a given effect, under given conditions, in

  determining the value of the original impulse. Now the mathematicians

  who saw that the results of any given impulse were absolutely endless

  -- and who saw that a portion of these results were accurately

  traceable through the agency of algebraic analysis -- who saw, too,

  the facility of the retrogradation -- these men saw, at the same

  time, that this species of analysis itself, had within itself a

  capacity for indefinite progress -- that there were no bounds

  conceivable to its advancement and applicability, except within the

  intellect of him who advanced or applied it. But at this point our

  mathematicians paused.

  OINOS. And why, Agathos, should they have proceeded?

  AGATHOS. Because there were some considerations of deep interest

  beyond. It was deducible from what they knew, that to a being of

  infinite understanding -- one to whom the perfection of the algebraic

  analysis lay unfolded -- there could be no difficulty in tracing

  every impulse given the air -- and the ether through the air -- to

  the remotest consequences at any even infinitely remote epoch of

  time. It is indeed demonstrable that every such impulse given the

  air, must, in the end, impress every individual thing that exists

  within the universe; -- and the being of infinite understanding --

  the being whom we have imagined -- might trace the remote undulations

  of the impulse -- trace them upward and onward in their influences

  upon all particles of an matter -- upward and onward for ever in

  their modifications of old forms -- or, in other words, in their

  creation of new -- until he found them reflected -- unimpressive at

  last -- back from the throne of the Godhead. And not only could such

  a thing do this, but at any epoch, should a given result be afforded

  him -- should one of these numberless comets, for example, be

  presented to his inspection -- he could have no difficulty in

  determining, by the analytic retrogradation, to what original impulse

  it was due. This power of retrogradation in its absolute fulness and

  perfection -- this faculty of referring at all epochs, all effects to

  all causes -- is of course the prerogative of the Deity alone -- but

  in every variety of degree, short of the absolute perfection, is the

  power itself exercised by the whole host of the Angelic

  intelligences.

  OINOS. But you speak merely of impulses upon the air.

  AGATHOS. In speaking of the air, I referred only to the earth; but

  the general proposition has reference to impulses upon the ether --

  which, since it pervades, and alone pervades all space, is thus the

  great medium of creation.

  OINOS. Then all motion, of whatever nature, creates?

  AGATHOS. It must: but a true philosophy has long taught that the

  source of all motion is thought -- and the source of all thought is-

  OINOS. God.

  AGATHOS. I have spoken to you, Oinos, as to a child of the fair Earth

  which lately perished -- of impulses upon the atmosphere of the

  Earth.

  OINOS. You did.

  AGATHOS. And while I thus spoke, did there not cross your mind some

  thought of the physical power of words? Is not every word an impulse

  on the air?

  OINOS. But why, Agathos, do you weep -- and why, oh why do your wings

  droop as we hover above this fair star -- which is the greenest and

  yet most terrible of all we have encountered in our flight? Its

  brilliant flowers look like a fairy dream -- but its fierce volcanoes

  like the passions of a turbulent heart.

  AGATHOS. They are! -- they are! This wild star -- it is now three

  centuries since, with clasped hands, and with streaming eyes, at the

  feet of my beloved -- I spoke it -- with a few passionate sentences

  -- into birth. Its brilliant flowers are the dearest of all

  unfulfilled dreams, and its raging volcanoes are the passions of the

  most turbulent and unhallowed of hearts.

  ~~~ End of Text ~~~

  ======

  THE COLLOQUY OF MONOS AND UNA

  9,88@
  _ Sophocles - Antig _:

  "These; things are in the future."

  _ Una._ "Born again?"

  _ Monos._ Yes, fairest and best beloved Una, "born again." These

  were the words upon whose mystical meaning I had so long pondered,

  rejecting the explanations of the priesthood, until Death himself

  resolved for me the secret.

  _Una._ Death!

  _Monos._ How strangely, sweet Una, you echo my words! I observe,

  too, a vacillation in your step - a joyous inquietude in your eyes.

  You are confused and oppressed by the majestic novelty of the Life

  Eternal. Yes, it was of Death I spoke. And here how singularly sounds

  that word which of old was wont to bring terror to all hearts -

  throwing a mildew upon all pleasures!

  _ Una._ Ah, Death, the spectre which s
ate at all feasts! How

  often, Monos, did we lose ourselves in speculations upon its nature!

  How mysteriously did it act as a check to human bliss - saying unto

  it "thus far, and no farther!" That earnest mutual love, my own

  Monos, which burned within our bosoms how vainly did we flatter

  ourselves, feeling happy in its first up-springing, that our

  happiness would strengthen with its strength! Alas! as it grew, so

  grew in our hearts the dread of that evil hour which was hurrying to

  separate us forever! Thus, in time, it became painful to love. Hate

  would have been mercy then.

  _ Monos._ Speak not here of these griefs, dear Una - mine, mine,

  forever now!

  _ Una._ But the memory of past sorrow - is it not present joy? I

  have much to say yet of the things which have been. Above all, I burn

  to know the incidents of your own passage through the dark Valley and

  Shadow.

  _ Monos._ And when did the radiant Una ask anything of her Monos

  in vain? I will be minute in relating all - but at what point shall

  the weird narrative begin?

  _Una._ At what point?

  _Monos._ You have said.

  _Una._ Monos, I comprehend you. In Death we have both learned the

  propensity of man to define the indefinable. I will not say, then,

  commence with the moment of life's cessation - but commence with that

  sad, sad instant when, the fever having abandoned you, you sank into

  a breathless and motionless torpor, and I pressed down your pallid

  eyelids with the passionate fingers of love.

  _ Monos._ One word first, my Una, in regard to man's general

  condition at this epoch. You will remember that one or two of the

  wise among our forefathers - wise in fact, although not in the

  world's esteem - had ventured to doubt the propriety of the term

  "improvement," as applied to the progress of our civilization. There

  were periods in each of the five or six centuries immediately

  preceding our dissolution, when arose some vigorous intellect, boldly

  contending for those principles whose truth appears now, to our

  disenfranchised reason, so utterly obvious - principles which should

  have taught our race to submit to the guidance of the natural laws,

  rather than attempt their control. At long intervals some masterminds

  appeared, looking upon each advance in practical science as a

  retro-gradation in the true utility. Occasionally the poetic

  intellect - that intellect which we now feel to have been the most

  exalted of all - since those truths which to us were of the most

  enduring importance could only be reached by that analogywhich speaks

  in proof tones to the imagination alone and to the unaided reason

  bears no weight - occasionally did this poetic intellect proceed a

  step farther in the evolving of the vague idea of the philosophic,

  and find in the mystic parable that tells of the tree of knowledge,

  and of its forbidden fruit, death-producing, a distinct intimation

  that knowledge was not meet for man in the infant condition of his

  soul. And these men - the poets - living and perishing amid the scorn

  of the "utilitarians" - of rough pedants, who arrogated to themselves

  a title which could have been properly applied only to the scorned -

  these men, the poets, pondered piningly, yet not unwisely, upon the

  ancient days when our wants were not more simple than our enjoyments

  were keen - days when mirth was a word unknown, so solemnly

  deep-toned was happiness - holy, august and blissful days, when blue

  rivers ran undammed, between hills unhewn, into far forest solitudes,

  primæval, odorous, and unexplored.

  Yet these noble exceptions from the general misrule served but to

  strengthen it by opposition. Alas! we had fallen upon the most evil

  of all our evil days. The great "movement" - that was the cant term -

  went on: a diseased commotion, moral and physical. Art - the Arts -

  arose supreme, and, once enthroned, cast chains upon the intellect

  which had elevated them to power. Man, because he could not but

  acknowledge the majesty of Nature, fell into childish exultation at

  his acquired and still-increasing dominion over her elements. Even

  while he stalked a God in his own fancy, an infantine imbecility came

  over him. As might be supposed from the origin of his disorder, he

  grew infected with system, and with abstraction. He enwrapped himself

  in generalities. Among other odd ideas, that of universal equality

  gained ground; and in the face of analogy and of God - in despite of

  the loud warning voice of the laws of gradation so visibly pervading

  all things in Earth an Heaven - wild attempts at an omni-prevalent

  Democracy were made. Yet this evil sprang necessarily from the

  leading evil, Knowledge. Man could not both know and succumb.

  Meantime huge smoking cities arose, innumerable. Green leaves shrank

  before the hot breath of furnaces. The fair face of Nature was

  deformed as with the ravages of some loathsome disease. And methinks,

  sweet Una, even our slumbering sense of the forced and of the

  far-fetched might have arrested us here. But now it appears that we

  had worked out our own destruction in the perversion of our taste, or

  rather in the blind neglect of its culture in the schools. For, in

  truth, it was at this crisis that taste alone - that faculty which,

  holding a middle position between the pure intellect and the moral

  sense, could never safely have been disregarded - it was now that

  taste alone could have led us gently back to Beauty, to Nature, and

  to Life. But alas for the pure contemplative spirit and majestic

  intuition of Plato! Alas for the which he justly regarded as an

  all-sufficient education for the soul! Alas for him and for it! -

  since both were most desperately needed when both were most entirely

  forgotten or despised. {*1}

  Pascal, a philosopher whom we both love, has said, how truly! -

  "que tout notre raisonnement se rèduit à céder au sentiment;" and it

  is not impossible that the sentiment of the natural, had time

  permitted it, would have regained its old ascendancy over the harsh

  mathematical reason of the schools. But this thing was not to be.

 

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