by Henry James
Mr. Verver was struck—and, as usual, to some purpose. "If we get her here to improve us don't we too then make use of her?"
It pulled the Princess up, however, but an instant. "We're old, old friends—we do her good too. I should always, even at the worst—speaking for myself—admire her still more than I used her."
"I see. That always does good."
Maggie hesitated. "Certainly—she knows it. She knows, I mean, how great I think her courage and her cleverness. She's not afraid—not of anything; and yet she no more ever takes a liberty with you than if she trembled for her life. And then she's INTERESTING—which plenty of other people with plenty of other merits never are a bit." In which fine flicker of vision the truth widened to the Princess's view. "I myself of course don't take liberties, but then I do, always, by nature, tremble for my life. That's the way I live."
"Oh I say, love!" her father vaguely murmured.
"Yes, I live in terror," she insisted. "I'm a small creeping thing."
"You'll not persuade me that you're not as good as Charlotte Stant," he still placidly enough remarked.
"I may be as good, but I'm not so great—and that's what we're talking about. She has a great imagination. She has, in every way, a great attitude. She has above all a great conscience." More perhaps than ever in her life before Maggie addressed her father at this moment with a shade of the absolute in her tone. She had never come so near telling him what he should take it from her to believe. "She has only twopence in the world—but that has nothing to do with it. Or rather indeed"—she quickly corrected herself—"it has everything. For she doesn't care. I never saw her do anything but laugh at her poverty. Her life has been harder than anyone knows."
It was moreover as if, thus unprecedentedly positive, his child had an effect upon him that Mr. Verver really felt as a new thing. "Why then haven't you told me about her before?"
"Well, haven't we always known—?"
"I should have thought," he submitted, "that we had already pretty well sized her up."
"Certainly—we long ago quite took her for granted. But things change, with time, and I seem to know that, after this interval, I'm going to like her better than ever. I've lived more myself, I'm older, and one judges better. Yes, I'm going to see in Charlotte," said the Princess—and speaking now as with high and free expectation—"more than I've ever seen."
"Then I'll try to do so too. She WAS"—it came back to Mr. Verver more—"the one of your friends I thought the best for you."
His companion, however, was so launched in her permitted liberty of appreciation that she for the moment scarce heard him. She was lost in the case she made out, the vision of the different ways in which Charlotte had distinguished herself.
"She would have liked for instance—I'm sure she would have liked extremely—to marry; and nothing in general is more ridiculous, even when it has been pathetic, than a woman who has tried and has not been able."
It had all Mr. Verver's attention. "She has 'tried'—?"
"She has seen cases where she would have liked to."
"But she has not been able?"
"Well, there are more cases, in Europe, in which it doesn't come to girls who are poor than in which it does come to them. Especially," said Maggie with her continued competence, "when they're Americans."
Well, her father now met her, and met her cheerfully, on all sides. "Unless you mean," he suggested, "that when the girls are American there are more cases in which it comes to the rich than to the poor."
She looked at him good-humouredly. "That may be—but I'm not going to be smothered in MY case. It ought to make me—if I were in danger of being a fool—all the nicer to people like Charlotte. It's not hard for ME," she practically explained, "not to be ridiculous—unless in a very different way. I might easily be ridiculous, I suppose, by behaving as if I thought I had done a great thing. Charlotte, at any rate, has done nothing, and anyone can see it, and see also that it's rather strange; and yet no one—no one not awfully presumptuous or offensive would like, or would dare, to treat her, just as she is, as anything but quite RIGHT. That's what it is to have something about you that carries things off."
Mr. Verver's silence, on this, could only be a sign that she had caused her story to interest him; though the sign when he spoke was perhaps even sharper. "And is it also what you mean by Charlotte's being 'great'?"
"Well," said Maggie, "it's one of her ways. But she has many."
Again for a little her father considered. "And who is it she has tried to marry?"
Maggie, on her side as well, waited as if to bring it out with effect; but she after a minute either renounced or encountered an obstacle. "I'm afraid I'm not sure."
"Then how do you know?"
"Well, I don't KNOW"—and, qualifying again, she was earnestly emphatic. "I only make it out for myself."
"But you must make it out about someone in particular."
She had another pause. "I don't think I want even for myself to put names and times, to pull away any veil. I've an idea there has been, more than once, somebody I'm not acquainted with—and needn't be or want to be. In any case it's all over, and, beyond giving her credit for everything, it's none of my business."
Mr. Verver deferred, yet he discriminated. "I don't see how you can give credit without knowing the facts."
"Can't I give it—generally—for dignity? Dignity, I mean, in misfortune."
"You've got to postulate the misfortune first."
"Well," said Maggie, "I can do that. Isn't it always a misfortune to be—when you're so fine—so wasted? And yet," she went on, "not to wail about it, not to look even as if you knew it?"
Mr. Verver seemed at first to face this as a large question, and then, after a little, solicited by another view, to let the appeal drop. "Well, she mustn't be wasted. We won't at least have waste."
It produced in Maggie's face another gratitude. "Then, dear sir, that's all I want."
And it would apparently have settled their question and ended their talk if her father had not, after a little, shown the disposition to revert. "How many times are you supposing that she has tried?"
Once more, at this, and as if she hadn't been, couldn't be, hated to be, in such delicate matters, literal, she was moved to attenuate. "Oh, I don't say she absolutely ever TRIED—!"
He looked perplexed. "But if she has so absolutely failed, what then had she done?"
"She has suffered—she has done that." And the Princess added: "She has loved—and she has lost."
Mr. Verver, however, still wondered. "But how many times."
Maggie hesitated, but it cleared up. "Once is enough. Enough, that is, for one to be kind to her."
Her father listened, yet not challenging—only as with a need of some basis on which, under these new lights, his bounty could be firm. "But has she told you nothing?"
"Ah, thank goodness, no!"
He stared. "Then don't young women tell?"
"Because, you mean, it's just what they're supposed to do?" She looked at him, flushed again now; with which, after another hesitation, "Do young men tell?" she asked.
He gave a short laugh. "How do I know, my dear, what young men do?"
"Then how do I know, father, what vulgar girls do?"
"I see—I see," he quickly returned.
But she spoke the next moment as if she might, odiously, have been sharp. "What happens at least is that where there's a great deal of pride there's a great deal of silence. I don't know, I admit, what I should do if I were lonely and sore—for what sorrow, to speak of, have I ever had in my life? I don't know even if I'm proud—it seems to me the question has never come up for me."
"Oh, I guess you're proud, Mag," her father cheerfully interposed. "I mean I guess you're proud enough."
"Well then, I hope I'm humble enough too. I might, at all events, for all I know, be abject under a blow. How can I tell? Do you realise, father, that I've never had the least blow?"
He gave her
a long, quiet look. "Who SHOULD realise if I don't?"
"Well, you'll realise when I HAVE one!" she exclaimed with a short laugh that resembled, as for good reasons, his own of a minute before. "I wouldn't in any case have let her tell me what would have been dreadful to me. For such wounds and shames are dreadful: at least," she added, catching herself up, "I suppose they are; for what, as I say, do I know of them? I don't WANT to know!"—she spoke quite with vehemence. "There are things that are sacred whether they're joys or pains. But one can always, for safety, be kind," she kept on; "one feels when that's right."
She had got up with these last words; she stood there before him with that particular suggestion in her aspect to which even the long habit of their life together had not closed his sense, kept sharp, year after year, by the collation of types and signs, the comparison of fine object with fine object, of one degree of finish, of one form of the exquisite with another—the appearance of some slight, slim draped "antique" of Vatican or Capitoline halls, late and refined, rare as a note and immortal as a link, set in motion by the miraculous infusion of a modern impulse and yet, for all the sudden freedom of folds and footsteps forsaken after centuries by their pedestal, keeping still the quality, the perfect felicity, of the statue; the blurred, absent eyes, the smoothed, elegant, nameless head, the impersonal flit of a creature lost in an alien age and passing as an image in worn relief round and round a precious vase. She had always had odd moments of striking him, daughter of his very own though she was, as a figure thus simplified, "generalised" in its grace, a figure with which his human connection was fairly interrupted by some vague analogy of turn and attitude, something shyly mythological and nymphlike. The trick, he was not uncomplacently aware, was mainly of his own mind; it came from his caring for precious vases only less than for precious daughters. And what was more to the point still, it often operated while he was quite at the same time conscious that Maggie had been described, even in her prettiness, as "prim"—Mrs. Rance herself had enthusiastically used the word of her; while he remembered that when once she had been told before him, familiarly, that she resembled a nun, she had replied that she was delighted to hear it and would certainly try to; while also, finally, it was present to him that, discreetly heedless, thanks to her long association with nobleness in art, to the leaps and bounds of fashion, she brought her hair down very straight and flat over her temples, in the constant manner of her mother, who had not been a bit mythological. Nymphs and nuns were certainly separate types, but Mr. Verver, when he really amused himself, let consistency go. The play of vision was at all events so rooted in him that he could receive impressions of sense even while positively thinking. He was positively thinking while Maggie stood there, and it led for him to yet another question—which in its turn led to others still. "Do you regard the condition as hers then that you spoke of a minute ago?"
"The condition—?"
"Why that of having loved so intensely that she's, as you say, 'beyond everything'?"
Maggie had scarcely to reflect—her answer was so prompt. "Oh no. She's beyond nothing. For she has had nothing."
"I see. You must have had things to be them. It's a kind of law of perspective."
Maggie didn't know about the law, but she continued definite. "She's not, for example, beyond help."
"Oh well then, she shall have all we can give her. I'll write to her," he said, "with pleasure."
"Angel!" she answered as she gaily and tenderly looked at him.
True as this might be, however, there was one thing more—he was an angel with a human curiosity. "Has she told you she likes me much?"
"Certainly she has told me—but I won't pamper you. Let it be enough for you it has always been one of my reasons for liking HER."
"Then she's indeed not beyond everything," Mr. Verver more or less humorously observed.
"Oh it isn't, thank goodness, that she's in love with you. It's not, as I told you at first, the sort of thing for you to fear."
He had spoken with cheer, but it appeared to drop before this reassurance, as if the latter overdid his alarm, and that should be corrected. "Oh, my dear, I've always thought of her as a little girl."
"Ah, she's not a little girl," said the Princess.
"Then I'll write to her as a brilliant woman."
"It's exactly what she is."
Mr. Verver had got up as he spoke, and for a little, before retracing their steps, they stood looking at each other as if they had really arranged something. They had come out together for themselves, but it had produced something more. What it had produced was in fact expressed by the words with which he met his companion's last emphasis. "Well, she has a famous friend in you, Princess."
Maggie took this in—it was too plain for a protest. "Do you know what I'm really thinking of?" she asked.
He wondered, with her eyes on him—eyes of contentment at her freedom now to talk; and he wasn't such a fool, he presently showed, as not, suddenly, to arrive at it. "Why, of your finding her at last yourself a husband."
"Good for YOU!" Maggie smiled. "But it will take," she added, "some looking."
"Then let me look right here with you," her father said as they walked on.
XI
Mrs. Assingham and the Colonel, quitting Fawns before the end of September, had come back later on; and now, a couple of weeks after, they were again interrupting their stay, but this time with the question of their return left to depend, on matters that were rather hinted at than importunately named. The Lutches and Mrs. Rance had also, by the action of Charlotte Stant's arrival, ceased to linger, though with hopes and theories, as to some promptitude of renewal, of which the lively expression, awakening the echoes of the great stone-paved, oak-panelled, galleried hall that was not the least interesting feature of the place, seemed still a property of the air. It was on this admirable spot that, before her October afternoon had waned, Fanny Assingham spent with her easy host a few moments which led to her announcing her own and her husband's final secession, at the same time as they tempted her to point the moral of all vain reverberations. The double door of the house stood open to an effect of hazy autumn sunshine, a wonderful, windless, waiting, golden hour, under the influence of which Adam Verver met his genial friend as she came to drop into the post-box with her own hand a thick sheaf of letters. They presently thereafter left the house together and drew out half-an-hour on the terrace in a manner they were to revert to in thought, later on, as that of persons who really had been taking leave of each other at a parting of the ways. He traced his impression, on coming to consider, back to a mere three words she had begun by using about Charlotte Stant. She simply "cleared them out"—those had been the three words, thrown off in reference to the general golden peace that the Kentish October had gradually ushered in, the "halcyon" days the full beauty of which had appeared to shine out for them after Charlotte's arrival. For it was during these days that Mrs. Rance and the Miss Lutches had been observed to be gathering themselves for departure, and it was with that difference made that the sense of the whole situation showed most fair—the sense of how right they had been to engage for so ample a residence, and of all the pleasure so fruity an autumn there could hold in its lap. This was what had occurred, that their lesson had been learned; and what Mrs. Assingham had dwelt upon was that without Charlotte it would have been learned but half. It would certainly not have been taught by Mrs. Rance and the Miss Lutches if these ladies had remained with them as long as at one time seemed probable. Charlotte's light intervention had thus become a cause, operating covertly but none the less actively, and Fanny Assingham's speech, which she had followed up a little, echoed within him, fairly to startle him, as the indication of something irresistible. He could see now how this superior force had worked, and he fairly liked to recover the sight—little harm as he dreamed of doing, little ill as he dreamed of wishing, the three ladies, whom he had after all entertained for a stiffish series of days. She had been so vague and quiet about it, wonderful Charlo
tte, that he hadn't known what was happening—happening, that is, as a result of her influence. "Their fires, as they felt her, turned to smoke," Mrs. Assingham remarked; which he was to reflect on indeed even while they strolled. He had retained, since his long talk with Maggie—the talk that had settled the matter of his own direct invitation to her friend—an odd little taste, as he would have described it, for hearing things said about this young woman, hearing, so to speak, what COULD be said about her: almost as it her portrait, by some eminent hand, were going on, so that he watched it grow under the multiplication of touches. Mrs. Assingham, it struck him, applied two or three of the finest in their discussion of their young friend—so different a figure now from that early playmate of Maggie's as to whom he could almost recall from of old the definite occasions of his having paternally lumped the two children together in the recommendation that they shouldn't make too much noise nor eat too much jam. His companion professed that in the light of Charlotte's prompt influence she had not been a stranger to a pang of pity for their recent visitors. "I felt in fact, privately, so sorry for them, that I kept my impression to myself while they were here—wishing not to put the rest of you on the scent; neither Maggie, nor the Prince, nor yourself, nor even Charlotte HERself, if you didn't happen to notice. Since you didn't, apparently, I perhaps now strike you as extravagant. But I'm not—I followed it all. One SAW the consciousness I speak of come over the poor things, very much as I suppose people at the court of the Borgias may have watched each other begin to look queer after having had the honour of taking wine with the heads of the family. My comparison's only a little awkward, for I don't in the least mean that Charlotte was consciously dropping poison into their cup. She was just herself their poison, in the sense of mortally disagreeing with them—but she didn't know it."
"Ah, she didn't know it?" Mr. Verver had asked with interest.
"Well, I THINK she didn't"—Mrs. Assingham had to admit that she hadn't pressingly sounded her. "I don't pretend to be sure, in every connection, of what Charlotte knows. She doesn't, certainly, like to make people suffer—not, in general, as is the case with so many of us, even other women: she likes much rather to put them at their ease with her. She likes, that is—as all pleasant people do—to be liked."