by Henry James
They had meanwhile been tracing together, in the golden air that, toward six o'clock of a July afternoon, hung about the massed Kentish woods, several features of the social evolution of her old playmates, still beckoned on, it would seem, by unattainable ideals, still falling back, beyond the sea, to their native seats, for renewals of the moral, financial, conversational—one scarce knew what to call it—outfit, and again and for ever reappearing like a tribe of Wandering Jewesses. Our couple had finally exhausted, however, the study of these annals, and Maggie was to take up, after a drop, a different matter, or one at least with which the immediate connection was not at first apparent. "Were you amused at me just now—when I wondered what other people could wish to struggle for? Did you think me," she asked with some earnestness—"well, fatuous?"
"'Fatuous'?"—he seemed at a loss.
"I mean sublime in OUR happiness—as if looking down from a height. Or, rather, sublime in our general position—that's what I mean." She spoke as from the habit of her anxious conscience something that disposed her frequently to assure herself, for her human commerce, of the state of the "books" of the spirit. "Because I don't at all want," she explained, "to be blinded, or made 'sniffy,' by any sense of a social situation." Her father listened to this declaration as if the precautions of her general mercy could still, as they betrayed themselves, have surprises for him—to say nothing of a charm of delicacy and beauty; he might have been wishing to see how far she could go and where she would, all touchingly to him, arrive. But she waited a little—as if made nervous, precisely, by feeling him depend too much on what she said. They were avoiding the serious, standing off, anxiously, from the real, and they fell, again and again, as if to disguise their precaution itself, into the tone of the time that came back to them from their other talk, when they had shared together this same refuge. "Don't you remember," she went on, "how, when they were here before, I broke it to you that I wasn't so very sure we, ourselves had the thing itself?"
He did his best to do so. "Had, you mean a social situation?"
"Yes—after Fanny Assingham had first broken it to me that, at the rate we were going, we should never have one."
"Which was what put us on Charlotte?" Oh yes, they had had it over quite often enough for him easily to remember.
Maggie had another pause—taking it from him that he now could both affirm and admit without wincing that they had been, at their critical moment, "put on" Charlotte. It was as if this recognition had been threshed out between them as fundamental to the honest view of their success. "Well," she continued, "I recall how I felt, about Kitty and Dotty, that even if we had already then been more 'placed,' or whatever you may call what we are now, it still wouldn't have been an excuse for wondering why others couldn't obligingly leave me more exalted by having, themselves, smaller ideas. For those," she said, "were the feelings we used to have."
"Oh yes," he responded philosophically—"I remember the feelings we used to have."
Maggie appeared to wish to plead for them a little, in tender retrospect—as if they had been also respectable. "It was bad enough, I thought, to have no sympathy in your heart when you HAD a position. But it was worse to be sublime about it—as I was so afraid, as I'm in fact still afraid of being—when it wasn't even there to support one." And she put forth again the earnestness she might have been taking herself as having outlived; became for it—which was doubtless too often even now her danger—almost sententious. "One must always, whether or no, have some imagination of the states of others—of what they may feel deprived of. However," she added, "Kitty and Dotty couldn't imagine we were deprived of anything. And now, and now—!" But she stopped as for indulgence to their wonder and envy.
"And now they see, still more, that we can have got everything, and kept everything, and yet not be proud."
"No, we're not proud," she answered after a moment. "I'm not sure that we're quite proud enough." Yet she changed the next instant that subject too. She could only do so, however, by harking back—as if it had been a fascination. She might have been wishing, under this renewed, this still more suggestive visitation, to keep him with her for remounting the stream of time and dipping again, for the softness of the water, into the contracted basin of the past. "We talked about it—we talked about it; you don't remember so well as I. You too didn't know—and it was beautiful of you; like Kitty and Dotty you too thought we had a position, and were surprised when I thought we ought to have told them we weren't doing for them what they supposed. In fact," Maggie pursued, "we're not doing it now. We're not, you see, really introducing them. I mean not to the people they want."
"Then what do you call the people with whom they're now having tea?"
It made her quite spring round. "That's just what you asked me the other time—one of the days there was somebody. And I told you I didn't call anybody anything."
"I remember—that such people, the people we made so welcome, didn't 'count'; that Fanny Assingham knew they didn't." She had awakened, his daughter, the echo; and on the bench there, as before, he nodded his head amusedly, he kept nervously shaking his foot. "Yes, they were only good enough—the people who came—for US. I remember," he said again: "that was the way it all happened."
"That was the way—that was the way. And you asked me," Maggie added, "if I didn't think we ought to tell them. Tell Mrs. Rance, in particular, I mean, that we had been entertaining her up to then under false pretences."
"Precisely—but you said she wouldn't have understood."
"To which you replied that in that case you were like her. YOU didn't understand."
"No, no—but I remember how, about our having, in our benighted innocence, no position, you quite crushed me with your explanation."
"Well then," said Maggie with every appearance of delight, "I'll crush you again. I told you that you by yourself had one—there was no doubt of that. You were different from me—you had the same one you always had."
"And THEN I asked you," her father concurred, "why in that case you hadn't the same."
"Then indeed you did." He had brought her face round to him before, and this held it, covering him with its kindled brightness, the result of the attested truth of their being able thus, in talk, to live again together. "What I replied was that I had lost my position by my marriage. THAT one—I know how I saw it—would never come back. I had done something TO it—I didn't quite know what; given it away, somehow, and yet not, as then appeared, really got my return. I had been assured—always by dear Fanny—that I COULD get it, only I must wake up. So I was trying, you see, to wake up—trying very hard."
"Yes—and to a certain extent you succeeded; as also in waking me. But you made much," he said, "of your difficulty." To which he added: "It's the only case I remember, Mag, of you ever making ANYTHING of a difficulty."
She kept her eyes on him a moment. "That I was so happy as I was?"
"That you were so happy as you were."
"Well, you admitted"—Maggie kept it up—"that that was a good difficulty. You confessed that our life did seem to be beautiful."
He thought a moment. "Yes—I may very well have confessed it, for so it did seem to me." But he guarded himself with his dim, his easier smile. "What do you want to put on me now?"
"Only that we used to wonder—that we were wondering then—if our life wasn't perhaps a little selfish." This also for a time, much at his leisure, Adam Verver retrospectively fixed. "Because Fanny Assingham thought so?"
"Oh no; she never thought, she couldn't think, if she would, anything of that sort. She only thinks people are sometimes fools," Maggie developed; "she doesn't seem to think so much about their being wrong—wrong, that is, in the sense of being wicked. She doesn't," the Princess further adventured, "quite so much mind their being wicked."
"I see—I see." And yet it might have been for his daughter that he didn't so very vividly see. "Then she only thought US fools?"
"Oh no—I don't say that. I'm speaking of our being sel
fish."
"And that comes under the head of the wickedness Fanny condones?"
"Oh, I don't say she CONDONES—!" A scruple in Maggie raised its crest. "Besides, I'm speaking of what was."
Her father showed, however, after a little, that he had not been reached by this discrimination; his thoughts were resting for the moment where they had settled. "Look here, Mag," he said reflectively—"I ain't selfish. I'll be blowed if I'm selfish."
Well, Maggie, if he WOULD talk of that, could also pronounce. "Then, father, I am."
"Oh shucks!" said Adam Verver, to whom the vernacular, in moments of deepest sincerity, could thus come back. "I'll believe it," he presently added, "when Amerigo complains of you."
"Ah, it's just he who's my selfishness. I'm selfish, so to speak, FOR him. I mean," she continued, "that he's my motive—in everything."
Well, her father could, from experience, fancy what she meant. "But hasn't a girl a right to be selfish about her husband?"
"What I DON'T mean," she observed without answering, "is that I'm jealous of him. But that's his merit—it's not mine."
Her father again seemed amused at her. "You COULD be—otherwise?"
"Oh, how can I talk," she asked, "of otherwise? It ISN'T, luckily for me, otherwise. If everything were different"—she further presented her thought—"of course everything WOULD be." And then again, as if that were but half: "My idea is this, that when you only love a little you're naturally not jealous—or are only jealous also a little, so that it doesn't matter. But when you love in a deeper and intenser way, then you are, in the same proportion, jealous; your jealousy has intensity and, no doubt, ferocity. When, however, you love in the most abysmal and unutterable way of all—why then you're beyond everything, and nothing can pull you down."
Mr. Verver listened as if he had nothing, on these high lines, to oppose. "And that's the way YOU love?"
For a minute she failed to speak, but at last she answered: "It wasn't to talk about that. I do FEEL, however, beyond everything—and as a consequence of that, I dare say," she added with a turn to gaiety, "seem often not to know quite WHERE I am."
The mere fine pulse of passion in it, the suggestion as of a creature consciously floating and shining in a warm summer sea, some element of dazzling sapphire and silver, a creature cradled upon depths, buoyant among dangers, in which fear or folly, or sinking otherwise than in play, was impossible—something of all this might have been making once more present to him, with his discreet, his half shy assent to it, her probable enjoyment of a rapture that he, in his day, had presumably convinced no great number of persons either of his giving or of his receiving. He sat awhile as if he knew himself hushed, almost admonished, and not for the first time; yet it was an effect that might have brought before him rather what she had gained than what he had missed.
Besides, who but himself really knew what he, after all, hadn't, or even had, gained? The beauty of her condition was keeping him, at any rate, as he might feel, in sight of the sea, where, though his personal dips were over, the whole thing could shine at him, and the air and the plash and the play become for him too a sensation. That couldn't be fixed upon him as missing; since if it wasn't personally floating, if it wasn't even sitting in the sand, it could yet pass very well for breathing the bliss, in a communicated irresistible way—for tasting the balm. It could pass, further, for knowing—for knowing that without him nothing might have been: which would have been missing least of all.
"I guess I've never been jealous," he finally remarked. And it said more to her, he had occasion next to perceive, than he was intending; for it made her, as by the pressure of a spring, give him a look that seemed to tell of things she couldn't speak.
But she at last tried for one of them. "Oh, it's you, father, who are what I call beyond everything. Nothing can pull YOU down."
He returned the look as with the sociability of their easy communion, though inevitably throwing in this time a shade of solemnity. He might have been seeing things to say, and others, whether of a type presumptuous or not, doubtless better kept back. So he settled on the merely obvious. "Well then, we make a pair. We're all right."
"Oh, we're all right!" A declaration launched not only with all her discriminating emphasis, but confirmed by her rising with decision and standing there as if the object of their small excursion required accordingly no further pursuit. At this juncture, however—with the act of their crossing the bar, to get, as might be, into port—there occurred the only approach to a betrayal of their having had to beat against the wind. Her father kept his place, and it was as if she had got over first and were pausing for her consort to follow. If they were all right; they were all right; yet he seemed to hesitate and wait for some word beyond. His eyes met her own, suggestively, and it was only after she had contented herself with simply smiling at him, smiling ever so fixedly, that he spoke, for the remaining importance of it, from the bench; where he leaned back, raising his face to her, his legs thrust out a trifle wearily and his hands grasping either side of the seat. They had beaten against the wind, and she was still fresh; they had beaten against the wind, and he, as at the best the more battered vessel, perhaps just vaguely drooped. But the effect of their silence was that she appeared to beckon him on, and he might have been fairly alongside of her when, at the end of another minute, he found their word. "The only thing is that, as for ever putting up again with your pretending that you're selfish—!"
At this she helped him out with it. "You won't take it from me?"
"I won't take it from you."
"Well, of course you won't, for that's your way. It doesn't matter, and it only proves—! But it doesn't matter, either, what it proves. I'm at this very moment," she declared, "frozen stiff with selfishness."
He faced her awhile longer in the same way; it was, strangely, as if, by this sudden arrest, by their having, in their acceptance of the unsaid, or at least their reference to it, practically given up pretending—it was as if they were "in" for it, for something they had been ineffably avoiding, but the dread of which was itself, in a manner, a seduction, just as any confession of the dread was by so much an allusion. Then she seemed to see him let himself go. "When a person's of the nature you speak of there are always other persons to suffer. But you've just been describing to me what you'd take, if you had once a good chance, from your husband."
"Oh, I'm not talking about my husband!"
"Then whom, ARE you talking about?"
Both the retort and the rejoinder had come quicker than anything previously exchanged, and they were followed, on Maggie's part, by a momentary drop. But she was not to fall away, and while her companion kept his eyes on her, while she wondered if he weren't expecting her to name his wife then, with high hypocrisy, as paying for his daughter's bliss, she produced something that she felt to be much better. "I'm talking about YOU."
"Do you mean I've been your victim?"
"Of course you've been my victim. What have you done, ever done, that hasn't been FOR me?"
"Many things; more than I can tell you—things you've only to think of for yourself. What do you make of all that I've done for myself?"
"'Yourself'?—" She brightened out with derision.
"What do you make of what I've done for American City?"
It took her but a moment to say. "I'm not talking of you as a public character—I'm talking of you on your personal side."
"Well, American City—if 'personalities' can do it—has given me a pretty personal side. What do you make," he went on, "of what I've done for my reputation?"
"Your reputation THERE? You've given it up to them, the awful people, for less than nothing; you've given it up to them to tear to pieces, to make their horrible vulgar jokes against you with."
"Ah, my dear, I don't care for their horrible vulgar jokes," Adam Verver almost artlessly urged.
"Then there, exactly, you are!" she triumphed. "Everything that touches you, everything that surrounds you, goes on—by your spl
endid indifference and your incredible permission—at your expense."
Just as he had been sitting he looked at her an instant longer; then he slowly rose, while his hands stole into his pockets, and stood there before her. "Of course, my dear, YOU go on at my expense: it has never been my idea," he smiled, "that you should work for your living. I wouldn't have liked to see it." With which, for a little again, they remained face to face. "Say therefore I HAVE had the feelings of a father. How have they made me a victim?"
"Because I sacrifice you."
"But to what in the world?"
At this it hung before her that she should have had as never yet her opportunity to say, and it held her for a minute as in a vise, her impression of his now, with his strained smile, which touched her to deepest depths, sounding her in his secret unrest. This was the moment, in the whole process of their mutual vigilance, in which it decidedly most hung by a hair that their thin wall might be pierced by the lightest wrong touch. It shook between them, this transparency, with their very breath; it was an exquisite tissue, but stretched on a frame, and would give way the next instant if either so much as breathed too hard. She held her breath, for she knew by his eyes, the light at the heart of which he couldn't blind, that he was, by his intention, making sure—sure whether or no her certainty was like his. The intensity of his dependence on it at that moment—this itself was what absolutely convinced her so that, as if perched up before him on her vertiginous point and in the very glare of his observation, she balanced for thirty seconds, she almost rocked: she might have been for the time, in all her conscious person, the very form of the equilibrium they were, in their different ways, equally trying to save. And they were saving it—yes, they were, or at least she was: that was still the workable issue, she could say, as she felt her dizziness drop. She held herself hard; the thing was to be done, once for all, by her acting, now, where she stood. So much was crowded into so short a space that she knew already she was keeping her head. She had kept it by the warning of his eyes; she shouldn't lose it again; she knew how and why, and if she had turned cold this was precisely what helped her. He had said to himself "She'll break down and name Amerigo; she'll say it's to him she's sacrificing me; and its by what that will give me—with so many other things too—that my suspicion will be clinched." He was watching her lips, spying for the symptoms of the sound; whereby these symptoms had only to fail and he would have got nothing that she didn't measure out to him as she gave it. She had presently in fact so recovered herself that she seemed to know she could more easily have made him name his wife than he have made her name her husband. It was there before her that if she should so much as force him just NOT consciously to avoid saying "Charlotte, Charlotte" he would have given himself away. But to be sure of this was enough for her, and she saw more clearly with each lapsing instant what they were both doing. He was doing what he had steadily been coming to; he was practically OFFERING himself, pressing himself upon her, as a sacrifice—he had read his way so into her best possibility; and where had she already, for weeks and days past, planted her feet if not on her acceptance of the offer? Cold indeed, colder and colder she turned, as she felt herself suffer this close personal vision of his attitude still not to make her weaken. That was her very certitude, the intensity of his pressure; for if something dreadful hadn't happened there wouldn't, for either of them, be these dreadful things to do. She had meanwhile, as well, the immense advantage that she could have named Charlotte without exposing herself—as, for that matter, she was the next minute showing him.