— tutto il giorno, al bel oprar intenti,
Saliron balze, e traversar torrenti.
One day Mr. Chainmail traced upwards the course of a mountain stream to a spot where a small waterfall threw itself over a slab of perpendicular rock, which seemed to bar his farther progress. On a nearer view, he discovered a flight of steps, roughly hewn in the rock, on one side of the fall. Ascending these steps, he entered a narrow winding pass, between high and naked rocks, that afforded only space for a rough footpath, carved on one side, at some height above the torrent.
The pass opened on a lake, from which the stream issued, and which lay like a dark mirror, set in a gigantic frame of mountain precipices. Fragments of rock lay scattered on the edge of the lake, some half-buried in the water: Mr. Chainmail scrambled some way over these fragments, till the base of a rock sinking abruptly in the water, effectually barred his progress. He sat down on a large smooth stone; the faint murmur of the stream he had quitted, the occasional flapping of the wings of the heron, and at long intervals, the solitary springing of a trout, were the only sounds that came to his ear. The sun shone brightly half-way down the opposite rocks, presenting, on their irregular faces, strong masses of light and shade. Suddenly he heard the dash of a paddle, and, turning his eyes, saw a solitary and beautiful girl gliding over the lake in a coracle: she was proceeding from the vicinity of the point he had quitted, towards the upper end of the lake. Her apparel was rustic, but there was in its style something more recherchée, in its arrangement something more of elegance and precision, than was common to the mountain peasant girl. It had more of the contadina of the opera, than of the genuine mountaineer; so at least thought Mr. Chainmail; but she passed so rapidly, and took him so much by surprise, that he had little opportunity for accurate observation. He saw her land, at the farther extremity, and disappear among the rocks: he rose from his seat, returned to the mouth of the pass, stepped from stone to stone across the stream, and attempted to pass round by the other side of the lake; but there again the abruptly sinking precipice closed his way.
Day after day he haunted the spot, but never saw again either the damsel or the coracle. At length, marvelling at himself for being so solicitous about the apparition of a peasant girl in a coracle, who could not, by any possibility, be anything to him, he resumed his explorations in another direction.
One day he wandered to the ruined castle, on the sea-shore, which was not very distant from his inn; and sitting on the rock, near the base of the ruin, was calling up the forms of past ages on the wall of an ivied tower, when on its summit appeared a female figure, whom he recognised in an instant for his nymph of the coracle. The folds of the blue gown pressed by the sea-breeze against one of the most symmetrical of figures, the black feather of the black hat, and the ringleted hair beneath it fluttering in the wind; the apparent peril of her position, on the edge of the mouldering wall, from whose immediate base the rock went down perpendicularly to the sea, presented a singularly interesting combination to the eye of the young antiquary.
Mr. Chainmail had to pass half round the castle, on the land side, before he could reach the entrance: he coasted the dry and bramble-grown moat, crossed the unguarded bridge, passed the unportcullised arch of the gateway, entered the castle court, ascertained the tower, ascended the broken stairs, and stood on the ivied wall. But the nymph of the place was gone. He searched the ruins within and without, but he found not what he sought: he haunted the castle day after day, as he had done the lake, but the damsel appeared no more.
CHAPTER XIV. THE DINGLE.
The stars of midnight shall be dear
To her, and she shall lean her ear
In many a secret place,
Where rivulets dance their wayward round,
And beauty, born of murmuring sound,
Shall pass into her face. Wordsworth.
Miss Susannah Touchandgo had read the four great poets of Italy, and many of the best writers of France. About the time of her father’s downfall, accident threw into her way Les Réveries du Promeneur Solitaire; and from the impression which these made on her, she carried with her into retirement all the works of Rousseau. In the midst of that startling light, which the conduct of old friends on a sudden reverse of fortune throws on a young and inexperienced mind, the doctrines of the philosopher of Geneva struck with double force upon her sympathies: she imbibed the sweet poison, as somebody calls it, of his writings, even to a love of truth; which, every wise man knows, ought to be left to those who can get anything by it. The society of children, the beauties of nature, the solitude of the mountains, became her consolation, and, by degrees, her delight. The gay society from which she had been excluded, remained on her memory only as a disagreeable dream. She imbibed her new monitor’s ideas of simplicity of dress, assimilating her own with that of the peasant-girls in the neighbourhood: the black hat, the blue gown, the black stockings, the shoes, tied on the instep.
Pride was, perhaps, at the bottom of the change: she was willing to impose in some measure on herself, by marking a contemptuous indifference to the characteristics of the class of society from which she had fallen.
And with the food of pride sustained her soul
In solitude.
It is true that she somewhat modified the forms of her rustic dress: to the black hat she added a black feather, to the blue gown she added a tippet, and a waistband fastened in front with a silver buckle; she wore her black stockings very smooth and tight on her ankles, and tied her shoes in tasteful bows, with the nicest possible ribbon. In this apparel, to which, in winter, she added a scarlet cloak, she made dreadful havoc among the rustic mountaineers, many of whom proposed to “keep company” with her in the Cambrian fashion, an honour which, to their great surprise, she always declined. Among these, Harry Ap-Heather, whose father rented an extensive sheepwalk, and had a thousand she-lambs wandering in the mountains, was the most strenuous in his suit, and the most pathetic in his lamentations for her cruelty.
Miss Susannah often wandered among the mountains alone, even to some distance from the farmhouse. Sometimes she descended into the bottom of the dingles, to the black rocky beds of the torrents, and dreamed away hours at the feet of the cataracts. One spot in particular, from which she had at first shrunk with terror, became by degrees her favourite haunt. A path turning and returning at acute angles, led down a steep wood-covered slope to the edge of a chasm, where a pool, or resting-place of a torrent, lay far below. A cataract fell in a single sheet into the pool; the pool boiled and bubbled at the base of the fall, but through the greater part of its extent, lay calm, deep, and black, as if the cataract had plunged through it to an unimaginable depth, without disturbing its eternal repose. At the opposite extremity of the pool, the rocks almost met at their summits, the trees of the opposite banks intermingled their leaves, and another cataract plunged from the pool into a chasm, on which the sunbeams never gleamed. High above, on both sides, the steep woody slopes of the dingle soared into the sky; and from a fissure in the rock, on which the little path terminated, a single gnarled and twisted oak stretched itself over the pool, forming a fork with its boughs at a short distance from the rock. Miss Susannah often sat on the rock, with her feet resting on this tree; in time, she made her seat on the tree itself, with her feet hanging over the abyss; and at length, she accustomed herself to lie along upon its trunk, with her side on the mossy bole of the fork, and an arm round one of the branches. From this position a portion of the sky and the woods was reflected in the pool, which, from its bank, was but a mass of darkness. The first time she reclined in this manner, her heart beat audibly; in time she lay down as calmly as on the mountain heather; the perception of the sublime was probably heightened by an intermingled sense of danger; and perhaps that indifference to life, which early disappointment forces upon sensitive minds, was necessary to the first experiment. There was, in the novelty and strangeness of the position, an excitement which never wholly passed away, but which became gradually su
bordinate to the influence, at once tranquillising and elevating, of the mingled eternity of motion, sound, and solitude.
One sultry noon, she descended into this retreat with a mind more than usually disturbed by reflections on the past. She lay in her favourite position, sometimes gazing on the cataract; looking sometimes up the steep sylvan acclivities, into the narrow space of the cloudless ether; sometimes down into the abyss of the pool, and the deep bright-blue reflections that opened another immensity below her. The distressing recollections of the morning, the world and all its littlenesses, faded from her thoughts like a dream; but her wounded and wearied spirit drank in too deeply the tranquillising power of the place, and she dropped asleep upon the tree like a ship-boy on the mast.
At this moment Mr. Chainmail emerged into daylight, on a projection of the opposite rock, having struck down through the woods in search of unsophisticated scenery. The scene he discovered filled him with delight: he seated himself on the rock, and fell into one of his romantic reveries; when suddenly the semblance of a black hat and feather caught his eye among the foliage of the projecting oak. He started up, shifted his position, and got a glimpse of a blue gown. It was his lady of the lake, his enchantress of the ruined castle, divided from him by a barrier which, at a few yards below, he could almost overleap, yet unapproachable but by a circuit perhaps of many hours. He watched with intense anxiety. To listen if she breathed was out of the question: the noses of a dean and chapter would have been soundless in the roar of the torrent. From her extreme stillness, she appeared to sleep: yet what creature, not desperate, would go wilfully to sleep in such a place? Was she asleep, then? Nay, was she alive? She was as motionless as death. Had she been murdered, thrown from above, and caught in the tree? She lay too regularly and too composedly for such a supposition. She was asleep, then, and, in all probability, her waking would be fatal. He shifted his position. Below the pool two beetle-browed rocks nearly overarched the chasm, leaving just such a space at the summit as was within the possibility of a leap; the torrent roared below in a fearful gulf. He paused some time on the brink, measuring the practicability and the danger, and casting every now and then an anxious glance to his sleeping beauty. In one of these glances he saw a slight movement of the blue gown, and, in a moment after, the black hat and feather dropped into the pool. Reflection was lost for a moment, and, by a sudden impulse, he bounded over the chasm.
He stood above the projecting oak; the unknown beauty lay like the nymph of the scene; her long black hair, which the fall of her hat had disengaged from its fastenings, drooping through the boughs: he saw that the first thing to be done, was to prevent her throwing her feet off the trunk, in the first movements of waking. He sat down on the rock, and placed his feet on the stem, securing her ankles between his own: one of her arms was round a branch of the fork, the other lay loosely on her side. The hand of this arm he endeavoured to reach, by leaning forward from his seat; he approximated, but could not touch it: after several tantalising efforts, he gave up the point in despair. He did not attempt to wake her, because he feared it might have bad consequences, and he resigned himself to expect the moment of her natural waking, determined not to stir from his post, if she should sleep till midnight.
In this period of forced inaction, he could contemplate at leisure the features and form of his charmer. She was not one of the slender beauties of romance; she was as plump as a partridge; her cheeks were two roses, not absolutely damask, yet verging thereupon; her lips twin-cherries, of equal size; her nose regular, and almost Grecian; her forehead high, and delicately fair; her eyebrows symmetrically arched; her eyelashes, long, black, and silky, fitly corresponding with the beautiful tresses that hung among the leaves of the oak, like clusters of wandering grapes. Her eyes were yet to be seen; but how could he doubt that their opening would be the rising of the sun, when all that surrounded their fringy portals was radiant as “the forehead of the morning sky?”
CHAPTER XV. THE FARM.
Da ydyw’r gwaith, rhaid d’we’yd y gwir,
Ar fryniau Sir Meirionydd;
Golwg oer o’r gwaela gawn
Mae hi etto yn llawn llawenydd.
Though Meirion’s rocks, and hills of heath,
Repel the distant sight,
Yet where, than those bleak hills beneath,
Is found more true delight?
At length the young lady awoke. She was startled at the sudden sight of the stranger, and somewhat terrified at the first perception of her position. But she soon recovered her self-possession, and, extending her hand to the offered hand of Mr. Chainmail, she raised herself up on the tree, and stepped on the rocky bank.
Mr. Chainmail solicited permission to attend her to her home, which the young lady graciously conceded. They emerged from the woody dingle, traversed an open heath, wound along a mountain road by the shore of a lake, descended to the deep bed of another stream, crossed it by a series of stepping-stones, ascended to some height on the opposite side, and followed upwards the line of the stream, till the banks opened into a spacious amphitheatre, where stood, in its fields and meadows, the farmhouse of Ap-Llymry.
During this walk, they had kept up a pretty animated conversation. The lady had lost her hat, and, as she turned towards Mr. Chainmail, in speaking to him, there was no envious projection of brim to intercept the beams of those radiant eyes he had been so anxious to see unclosed. There was in them a mixture of softness and brilliancy, the perfection of the beauty of female eyes, such as some men have passed through life without seeing, and such as no man ever saw, in any pair of eyes, but once; such as can never be seen and forgotten. Young Crotchet had seen it; he had not forgotten it; but he had trampled on its memory, as the renegade tramples on the emblems of a faith which his interest only, and not his heart or his reason, has rejected.
Her hair streamed over her shoulders; the loss of the black feather had left nothing but the rustic costume, the blue gown, the black stockings, and the ribbon-tied shoes. Her voice had that full soft volume of melody which gives to common speech the fascination of music. Mr. Chainmail could not reconcile the dress of the damsel with her conversation and manners. He threw out a remote question or two, with the hope of solving the riddle, but, receiving no reply, he became satisfied that she was not disposed to be communicative respecting herself, and, fearing to offend her, fell upon other topics. They talked of the scenes of the mountains, of the dingle, the ruined castle, the solitary lake. She told him, that lake lay under the mountains behind her home, and the coracle and the pass at the extremity, saved a long circuit to the nearest village, whither she sometimes went to inquire for letters.
Mr. Chainmail felt curious to know from whom these letters might be; and he again threw out two or three fishing questions, to which, as before, he obtained no answer.
The only living biped they met in their walk was the unfortunate Harry Ap-Heather, with whom they fell in by the stepping-stones, who, seeing the girl of his heart hanging on another man’s arm, and, concluding at once that they were “keeping company,” fixed on her a mingled look of surprise, reproach, and tribulation; and, unable to control his feelings under the sudden shock, burst into a flood of tears, and blubbered till the rocks re-echoed.
They left him mingling his tears with the stream, and his lamentations with its murmurs. Mr. Chainmail inquired who that strange creature might be, and what was the matter with him. The young lady answered, that he was a very worthy young man, to whom she had been the innocent cause of much unhappiness.
“I pity him sincerely,” said Mr. Chainmail and, nevertheless, he could scarcely restrain his laughter at the exceedingly original figure which the unfortunate rustic lover had presented by the stepping-stones.
The children ran out to meet their dear Miss Susan, jumped all round her, and asked what was become of her hat. Ap-Llymry came out in great haste, and invited Mr. Chainmail to walk in and dine: Mr. Chainmail did not wait to be asked twice. In a few minutes the whole party, Miss Susan a
nd Mr. Chainmail, Mr. and Mrs. Ap-Llymry, and progeny, were seated over a clean homespun table cloth, ornamented with fowls and bacon, a pyramid of potatoes, another of cabbage, which Ap-Llymry said “was poiled with the pacon, and as coot as marrow,” a bowl of milk for the children, and an immense brown jug of foaming ale, with which Ap-Llymry seemed to delight in filling the horn of his new guest.
Shall we describe the spacious apartment, which was at once kitchen, hall, and dining-room, — the large dark rafters, the pendent bacon and onions, the strong old oaken furniture, the bright and trimly-arranged utensils? Shall we describe the cut of Ap-Llymry’s coat, the colour and tie of his neckcloth, the number of buttons at his knees, — the structure of Mrs. Ap-Llymry’s cap, having lappets over the ears, which were united under the chin, setting forth especially whether the bond of union were a pin or a ribbon? We shall leave this tempting field of interesting expatiation to those whose brains are high-pressure steam-engines for spinning prose by the furlong, to be trumpeted in paid-for paragraphs in the quack’s corner of newspapers: modern literature having attained the honourable distinction of sharing, with blacking and Macassar oil, the space which used to be monopolised by razor-strops and the lottery; whereby that very enlightened community, the reading public, is tricked into the perusal of much exemplary nonsense; though the few who see through the trickery have no reason to complain, since as “good wine needs no bush,” so, ex vi oppositi, these bushes of venal panegyric point out very clearly that the things they celebrate are not worth reading.
The party dined very comfortably in a corner most remote from the fire: and Mr. Chainmail very soon found his head swimming with two or three horns of ale, of a potency to which even he was unaccustomed. After dinner Ap-Llymry made him finish a bottle of mead, which he willingly accepted, both as an excuse to remain and as a drink of the dark ages, which he had no doubt was a genuine brewage from uncorrupted tradition.
Complete Works of Thomas Love Peacock Page 73