Persius.
In mind and taste men differ as in frame:
Each has his special will, and few the same.
The Rev. Dr. Opimian. It strikes me as singular that, with such a house, you should have only female domestics.
Mr. Falconer. It is not less singular perhaps that they are seven sisters, all the children of two old servants of my father and mother. The eldest is about my own age, twenty-six, so that they have all grown up with me in time and place. They live in great harmony together, and divide among them the charge of all the household duties. Those whom you saw are the two youngest.
The Rev. Dr. Opimian. If the others acquit themselves as well, you have a very efficient staff; but seven young women as the establishment of one young bachelor, for such I presume you to be (Mr. Falconer assented), is something new and strange. The world is not over charitable.
Mr. Falconer. The world will never suppose a good motive where it can suppose a bad one. I would not willingly offend any of its prejudices. I would not affect eccentricity. At the same time, I do not feel disposed to be put out of my way because it is not the way of the world — Le Chemin du Monde, as a Frenchman entitled Congreve’s comedy — but I assure you these seven young women live here as they might do in the temple of Vesta.
1 Congreve, le meilleur auteur comique d’Angleterre: ses
pièces les plus estimées sont Le Fourbe, Le Vieux Garçon,
Amour pour Amour, L Epouse du Matin, Le Chemin du Monde.
Manuel Bibliographique. Par G. Peignot. Paris, 1800.
It was a singular combination of circumstances that induced and enabled me to form such an establishment; but I would not give it up, nor alter it, nor diminish it, nor increase it, for any earthly consideration.
The Rev. Dr. Opimian. You hinted that, besides Milton’s verses, you had another association of ideas with living in the top of a tower.
Mr. Falconer. I have read of somebody who lived so, and admitted to his sanctum only one young person, a niece or a daughter, I forget which, but on very rare occasions would descend to speak to some visitor who had previously propitiated the young lady to obtain him an interview. At last the young lady introduced one who proposed for her, and gained the consent of the recluse (I am not sure of his name, but I always call him Lord Noirmont) to carry her off. I think this was associated with some affliction that was cured, or some mystery that was solved, and that the hermit returned into the everyday world. I do not know where I read it, but I have always liked the idea of living like Lord Noirmont, when I shall have become a sufficiently disappointed man.
The Rev. Dr. Opimian. You look as little like a disappointed man as any I have seen; but as you have neither daughter nor niece, you would have seven links instead of one between the top of your tower and the external world.
Mr. Falconer. We are all born to disappointment. It is as well to be prospective. Our happiness is not in what is, but in what is to be. We may be disappointed in our everyday realities, and if not, we may make an ideality of the unattainable, and quarrel with Nature for not giving what she has not to give. It is unreasonable to be so disappointed, but it is disappointment not the less.
The Rev. Dr. Opimian. It is something like the disappointment of the men of Gotham, when they could not fish up the moon from the sea.
Mr. Falconer. It is very like it, and there are more of us in the predicament of the men of Gotham than are ready to acknowledge the similitude.
The Rev. Dr. Opimian. I am afraid I am too matter-of-fact to sympathise very clearly with this form of aestheticism; but here is a charming bit of forest scenery. Look at that old oak with the deer under it; the long and deep range of fern running up from it to that beech-grove on the upland, the lights and shadows on the projections and recesses of the wood, and the blaze of foxglove in its foreground. It is a place in which a poet might look for a glimpse of a Hamadryad.
Mr. Falconer. Very beautiful for the actual present — too beautiful for the probable future. Some day or other the forest will be disforested; the deer will be either banished or destroyed; the wood will be either shut up or cut down. Here is another basis for disappointment. The more we admire it now, the more we shall regret it then. The admiration of sylvan and pastoral scenery is at the mercy of an Enclosure Act, and, instead of the glimpse of a Hamadryad, you will some time see a large board warning you off the premises under penalty of rigour of law.
The Rev. Dr. Opimian. But, my dear young friend, you have yourself enclosed a favourite old resort of mine and of many others. I did not see such a board as you speak of; but there is an effective fence which answers the purpose.
Mr. Falconer. True; but when the lot of crown land was put up for sale, it was sure to be purchased and shut up by somebody. At any rate, I have not interfered with the external picturesque; and I have been much more influenced by an intense desire of shutting up myself than of shutting up the place, merely because it is my property.
About half-way from their respective homes the two new friends separated, the doctor having promised to walk over again soon to dine and pass the night.
The doctor soliloquised as he walked.
‘Strange metamorphosis of the old tower. A good dining-room. A good library. A bedroom between them: he did not show it me. Good wine: excellent. Pretty waiting-maids, exceedingly pretty. Two of seven Vestals, who maintain the domestic fire on the hearth of the young Numa. By the way, they had something of the Vestal costume: white dresses with purple borders. But they had nothing on their heads but their own hair, very gracefully arranged. The Vestals had head-dresses, which hid their hair, if they had any. They were shaved on admission. Perhaps the hair was allowed to grow again. Perhaps not. I must look into the point. If not, it was a wise precaution. “Hair, the only grace of form,” says the Arbiter elegantiarum, who compares a bald head to a fungus. A head without hair, says Ovid, is as a field without grass, and a shrub without leaves. Venus herself, if she had appeared with a bald head, would not have tempted Apuleius: and I am of his mind. A husband, in Menander, in a fit of jealous madness, shaves his wife’s head; and when he sees what he has made of her, rolls at her feet in a paroxysm of remorse. He was at any rate safe from jealousy till it grew again. And here is a subtlety of Euripides, which none of his commentators have seen into. Ægisthus has married Electra to a young farmer, who cultivates his own land. He respects the Princess from magnanimity, and restores her a pure virgin to her brother Orestes. “Not probable,” say some critics. But I say highly probable: for she comes on with her head shaved. There is the talisman, and the consummate artifice of the great poet. It is ostensibly a symbol of grief; but not the less a most efficient ally of the aforesaid magnanimity. “In mourning,” says Aristotle, “sympathising with the dead, we deform ourselves by cutting off our hair.” And truly, it is.
1 Quod solum formse decus est, cecidere capilli. Petronius,
c. 109.
2. .. laevior. . . rotundo Horti tubere, quod creavit unda.
Ibid.
‘A head, to speak in the gardener’s style, is a bulbous
excrescence, growing up between the shoulders. ‘ — G. A.
Steevens: Lecture on Heads.
3 Turpe pecus mutilum; turpe est sine gramme campus; Et sine
fronde frutex; et sine crine caput.
Ovid: Arks Amatorio, iii. 249.
4 At vero, quod nefas dicere, neque sit ullum hujus rei tam
dirum exemplum: si cujuslibet eximiae pulcherrimaeque
fominae caput capillo exspoliaveris, et faciem nativa specie
nudaveris, licet ilia coelo dejecta, mari édita, fluctibus
educata, licet, inquam, Venus ipsa fuerit, licet omni
Gratiarum choro stipata, et toto Cupidinum populo comitata,
et balteo suo cincta, cinnama fragrans, et balsama rorans,
calva processerit, placere non potent nee Vulcano suo.
Apuleius: Metamorph. ii. 25.
But, indeed, what it is pro
fanation to speak, nor let there be hereof any so dire example, if you despoil of its hair the head of any most transcendent and perfectly beautiful woman, and present her face thus denuded of its native loveliness, though it were even she, the descended from heaven, the born of the sea, the educated in the waves, though, I say, it were Venus herself, attended by the Graces, surrounded by the Loves, cinctured with her girdle, fragrant with spices, and dewy with balsams, yet, if she appeared with a bald head, she could not please even her own Vulcan. A woman’s head shaved is a step towards a death’s head. As a symbol of grief it was not necessary to the case of Electra; for in the sister tragedies of Æschylus and Sophocles her grief is equally great, and she appears with flowing hair; but in them she is an unmarried maid, and there is no dramatic necessity for so conspicuous an antidote to her other charms. Neither is it according to custom; for in recent grief the whole hair was sacrificed, but in the memory of an old sorrow only one or two curls were cut off. Therefore, it was the dramatic necessity of a counter-charm that influenced Euripides. Helen knew better than to shave her head in a case where custom required it. Euripides makes Electra reproach Helen for thus preserving her beauty; which further illustrates his purpose in shaving the head of Electra where custom did not require it. And Terence showed his taste in not shaving the head of his heroine in the Phormio, though the severity of Athenian custom would have required it. Her beauty shone through her dishevelled hair, but with no hair at all she would not have touched the heart of Antipho.
1 Sophocles: Electra, v. 449.
2 Euripides: Orestes, v. 128.
But wherefore does my mind discourse these things to me, suspending dismal images on lovely realities? for the luxuriant hair of these young girls is of no ordinary beauty. Their tresses have not been deposited under the shadow of the sacred lotus, as Pliny tells us those of the Vestals were. Well, this young gentleman’s establishment may be perfectly moral, strictly correct, but in one sense it is morality thrown away: the world will give him no credit for it. I am sure Mrs. Opimian will not. If he were married it would be different. But I think, if he were to marry now, there would be a fiercer fire than Vesta’s among his Lares. The temple would be too hot for the seven virgins. I suppose, as he is so resolute against change, he does not mean to marry. Then he talks about anticipated disappointment in some unrealisable ideality, leading him to live like Lord Noirmont, whom I never heard of before. He is far enough off from that while he lunches and walks as he does, and no doubt dines in accordance. He will not break his heart for any moon in the water, if his cooks are as good as his waiting-maids, and the wine which he gave me is a fair specimen of his cellar. He is learned too. Greek seems to be the strongest chord in his sympathies. If it had not been for the singular accident of his overhearing me repeat half a dozen lines of Homer, I should not have been asked to walk in. I might have leaned over the gate till sunset, and have had no more notice taken of me than if I had been a crow.’
At dinner the doctor narrated his morning adventure to Mrs. Opimian, and found her, as he had anticipated, most virtuously uncharitable with respect to the seven sisters. She did not depart from her usual serenity, but said, with equal calmness and decision, that she had no belief in the virtue of young men.
‘My dear,’ said the doctor, ‘it has been observed, though I forget by whom, that there is in every man’s life a page which is usually doubled down. Perhaps there is such a page in the life of our young friend; but if there be, the volume which contains it is not in the same house with the seven sisters.’
The doctor could not retire to rest without verifying his question touching the hair of the Vestals; and stepping into his study, was taking out an old folio, to consult Lipsius de Vestalibus, when a passage flashed across his memory which seemed decisive on the point. ‘How could I overlook it?’ he thought —
‘Ignibus Iliacis aderam: cum lapsa capillis
Decidit ante sacros lanea vitta focos:
says Rhea Sylvia in the Fasti.’
He took down the Fasti, and turning over the leaves, lighted on another line: —
Attonitæ flebant demisso crine ministræ.
With the note of an old commentator: ‘This will enlighten those who doubt if the Vestals wore their hair.’ ‘I infer,’ said the doctor, ‘that I have doubted in good company; but it is clear that the Vestals did wear their hair of second growth.
1 The woollen wreath, by Vesta’s inmost shrine,
Fell from my hair before the fire divine.
2 With hair dishevelled wept the vestal train.
But if it was wrapped up in wool, it might as well not have been there. The vitta was at once the symbol and the talisman of chastity. Shall I recommend my young friend to wrap up the heads of his Vestals in a vitta? It would be safer for all parties. But I cannot imagine a piece of advice for which the giver would receive less thanks. And I had rather see them as they are. So I shall let well alone.’
CHAPTER V
THE SEVEN SISTERS
(Greek passage.)
Euripides: Alcestis.
Rejoice thy spirit: drink: the passing day
Esteem thine own, and all beyond as Fortune’s.
The doctor was not long without remembering his promise to revisit his new acquaintance, and, purposing to remain till the next morning, he set out later in the day. The weather was intensely hot: he walked slowly, and paused more frequently than usual, to rest under the shade of trees. He was shown into the drawing-room, where he was shortly joined by Mr. Falconer, and very cordially welcomed.
The two friends dined together in the lower room of the tower. The dinner and wine were greatly to the doctor’s mind. In due time they adjourned to the drawing-room, and the two young handmaids who had waited at dinner attended with coffee and tea. The doctor then said— ‘You are well provided with musical instruments. Do you play?’
Mr. Falconer. No. I have profited by the observation of Doctor Johnson: ‘Sir, once on a time I took to fiddling; but I found that to fiddle well I must fiddle all my life, and I thought I could do something better.’
The Rev. Dr. Opimian. Then, I presume, these are pieces of ornamental furniture, for the use of occasional visitors?
Mr. Falconer. Not exactly. My maids play on them, and sing to them.
The Rev. Dr. Opimian. Your maids!
Mr. Falconer. Even so. They have been thoroughly well educated, and are all accomplished musicians.
The Rev. Dr. Opimian. And at what time do they usually play on them?
Mr. Falconer. Every evening about this time, when I am alone.
The Rev. Dr. Opimian. And why not when you have company?
Mr. Falconer. La Morgue aristocratique, which pervades all society, would not tolerate such a proceeding on the part of young women, of whom some had superintended the preparation of the dinner, and others attended on it. It would not have been incongruous in the Homeric age.
The Rev. Dr. Opimian. Then I hope you will allow it to be not incongruous this evening, Homer being the original vinculum between you and me.
Mr. Falconer. Would you like to hear them?
The Rev. Dr. Opimian. Indeed I should.
The two younger sisters having answered the summons, and the doctor’s wish having been communicated, the seven appeared together, all in the same dress of white and purple.
‘The seven Pleiads!’ thought the doctor. ‘What a constellation of beauty!’ He stood up and bowed to them, which they gracefully acknowledged.
They then played on, and sang to, the harp and piano. The doctor was enchanted.
After a while, they passed over to the organ, and performed some sacred music of Mozart and Beethoven. They then paused and looked round, as if for instructions.
‘We usually end,’ said Mr. Falconer, ‘with a hymn to St. Catharine, but perhaps it may not be to your taste; although Saint Catharine is a saint of the English Church Calendar.’
‘I like all sacred music,’ said the doctor. ‘And I am not dis
posed to object to a saint of the English Church Calendar.’
‘She is also,’ said Mr. Falconer, ‘a most perfect emblem of purity, and in that sense alone there can be no fitter image to be presented to the minds of young women.’
‘Very true,’ said the doctor. ‘And very strange withal,’ he thought to himself.
The sisters sang their hymn, made their obeisance, and departed.
The Rev. Dr. Opimian. The hands of these young women do not show signs of menial work.
Mr. Falconer. They are the regulating spirits of the household. They have a staff of their own for the coarser and harder work.
The Rev. Dr. Opimian. Their household duties, then, are such as Homeric damsels discharged in the homes of their fathers, with (Greek word) for the lower drudgery? Mr. Falconer. Something like it.
The Rev. Dr. Opimian. Young ladies, in short, in manners and accomplishments, though not in social position; only more useful in a house than young ladies generally are.
Mr. Falconer. Something like that, too. If you know the tree by its fruit, the manner in which this house is kept may reconcile you to the singularity of the experiment.
The Rev. Dr. Opimian. I am perfectly reconciled to it. The experiment is eminently successful.
The doctor always finished his day with a tumbler of brandy and water: soda water in summer, and hot water in winter. After his usual draught he retired to his chamber, where he slept like a top, and dreamed of Electra and Nausicaa, Vestals, Pleiads, and Saint Catharine, and woke with the last words he had heard sung on the preceding night still ringing in his ears: —
Dei virgo Catharina,
Lege constans in divina,
Coli gemma preciosa,
Margarita fulgida,
Sponsa Christi gloriosa,
Paradisi viola!
1 Virgin bride, supremely bright,
Gem and flower of heavenly light,
Pearl of the empyreal skies,
Violet of Paradise!
Complete Works of Thomas Love Peacock Page 79