Complete Works of Thomas Love Peacock

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Complete Works of Thomas Love Peacock Page 138

by Thomas Love Peacock


  With arrowy speed the ship went round

  Nymphæum. To the ocean-wave

  The mountain-forest sloped, and cast

  O’er the white surf its massy shade.

  They heard, so near the shore they past,

  The hollow sound the sea-breeze made,

  As those primæval trees it swayed,

  “Curse on thy songs!” the leader cried,

  “False tales of evil augury!”

  “Well hast thou said,” the maid replied,

  “They augur ill to thine and thee.”

  She rose, and loosed her radiant hair,

  And raised her golden lyre in air.

  The lyre, beneath the breeze’s wings,

  As if a spirit swept the strings,

  Breathed airy music, sweet and strange,

  In many a wild phantastic change.

  Most like the daughter of the Sun

  She stood: her eyes all radiant shone

  With beams unutterably bright;

  And her long tresses loose and light,

  As on the playful breeze they rolled,

  Flamed with rays of burning gold,

  His wondering eyes Anthemion raised

  Upon the maid: the seamen gazed

  In fear and strange suspense, amazed.

  From the forest-depths profound

  Breathes a low and sullen sound:

  ’Tis the woodland spirit’s sigh,

  Ever heard when storms are nigh.

  On the shore the surf that breaks

  With the rising breezes makes

  More tumultuous harmony.

  Louder yet the breezes sing:

  Bound and round, in dizzy ring,

  Sea-birds scream on restless wing:

  Pine and cedar creak and swing

  To the sea-blast’s murmuring.

  Far and wide on sand and shingle

  f Eddying breakers boil and mingle:

  Beetling cliff and caverned rock

  Boll around the echoing shock,

  Where the spray, like snow-dust whirled,

  High in vapoury wreaths is hurled.

  Clouds on clouds, in volumes driven,

  Curtain round the vault of heaven.

  “To shore! to shore!” the seamen cry.

  The damsel waved her lyre on high,

  And, to the powers that rule the sea,

  It whispered notes of witchery.

  Swifter than the lightning-flame

  The sudden breath of the whirlwind came.

  Bound at once in its mighty sweep

  The vessel whirled on the whirling deep.

  Bight from shore the driving gale

  Bends the mast and swells the sail:

  Loud the foaming ocean raves:

  Through the mighty waste of waves

  Speeds the vessel swift and free,

  like a meteor of the sea.

  Day is ended. Darkness shrouds

  The shoreless seas and lowering clouds.

  Northward now the tempest blows:

  Fast and far the vessel goes:

  Crouched on deck the seamen lie;

  One and all, with charmed eye,

  On the magic maid they gaze:

  Nor the youth with less amaze

  Looks upon her radiant form

  Shining by the golden beams

  Of her refulgent hair that streams

  like waving star-light on the storm;

  And hears the vocal blast that rings

  Among her lyre’s enchanted strings.

  Onward, onward flies the hark,

  Through the billows wild and dark.

  From her brow the spray she hurls;

  O’er her stem the big wave curls;

  Fast before the impetuous wind

  She flies: the wave bursts far behind.

  Onward, onward flies the hark,

  Through the raging billows: — Hark!

  ’Tis the stormy surge’s roar

  On the Ægean’s northern shore.

  Toward the rocks, through surf and surge,

  The destined ship the wild winds urge.

  High on one gigantic wave

  She swings in air. From rock and cave

  A long loud wail of fate and fear

  Rings in the hopeless seaman’s ear.

  Forward, with the breaker’s dash,

  She plunges on the rock. The crash

  Of the dividing hark, the roar

  Of waters bursting on the deck,

  Are in Anthemion’s ear: no more

  He hears or sees: hut round his neck

  Are closely twined the silken rings

  Of Rhododaphne’s glittering hair,

  And round him her bright arms she flings,

  And cinctured thus in loveliest hands

  The charmèd waves in safety bear

  The youth and the enchantress fair,

  And leave them on the golden sands.

  CANTO VI.

  HAST thou, in some safe retreat,

  Waked and watched, to hear the roar

  Of breakers on the wind-swept shore?

  Go forth at morn. The waves, that beat

  Still rough and white when blasts are o’er,

  May wash, all ghastly, to thy feet

  Some victim of the midnight storm.

  From that drenched garb and pallid form

  Shrink not: but fix thy gaze and see

  Thy own congenial destiny.

  For him, perhaps, an anxious wife

  On some far coast o’erlooks the wave:

  A child, unknowing of the strife

  Of elements, to whom he gave

  His last fond kiss, is at her breast:

  The skies are clear, the seas at rest

  Before her, and the hour is nigh

  Of his return: but black the sky

  To him, and fierce the hostile main,

  Have been. He will not come again.

  But yesterday, and life, and health,

  And hope, and love, and power, and wealth,

  Were his: to-day, in one brief hour,

  Of all his wealth, of all his power,

  He saved not, on his shattered deck,

  A plank, to waft him from the wreck.

  Now turn away, and dry thy tears,

  And build long schemes for distant years!

  Wreck is not only on the sea.

  The warrior dies in victory:

  The ruin of his natal roof

  O’erwhelms the sleeping man: the hoof

  Of his prized steed has struck with fate

  The horseman in his own home gate:

  The feast and mantling bowl destroy

  The sensual in the hour of joy.

  The bride from her paternal porch

  Comes forth among her maids: the torch,

  That led at mom the nuptial choir,

  Kindles at night her funeral pyre.

  Now turn away, indulge thy dreams,

  And build for distant years thy schemes!

  On Thracia’s coast the morn was gray.

  Anthemion, with the opening day,

  From deep enhancement on the sands

  Stood up. The magic maid was there

  Beside him on the shore. Her hands

  Still held the golden lyre: her hair

  In all its long luxuriance hung

  Unringleted, and glittering bright

  With briny drops of diamond light:

  Her thin wet garments lightly clung

  Around her form’s rare symmetry.

  Like Venus risen from the sea

  She seemed: so beautiful: and who

  With mortal sight such form could view,

  And deem that evil lurked beneath?

  Who could approach those starry eyes,

  Those dewy coral lips, that breathe

  Ambrosial fragrance, and that smile

  In which all Love’s Elysium lies,

  Who this could see, and dream of guile,

&n
bsp; And brood on wrong and wrath the while

  If there be one, who ne’er has felt

  Resolve, and doubt, and anger melt,

  Like vernal night-frosts, in one beam

  Of Beauty’s sun, ‘twere vain to deem,

  Between the muse and him could be.

  A link of human sympathy.

  Fain would the youth his lips unclose

  In keen reproach for all his woes

  And his Calliroe’s doom. In vain:

  For closer now the magic chain

  Of the inextricable spell

  Involved him, and his accents fell

  Perplexed, confused, inaudible.

  And so awhile he stood. At length,

  In painful tones, that gathered strength

  With feeling’s faster flow, he said:

  — “What would’st thou with me, fatal maid

  That ever thus, by land and sea,

  Thy dangerous beauty follows me?” —

  She speaks in gentle accents low,

  While dim through tears her bright eyes move:

  — “Thou askest what thou well dost know

  I love thee, and I seek thy love.” —

  — “My love! It sleeps in dust for ever

  Within my lost Calliroe’s tomb:

  The smiles of living beauty never

  May my soul’s darkness re-illumine.

  We grew together, like twin flowers,

  Whose opening buds the same dews cherish;

  And one is reft, ere noon-tide hours,

  Violently; one remains, to perish

  By slow decay; as I remain

  Even now, to move and breathe in vain.

  The late, false love, that worldlings learn,

  When hearts are hard, and thoughts are stern.

  And feelings dull, and Custom’s rule

  Omnipotent, that love may cool,

  And waste, and change: but this — which flings

  Bound the young soul its tendril rings,

  Strengthening their growth and grasp with years,

  Till habits, pleasures, hopes, smiles, tears,

  All modes of thinking, feeling, seeing,

  Of two congenial spirits, blend

  In one inseparable being, —

  Deem’st thou this love can change or end?

  There is no eddy on the stream,

  No bough that light winds bend and toss,

  No chequering of the sunny beam

  Upon the woodland moss,

  No star in evening’s sky, no flower

  Whose beauty odorous breezes stir,

  No sweet bird singing in the bower,

  Nay, not the rustling of a leaf,

  That does not nurse and feed my grief

  By wakening thoughts of her.

  All lovely things a place possessed

  Of love in my Calliroë’s breast:

  And from her purer, gentler spirit,

  Did mine the love and joy inherit,

  Which that blest maid around her threw.

  With all I saw, and felt, and knew,

  The image of Calliroe grew,

  Till all the beauty of the earth

  Seemed as to her it owed its birth,

  And did but many forms express

  Of her reflected loveliness.

  The sunshine and the air seemed less

  The sources of my life: and how

  Was she torn from me? Earth is now

  A waste, where many echoes tell

  Only of her I loved — how well

  Words have no power to speak: — and thou —

  Gather the rose-leaves from the plain

  Where faded and defiled they lie,

  And close them in their hud again,

  And bid them to the morning sky

  Spread lovely as at first they were:

  Or from the oak the ivy tear,

  And wreathe it round another tree

  In vital growth: then turn to me,

  And bid my spirit cling on thee,

  As on my lost Calliroë!”

  — “The Genii of the earth, and sea,

  And air, and fire, my mandates hear.

  Even the dread Power, thy Ladon’s fear,

  Arcadian Dæmagorgon, knows

  My voice: the ivy or the rose,

  Though torn and trampled on the plain,

  May rise, unite, and bloom again,

  If on his aid I call: thy heart

  Alone resists and mocks my art.” —

  — “Why lov’st thou me, Thessalian maid?

  Why hast thou, cruel beauty, torn

  Asunder two young hearts, that played

  In kindred unison so blest,

  As they had filled one single breast

  From life’s first opening mom?

  Why lov’st thou me? The kings of earth

  Might kneel to charms and power like thine:

  But I, a youth of shepherd birth —

  As well the stately mountain-pine

  Might coil around the eglantine,

  As thou thy radiant being twine

  Round one so low, so lost as mine.” —

  — “Sceptres and crowns, vain signs that move

  The souls of slaves, to me are toys.

  I need but love: I seek but love:

  And long, amid the heartless noise

  Of cities, and the woodland peace

  Of vales, through all the scenes of Greece

  I sought the fondest and the fairest

  Of Grecian youths, my love to be:

  And such a heart and form thou bearest,

  And my soul sprang at once to thee,

  Like an arrow to its destiny.

  Yet shall my lips no spell repeat,

  To bid thy heart responsive beat

  To mine: thy love’s spontaneous smile,

  Nor forced by power, nor won by guile,

  I claim: but yet a little while,

  And we no more may meet.

  For I must find a dreary home,

  And thou, where’er thou wilt, shalt roam:

  But should one tender thought awake

  Of Rhododaphne, seek the cell,

  Where she dissolved in tears doth dwell

  Of blighted hope, and she will take

  The wanderer to her breast, and make

  Such flowers of bliss around him blow,

  As kings would yield their thrones to know.” —

  — “It must not be. The air is laden

  With sweetness from thy presence born:

  Music and light are round thee, maiden,

  As round the Virgin Power of Mom:

  I feel, I shrink beneath thy beauty:

  But love, truth, woe, remembrance, duty,

  All point against thee, though arrayed

  In charms whose power no heart could shun

  That ne’er had loved another maid

  Or any but that loveliest one,

  Who now, within my bosom’s void,

  A sad pale shade, by thee destroyed,

  Forbids all other love to bind

  My soul: thine least of womankind.” —

  Faltering and faint his accents broke,

  As those concluding words he spoke.

  No more she said, but sadly smiled,

  And took his hand; and like a child

  He followed her. All waste and wild,

  A pathless moor before them lies.

  Beyond, long chains of mountains rise:

  Their summits with eternal snow

  Are crowned: vast forests wave below,

  And stretch, with ample slope and sweep,

  Down to the moorlands and the deep.

  Human dwelling see they none,

  Save one cottage, only one,

  Mossy, mildewed, frail, and poor,

  Even as human home can be,

  Where the forest skirts the moor,

  By the inhospitable sea.

  There, in tones of melody,

&
nbsp; Sweet and clear as Dian’s voice

  When the rocks and woods rejoice

  In her steps the chase impelling,

  Rhododaphne, pausing, calls.

  Echo answers from the walls:

  Mournful response, vaguely telling

  Of a long-deserted dwelling.

  Twice her lips the call repeat,

  Tuneful summons, thrilling sweet.

  Still the same sad accents follow,

  Cheerless echo, faint and hollow.

  Nearer now, with curious gaze,

  The youth that lonely cot surveys.

  Long grass chokes the path before it,

  Twining ivy mantles o’er it,

  On the low roof blend together

  Beds of moss and stains of weather,

  Flowering weeds that train and cluster,

  Scaly lichen, stone-crop’s lustre,

  All confused in radiance mellow,

  Red, gray, green, and golden yellow.

  Idle splendour! gleaming only

  Over ruins rude and lonely,

  When the cold hearth-stone is shattered.

  When the ember-dust is scattered,

  When the grass that chokes the portal

  Bends not to the tread of mortal.

  The maiden dropped Anthemion’s hand,

  And forward, with a sudden bound,

  She sprung. He saw the door expand,

  And close, and all was silence round,

  And loneliness, and forth again

  She came not. But within this hour,

  A burthen to him, and a chain,

  Had been her beauty and her power:

  But now, thus suddenly forsaken,

  In those drear solitudes, though yet

  His early love remained unshaken,

  He felt within his breast awaken

  A sense of something like regret. ‘

  But he pursued her not: his love,

  His murdered love, such step forbade.

  He turned his doubtful feet, to rove

  Amid that forest’s maze of shade.

  Beneath the matted boughs, that made

  A noonday twilight, he espied

  No trace of man; and far and wide

  Through fern and tangled briar he strayed,

  Till toil, and thirst, and hunger weighed

  His nature down, and cold and drear

  Night came, and no relief was near.

  But now at once his steps emerge

  Upon the forest’s moorland verge,

  Beside the white and sounding surge.

  For in one long self-circling track,

  His mazy path had led him back,

  To where that cottage, old and lone,

  Had stood: but now to him unknown

  Was all the scene. ‘Mid gardens, fair

  With trees and flowers of fragrance rare,

  A rich and ample pile was there,

  Glittering with myriad lights, that shone

  Far-streaming through the dusky air.

  With hunger, toil, and weariness,

  Outworn, he cannot choose but pass

  Tow’rds that fair pile. With gentle stress

 

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