The Haunted Hotel

by Wilkie Collins

  The French proprietor joined his English friend, with his cigar already lit. He started back in dismay at a sight terrible to his countrymen in general – the sight of an open window. ‘You English people are perfectly mad on the subject of fresh air!’ he exclaimed. ‘We shall catch our deaths of cold.’

  Francis turned, and looked at him in astonishment. ‘Are you really not aware of the smell there is in the room?’ he asked.

  ‘Smell!’ repeated his brother-manager. ‘I smell my own good cigar. Try one yourself. And for Heaven’s sake shut the window!’

  Francis declined the cigar by a sign. ‘Forgive me,’ he said. ‘I will leave you to close the window. I feel faint and giddy – I had better go out.’ He put his handkerchief over his nose and mouth, and crossed the room to the door.

  The Frenchman followed the movements of Francis, in such a state of bewilderment that he actually forgot to seize the opportunity of shutting out the fresh air. ‘Is it so nasty as that?’ he asked, with a broad stare of amazement.

  ‘Horrible!’ Francis muttered behind his handkerchief. ‘I never smelt anything like it in my life!’

  There was a knock at the door. The scene-painter appeared. His employer instantly asked him if he smelt anything.

  ‘I smell your cigar. Delicious! Give me one directly!’

  ‘Wait a minute. Besides my cigar, do you smell anything else – vile, abominable, overpowering, indescribable, never-never-never-smelt before?’

  The scene-painter appeared to be puzzled by the vehement energy of the language addressed to him. ‘The room is as fresh and sweet as a room can be,’ he answered. As he spoke, he looked back with astonishment at Francis Westwick, standing outside in the corridor, and eyeing the interior of the bedchamber with an expression of undisguised disgust.

  The Parisian director approached his English colleague, and looked at him with grave and anxious scrutiny.

  ‘You see, my friend, here are two of us, with as good noses as yours, who smell nothing. If you want evidence from more noses, look there!’ He pointed to two little English girls, at play in the corridor. ‘The door of my room is wide open – and you know how fast a smell can travel. Now listen, while I appeal to these innocent noses, in the language of their own dismal island. My little loves, do you sniff a nasty smell here – ha?’ The children burst out laughing, and answered emphatically, ‘No.’ ‘My good Westwick,’ the Frenchman resumed, in his own language, ‘the conclusion is surely plain? There is something wrong, very wrong, with your own nose. I recommend you to see a medical man.’

  Having given that advice, he returned to his room, and shut out the horrid fresh air with a loud exclamation of relief. Francis left the hotel, by the lanes that led to the Square of St Mark. The night-breeze soon revived him. He was able to light a cigar, and to think quietly over what had happened.

  XIX

  Avoiding the crowd under the colonnades, Francis walked slowly up and down the noble open space of the square, bathed in the light of the rising moon.

  Without being aware of it himself, he was a thorough materialist. The strange effect produced on him by the room – following on the other strange effects produced on the other relatives of his dead brother – exercised no perplexing influence over the mind of this sensible man. ‘Perhaps,’ he reflected, ‘my temperament is more imaginative than I supposed it to be – and this is a trick played on me by my own fancy? Or, perhaps, my friend is right; something is physically amiss with me? I don’t feel ill, certainly. But that is no safe criterion sometimes. I am not going to sleep in that abominable room to-night – I can well wait till to-morrow to decide whether I shall speak to a doctor or not. In the mean time, the hotel doesn’t seem likely to supply me with the subject of a piece. A terrible smell from an invisible ghost is a perfectly new idea. But it has one drawback. If I realise it on the stage, I shall drive the audience out of the theatre.’

  As his strong common sense arrived at this facetious conclusion, he became aware of a lady, dressed entirely in black, who was observing him with marked attention. ‘A m I right in supposing you to be Mr Francis Westwick?’ the lady asked, at the moment when he looked at her.

  ‘That is my name, madam. May I inquire to whom I have the honour of speaking?’

  ‘We have only met once,’ she answered a little evasively, ‘when your late brother introduced me to the members of his family. I wonder if you have quite forgotten my big black eyes and my hideous complexion?’ She lifted her veil as she spoke, and turned so that the moonlight rested on her face.

  Francis recognised at a glance the woman of all others whom he most cordially disliked – the widow of his dead brother, the first Lord Montbarry. He frowned as he looked at her. His experience on the stage, gathered at innumerable rehearsals with actresses who had sorely tried his temper, had accustomed him to speak roughly to women who were distasteful to him. ‘I remember you,’ he said. ‘I thought you were in America!’

  She took no notice of his ungracious tone and manner; she simply stopped him when he lifted his hat, and turned to leave her.

  ‘Let me walk with you for a few minutes,’ she quietly replied. ‘I have something to say to you.’

  He showed her his cigar. ‘I am smoking,’ he said.

  ‘I don’t mind smoking.’

  After that, there was nothing to be done (short of downright brutality) but to yield. He did it with the worst possible grace. ‘Well?’ he resumed. ‘What do you want of me?’

  ‘You shall hear directly, Mr Westwick. Let me first tell you what my position is. I am alone in the world. To the loss of my husband has now been added another bereavement, the loss of my companion in America, my brother – Baron Rivar.’

  The reputation of the Baron, and the doubt which scandal had thrown on his assumed relationship to the Countess, were well known to Francis. ‘Shot in a gambling-saloon?’ he asked brutally.

  ‘The question is a perfectly natural one on your part,’ she said, with the impenetrably ironical manner which she could assume on certain occasions. ‘As a native of horse-racing England, you belong to a nation of gamblers. My brother died no extraordinary death, Mr Westwick. He sank, with many other unfortunate people, under a fever prevalent in a Western city which we happened to visit. The calamity of his loss made the United States unendurable to me. I left by the first steamer that sailed from New York – a French vessel which brought me to Havre. I continued my lonely journey to the South of France. And then I went on to Venice.’

  ‘What does all this matter to me?’ Francis thought to himself. She paused, evidently expecting him to say something. ‘So you have come to Venice?’ he said carelessly. ‘Why?’

  ‘Because I couldn’t help it,’ she answered.

  Francis looked at her with cynical curiosity. ‘That sounds odd,’ he remarked. ‘Why couldn’t you help it?’

  ‘Women are accustomed to act on impulse,’ she explained. ‘Suppose we say that an impulse has directed my journey? And yet, this is the last place in the world that I wish to find myself in. Associations that I detest are connected with it in my mind. If I had a will of my own, I would never see it again. I hate Venice. As you see, however, I am here. When did you meet with such an unreasonable woman before? Never, I am sure!’ She stopped, eyed him for a moment, and suddenly altered her tone. ‘When is Miss Agnes Lockwood expected to be in Venice?’ she asked.

  It was not easy to throw Francis off his balance, but that extraordinary question did it. ‘How the devil did you know that Miss Lockwood was coming to Venice?’ he exclaimed.

  She laughed – a bitter mocking laugh. ‘Say, I guessed it!’

  Something in her tone, or perhaps something in the audacious defiance of her eyes as they rested on him, roused the quick temper that was in Francis Westwick. ‘Lady Montbarry—!’ he began.

  ‘Stop there!’ she interposed. ‘Your brother Stephen’s wife calls herself Lady Montbarry now. I share my title with no woman. Call me by my name before I committed the
fatal mistake of marrying your brother. Address me, if you please, as Countess Narona.’

  ‘Countess Narona,’ Francis resumed, ‘if your object in claiming my acquaintance is to mystify me, you have come to the wrong man. Speak plainly, or permit me to wish you good evening.’

  ‘If your object is to keep Miss Lockwood’s arrival in Venice a secret,’ she retorted, ‘speak plainly, Mr Westwick, on your side, and say so.’

  Her intention was evidently to irritate him; and she succeeded. ‘Nonsense!’ he broke out petulantly. ‘My brother’s travelling arrangements are secrets to nobody. He brings Miss Lockwood here, with Lady Montbarry and the children. As you seem so well informed, perhaps you know why she is coming to Venice?’

  The Countess had suddenly become grave and thoughtful. She made no reply. The two strangely associated companions, having reached one extremity of the square, were now standing before the church of St Mark. The moonlight was bright enough to show the architecture of the grand cathedral in its wonderful variety of detail. Even the pigeons of St Mark were visible, in dark closely packed rows, roosting in the archways of the great entrance doors.

  ‘I never saw the old church look so beautiful by moonlight,’ the Countess said quietly; speaking, not to Francis, but to herself. ‘Good-bye, St Mark’s by moonlight! I shall not see you again.’

  She turned away from the church, and saw Francis listening to her with wondering looks. ‘No,’ she resumed, placidly picking up the lost thread of the conversation, ‘I don’t know why Miss Lockwood is coming here, I only know that we are to meet in Venice.’

  ‘By previous appointment?’

  ‘By Destiny,’ she answered, with her head on her breast, and her eyes on the ground. Francis burst out laughing. ‘Or, if you like it better,’ she instantly resumed, ‘by what fools call Chance.’ Francis answered easily, out of the depths of his strong common sense. ‘Chance seems to be taking a queer way of bringing the meeting about,’ he said. ‘We have all arranged to meet at the Palace Hotel. How is it that your name is not on the Visitors’ List? Destiny ought to have brought you to the Palace Hotel too.’

  She abruptly pulled down her veil. ‘Destiny may do that yet!’ she said. ‘The Palace Hotel?’ she repeated, speaking once more to herself. ‘The old hell, transformed into the new purgatory. The place itself! Jesu Maria! the place itself!’ She paused and laid her hand on her companion’s arm. ‘Perhaps Miss Lockwood is not going there with the rest of you?’ she burst out with sudden eagerness. ‘Are you positively sure she will be at the hotel?’

  ‘Positively! Haven’t I told you that Miss Lockwood travels with Lord and Lady Montbarry? and don’t you know that she is a member of the family? You will have to move, Countess, to our hotel.’

  She was perfectly impenetrable to the bantering tone in which he spoke. ‘Yes,’ she said faintly, ‘I shall have to move to your hotel.’ Her hand was still on his arm – he could feel her shivering from head to foot while she spoke. Heartily as he disliked and distrusted her, the common instinct of humanity obliged him to ask if she felt cold.

  ‘Yes,’ she said. ‘Cold and faint.’

  ‘Cold and faint, Countess, on such a night as this?’

  ‘The night has nothing to do with it, Mr Westwick. How do you suppose the criminal feels on the scaffold, while the hangman is putting the rope around his neck? Cold and faint, too, I should think. Excuse my grim fancy. You see, Destiny has got the rope round my neck – and I feel it.’

  She looked about her. They were at that moment close to the famous café known as ‘Florian’s.’ ‘Take me in there,’ she said; ‘I must have something to revive me. You had better not hesitate. You are interested in reviving me. I have not said what I wanted to say to you yet. It’s business, and it’s connected with your theatre.’

  Wondering inwardly what she could possibly want with his theatre, Francis reluctantly yielded to the necessities of the situation, and took her into the café. He found a quiet corner in which they could take their places without attracting notice. ‘What will you have?’ he inquired resignedly. She gave her own orders to the waiter, without troubling him to speak for her.

  ‘Maraschino. And a pot of tea.’

  The waiter stared; Francis stared. The tea was a novelty (in connection with maraschino) to both of them. Careless whether she surprised them or not, she instructed the waiter, when her directions had been complied with, to pour a large wine-glass-full of the liqueur into a tumbler, and to fill it up from the teapot. ‘I can’t do it for myself,’ she remarked, ‘my hand trembles so.’ She drank the strange mixture eagerly, hot as it was. ‘Maraschino punch – will you taste some of it?’ she said. ‘I inherit the discovery of this drink. When your English Queen Caroline was on the Continent, my mother was attached to her Court. That much injured Royal Person invented, in her happier hours, maraschino punch. Fondly attached to her gracious mistress, my mother shared her tastes. And I, in my turn, learnt from my mother. Now, Mr Westwick, suppose I tell you what my business is. You are manager of a theatre. Do you want a new play?’

  ‘I always want a new play – provided it’s a good one.’

  ‘And you pay, if it’s a good one?’

  ‘I pay liberally – in my own interests.’

  ‘If I write the play, will you read it?’

  Francis hesitated. ‘What has put writing a play into your head?’ he asked.

  ‘Mere accident,’ she answered. ‘I had once occasion to tell my late brother of a visit which I paid to Miss Lockwood, when I was last in England. He took no interest in what happened at the interview, but something struck him in my way of relating it. He said, “You describe what passed between you and the lady with the point and contrast of good stage dialogue. You have the dramatic instinct – try if you can write a play. You might make money.” That put it into my head.’

  Those last words seemed to startle Francis. ‘Surely you don’t want money!’ he exclaimed.

  ‘I always want money. My tastes are expensive. I have nothing but my poor little four hundred a year – and the wreck that is left of the other money: about two hundred pounds in circular notes – no more.’

  Francis knew that she was referring to the ten thousand pounds paid by the insurance offices. ‘All those thousands gone already!’ he exclaimed.

  She blew a little puff of air over her fingers. ‘Gone like that!’ she answered coolly.

  ‘Baron Rivar?’

  She looked at him with a flash of anger in her hard black eyes.

  ‘My affairs are my own secret, Mr Westwick. I have made you a proposal – and you have not answered me yet. Don’t say No, without thinking first. Remember what a life mine has been. I have seen more of the world than most people, playwrights included. I have had strange adventures; I have heard remarkable stories; I have observed; I have remembered. Are there no materials, here in my head, for writing a play – if the opportunity is granted to me?’ She waited a moment, and suddenly repeated her strange question about Agnes.

  ‘When is Miss Lockwood expected to be in Venice?’

  ‘What has that to do with your new play, Countess?’

  The Countess appeared to feel some difficulty in giving that question its fit reply. She mixed another tumbler full of maraschino punch, and drank one good half of it before she spoke again.

  ‘It has everything to do with my new play,’ was all she said. ‘Answer me.’ Francis answered her.

  ‘Miss Lockwood may be here in a week. Or, for all I know to the contrary, sooner than that.’

  ‘Very well. If I am a living woman and a free woman in a week’s time – or if I am in possession of my senses in a week’s time (don’t interrupt me; I know what I am talking about) –I shall have a sketch or outline of my play ready, as a specimen of what I can do. Once again, will you read it?’

  ‘I will certainly read it. But, Countess, I don’t understand—’

  She held up her hand for silence, and finished the second tumbler of maraschino punc
h.

  ‘I am a living enigma – and you want to know the right reading of me,’ she said. ‘Here is the reading, as your English phrase goes, in a nutshell. There is a foolish idea in the minds of many persons that the natives of the warm climates are imaginative people. There never was a greater mistake. You will find no such unimaginative people anywhere as you find in Italy, Spain, Greece, and the other Southern countries. To anything fanciful, to anything spiritual, their minds are deaf and blind by nature. Now and then, in the course of centuries, a great genius springs up among them; and he is the exception which proves the rule. Now see! I, though I am no genius – I am, in my little way (as I suppose), an exception too. To my sorrow, I have some of that imagination which is so common among the English and the Germans – so rare among the Italians, the Spaniards, and the rest of them! And what is the result? I think it has become a disease in me. I am filled with presentiments which make this wicked life of mine one long terror to me. It doesn’t matter, just now, what they are. Enough that they absolutely govern me – hey drive me over land and sea at their own horrible will; they are in me, and torturing me, at this moment! Why don’t I resist them? Ha! but I do resist them. I am trying (with the help of the good punch) to resist them now. At intervals I cultivate the difficult virtue of common sense. Sometimes, sound sense makes a hopeful woman of me. At one time, I had the hope that what seemed reality to me was only mad delusion, after all –I even asked the question of an English doctor! At other times, other sensible doubts of myself beset me. Never mind dwelling on them now – it always ends in the old terrors and superstitions taking possession of me again. In a week’s time, I shall know whether Destiny does indeed decide my future for me, or whether I decide it for myself. In the last case, my resolution is to absorb this self-tormenting fancy of mine in the occupation that I have told you of already. Do you understand me a little better now? And, our business being settled, dear Mr Westwick, shall we get out of this hot room into the nice cool air again?’