'Just with the chapel, like: city mission. We'd go round handing out cards giving times for tea treats. Handsome teas, they were… And no preaching the first time but just two hymns at the end.'
'They'd be a bit of a rough house, I expect?'
Lund was shaking his head.
'Treat folk as gentle folk, and they behave according.'
'Daresay,' I said, though doubting it.
'One o'clock,' announced Lund. 'I'd best be off.'
At that very instant the bell-ringing practice broke off to let the hour bell strike one. Lund walked around the monument a little way, his valise over his shoulder.
'What's up with your eye?' he said, turning back.
'Nothing to speak of' I said.
He'd noticed such bruising as remained, and the wife hadn't.
He passed me his copy of the Evening Press, saying, 'Want a look?' I nodded at him; he went his way, and I turned to the second page of the paper. The article proper began: "The shooting to death of John and Duncan Cameron, brothers, continues to agitate the minds of the York police.' Not the York railway police, I thought. It didn't seem to have been agitating Chief Inspector Weatherill's mind in the least. I read the article from top to bottom, and it was plain as daylight that there were no clues, and precious few conjectures from any quarter. I looked back towards the great cathedral where the same trippers – or perhaps another lot – were threading their way out. You'd have parties like that crisscrossing the city in all seasons; they'd check you for quite minutes on end, and there was nothing you could do to break through. I wondered how many more killings it would take before they stopped coming.
I put on my special glasses and rose to my feet.
Chapter Twelve
Quarter to six. I'd eaten a late dinner on the river, and the light was falling fast as I entered the Big Coach on Nessgate. The place was packed out, and there was a dancing class happening, not too daintily, on the second floor. When you walk into a pub you want a moment alone to get your bearings and settle, but Miles Hopkins hailed me immediately from a table in the corner. He sat with another fellow, whose back was to me but I could tell it wasn't the Blocker. Of that big bastard there was no sign. As I approached, I saw that a copy of the Evening Press was on the table, folded so that the latest report of the Camerons' death was uppermost, but the gent with his back to me was intent upon a different publication – a sporting paper. As Miles Hopkins looked up at me, I could read over the new bloke's shoulder: 'Gatwick Meeting; Capital Afternoon's Sport; Gossip from the Course.'
I touched my spectacles, to make sure they were in place. Miles tapped the other man's arm, and he stood up and turned about. Miles Hopkins stood too, saying, 'Sam, like you to meet Mr Allan Appleby.' It was all very mannerly and all very different from Layerthorpe. The new man stood, turned with hand held out, and I certainly did not recognise him from the pages of the Police Gazette. He was medium height and broad, although not as big as the Blocker, and more compressed. If the Blocker was an elephant then this one was a bull, and a distinguished-looking bull at that, with belted Norfolk coat, grey, bristly hair, a sharp grey beard, and regular face that was all-in-all the shape of a shield. He looked a little like the King himself, and would have looked still more like him had he been wearing the Homburg hat placed at his elbow. He was smoking a cigar. He had a strong grip, wore two rings to each hand, and it turned out he had the name to match:
'Valentine Sampson,' he said, in a deep voice, and with an accent that was… out of the way.
The teeming pub seemed to come to a halt as he gazed at me. He had peculiar eyes, between blue and brown, with the result… violet. The light seemed to be revolving inside them, winding you in towards him.
'Allan Appleby' I said.
Had he taken the name? It was hard to say, since the moment I uttered it, he was signalling to a barman for three more pints of Smith's.
We all sat down.
'Will you excuse me for five minutes, Allan?' Valentine Sampson said, as the drinks were delivered, and the coin paid over.
I glanced over at Miles Hopkins, who gave a humorous sort of shrug, and began with his customary finger fiddling, moving a sovereign between the long fingers of both hands, and gazing about the pub – taking in all the gaping pockets, as I supposed.
'Sam has an appointment with a layer in half an hour' he explained presently, 'and he's only just getting to grips with tomorrow's cards.'
At which Valentine Sampson looked up from his reading, and said:
'Don't fret, Allan, I'm a quick study.'
He spoke in a smooth, low rush – almost gentlemanly. I sipped beer, trying to slacken my nerves as Sampson turned again to the pages of his paper. I was glad that Sampson was due elsewhere before long – it might mean a short evening's work for me. At intervals, the fellow would make a mark with a pen, and slide the paper across to Miles Hopkins with a question or remark. 'What's your fancy?' he asked at one moment; at another, after some ferocious underlining of a horse's name, he observed: 'Be all right if I could get on after time.' He laughed at this, and Hopkins, smiled, still rolling the coin from finger to finger. Neither paid any attention to the murder report staring up from the Evening Press.
After ten minutes, the business of the betting programme was finished, and Valentine Sampson folded the paper into his pocket, turning towards me: 'You play the horses, Allan?'
'Not regular, like,' I said.
'Been at it since I was a nipper,' he said. 'But I'm kept back by want of knowledge – in sporting as in other matters.'
I didn't like this. Was he referring to his lack of knowledge of myself? He'd necked his beer very fast, and was raising his hand for another three. His requests seemed to cut through the crowds immediately, for the barman was at our table within a second of being summoned.
'These are on me,' I said, but the offer was ignored just as though not heard. Valentine Sampson paid up once more, before turning to me:
'Sorry for cutting to it directly, Allan,' he said, 'but Miles has told me you might have been able to put your hands on a goods yard pass.'
'I have it here,' I said, reaching into my pockets, and laying it out on the table. Sampson read out loud the name on the pass: 'Gordon Higgins', testing it out. Underneath, the words: 'Permit the bearer to walk over and along the Company's Railway at the Goods and Mineral Yard, York.' 'That's up to snuff,' said Valentine Sampson, after a moment. 'I'll not ask where it came from. Now… you've no employment just at present?' 'Nowt to speak of' I said. I picked up the pass, and returned it to my pocket, as Sampson said: 'Miles tells me you're from Halifax way.' 'Aye' I said. 'And that you had employment in a screw factory?' 'It didn't just make screws' I said. 'What else did it make?' asked Miles Hopkins, grinning. 'Nuts' I said. 'Nuts and… you know, bolts.' 'Metal factors' said Sampson, nodding. I looked over at Hopkins. He was moving the coin, looking about the pub. 'Miles let on you'd had some magazines away,' said Sampson. 'Railway Magazines,' I said, 'complete set of 'em…' 'Complete set of 'em?' said Sampson. 'Somebody's pride and joy they would have been. Well worth having away, Allan.' 'It was a complete set until the big sod pitched one into the fire.' Sampson shook his head, saying: 'Well, that blighter's not exactly a big reader, Allan.' 'A small reader' said Miles, 'that's what Mike is. Can he read at all, Sam?' 'Oh aye,' said Valentine Sampson; then, turning to me once again: 'You been inside, Allan?' 'No' I said, for I was not about to try inventing prison experiences.
The pair of them hadn't left off eyeballing, so I said:
'Don't mean to be, either.'
Sampson nodded.
'Liberty is sweet, Allan,' he said.
I'd been looking out for a change of front, but the two had continued quite friendly through this quiz. Now Sampson sat back and folded his arms, nodding towards Hopkins as he said: 'We've done a bit, Allan… Armley Gaol. Two years I was in that fucking barracks, and one thing kept me from going doolally, and that was meeting this gentleman here.'
H
e indicated Miles, who was looking all about, a half- smile on his lips from the compliments he was half-hearing.
'We were on the same landing early on, but then I got into a bit of bother, Allan, and I was put away on me tod for a spell. We managed to keep in touch though, and with the help of a few good lads we put together a line of communication as you might say.'
'The underground railway,' said Hopkins, before going back to his study of the pub.
I leant a little forward, and it suddenly came to me: the sixth Police Gazette remained in my inside pocket.
'We'd pass messages back and forth, trying to settle on a cute scheme, Allan,' Sampson was continuing. 'We fell to talking counties and towns and Miles being a York lad, born and bred, I said to him one day: "Well, what about that place? What's York?" And what did you tell me, Miles?'
'Old buildings, trippers, chocolate, railways, and pubs' Miles Hopkins replied, the distant half-smile still on his lips.
'I told him it sounded very interesting' Sampson continued, 'all except for the old buildings, the trippers, the chocolate and the railways. But then Miles here said: "As far as York goes, the big show is the railway.'" He leant towards me, smoke streaming from his nose and mouth like a dragon. 'Miles here,' he went on, 'said there's real possibilities there; that there's hundreds of blokes on the North Eastern Railway Company who are straight sorts, up and down, white as you like, and can't be touched for owt.' At that word he put his cigar out with a crash, or tried to do so, but the thing burnt on, and he had to positively murder it, twisting and turning and dragging it back and forth. '… And there are hundreds more, Allan,' he continued, still screwing down the cigar end, 'who are not.' He sat back, arms folded, looking all around the pub. Then his eyes were back on me, and he was smiling. 'To make a long story short, Allan, the first fix went in about a year ago today.' 'Bribery,' I said. Sampson looked away sharply, looked back, and held me with his eyes again for a while, the smile quite gone. 'Speaks plain, does Allan,' said Miles Hopkins as the smile returned to Valentine Sampson's face. 'You speak as you find, Allan,' he said, 'and that goes pretty well with me, I can tell you. Miles says you put the knock on Mike.' 'I won't be made to eat dog,' I said, 'not by any bugger.' 'And the bad sod crowned you, didn't he?' said Sampson. I put my hand up towards my eye. 'I'll give him change for that' said Sampson, 'don't you worry, Allan. I'll give him a talking to. See, I don't go in for knocking people about, and anybody that does… I'll put their fucking lights out.' I was scared of the man, and that was all there was to it. He rose to his feet, collecting up his soft hat, his gloves and his Evening Press, saying:
'We have business in hand in Allan, a very great doing – see you right for life if it comes off. Are you with us?'
'Reckon I'll knock along,' I said, nodding, and wondering what terrible event would have happened if I'd said anything but.
Chapter Thirteen
Could I hold my own on this dangerous ground? I hung about at any rate; and I knew I must get rid of the Police Gazette. First off, Valentine Sampson had to go and see his layer, and this cove was evidently stationed on or beyond the street called Pavement, because that was the street he ducked into, having had a quick chat with Miles Hopkins. 'Where's the layer?' I asked Miles Hopkins as we stood at the west end of Pavement, outside Wood and Co., cutlers and surgical instrument makers. 'Oh,' he said,'… Layerihotpe. Can you credit it?' He grinned at me, and I wasn't sure whether I could credit it or not. I chanced another question. 'What'll happen when he comes back?' No answer. There was a sharp coldness to the lamplit evening. It quickened the steps of the later shoppers and working people heading for home. A steam lorry came down towards us from Pavement, its own fog riding above it. Being modern, it looked all wrong in York. I asked my question about Sampson's return once again, feeling daft for doing so, and Hopkins said, 'Sam'll be half an hour or so – he generally takes a pint with the bookie. We'll all hook up together…' He looked at his watch before continuing:'… Half an hour touch at the Blue Boar in Fossgate. I'm just nipping off for a tick, myself.'
'Where to, mate?' I asked, casual like.
'Railway station,' said Miles Hopkins.
'Off to catch a train, are you?' I said, frowning.
Miles Hopkins thought for a while.
'That's it,' he said, presently, 'I'm off to catch a train.'
'But you'll be back in half an hour?'
'Now that I think on,' he said, 'it's not really me that'll be catching it, but others.'
He gave a grin and walked off, and as he did so, the light dawned.
It was getting on for half past six. I pictured the Scotch express, the line of lights shaking over Holgate Junction getting on for a mile away, the toffs gathering at the north end of Platform Fourteen where the first-class carriages came to rest. I pictured Miles Hopkins, landing on Platform Fourteen, like a bird, with his long hands in place of wings. I wondered whether Mike, the Blocker, would be on hand once again.
What to do? What would Chief Inspector Weatherill have recommended? I looked along Pavement. Where were all the bloody coppers – railway coppers or otherwise? Where was Shillito the detective sergeant, and all the rest of the fellows I'd thought I was on the edge of getting to know? And where was Weatherill himself? If that fellow was so hard pressed, why did he spend so much time eating breakfast?
I turned to look at the strange articles for sale in Wood's: an artificial leg stood in the window, watched from a higher shelf by an artificial eye sitting in a velvet-lined box, like a jewel. There were trusses, hosiery, all kinds of secret, shameful things; and a rack of knives. I put my hand into my coat pocket. I meant to drop the Police Gazette at the foot of the window. I began to lift it from my coat when a hand was placed on my shoulder. A beer smell came with it, and Valentine Sampson said: 'You could have some bugger's eye out…' 'Eh?' I said, turning slowly about to face him. '… Then make amends for it, you know,' he continued, '… with the glass eye in a nice silk presentation box.' The remark was too strange to answer, so I said, 'Seen your layer then, mate?' He grinned. 'That bugger's always the same,' he said. 'Always sharps me on the prices.' He seemed glad to have got the business out of the way, just as if it was a job of work. He no longer carried the racing paper, or his copy of the Evening Press. 'Miles has gone off to the station,' I said, as we set off for the Blue Boar. Sampson took out a pocket watch, and looked at it, shaking his head. 'From what I understand, his trip ought to put him in funds later on' I said. 'In funds or in chokey' he said, striding on. 'Do you know, Allan, they've got bears on the fucking railway station nowadays?' 'Aye,' I said, fairly croaking out the word, 'I did know that.' 'It's just bloody well not on,' he said, striding on. What was the great doing that was in prospect, and when would the doing be done? When would Weatherill think it the right time to jump in, and put the kybosh on? And what if the great doing was on the cards for this very evening? I couldn't afford to worry about that. I just had to go along, keeping my ears open and my mouth shut. I thought of the Blue Boar in Fossgate. The trouble with that street, to my mind, was that it led back in the direction of Layerthorpe, and the Garden Gate, and talk of murder.
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