The Gods of Atlantis jh-6

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The Gods of Atlantis jh-6 Page 17

by David Gibbins


  ‘And then someone took it from here, from this crate, in those final days.’

  ‘Perhaps on Himmler’s orders. Perhaps when the Agamemnon Code was activated.’

  Penn was silent for a moment, then took a ruler from his tool belt, leaned over and quickly measured the impression. ‘There is one place where I’ve seen a swastika shape like this, the same wide arms and distinctive cross. The more I look at it, the more I think it might be an exact fit. It’s on the door to the laboratory. It’s an indent just like this but within a roundel. We’re fairly sure it’s some kind of locking mechanism. Sergeant Jones thought it might be magnetic, but we won’t know until we inspect it. The door’s very slightly ajar. Maybe the palladion was a key to unlock what was in there. Maybe it unlocked other places like this, part of some scheme of Himmler’s that never came to fruition.’

  Hiebermeyer could barely breathe. Of course. It was a key.

  ‘Major Penn.’ A voice sounded through both of their intercoms. ‘You need to come to the laboratory door, now.’

  ‘Okay.’ Penn straightened up. ‘That’s my two sappers. And I just saw Sergeant Jones and Auxelle come through the chamber. Let’s move now.’

  Hiebermeyer followed Penn from the crates on to the main walkway. He glanced back, seeing where the Raphael was propped up, the mottled colours lost in the haze of green. Listening to the rasp of his own breathing, he was reminded of film he had seen of Jack and Costas rising from an underwater site, features of the archaeology clearly visible and then suddenly lost in a green-blue haze, as if they had passed through some kind of lens in the water. He thought about the painting again. Whatever Himmler had devised, whatever ghastly wonder-weapon he had been developing, he had not been above collecting the choicest Old Masters for his own private enjoyment: not for some Nazi Valhalla, but for a real future that he envisaged for himself, perhaps a new Wewelsburg arising in his imagination like Atlantis reborn. Hiebermeyer now knew something with cold certainty. Himmler may have been a fantasist, but there was a ruthless calculating streak to him. All of this had been carefully planned, and had been thwarted only by a misplaced gamble at the end. And if Himmler had planned to hold the world to ransom with his wonder-weapon, that threat remained for others like Saumerre to find and use. For the first time Hiebermeyer forced himself to face the reality of what might be in that laboratory ahead. He hoped that the nightmare would come to an end here and now.

  ‘Major Penn.’ The voice of one of the sappers came through their intercom. ‘The inspector and Sergeant Jones have already gone into the laboratory. I couldn’t stop them.’

  Penn snorted angrily and made his way over. The door was now half open, and there were lights moving inside. Hiebermeyer saw the swastika in the roundel that Penn had described. As they came closer, one of the sappers stepped up and stopped Penn. ‘Sir, you’ll see there’s a body in front of the door, mostly skeleton. We found it when we first arrived here twenty minutes ago, but he’s long dead and we didn’t see the need to disturb you. There was a smear of old blood on the door when we were cutting through. He was shot at close range in the back of the head, massive skull damage. You’ll see more of the same when you go in through that door. Been a little life-and-death struggle here with no winner as far as we can see. This one’s American, by the way.’

  Penn went straight to the form on the floor and leaned over it. ‘A lieutenant colonel’s silver oak leaf on the lapel,’ he murmured. ‘No division or corps insignia on the shoulders. He’s got a holstered Colt automatic, but he’s wearing a dress uniform, not a field uniform. Not a combat soldier.’ He peered at Hiebermeyer. ‘Sounds like our Monuments and Fine Arts man, Colonel Stein, wouldn’t you say?’

  Hiebermeyer nodded, staring at the body, his head swimming. There was a sudden commotion from within the laboratory, and the sound of something falling heavily. A voice came over the intercom. ‘Quick!’ They heard the French accent of the inspector. ‘Come and help! Sergeant Jones has collapsed!’

  Penn pushed into the chamber, the other two sappers following and Hiebermeyer bringing up the rear. He saw two more decomposed bodies lying entangled together just inside the door, and Sergeant Jones in his white suit stretched out beside them. The nearest body was wearing tattered striped prisoner clothes, but the one beneath it, lying face-down, wore British battledress, a major’s crown clearly visible on one shoulder. Hiebermeyer stared. It could only be Major Mayne. His revolver was still holstered, but his skeletal hand was behind his back, clutching a commando knife that poked up through the other man’s ribcage. The man in the prisoner’s uniform held a rusted pistol, a Walther, and there was a spent casing on the floor. Hiebermeyer saw a tattoo on a piece of skin that clung to the bones of the forearm. It was the SS mark. He barely had time to register it when Penn pulled his arm.

  ‘We’ve got to get Jones out of here,’ he said urgently. He looked angrily at Auxelle. ‘How long has he been like this?’

  ‘Only moments. But he had been breathing heavily. Maybe it was seeing the bodies.’

  ‘That’s not like Jones. More likely a malfunction with his oxygen. If that’s the case, we’ve only got minutes.’ He looked at the other two sappers. ‘You each take a leg, Auxelle and Hiebermeyer take the arms. I’ll support his waist. Let’s move.’

  Hiebermeyer lifted Jones’ arm but had forgotten his own twisted wrist and slipped with the weight, twisting round and falling back against the wall, his other hand clutching a rail and slipping into something glutinous. He pushed himself up with his back against the wall, and as he did so he tripped the electric light switch. The bare overhead bulbs flickered and then came on with a sudden dazzling glare, blinding him for a moment. Then he saw walls of a sickly pale blue, like the colour of a hospital operating room. The layer of yellow-green was still there, but the light rendered it opaque, a bilious colour. He saw a small refrigerator in front of Jones’ legs, its door ajar and the interior gleaming, empty. He stared at it, transfixed, his mind blank, and then he turned to look where he had put his hand.

  What he saw was an image of unspeakable horror. Along the side wall of the room were five gurneys, metal trolleys with their upper surfaces formed like shallow basins. Four contained human bodies, naked but grotesquely adiposed, as if they had been covered with a layer of white plaster. The two furthest bodies were strapped down but horribly twisted, like the plaster casts of bodies from Pompeii preserved in their death throes. His mind reeled. He forced himself to look. These people must have been strapped down alive in this laboratory, and were still alive when they were abandoned here. The third and fourth bodies were older cadavers that had been decapitated and disembowelled, with autopsy tools half rusted on a tray in front. The fifth gurney, the one he was holding, contained two severed heads, wax-like and hairless, staring at him blindly through sockets closed up with fatty secretion, the skulls held in the clutches of a three-armed forceps like the severed talons of some bird. They seemed to be embedded in a congealed layer, the glutinous substance he had put his hand into. He lifted it out, tendrils of congealed white and yellow dripping from his fingers. His stomach lurched as he realized what it was. He had seen this once inside a two-hundred-year-old lead coffin he had watched being excavated from a church crypt. The archaeologists had called it body liquor. He had put his hand into decomposed human fat.

  He doubled over and threw up inside his helmet, coughing and retching as the oxygen from his regulator bubbled through the vomit. He clutched Jones’ hand tight, but he felt other hands heaving him up, pushing him forward as he staggered over the two corpses on the floor. He kept his eyes shut and his mouth wide open, breathing in oxygen and vomit, coughing it out again, retching. As they staggered out of the laboratory and back towards the entrance, he fixed his mind on the refrigerator he had seen, its interior gleaming and empty. Something had been stored there, something the Nazi scientists must have extracted from those bodies, and something they had experimented with on the living. Something unimaginable. But
it was gone.

  He was conscious of only one thought.

  He had to call Jack.

  9

  C ostas took a last dejected look at the blank screen in front of the ROV monitor, and then swivelled round to join Jack in front of Lanowski’s computer. The clock showed 1415 hours, less than an hour before Jack was due on the helipad to leave Seaquest II in advance of the arrival of the inspection team. A few moments before, they had felt the ship lurch as she repositioned herself, her new location visible on the digital wall map some two nautical miles north-west of the volcano and the site of Atlantis. Captain Macalister was clearly taking few chances after the images Jack and Costas had brought back with them from their dive into the caldera that morning, but he had agreed to keep the ship within range should a minor miracle happen and the ROV spring back to life. Costas pulled his chair up until he was between the other two men and then rested his elbows on their chair backs. Jeremy had left the room to deal on the phone with an urgent problem at Troy, a statue with Egyptian hieroglyphics that had appeared just as the excavation was winding down; with Hiebermeyer preoccupied at the bunker in Germany and out of contact, Jeremy had wanted to speak to Hiebermeyer’s wife Aysha to see whether she could return from Alexandria to judge whether they should excavate now or rebury it for the next season. Costas nudged Lanowski. ‘Okay, Jacob. I’m itching to know where you think the new Atlantis might lie. We’re not getting anywhere waiting for Little Joey to reveal more about that inner sanctum. I think he’s left us for good.’

  Jack pointed at the screen. ‘Remember this?’

  Costas leaned forward and stared at the image, a torn brown scrap of papyrus with ancient Greek script that had been seen over the last five years by thousands of visitors who had stood in front of the original in the archaeological museum in Alexandria. ‘The Atlantis papyrus,’ he murmured. ‘The tail end of the account written by the Greek traveller Solon at the temple of Sais in the Nile delta, the part of the Atlantis story that somehow never reached Plato when he used Solon’s account to write his version of the Atlantis myth in the fifth century BC.’ He pointed to a word visible at the top of the screen, letters in Greek spelling out ATLANTIS. ‘That’s what Hiebermeyer and Aysha saw when they pulled this scrap from the mummy wrapping. I’ve never heard Maurice so excited by something that wasn’t actually Egyptian. I can still remember the look on your face when we came up from the dive on the Bronze Age shipwreck and you took his call.’

  Lanowski tapped the keyboard, then sat back and craned his head round at Costas. ‘Gladstone. William Ewart Gladstone.’

  Costas stared back at him. ‘Huh?’

  ‘British prime minister in the late nineteenth century. Does that ring a bell?’

  Costas screwed up his eyes, then peered at Lanowski cautiously. ‘The guy who was so fascinated with Heinrich Schliemann’s discoveries at Troy, who helped push Schliemann to international fame.’

  Lanowski nodded. ‘Well, like a lot of the Victorian intelligentsia, Gladstone was also fascinated by archaeological discoveries that might illuminate the Bible, especially with the wealth of clay tablets being found at ancient Mesopotamian sites that were seen as part of the backdrop to the Old Testament. One of the most famous discoveries was the Epic of Gilgamesh.’

  ‘It’s what we were talking about,’ Costas said. ‘About the tension it represents between the wild and the civilized, and how it might derive from conflict between the old shamans and the new priests in the early Neolithic.’

  Lanowski nodded enthusiastically. ‘For the Victorians, the biggest revelation in the Epic of Gilgamesh was the story of a flood that paralleled the Biblical deluge. Gladstone attended a lecture in 1873 at the Society for Biblical Archaeology in London, where the tablet containing the flood account was first revealed. An obsessive genius named George Smith had been sifting through thousands of tablets from Nineveh in the British Museum, and when he came across the flood tablet, he was so excited he rushed about the room and stripped naked.’

  ‘Don’t get any ideas, Jacob,’ Costas muttered.

  Lanowski’s eyes glinted. ‘Don’t worry. I’ve already had my eureka moment. What George Smith found was the flood tablet in the version of the epic written down in the early first millennium BC, but since the nineteenth century, fragments have been found that are a lot earlier, dating to the first period of cuneiform writing in Sumerian and Akkadian in the third millennium BC. The fact that the story of Gilgamesh seems to have been well formed that early strongly suggests that it had been passed down orally for a long time before then, conceivably from as far back as the early Neolithic.’

  ‘And it’s the basis for the Old Testament deluge story?’

  ‘Or a parallel tradition, deriving from the same historical backdrop. And for my money, the Gilgamesh story is a lot more intriguing, with more pointers to the early Neolithic. Uta-napishtim, the flood hero, is a more ambiguous character than Noah. For a start, he isn’t the sole survivor of the flood, and he’s actually presented as more of an outcast. After the flood, the gods grant him immortality, but he lives on the mountain where his boat came ashore, far from the rest of humanity. It’s as if the gods’ favour comes at a price: we’ll grant you immortality and give you this mountain to live on, but don’t ever come back to our shores again. As if they owe him something, even feel guilty about him, but he’s a threat to the new world of men they lord it over and they don’t want him around. And so Gilgamesh, half-god himself, travels a huge distance across the sea to find him, to try to discover the secret of immortality. It’s then that Uta-napishtim tells him the story of the flood.’

  Costas looked at him shrewdly. ‘And you’re going to suggest that this flood story contains something about a survivor from Atlantis?’

  Lanowski beamed at him. ‘The character of Uta-napishtim himself could be a clue. An outcast. A shaman perhaps, the last of the old order? Gilgamesh goes a huge distance across the water to get to him. And Uta-napishtim lives on a twin-peaked mountain, called Nisir.’

  ‘The mountain of Du-Re was twin-peaked as well,’ Jack murmured. ‘That’s where the oldest Babylonian myths locate the birthplace of the gods.’

  ‘I think Du-Re was Atlantis,’ Lanowski enthused. ‘Du-Re was somewhere to the north, where the Babylonian scribes always placed their ancestors and the home of their gods, precisely where Atlantis and those other early Neolithic sites were located in relation to the early cities of Mesopotamia. But Nisir is a kind of alter-Atlantis, Atlantis reborn, a huge distance over the sea. The question is, was the sea simply a conceptual barrier, a barrier in the mind, or was it a real ocean, and if so which one?’

  ‘And?’

  ‘And that made me think of Jack’s lecture at the Royal Geographical Society last December, on prehistoric voyages of discovery. About his title, “Voyages of the mind, voyages of the body”.’

  ‘I missed it, I’m sorry to say,’ Costas said. ‘Too wrapped up getting Little Joey finished in time for the sea trials.’

  ‘Well, if I may,’ Lanowski said, looking questioningly at Jack. ‘The nub of his argument was this. We’ve had it all wrong. Great voyages of discovery didn’t begin after the rise of civilization, with trade and colonization. They began before that. Way before, as far back as the middle Palaeolithic, fifty thousand years ago or more, when we know people went great distances by sea to get to Australia, for example. Ergo, hunter-gatherers in deep prehistory had boats capable of long-distance seafaring. Hunter-gatherers ranged over huge distances on land, so why not by sea as well? By the end of the Palaeolithic – at the end of the Ice Age – just as many people were living off the sea as off the land. But the advent of farming actually stifled exploration. People moved inland, settled in one place, turned in on themselves, were enslaved by agriculture as well as by new rulers who wanted to control them, to prevent them seeing the world outside their own narrow confines, a control maybe exerted using new religious beliefs based on fear.’

  ‘So why voyages of t
he mind?’ Costas asked.

  Jack leaned back. ‘That title was prescient, given what we’ve been talking about here,’ he said. ‘Now I know why Jacob was in the audience looking at me as Professor Dillen used to when I stumbled my way through a passage of ancient Greek. I’d already been doing some thinking about Palaeolithic religion, about shamanism and altered consciousness. I looked at all that in relation to seafaring in two ways. First, I read about the common altered-consciousness hallucinations of being in water, and I imagined that a real sea voyage, especially an arduous one, would be something like that. Altered states of mind are often most easily achieved under duress, right? It might have been particularly easy when the imagery of the real-life experience and the dream world seemed so close. And I wasn’t thinking that Stone Age seafarers were floating around aimlessly in a psychedelic daze, but actually that they were purposeful and destination-conscious. They were doing what they did in those caves, navigating their way into the spirit world, but this time marrying it with a real-life voyage using the stars and even navigational aids such as quartz sunstones. I began to think that the idea of early seafarers being terrified of the open sea might be an inheritance from the establishment of sedentary living in the Neolithic. The sea wasn’t the great unknown in deep prehistory. It became the great unknown when it suited rulers to stoke up the fear factor. Before that, sea voyages had given people with shamanic beliefs an experience that would have seemed familiar to them. I argued that they wouldn’t have sailed off into the unknown in fear for their lives, but quite the opposite. They may actually have relished it, and looked forward with huge excitement to what they might discover in a spiritual sense as well as in reality.’

 

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