Dance to the Music of Time, Volume 4

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Dance to the Music of Time, Volume 4 Page 73

by Anthony Powell


  She must have moved up quite close to Widmerpool, possibly with the object of making some sort of a contact, in order to express in her own words, personally, the detestation she felt for himself and all his works. If that were the end she had in view, Widmerpool’s own unexpected obeisance to Sir Bertram Akworth had taken her completely by surprise. It seemed later that, when Widmerpool went down on his knees, Flavia Wisebite, brought up short in her advance, had fallen almost on top of his crouching body. This caused considerable localized commotion among guests in that part of the room; by this time beginning to empty in preparation for seeing off the newly married pair. Sir Bertram Akworth and Colonel Alford-Green, who were the nearest to the place of her collapse, with help from several others, managed to get Flavia to one of the forms by the wall. Finally, at the suggestion of Sir Bertram, she was borne away to the school’s sickroom. Perhaps someone lifted Widmerpool from the floor too. When I next looked in that direction he was gone. Isobel came up.

  ‘Are we going out to see them off? Did somebody faint near where you were standing?’

  ‘Widmerpool’s mother-in-law.’

  ‘What do you mean?’

  ‘Flavia Wisebite.’

  ‘Is she here?’

  ‘Her son-in-law is a subject she feels strongly about.’

  Outside, farewells were taking place round the bridal car. Whatever the mishap, the vehicle had been repaired or replaced. Sir Bertram Akworth came across the causeway. He looked rather flustered. Somebody asked about Flavia Wisebite.

  ‘Not at all well, I’m afraid.’

  ‘Where is she?’

  ‘Being looked after by the school’s skeleton staff. We’ve rung for a doctor.’

  Absurdly, the phrase made me think of the opening inscription of Death’s-head Swordsman, conjured up a picture of the dead ministering to the dead, which would have appealed to Gwinnett. He and Fiona, once more hand in hand, moved away now that the car had driven off, crossing the drive to continue their examination of the exterior features of the Castle. Having gone to some trouble to bring her former associates to the wedding reception, Fiona seemed now to have lost interest in them. As usual, bride and bridegroom departed, there was a certain sense of anticlimax. Some of the guests continued to stand about in small groups, chatting to friends and relations; others were going off to look for their cars. The members of the cult were, most of them, standing, rather apart from the wedding guests, in a small forlorn circle, which included Widmerpool. Looking somewhat distraught, he was now at least upright, apparently haranguing his young companions; either explaining the significance of his own prostration before Sir Bertram Akworth, or merely taking the first steps in rounding up the crew, preparatory to setting out on the homeward run.

  ‘To hell with all that.’

  The voice, shrill, unconsenting, sounded like that of Barnabas Henderson. It appeared that he was arguing with Widmerpool. One of the wedding guests, a long-haired beefy young man in a grey tailcoat, was standing beside Henderson. Both these last two were in a state of some excitement. So was Widmerpool. It was at first not possible to hear what was being said, though Widmerpool was evidently speaking in an admonitory manner. The young man in the tailcoat, whose muscles were bursting from its contours, was becoming angry.

  ‘Barnabas wants to get out. That’s all about it.’

  Henderson must have been asserting that intention too. Widmerpool was inaudible. His voice was more measured than theirs, possibly advised that things should be thought over before any such step be taken. Henderson almost shrieked.

  ‘Not now I’ve found Chuck again. I’m going right away. Chuck will put me up at his place.’

  Clearly a wrangle of some magnitude was in progress. The big young man, who spoke in scathing cockney when addressing Widmerpool, snatched Henderson by the arm, walking him across to the side of the drive where Fiona and Gwinnett stood discussing the Castle. I felt no particular interest in the row. It was no affair of mine. Isobel, with Frederica and Norah, were chatting with Alford cousins. They would be some little time dishing up family news. I strolled towards the moat. As I did so, Widmerpool’s tones sounded desperately.

  ‘I forbid it.’

  Since the days of Sir Magnus, the waterlilies had greatly increased in volume. If not eradicated, they would soon cover the whole surface of the stagnant water. On the far side, placed rather low in the wall near the main gate, was a small window, scarcely more than an arrow-slit, probably sited for observation purposes. A frantic face appeared at this opening for a moment, then was instantly withdrawn. The features could have been Bithel’s. There was not time to make sure; only the upper half visible. It was just as likely I was mistaken, though Bithel was not among those standing round Widmerpool, nor, apparently, elsewhere on the drive. He might have decided to make his own way home. Some of the cult, possibly Bithel among them, were straying about in the neighbourhood of the Castle, because a blue robe was visible at some distance from where I stood. Its wearer was crossing one of the playing-fields. This was likely to be a straggler returning to the main body for the homeward journey.

  Watching the approaching figure, I was reminded of a remark made by Moreland ages before. It related to one of those childhood memories we sometimes found in common. This particular recollection had referred to an incident in The Pilgrim’s Progress that had stuck in both our minds. Moreland said that, after his aunt read the book aloud to him as a child, he could never, even after he was grown-up, watch a lone figure draw nearer across a field, without thinking this was Apollyon come to contend with him. From the moment of first hearing that passage read aloud—assisted by a lively portrayal of the fiend in an illustration, realistically depicting his goat’s horns, bat’s wings, lion’s claws, lizard’s legs—the terror of that image, bursting out from an otherwise at moments prosy narrative, had embedded itself for all time in the imagination. I, too, as a child, had been riveted by the vividness of Apollyon’s advance across the quiet meadow. Now, surveying the personage in the blue robe picking his way slowly, almost delicately, over the grass of the hockey-field, I felt for some reason that, if ever the arrival of Apollyon was imminent, the moment was this one. That had nothing to do with the blue robe, such costume, as I have said before, if it made any difference to Murtlock at all, softened the edge of whatever caused his personality to be a disturbing one. Henderson must have seen Murtlock too. His high squeak became a positive shout.

  ‘Look—he’s coming!’

  Fiona seemed a little frightened herself. She appeared to be giving Henderson moral support by what she was saying. For the moment, while doing that, she had relinquished Gwinnett’s hand. Now she took hold of it again. Murtlock continued his slow relentless progress. As this descent upon them of their leader became known among the cult—such of them as were present on the drive—a sense of trepidation was noticeable, not least in the case of Widmerpool. Abandoning the group he appeared to have been exhorting, he crossed the drive to where Henderson was standing with Fiona and Gwinnett. Widmerpool began a muttered conversation, first with Henderson, then with Fiona.

  ‘So much the better.’

  Fiona spoke with what was evidently deliberate loudness. At the same time she turned to glance in the direction of Murtlock. He had somewhat quickened his pace for the last lap, reaching the gravel of the drive. Small pockets of ordinary wedding guests still stood about chatting. Most of these were some distance away from the point where Murtlock would have to decide whether he made for the bulk of his followers, or for the splinter group represented by Widmerpool and Henderson. There was no special reason why the run-of-the-mill guests, having accepted the blue-robed intruders as an integral part of the wedding reception, should suppose Murtlock anything but an offshoot of the original body. Of the two groups—the one huddled together, robed or otherwise; the other, consisting of Widmerpool, Henderson, Fiona, Gwinnett, together with the beefy young man called Chuck—Murtlock made unhesitatingly for the second. He stopped a yard or
two away, uttering his greeting gently, the tone not much more than a murmur, well below the pitch of everyday speech. I heard it because I had moved closer. It was possible to ignore squabbles between Widmerpool and Henderson; Murtlock had that about him to fire interest.

  ‘The Essence of the All is the Godhead of the True.’

  Only Widmerpool answered, even then very feebly.

  ‘The Visions of Visions heals the Blindness of Sight—and, Scorp, there is—’

  Murtlock, disregarding the others, held up a hand towards Widmerpool to command silence. There was a moment’s pause. When Murtlock answered, it was sharply, and in an altogether unliturgical manner.

  ‘Why are you here?’

  Widmerpool faltered. There was another long pause. Murtlock spoke again.

  ‘You do not know?’

  This time Murtlock’s question was delivered in an almost amused tone. Widmerpool made great effort to utter. He had gone an awful colour, almost mauve.

  ‘There is an explanation, Scorp. All can be accounted for. We met Fiona. She asked us in. I saw an opportunity to take part in an active rite of penitence, a piece of ritual discipline, painful to myself, of the sort you most recommend. You will approve, Scorp. I’m sure you will approve, when I tell you about it.’

  After saying that, Widmerpool began to mumble distractedly. Murtlock turned away from him. Without troubling to give further attention to whatever Widmerpool was attempting to explain, he fixed his eyes on Henderson, who began to tremble violently. Fiona let go of Gwinnett’s hand. She stepped forward.

  ‘Barnabas is leaving you. He’s staying here with Chuck.’

  ‘He is?’

  ‘Aren’t you, Barnabas?’

  Henderson, still shaking perceptibly, managed to confirm that.

  ‘I’m going back with Chuck.’

  ‘You are, Barnabas?’

  ‘Yes.’

  ‘I hope you will be happier together than you were before you came to us.’

  Murtlock smiled benevolently. He seemed in the best of humours. Only Widmerpool gave the impression of angering him. The defection of Henderson appeared not to worry him in the least. His reply to Fiona, too, had been in the jocular tone he had sometimes used on the crayfishing afternoon; though it was clear that Murtlock had moved a long way, in terms of power, since that period. Perhaps he had learnt something from Widmerpool, while at the same time subduing him.

  ‘A mystical sister has been lost, and gained. You are not alone in abandoning us, Fiona. Rusty, too, has returned to Soho.’

  Fiona did not answer. She looked rather angry. Her general air was a shade more grown-up than formerly. Murtlock turned to Gwinnett.

  ‘Was not the Unicorn tamed by a Virgin?’

  Gwinnett did not answer either. Had he wished to do so, in itself unlikely, there was no time. At that moment Widmerpool seemed to lose all control. He came tottering forward towards Murtlock.

  ‘Scorp, I’m leaving too. I can’t stand it any longer. You and the others need not be disturbed. I’ll find somewhere else to live. I won’t need much of the money.’

  Apparently lacking breath to continue, he stopped, standing there panting. Murtlock’s demeanour underwent a complete change. He dropped altogether the sneering bantering manner he had been using intermittently. Now he was angry again; not merely angry, furious, consumed with cold rage. For a second he did not speak, while Widmerpool ran on about Harmony.

  ‘No.’

  Murtlock cut Widmerpool short. Chuck, not at all interested in the strangeness of this duel of wills, put a protective arm round Henderson. He may have thought his friend in danger of capitulating, now that Murtlock was so enraged. That passion in Murtlock was not without its own horror.

  ‘Come on, Barnabas. No point in hanging about. Let’s be getting back.’

  After Henderson had spoken some sort of farewell to Fiona, he went off with Chuck towards the cars. Murtlock took no notice of this withdrawal. His attention was entirely concentrated on Widmerpool, who, avoiding the eyes Murtlock fixed on him, continued to beg for release.

  ‘Where could you go?’

  Widmerpool made a gesture to signify that was no problem, but seemed unable to think of a spoken reply.

  ‘No.’

  ‘Scorp … ’

  ‘No.’

  Murtlock repeated the negative in a dead toneless voice. Widmerpool was unable to speak. He stood there stupefied. Murtlock came closer. This conflict—in which Widmerpool, too, was evidently showing a certain amount of passive will power—was brought to an end by the re-entry of an actor forgotten in the course of rapid movement of events. The sound of singing came from the gates of the Castle.

  ‘When I tread the verge of Jordan,

  Bid my anxious fears subside,

  Death of Death and hell’s destruction,

  Land me safe on Canaan’s side.’

  Bithel was staggering across the causeway. His voice, high, quavering, much enhanced in volume by champagne, swelled on the spring air. Some sort of echo of the hymn was briefly taken up by another chant, possibly Umfraville’s—he had served with the Welsh Guards—on the far side of the drive. Murtlock, as remarked earlier, was not in the least lacking in practical grasp. At a glance he took in the implications of this new situation.

  ‘You allowed Bith to drink?’

  ‘I—’

  ‘What have I always said?’

  ‘It was—’

  ‘Lead the others back. I will manage Bith myself.’

  This time Widmerpool made no demur. He accepted defeat. An unforeseen factor had put him in the wrong. He was beaten for the moment. The rest of the cult still stood in a glum group, no doubt contemplating trouble on return to base. Widmerpool beckoned to them. There was some giving of orders. A minute or two later Widmerpool, once more at the head of the pack, was leading the run home; a trot even slower than that employed when we first sighted them. Bithel had stopped half-way across the causeway. He was leaning over the parapet, staring down at the water-lilies of the moat. The possibility that he might be sick was not to be excluded. That idea may have crossed Murtlock’s practical mind too, because a slight smile flickered across his face, altering its sternness only for a moment, as he strode towards the Castle. Some words were exchanged. Then they moved off together towards the playing-fields. Bithel could walk; if not very straight. Once he fell down. Murtlock waited until Bithel managed to pick himself up again, but made no effort to help. They disappeared from sight. Fiona came over to where I was standing.

  ‘Will you be seeing Gibson?’

  ‘I expect so.’

  ‘I want you to give him a message from me.’

  ‘Of course.’

  ‘When Russell and I first knew each other, Rus lent me his copy of Middleton’s Plays. It’s got some of his own notes pencilled in. I can’t find it, and must have left it at Gibson’s flat. Could you get him to send the book on—airmail it—to Russell’s college? Just address it to the English Department. We’re not going to have any time at all when we get back to London.’

  ‘You’re going straight to America?’

  ‘The following day.’

  ‘No other messages for Gibson?’

  ‘No, just the book.’

  By the time I next saw Delavacquerie he was aware that Fiona was married to Gwinnett. I don’t know whether he heard directly from her, or the news just got round. She appeared to have left the flat without warning, taking her belongings with her. He smiled rather grimly when I passed on the request to send the Middleton book to Gwinnett’s college.

  ‘As a matter of fact I read some of the plays myself in consequence—The Roaring Girle, which Dekker also had a hand in. I enjoyed the thieves’ cant. Listen to this:

  A gage of ben rom-bouse

  In a bousing ken of Rom-vile,

  Is benar than a caster,

  Peck, pennam, lay, or popler,

  Which we mill in deuse a vile.

  O I wud lib all the lightma
ns,

  O I wud lib all the darkmans

  By the salomon, under the ruffmans,

  By the saloman, in the hartmans,

  And scour the queer cramp ring,

  And couch till a palliard docked my dell,

  So my bousy nab might skew rom-bouse well.

  Avast to the pad, let us bing;

  Avast to the pad, let us bing.

  Not bad, is it?’

  ‘It all sounds very contemporary. What does it mean? ’

  ‘Roughly, that a quart of good wine in London is better than anything to be stolen in the country, and, as long as wine’s to be drunk, it doesn’t matter if you’re in the stocks, while some heel is stuffing your tart—that’s a palliard docking your dell. Owing to Gwinnett, I came across a good couplet in Tourneur too:

  Lust is a spirit, which whosoe’er doth raise,

  The next man that encounters boldly, lays.

  There seems a foot too many in the first line. They may have elided those relatives in a different way at that period.’

  ‘How does the thieves’ slang poem come into the Middleton play?’

  ‘The Roaring Girl sings it herself, with a character called Tearcat. The Roaring Girl dresses like a man, smokes, carries a sword, fights duels. A narcissistic type, rather than specifically lesbian, one would say. At least there are no scenes where she dallies with her own sex.’

  Delavacquerie’s good memory, eye for things that were unusual, had certainly been useful to him as a PR-man; for which he also possessed the requisite toughness. What he said next was a side he much less often revealed. It suggested reflections on Fiona.

  ‘It’s odd how one gets acclimatized to other people’s sexual experiences. At a younger age, they strike one so differently. For instance, during the war I knew a married woman—a captain’s wife—who told me of her first seduction. She was seventeen or eighteen, and on the way to her art-school one morning. Running to catch a bus, she just missed it. Two men, cruising by in a car, laughed at her standing breathless on the pavement. They stopped and offered her a lift. When they dropped her at the art-school door, the one who wasn’t driving asked if she’d dine with him later in the week. She agreed. They went to a roadhouse outside London. In the course of dinner—establishing his bonafides as homme sérieux—her host remarked that he had lived with one girl for two years. Telling the story to me, she commented that—in those days—she thought love was for ever. Anyway, the chap gave her dinner, they had a good deal to drink—which she wasn’t used to—and, afterwards, went into the garden of the roadhouse where he had her in the shrubbery. When she got home, finding her knickers all over blood, she thought to herself: I’ve been a silly girl. That’s what she told me.’

 

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