“Then you won’t venture to guess, Belinda,” said her ladyship (without honouring her lord with the smallest portion of her attention)—”Well, I believe you are right — for certainly you would guess him to be six-and-sixty, instead of six-and-thirty; but then he can drink more than any two-legged animal in his majesty’s dominions, and you know that is an advantage which is well worth twenty or thirty years of a man’s life — especially to persons who have no other chance of distinguishing themselves.”
“If some people had distinguished themselves a little less in the world,” retorted his lordship, “it would have been as well!”
“As well! — how flat!”
“Flatly then I have to inform you, Lady Delacour, that I will neither be contradicted nor laughed at — you understand me, — it would be as well, flat or not flat, my Lady Delacour, if your ladyship would attend more to your own conduct, and less to others!”
“To that of others — his lordship means, if he means any thing. Apropos, Belinda, did not you tell me Clarence Hervey is coming to town? — You have never seen him. — Well, I’ll describe him to you by negatives. He is not a man who ever says any thing flat — he is not a man who must be wound up with half a dozen bottles of champaign before he can go — he is not a man who, when he does go, goes wrong, and won’t be set right — he is not a man, whose whole consequence, if he were married, would depend on his wife — he is not a man, who, if he were married, would be so desperately afraid of being governed by his wife, that he would turn gambler, jockey, or sot, merely to show that he could govern himself.”
“Go on, Lady Delacour,” said his lordship, who had been in vain attempting to balance a spoon on the edge of his teacup during the whole of this speech, which was delivered with the most animated desire to provoke—”Go on, Lady Delacour — all I desire is, that you should go on; Clarence Hervey will be much obliged to you, and I am sure so shall I. Go on, my Lady Delacour — go on, and you’ll oblige me.”
“I never will oblige you, my lord, that you may depend upon,” cried her ladyship, with a look of indignant contempt.
His lordship whistled, rang for his horses, and looked at his nails with a smile. Belinda, shocked and in a great confusion, rose to leave the room, dreading the gross continuance of this matrimonial dialogue.
“Mr. Hervey, my lady,” said a footman, opening the door; and he was scarcely announced, when her ladyship went forward to receive him with an air of easy familiarity.—”Where have you buried yourself, Hervey, this age past?” cried she, shaking hands with him: “there’s absolutely no living in this most stupid of all worlds without you. — Mr. Hervey — Miss Portman — but don’t look as if you were half asleep, man — What are you dreaming of, Clarence? Why looks your grace so heavily to-day?”
“Oh! I have passed a miserable night,” replied Clarence, throwing himself into an actor’s attitude, and speaking in a fine tone of stage declamation.
“What was your dream, my lord? I pray you, tell me,”
said her ladyship in a similar tone. — Clarence went on —
“O Lord, methought what pain it was to dance!
What dreadful noise of fiddles in my ears!
What sights of ugly belles within my eyes!
—— Then came wandering by,
A shadow like a devil, with red hair,
‘Dizen’d with flowers; and she bawl’d out aloud,
Clarence is come; false, fleeting, perjured Clarence!”
“O, Mrs. Luttridge to the life!” cried Lady Delacour: “I know where you have been now, and I pity you — but sit down,” said she, making room for him between Belinda and herself upon the sofa, “sit down here, and tell me what could take you to that odious Mrs. Luttridge’s.”
Mr. Hervey threw himself on the sofa; Lord Delacour whistled as before, and left the room without uttering a syllable.
“But my dream has made me forget myself strangely,” said Mr. Hervey, turning to Belinda, and producing her bracelet: “Mrs. Stanhope promised me that if I delivered it safely, I should be rewarded with the honour of putting it on the owner’s fair arm.” A conversation now took place on the nature of ladies’ promises — on fashionable bracelets — on the size of the arm of the Venus de Medici — on Lady Delacour’s and Miss Portman’s — on the thick legs of ancient statues — and on the various defects and absurdities of Mrs. Luttridge and her wig. On all these topics Mr. Hervey displayed much wit, gallantry, and satire, with so happy an effect, that Belinda, when he took leave, was precisely of her aunt’s opinion, that he was a most uncommonly pleasant young man.
Clarence Hervey might have been more than a pleasant young man, if he had not been smitten with the desire of being thought superior in every thing, and of being the most admired person in all companies. He had been early flattered with the idea that he was a man of genius; and he imagined that, as such, he was entitled to be imprudent, wild, and eccentric. He affected singularity, in order to establish his claims to genius. He had considerable literary talents, by which he was distinguished at Oxford; but he was so dreadfully afraid of passing for a pedant, that when he came into the company of the idle and the ignorant, he pretended to disdain every species of knowledge. His chameleon character seemed to vary in different lights, and according to the different situations in which he happened to be placed. He could be all things to all men — and to all women. He was supposed to be a favourite with the fair sex; and of all his various excellencies and defects, there was none on which he valued himself so much as on his gallantry. He was not profligate; he had a strong sense of honour, and quick feelings of humanity; but he was so easily led, or rather so easily excited by his companions, and his companions were now of such a sort, that it was probable he would soon become vicious. As to his connexion with Lady Delacour, he would have started with horror at the idea of disturbing the peace of a family; but in her family, he said, there was no peace to disturb; he was vain of having it seen by the world that he was distinguished by a lady of her wit and fashion, and he did not think it incumbent on him to be more scrupulous or more attentive to appearances than her ladyship. By Lord Delacour’s jealousy he was sometimes provoked, sometimes amused, and sometimes flattered. He was constantly of all her ladyship’s parties in public and private; consequently he saw Belinda almost every day, and every day he saw her with increasing admiration of her beauty, and with increasing dread of being taken in to marry a niece of “the catch-match-maker,” the name by which Mrs. Stanhope was known amongst the men of his acquaintance. Young ladies who have the misfortune to be conducted by these artful dames, are always supposed to be partners in all the speculations, though their names may not appear in the firm. If he had not been prejudiced by the character of her aunt, Mr. Hervey would have thought Belinda an undesigning, unaffected girl; but now he suspected her of artifice in every word, look, and motion; and even when he felt himself most charmed by her powers of pleasing, he was most inclined to despise her, for what he thought such premature proficiency in scientific coquetry. He had not sufficient resolution to keep beyond the sphere of her attraction; but, frequently, when he found himself within it, he cursed his folly, and drew back with sudden terror. His manner towards her was so variable and inconsistent, that she knew not how to interpret its language. Sometimes she fancied, that with all the eloquence of eyes he said, “I adore you, Belinda;” at other times she imagined that his guarded silence meant to warn her that he was so entangled by Lady Delacour, that he could not extricate himself from her snares. Whenever this last idea struck her, it excited, in the most edifying manner, her indignation against coquetry in general, and against her ladyship’s in particular: she became wonderfully clear-sighted to all the improprieties of her ladyship’s conduct. Belinda’s newly acquired moral sense was so much shocked, that she actually wrote a full statement of her observations and her scruples to her aunt Stanhope; concluding by a request, that she might not remain under the protection of a lady, of whose character she could not app
rove, and whose intimacy might perhaps be injurious to her reputation, if not to her principles.
Mrs. Stanhope answered Belinda’s letter in a very guarded style; she rebuked her niece severely for her imprudence in mentioning names in such a manner, in a letter sent by the common post; assured her that her reputation was in no danger; that she hoped no niece of hers would set up for a prude — a character more suspected by men of the world than even that of a coquette; that the person alluded to was a perfectly fit chaperon for any young lady to appear with in public, as long as she was visited by the first people in town; that as to any thing in the private conduct of that person, and as to any private brouillieries between her and her lord, Belinda should observe on these dangerous topics a profound silence, both in her letters and her conversation; that as long as the lady continued under the protection of her husband, the world might whisper, but would not speak out; that as to Belinda’s own principles, she would be utterly inexcusable if, after the education she had received, they could be hurt by any bad examples; that she could not be too cautious in her management of a man of — —’s character; that she could have no serious cause for jealousy in the quarter she apprehended, as marriage there could not be the object; and there was such a difference of age, that no permanent influence could probably be obtained by the lady; that the most certain method for Miss Portman to expose herself to the ridicule of one of the parties, and to the total neglect of the other, would be to betray anxiety or jealousy; that, in short, if she were fool enough to lose her own heart, there would be little chance of her being wise enough to win that of —— — , who was evidently a man of gallantry rather than of sentiment, and who was known to play his cards well, and to have good luck whenever hearts were trumps.
Belinda’s fears of Lady Delacour, as a dangerous rival, were much quieted by the artful insinuations of Mrs. Stanhope, with respect to her age, &c.; and in proportion as her fears subsided, she blamed herself for having written too harshly of her ladyship’s conduct. The idea that whilst she appeared as Lady Delacour’s friend she ought not to propagate any stories to her disadvantage, operated powerfully upon Belinda’s mind, and she reproached herself for having told even her aunt what she had seen in private. She thought that she had been guilty of treachery, and she wrote again immediately to Mrs. Stanhope, to conjure her to burn her last letter; to forget, if possible, its contents; and to believe that not a syllable of a similar nature should ever more be heard from her: she was just concluding with the words—”I hope my dear aunt will consider all this as an error of my judgment, and not of my heart,” when Lady Delacour burst into the room, exclaiming, in a tone of gaiety, “Tragedy or comedy, Belinda? The masquerade dresses are come. But how’s this?” added she, looking full in Belinda’s face—”tears in the eyes! blushes in the cheeks! tremors in the joints! and letters shuffling away! But, you novice of novices, how awkwardly shuffled! — A niece of Mrs. Stanhope’s, and so unpractised a shuffler! — And is it credible she should tremble in this ridiculous way about a love-letter or two?”
“No love-letters, indeed, Lady Delacour,” said Belinda, holding the paper fast, as her ladyship, half in play, half in earnest, attempted to snatch it from her.
“No love-letters! then it must be treason; and see it I must, by all that’s good, or by all that’s bad — I see the name of Delacour!” — and her ladyship absolutely seized the letters by force, in spite of all Belinda’s struggles and entreaties.
“I beg, I request, I conjure you not to read it!” cried Miss Portman, clasping her hands. “Read mine, read mine, if you must, but don’t read my aunt Stanhope’s — Oh! I beg, I entreat, I conjure you!” and she threw herself upon her knees.
“You beg! you entreat! you conjure! Why, this is like the Duchess de Brinvilliers, who wrote on her paper of poisons, ‘Whoever finds this, I entreat, I conjure them, in the name of more saints than I can remember, not to open the paper any farther.’ — What a simpleton, to know so little of the nature of curiosity!”
As she spoke, Lady Delacour opened Mrs. Stanhope’s letter, read it from beginning to end, folded it up coolly when she had finished it, and simply said, “The person alluded to is almost as bad as her name at full length: does Mrs. Stanhope think no one can make out an inuendo in a libel, or fill up a blank, but an attorney-general?” pointing to a blank in Mrs. Stanhope’s letter, left for the name of Clarence Hervey.
Belinda was in too much confusion either to speak or think.
“You were right to swear they were not love-letters,” pursued her ladyship, laying down the papers. “I protest I snatched them by way of frolic — I beg pardon. All I can do now is not to read the rest.”
“Nay — I beg — I wish — I insist upon your reading mine,” said Belinda.
When Lady Delacour had read it, her countenance suddenly changed—”Worth a hundred of your aunt’s, I declare,” said she, patting Belinda’s cheek. “What a treasure to meet with any thing like a new heart! — all hearts, now-a-days, are second-hand, at best.”
Lady Delacour spoke with a tone of feeling which Belinda had never heard from her before, and which at this moment touched her so much, that she took her ladyship’s hand and kissed it.
CHAPTER II. — MASKS
“Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety—”O, masquerade was the order of the day — tragedy or comedy? which suits your genius best, my dear?”
“Whichever suits your ladyship’s taste least.”
“Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own — Clarence Hervey’s principle — perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles — of taste.”
“Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”
“And by his admiring Miss Portman so much more. But whilst we are making speeches to one another, poor Marriott is standing in distress, like Garrick, between tragedy and comedy.”
Lady Delacour opened her dressing-room door, and pointed to her as she stood with the dress of the comic muse on one arm, and the tragic muse on the other.
“I am afraid I have not spirits enough to undertake the comic muse,” said Miss Portman.
Marriott, who was a personage of prodigious consequence, and the judge in the last resort at her mistress’s toilette, looked extremely out of humour at having been kept waiting so long; and yet more so at the idea that her appellant jurisdiction could be disputed.
“Your ladyship’s taller than Miss Portman by half ahead,” said Marriott, “and to be sure will best become tragedy with this long train; besides, I had settled all the rest of your ladyship’s dress. Tragedy, they say, is always tall; and, no offence, your ladyship’s taller than Miss Portman by half a head.”
“For head read inch,” said Lady Delacour, “if you please.”
“When things are settled, one can’t bear to have them unsettled — but your ladyship must have your own way, to be sure — I’ll say no more,” cried she, throwing down the dresses.
“Stay, Marriott,” said Lady Delacour, and she placed herself between the angry waiting-maid and the door.
“Why will you, who are the best creature in the world, put yourself into these furies about nothing? Have patience with us, and you shall be satisfied.”
“That’s another affair,” said Marriott.
“Miss Portman,” continued her ladyship, “don’t talk of not having spirits, you that are all life! — What say you, Belinda? — O yes, you must be the comic muse; and I, it seems, must be tragedy, because Marriott has a passion for seeing me ‘come sweeping by.’ And because Marriott must have her own way in every thing — she rules me with a rod of iron, my dear, so tragedy I needs must be. — Marriott knows her power.”
There was
an air of extreme vexation in Lady Delacour’s countenance as she pronounced these last words, in which evidently more was meant than met the ear. Upon many occasions Miss Portman had observed, that Marriott exercised despotic authority over her mistress; and she had seen, with surprise, that a lady, who would not yield an iota of power to her husband, submitted herself to every caprice of the most insolent of waiting-women. For some time, Belinda imagined that this submission was merely an air, as she had seen some other fine ladies proud of appearing to be governed by a favourite maid; but she was soon convinced that Marriott was no favourite with Lady Delacour; that her ladyship’s was not proud humility, but fear. It seemed certain that a woman, extravagantly fond of her own will, would never have given it up without some very substantial reason. It seemed as if Marriott was in possession of some secret, which should for ever remain unknown. This idea had occurred to Miss Portman more than once, but never so forcibly as upon the present occasion. There had always been some mystery about her ladyship’s toilette: at certain hours doors were bolted, and it was impossible for any body but Marriott to obtain admission. Miss Portman at first imagined that Lady Delacour dreaded the discovery of her cosmetic secrets, but her ladyship’s rouge was so glaring, and her pearl powder was so obvious, that Belinda was convinced there must be some other cause for this toilette secrecy. There was a little cabinet beyond her bedchamber, which Lady Delacour called her boudoir, to which there was an entrance by a back staircase; but no one ever entered there but Marriott. One night, Lady Delacour, after dancing with great spirit at a ball, at her own house, fainted suddenly: Miss Portman attended her to her bedchamber, but Marriott begged that her lady might be left alone with her, and she would by no means suffer Belinda to follow her into the boudoir. All these things Belinda recollected in the space of a few seconds, as she stood contemplating Marriott and the dresses. The hurry of getting ready for the masquerade, however, dispelled these thoughts, and by the time she was dressed, the idea of what Clarence Hervey would think of her appearance was uppermost in her mind. She was anxious to know whether he would discover her in the character of the comic muse. Lady Delacour was discontented with her tragic attire, and she grew still more out of humour with herself, when she saw Belinda.
Complete Novels of Maria Edgeworth Page 15