With respect to sentimental stories, and books of mere entertainment, we must remark, that they should be sparingly used, especially in the education of girls. This species of reading, cultivates what is called the heart prematurely; lowers the tone of the mind, and induces indifference for those common pleasures and occupations which, however trivial in themselves, constitute by far the greatest portion of our daily happiness. Stories are the novels of childhood. We know, from common experience, the effects which are produced upon the female mind by immoderate novel reading. To those who acquire this taste, every object becomes disgusting which is not in an attitude for poetic painting; a species of moral picturesque is sought for in every scene of life, and this is not always compatible with sound sense, or with simple reality. Gainsborough’s Country Girl, as it has been humorously remarked, “is a much more picturesque object, than a girl neatly dressed in a clean white frock; but for this reason, are all children to go in rags?” A tragedy heroine, weeping, swooning, dying, is a moral picturesque object; but the frantic passions, which have the best effect upon the stage, might, when exhibited in domestic life, appear to be drawn upon too large a scale to please. The difference between reality and fiction, is so great, that those who copy from any thing but nature, are continually disposed to make mistakes in their conduct, which appear ludicrous to the impartial spectator. Pathos depends on such nice circumstances, that domestic, sentimental distresses, are in a perilous situation; the sympathy of their audience, is not always in the power of the fair performers. Frenzy itself may be turned to farce. “Enter the princess mad in white satin, and her attendant mad in white linen.”
Besides the danger of creating a romantic taste, there is reason to believe, that the species of reading to which we object, has an effect directly opposite to what it is intended to produce. It diminishes, instead of increasing, the sensibility of the heart; a combination of romantic imagery, is requisite to act upon the associations of sentimental people, and they are virtuous only when virtue is in perfectly good taste. An eloquent philosopher observes, that in the description of scenes of distress in romance and poetry, the distress is always made elegant; the imagination, which has been accustomed to this delicacy in fictitious narrations, revolts from the disgusting circumstances which attend real poverty, disease and misery; the emotions of pity, and the exertions of benevolence, are consequently repressed precisely at the time when they are necessary to humanity.
With respect to pity, it is a spontaneous, natural emotion, which is strongly felt by children, but they cannot properly be said to feel benevolence till they are capable of reasoning. Charity must, in them, be a very doubtful virtue; they cannot be competent judges as to the general utility of what they give. Persons of the most enlarged understanding, find it necessary to be extremely cautious in charitable donations, lest they should do more harm than good. Children cannot see beyond the first link in the chain which holds society together; at the best, then, their charity can be but a partial virtue. But in fact, children have nothing to give; they think that they give, when they dispose of property of their parents; they suffer no privation from this sort of generosity, and they learn ostentation, instead of practising self-denial. Berquin, in his excellent story of “The Little Needle Woman,” has made the children give their own work; here the pleasure of employment is immediately connected with the gratification of benevolent feelings; their pity is not merely passive, it is active and useful.
In fictitious narratives, affection for parents, and for brothers and sisters, is often painted in agreeable colours, to excite the admiration and sympathy of children. Caroline, the charming little girl, who gets upon a chair to wipe away the tears that trickle down her eldest sister’s cheek when her mother is displeased with her, forms a natural and beautiful picture; but the desire to imitate Caroline must produce affectation. All the simplicity of youth, is gone the moment children perceive that they are extolled for the expression of fine feelings, and fine sentiments. Gratitude, esteem and affection, do not depend upon the table of consanguinity; they are involuntary feelings, which cannot be raised at pleasure by the voice of authority; they will not obey the dictates of interest; they secretly despise the anathemas of sentiment. Esteem and affection, are the necessary consequences of a certain course of conduct, combined with certain external circumstances, which are, more or less, in the power of every individual. To arrange these circumstances prudently, and to pursue a proper course of conduct steadily, something more is necessary than the transitory impulse of sensibility, or of enthusiasm.
There is a class of books which amuse the imagination of children, without acting upon their feelings. We do not allude to fairy tales, for we apprehend that these are not now much read; but we mean voyages and travels; these interest young people universally. Robinson Crusoe, Gulliver, and the Three Russian Sailors, who were cast away upon the coast of Norway, are general favourites. No child ever read an account of a shipwreck, or even a storm, without pleasure. A desert island is a delightful place, to be equalled only by the skating land of the rein-deer, or by the valley of diamonds in the Arabian Tales. Savages, especially if they be cannibals, are sure to be admired, and the more hair-breadth escapes the hero of the tale has survived, and the more marvellous his adventures, the more sympathy he excites.
Will it be thought to proceed from a spirit of contradiction, if we remark, that this species of reading should not early be chosen for boys of an enterprising temper, unless they are intended for a sea-faring life, or for the army? The taste for adventure, is absolutely incompatible with the sober perseverance necessary to success in any other liberal professions. To girls, this species of reading cannot be as dangerous as it is to boys; girls must very soon perceive the impossibility of their rambling about the world in quest of adventures; and where there appears an obvious impossibility in gratifying any wish, it is not likely to become, or at least to continue, a torment to the imagination. Boys, on the contrary, from the habits of their education, are prone to admire, and to imitate, every thing like enterprise and heroism. Courage and fortitude, are the virtues of men, and it is natural that boys should desire, if they believe that they possess these virtues, to be placed in those great and extraordinary situations which can display them to advantage. The taste for adventure, is not repressed in boys by the impossibility of its indulgence; the world is before them, and they think that fame promises the highest prize to those who will most boldly venture in the lottery of fortune. The rational probability of success, few young people are able, fewer still are willing, to calculate; and the calculations of prudent friends, have little power over their understandings, or at least, over their imagination, the part of the understanding which is most likely to decide their conduct. — From general maxims, we cannot expect that young people should learn much prudence; each individual admits the propriety of the rule, yet believes himself to be a privileged exception. Where any prize is supposed to be in the gift of fortune, every man, or every young man, takes it for granted that he is a favourite, and that it will be bestowed upon him. The profits of commerce and of agriculture, the profits of every art and profession, can be estimated with tolerable accuracy; the value of activity, application and abilities, can be respectively measured by some certain standard. Modest, or even prudent people, will scruple to rate themselves in all of these qualifications superior to their neighbours; but every man will allow that, in point of good fortune, at any game of chance, he thinks himself upon a fair level with every other competitor.
When a young man deliberates upon what course of life he shall follow, the patient drudgery of a trade, the laborious mental exertions requisite to prepare him for a profession, must appear to him in a formidable light, compared with the alluring prospects presented by an adventuring imagination. At this time of life, it will be too late suddenly to change the taste; it will be inconvenient, if not injurious, to restrain a young man’s inclinations by force or authority; it will be imprudent, perhaps fatally imprudent, to leave them
uncontroled. Precautions should therefore be taken long before this period, and the earlier they are taken, the better. It is not idle refinement to assert, that the first impressions which are made upon the imagination, though they may be changed by subsequent circumstances, yet are discernible in every change, and are seldom entirely effaced from the mind, though it may be difficult to trace them through all their various appearances. A boy, who at seven years old, longs to be Robinson Crusoe, or Sinbad the sailor, may at seventeen, retain the same taste for adventure and enterprise, though mixed so as to be less discernible, with the incipient passions of avarice and ambition; he has the same dispositions modified by a slight knowledge of real life, and guided by the manners and conversation of his friends and acquaintance. Robinson Crusoe and Sinbad, will no longer be his favourite heroes; but he will now admire the soldier of fortune, the commercial adventurer, or the nabob, who has discovered in the east the secret of Aladdin’s wonderful lamp; and who has realized the treasures of Aboulcasem.
The history of realities, written in an entertaining manner, appears not only better suited to the purposes of education, but also more agreeable to young people than improbable fictions. We have seen the reasons why it is dangerous to pamper the taste early with mere books of entertainment; to voyages and travels, we have made some objections. Natural history, is a study particularly suited to children: it cultivates their talents for observation, applies to objects within their reach, and to objects which are every day interesting to them. The histories of the bee, the ant, the caterpillar, the butterfly, the silk-worm, are the first things that please the taste of children, and these are the histories of realities.
Amongst books of mere entertainment, no one can be so injudicious, or so unjust, as to class the excellent “Evenings at Home.” Upon a close examination, it appears to be one of the best books for young people from seven to ten years old, that has yet appeared. We shall not pretend to enter into a minute examination of it; because, from what we have already said, parents can infer our sentiments, and we wish to avoid tedious, unnecessary detail. We shall, however, just observe, that the lessons on natural history, on metals, and on chemistry, are particularly useful, not so much from the quantity of knowledge which, they contain, as by the agreeable manner in which it is communicated: the mind is opened to extensive views, at the same time that nothing above the comprehension of children is introduced. The mixture of moral and, scientific lessons, is happily managed so as to relieve the attention; some of the moral lessons, contain sound argument, and some display just views of life. “Perseverance against Fortune;” “The Price of Victory;” “Eyes and no Eyes,” have been generally admired as much by parents as by children.
There is a little book called “Leisure Hours,” which contains a great deal of knowledge suited to young people; but they must observe, that the style is not elegant; perhaps, in a future edition, the style may be revised. The “Conversations d’Emile,” are elegantly written, and the character of the mother and child admirably well preserved. White of Selborne’s Naturalist’s Calendar, we can recommend with entire approbation: it is written in a familiar, yet elegant style; and the journal form, gives it that air of reality which is so agreeable and interesting to the mind. Mr. White will make those who have observed, observe the more, and will excite the spirit of observation in those who never before observed.
Smellie’s Natural History, is a useful, entertaining book; but it must be carefully looked over, and many pages and half pages must be entirely sacrificed. And here one general caution may be necessary. It is hazarding too much, to make children promise not to read parts of any book which is put into their hands; when the book is too valuable, in the parent’s estimation, to be cut or blotted, let it not be given to children when they are alone; in a parent’s presence, there is no danger, and the children will acquire the habit of reading the passages that are selected without feeling curiosity about the rest. As young people grow up, they will judge of the selections that have been made for them; they will perceive why such a passage was fit for their understanding at one period, which they could not have understood at another. If they are never forced to read what is tiresome, they will anxiously desire to have passages selected for them; and they will not imagine that their parents are capricious in these selections; but they will, we speak from experience, be sincerely grateful to them for the time and trouble bestowed in procuring their literary amusements.
When young people have established their character for truth and exact integrity, they should be entirely trusted with books as with every thing else. A slight pencil line at the side of a page, will then be all that is necessary to guide them to the best parts of any book. Suspicion would be as injurious, as too easy a faith is imprudent: confidence confirms integrity; but the habits of truth must be formed before dangerous temptations are presented. We intended to have given a list of books, and to have named the pages in several authors, which have been found interesting to children from seven to nine or ten years old. The Reviews; The Annual Registers; Enfield’s Speaker; Elegant Extracts; The Papers of the Manchester Society; The French Academy of Sciences; Priestley’s History of Vision; and parts of the Works of Franklin, of Chaptal, Lavoisier and Darwin, have supplied us with our best materials. Some periodical papers from the World, Rambler, Guardian, and Adventurer, have been chosen: these are books with which all libraries are furnished. But we forbear to offer any list; the passages we should have mentioned, have been found to please in one family; but we are sensible, that as circumstances vary, the choice of books for different families, ought to be different. Every parent must be capable of selecting those passages in books which are most suited to the age, temper, and taste of their children. Much of the success, both of literary and moral education, will depend upon our seizing the happy moments for instruction; moments when knowledge immediately applies to what children are intent upon themselves; the step which is to be taken by the understanding, should immediately follow that which has already been secured. By watching the turn of mind, and by attending to the conversation of children, we may perceive exactly what will suit them in books; and we may preserve the connection of their ideas without fatiguing their attention. A paragraph read aloud from the newspaper of the day, a passage from any book which parents happen to be reading themselves, will catch the attention of the young people in a family, and will, perhaps, excite more taste and more curiosity, than could be given by whole volumes read at times when the mind is indolent or intent upon other occupations.
The custom of reading aloud for a great while together, is extremely fatiguing to children, and hurtful to their understandings; they learn to read on without the slightest attention or thought; the more fluently they read, the worse it is for them; for their preceptors, whilst words and sentences are pronounced with tolerable emphasis, never seem to suspect that the reader can be tired, or that his mind may be absent from his book. The monotonous tones which are acquired by children who read a great deal aloud, are extremely disagreeable, and the habit cannot easily be broken: we may observe, that children who have not acquired bad customs, always read as they speak, when they understand what they read; but the moment when they come to any sentence which they do not comprehend, their voice alters, and they read with hesitation, or with false emphasis: to these signals a preceptor should always attend, and the passage should be explained before the pupil is taught to read it in a musical tone, or with the proper emphasis: thus children should be taught to read by the understanding, and not merely by the ear. Dialogues, dramas, and well written narratives, they always read well, and these should be their exercises in the art of reading: they should be allowed to put down the book as soon as they are tired; but an attentive tutor will perceive when they ought to be stopped, before the utmost point of fatigue. We have heard a boy of nine years old, who had never been taught elocution by any reading master, read simple pathetic passages, and natural dialogues in “Evenings at Home,” in a manner which would have
made even Sterne’s critic forget his stop-watch.
By reading much at a time, it is true that a great number of books are run through in a few years; but this is not at all our object; on the contrary, our greatest difficulty has been to find a sufficient number of books fit for children to read. If they early acquire a strong taste for literature, no matter how few authors they may have perused. We have often heard young people exclaim, “I’m glad I have not read such a book — I have a great pleasure to come!” — Is not this better than to see a child yawn over a work, and count the number of tiresome pages, whilst he says, “I shall have got through this book by and by; and what must I read when I have done this? I believe I never shall have read all I am to read! What a number of tiresome books there are in the world! I wonder what can be the reason that I must read them all! If I were but allowed to skip the pages that I don’t understand, I should be much happier, for when I come to any thing entertaining in a book, I can keep myself awake, and then I like reading as well as any body does.”
Far from forbidding to skip the incomprehensible pages, or to close the tiresome volume, we should exhort our pupils never to read one single page that tires, or that they do not fully understand. We need not fear, that, because an excellent book is not interesting at one period of education, it should not become interesting at another; the child is always the best judge of what is suited to his present capacity. If he says, “Such a book tires me,” the preceptor should never answer with a forbidding, reproachful look, “I am surprised at that, it is no great proof of your taste; the book, which you say tires you, is written by one of the best authors in the English language.” The boy is sorry for it, but he cannot help it; and he concludes, if he be of a timid temper, that he has no taste for literature, since the best authors in the English language tire him. It is in vain to tell him, that the book is “universally allowed to be very entertaining.”
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