The Classic Fairy Tales_Norton Critical Edition

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The Classic Fairy Tales_Norton Critical Edition Page 12

by Edited by Maria Tatar


  The Beast’s carriage, of an elegant if antique design, was black as a hearse and it was drawn by a dashing black gelding who blew smoke from his nostrils and stamped upon the packed snow with enough sprightly appearance of life to give me some hope that not all the world was locked in ice, as I was. I had always held a little towards Gulliver’s opinion, that horses are better than we are,8 and, that day, I would have been glad to depart with him to the kingdom of horses, if I’d been given the chance.

  The valet sat up on the box in a natty black and gold livery, clasping, of all things, a bunch of his master’s damned white roses as if a gift of flowers would reconcile a woman to any humiliation. He sprang down with preternatural agility to place them ceremoniously in my reluctant hand. My tear-beslobbered father wants a rose to show that I forgive him. When I break off a stem, I prick my finger and so he gets his rose all smeared with blood.

  The valet crouched at my feet to tuck the rugs about me with a strange kind of unflattering obsequiousness yet he forgot his station sufficiently to scratch busily beneath his white periwig with an over-supple index finger as he offered me what my old nurse would have called an “old-fashioned look,” ironic, sly, a smidgen of disdain in it. And pity? No pity. His eyes were moist and brown, his face seamed with the innocent cunning of an ancient baby. He had an irritating habit of chattering to himself under his breath all the time as he packed up his master’s winnings. I drew the curtains to conceal the sight of my father’s farewell; my spite was sharp as broken glass.

  Lost to The Beast! And what, I wondered, might be the exact nature of his “beastliness”? My English nurse once told me about a tiger-man she saw in London, when she was a little girl, to scare me into good behaviour, for I was a wild wee thing and she could not tame me into submission with a frown or the bribe of a spoonful of jam. If you don’t stop plaguing the nursemaids, my beauty, the tiger-man will come and take you away. They’d brought him from Sumatra, in the Indies, she said; his hinder parts were all hairy and only from the head downwards did he resemble a man.

  And yet The Beast goes always masked; it cannot be his face that looks like mine.

  But the tiger-man, in spite of his hairiness, could take a glass of ale in his hand like a good Christian and drink it down. Had she not seen him do so, at the sign of The George, by the steps of Upper Moor Fields when she was just as high as me and lisped and toddled, too. Then she would sigh for London, across the North Sea of the lapse of years. But, if this young lady was not a good little girl and did not eat her boiled beetroot, then the tiger-man would put on his big black travelling cloak lined with fur, just like your daddy’s, and hire the Erl-King’s galloper9 of wind and ride through the night straight to the nursery and—

  Yes, my beauty! GOBBLE YOU UP!

  How I’d squeal in delighted terror, half believing her, half knowing that she teased me. And there were things I knew that I must not tell her. In our lost farmyard, where the giggling nursemaids initiated me into the mysteries of what the bull did to the cows, I heard about the waggoner’s daughter. Hush, hush, don’t let on to your nursie we said so; the waggoner’s lass, hare-lipped, squint-eyed, ugly as sin, who would have taken her? Yet, to her shame, her belly swelled amid the cruel mockery of the ostlers10 and her son was born of a bear, they whispered. Born with a full pelt and teeth; that proved it. But, when he grew up, he was a good shepherd, although he never married, lived in a hut outside the village and could make the wind blow any way he wanted to besides being able to tell which eggs would become cocks, which hens.

  The wondering peasants once brought my father a skull with horns four inches long on either side of it and would not go back to the field where their poor plough disturbed it until the priest went with them; for this skull had the jaw-bone of a man, had it not?

  Old wives’ tales, nursery fears! I knew well enough the reason for the trepidation I cosily titillated with superstitious marvels of my childhood on the day my childhood ended. For now my own skin was my sole capital in the world and today I’d make my first investment.

  We had left the city far behind us and were now traversing a wide, flat dish of snow where the mutilated stumps of the willows flourished their ciliate heads athwart frozen ditches; mist diminished the horizon, brought down the sky until it seemed no more than a few inches above us. As far as eye could see, not one thing living. How starveling, how bereft the dead season of this spurious Eden in which all the fruit was blighted by cold! And my frail roses, already faded. I opened the carriage door and tossed the defunct bouquet into the rucked, frost-stiff mud of the road. Suddenly a sharp, freezing wind arose and pelted my face with a dry rice of powdered snow. The mist lifted sufficiently to reveal before me an acreage of half-derelict façades of sheer red brick, the vast man-trap, the megalomaniac citadel of his palazzo.

  It was a world in itself but a dead one, a burned-out planet. I saw The Beast bought solitude, not luxury, with his money.

  The little black horse trotted smartly through the figured bronze doors that stood open to the weather like those of a barn and the valet handed me out of the carriage onto the scarred tiles of the great hall itself, into the odorous warmth of a stable, sweet with hay, acrid with horse dung. An equine chorus of neighings and soft drummings of hooves broke out beneath the tall roof, where the beams were scabbed with last summer’s swallows’ nests; a dozen gracile muzzles lifted from their mangers and turned towards us, ears erect. The Beast had given his horses the use of the dining room. The walls were painted, aptly enough, with a fresco of horses, dogs and men in a wood where fruit and blossom grew on the bough together.

  The valet tweaked politely at my sleeve. Milord is waiting.

  Gaping doors and broken windows let the wind in everywhere. We mounted one staircase after another, our feet clopping on the marble. Through archways and open doors, I glimpsed suites of vaulted chambers opening one out of another like systems of Chinese boxes into the infinite complexity of the innards of the place. He and I and the wind were the only things stirring; and all the furniture was under dust sheets, the chandeliers bundled up in cloth, pictures taken from their hooks and propped with their faces to the walls as if their master could not bear to look at them. The palace was dismantled, as if its owner were about to move house or had never properly moved in; The Beast had chosen to live in an uninhabited place.

  The valet darted me a reassuring glance from his brown, eloquent eyes, yet a glance with so much queer superciliousness in it that it did not comfort me, and went bounding ahead of me on his bandy legs, softly chattering to himself. I held my head high and followed him; but, for all my pride, my heart was heavy.

  Milord has his eyrie high above the house, a small, stifling, darkened room; he keeps his shutters locked at noon. I was out of breath by the time we reached it and returned to him the silence with which he greeted me. I will not smile. He cannot smile.

  In his rarely disturbed privacy, The Beast wears a garment of Ottoman design, a loose, dull purple gown with gold embroidery round the neck that falls from his shoulders to conceal his feet. The feet of the chair he sits in are handsomely clawed. He hides his hands in his ample sleeves. The artificial masterpiece of his face appals me. A small fire in a small grate. A rushing wind rattles the shutters.

  The valet coughed. To him fell the delicate task of transmitting to me his master’s wishes.

  “My master—”

  A stick fell in the grate. It made a mighty clatter in that dreadful silence; the valet started; lost his place in his speech, began again.

  “My master has but one desire.”

  The thick, rich, wild scent with which Milord had soaked himself the previous evening hangs all about us, ascends in cursive blue from the smoke of a precious Chinese pot.

  “He wishes only—”

  Now, in the face of my impassivity, the valet twittered, his ironic composure gone, for the desire of a master, however trivial, may yet sound unbearably insolent in the mouth of a servant and his ro
le of go-between clearly caused him a good deal of embarrassment. He gulped; he swallowed, at last contrived to unleash an unpunctuated flood.

  “My master’s sole desire is to see the pretty young lady unclothed nude without her dress and that only for the one time after which she will be returned to her father undamaged with bankers’ orders for the sum which he lost to my master at cards and also a number of fine presents such as furs, jewels and horses—”

  I remained standing. During this interview, my eyes were level with those inside the mask that now evaded mine as if, to his credit, he was ashamed of his own request even as his mouthpiece made it for him. Agitato, molto agitato,11 the valet wrung his white-gloved hands.

  “Desnuda12—”

  I could scarcely believe my ears. I let out a raucous guffaw; no young lady laughs like that! my old nurse used to remonstrate. But I did. And do. At the clamour of my heartless mirth, the valet danced backwards with perturbation, palpitating his fingers as if attempting to wrench them off, expostulating, wordlessly pleading. I felt that I owed it to him to make my reply in as exquisite a Tuscan as I could master.

  “You may put me in a windowless room, sir, and I promise you I will pull my skirt up to my waist, ready for you. But there must be a sheet over my face, to hide it; though the sheet must be laid over me so lightly that it will not choke me. So I shall be covered completely from the waist upwards, and no lights. There you can visit me once, sir, and only the once. After that I must be driven directly to the city and deposited in the public square, in front of the church. If you wish to give me money, then I should be pleased to receive it. But I must stress that you should give me only the same amount of money that you would give to any other woman in such circumstances. However, if you choose not to give me a present, then that is your right.”

  How pleased I was to see I struck The Beast to the heart! For, after a baker’s dozen heartbeats, one single tear swelled, glittering, at the corner of the masked eye. A tear! A tear, I hoped, of shame. The tear trembled for a moment on an edge of painted bone, then tumbled down the painted cheek to fall, with an abrupt tinkle, on the tiled floor.

  The valet, ticking and clucking to himself, hastily ushered me out of the room. A mauve cloud of his master’s perfume billowed out into the chill corridor with us and dissipated itself on the spinning winds.

  A cell had been prepared for me, a veritable cell, windowless, airless, lightless, in the viscera of the palace. The valet lit a lamp for me; a narrow bed, a dark cupboard with fruit and flowers carved on it bulked out of the gloom.

  “I shall twist a noose out of my bed linen and hang myself with it,” I said.

  “Oh, no,” said the valet, fixing upon me wide and suddenly melancholy eyes. “Oh, no, you will not. You are a woman of honour.”

  And what was he doing in my bedroom, this jigging caricature of a man? Was he to be my warder until I submitted to The Beast’s whim or he to mine? Am I in such reduced circumstances that I may not have a lady’s maid? As if in reply to my unspoken demand, the valet clapped his hands.

  “To assuage your loneliness, madame …”

  A knocking and clattering behind the door of the cupboard; the door swings open and out glides a soubrette from an operetta, with glossy, nut-brown curls, rosy cheeks, blue, rolling eyes; it takes me a moment to recognize her, in her little cap, her white stockings, her frilled petticoats. She carries a looking glass in one hand and a powder puff in the other and there is a musical box where her heart should be; she tinkles as she rolls towards me on her tiny wheels.

  “Nothing human lives here,” said the valet.

  My maid halted, bowed; from a split seam at the side of her bodice protrudes the handle of a key. She is a marvellous machine, the most delicately balanced system of cords and pulleys in the world.

  “We have dispensed with servants,” the valet said. “We surround ourselves, instead, for utility and pleasure, with simulacra and find it no less convenient than do most gentlemen.”

  This clockwork twin of mine halted before me, her bowels churning out a settecento13 minuet, and offered me the bold carnation of her smile. Click, click—she raises her arm and busily dusts my cheeks with pink, powdered chalk that makes me cough; then thrusts towards me her little mirror.

  I saw within it not my own face but that of my father, as if I had put on his face when I arrived at The Beast’s palace as the discharge of his debt. What, you self-deluding fool, are you crying still? And drunk, too. He tossed back his grappa and hurled the tumbler away.

  Seeing my astonished fright, the valet took the mirror away from me, breathed on it, polished it with the ham of his gloved fist, handed it back to me. Now all I saw was myself, haggard from a sleepless night, pale enough to need my maid’s supply of rouge.

  I heard the key turn in the heavy door and the valet’s footsteps patter down the stone passage. Meanwhile, my double continued to powder the air, emitting her jangling tune but, as it turned out, she was not inexhaustible; soon she was powdering more and yet more languorously, her metal heart slowed in imitation of fatigue, her musical box ran down until the notes separated themselves out of the tune and plopped like single raindrops and, as if sleep had overtaken her, at last she moved no longer. As she succumbed to sleep, I had no option but to do so, too. I dropped on that narrow bed as if felled.

  Time passed but I do not know how much; then the valet woke me with rolls and honey. I gestured the tray away but he set it down firmly beside the lamp and took from it a little shagreen box, which he offered to me.

  I turned away my head.

  “Oh, my lady!” Such hurt cracked his high-pitched voice! He dextrously unfastened the gold clasp; on a bed of crimson velvet lay a single diamond earring, perfect as a tear.

  I snapped the box shut and tossed it into a corner. This sudden, sharp movement must have disturbed the mechanism of the doll; she jerked her arm almost as if to reprimand me, letting out a rippling fart of gavotte.14 Then was still again.

  “Very well,” said the valet, put out. And indicated it was time for me to visit my host again. He did not let me wash or comb my hair. There was so little natural light in the interior of the palace that I could not tell whether it was day or night.

  You would not think The Beast had budged an inch since I last saw him; he sat in his huge chair, with his hands in his sleeves, and the heavy air never moved. I might have slept an hour, a night, or a month, but his sculptured calm, the stifling air remained just as it had been. The incense rose from the pot, still traced the same signature on the air. The same fire burned.

  Take off my clothes for you, like a ballet girl? Is that all you want of me?

  “The sight of a young lady’s skin that no man has seen before—” stammered the valet.

  I wished I’d rolled in the hay with every lad on my father’s farm, to disqualify myself from this humiliating bargain. That he should want so little was the reason why I could not give it; I did not need to speak for The Beast to understand me.

  A tear came from his other eye. And then he moved; he buried his cardboard carnival head with its ribboned weight of false hair in, I would say, his arms; he withdrew his, I might say, hands from his sleeves and I saw his furred pads, his excoriating claws.

  The dropped tear caught upon his fur and shone. And in my room for hours I hear those paws pad back and forth outside my door.

  When the valet arrived again with his silver salver, I had a pair of diamond earrings of the finest water in the world; I threw the other into the corner where the first one lay. The valet twittered with aggrieved regret but did not offer to lead me to The Beast again. Instead, he smiled ingratiatingly and confided: “My master, he say: invite the young lady to go riding.”

  “What’s this?”

  He briskly mimicked the action of a gallop and, to my amazement, tunelessly croaked: “Tantivy!15 tantivy! a-hunting we will go!”

  “I’ll run away, I’ll ride to the city.”

  “Oh, no,” he sai
d. “Are you not a woman of honour?”

  He clapped his hands and my maidservant clicked and jangled into the imitation of life. She rolled towards the cupboard where she had come from and reached inside it to fetch out over her synthetic arm my riding habit. Of all things. My very own riding habit, that I’d left behind me in a trunk in a loft in that country house outside Petersburg that we’d lost long ago, before, even, we set out on this wild pilgrimage to the cruel South. Either the very riding habit my old nurse had sewn for me or else a copy of it perfect to the lost button on the right sleeve, the ripped hem held up with a pin. I turned the worn cloth about in my hands, looking for a clue. The wind that sprinted through the palace made the door tremble in its frame; had the north wind blown my garments across Europe to me? At home, the bear’s son directed the winds at his pleasure; what democracy of magic held this palace and the fir forest in common? Or, should I be prepared to accept it as proof of the axiom my father had drummed into me: that, if you have enough money, anything is possible?

  “Tantivy,” suggested the now twinkling valet, evidently charmed at the pleasure mixed with my bewilderment. The clockwork maid held my jacket out to me and I allowed myself to shrug into it as if reluctantly, although I was half mad to get out into the open air, away from this deathly palace, even in such company.

  The doors of the hall let the bright day in; I saw that it was morning. Our horses, saddled and bridled, beasts in bondage, were waiting for us, striking sparks from the tiles with their impatient hooves while their stablemates lolled at ease among the straw, conversing with one another in the mute speech of horses. A pigeon or two, feathers puffed to keep out the cold, strutted about, pecking at ears of corn. The little black gelding who had brought me here greeted me with a ringing neigh that resonated inside the misty roof as in a sounding box and I knew he was meant for me to ride.

  I always adored horses, noblest of creatures, such wounded sensitivity in their wise eyes, such rational restraint of energy at their high-strung hindquarters. I lirruped and hurrumphed to my shining black companion and he acknowledged my greeting with a kiss on the forehead from his soft lips. There was a little shaggy pony nuzzling away at the trompe l’œil16 foliage beneath the hooves of the painted horses on the wall, into whose saddle the valet sprang with a flourish as of the circus. Then The Beast, wrapped in a black fur-lined cloak, came to heave himself aloft a grave grey mare. No natural horseman he; he clung to her mane like a shipwrecked sailor to a spar.

 

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