by Grey, Zane
"But he turned out a pretty good sort, didn't he?"
"Indeed, yes, sir."
"Well, I'll try to locate him, and offer him a job in the service. Now, Mr. Ward, you've had special opportunities; you have an eye in your head, and you are interested in forestry. Perhaps you can help us. Personally I shall be most pleased to hear what you think might be done in Penetier."
I gasped and stared, and could scarcely believe my ears. But he was not joking; he was as serious as if he had addressed himself to one of his officers. I looked at them all, standing interested and expectant. Dick was as grave and erect as a deacon. Jim seemed much impressed. But old Hiram Bent, standing somewhat back of the others, deliberately winked at me.
But for that wink I never could have seized my opportunity. It made me remember my talks with Hiram. So I boiled down all that I had learned and launched it on the Chief. Whether I was brief or not, I was out of breath when I stopped. He appeared much surprised.
"Thank you," he said, finally. "You certainly have been observant." Then he turned to his officers. "Gentlemen, here's a new point of view from first-hand observation. I call it splendid conservation. It's in the line of my policy. It considers the settler and lumberman instead of combating him."
He shook hands with me again. "You may be sure I'll not lose sight of you. Of course you will be coming West next summer, after your term at college?"
"Yes, sir, I want to—if Dick—"
He smiled as I hesitated. That man read my mind like an open book.
"Mr. Leslie goes to the Coconina Forest as head forest ranger. Mr. Williams goes as his assistant. And I have appointed Mr. Bent game warden in the same forest. You may spend next summer with them."
I stammered some kind of thanks, and found myself going out and down-stairs with my friends.
"Oh, Dick! Wasn't he fine?... Say, where's Coconina Forest?"
"It's over across the desert and beyond the Grand Canyon of Arizona. Penetier is tame compared to Coconina. I'm afraid to let you come out there."
"I don't have to ask you, Mr. Dick," I replied.
"Lad, I'll need a young fellar bad next summer," said old Hiram, with twinkling eyes. "One as can handle a rope, an' help tie up lions an' sich."
"Oh! my bear cub! I'd forgotten him. I wanted to take him home."
"Wal, thar weren't no sense in thet, youngster, fer you couldn't do it. He was a husky cub."
"I hate to give up my mustang, too. Dick, have you heard of the Greaser?"
"Not yet, but he'll be trailing into Holston before long."
Jim Williams removed his pipe, and puffed a cloud of white smoke.
"Ken, I shore ain't fergot Greaser," he drawled with his slow smile. "Hev you any pertickler thing you want did to him?"
"Jim, don't kill him!" I burst out, impetuously, and then paused, frightened out of speech. Why I was afraid of him I did not know, he seemed so easy-going, so careless—almost sweet, like a woman; but then I had seen his face once with a look that I could never forget.
"Wal, Ken, I'll dodge Greaser if he ever crosses my trail again."
That promise was a relief. I knew Greaser would come to a bad end, and certainly would get his just deserts; but I did not want him punished any more for what he had done to me.
Those last few hours sped like winged moments. We talked and planned a little, I divided my outfit among my friends, and then it was time for the train. That limited train had been late, so they said, every day for a week, and this day it was on time to the minute. I had no luck.
My friends bade me good-bye as if they expected to see me next day, and I said good-bye calmly. I had my part to play. My short stay with them had made me somehow different. But my coolness was deceitful. Dick helped me on the train and wrung my hand again.
"Good-bye, Ken. It's been great to have you out.... Next year you'll be back in the forests!"
He had to hurry to get off. The train started as I looked out of my window. There stood the powerful hunter, his white head bare, and he was waving his hat. Jim leaned against a railing with his sleepy, careless smile. I caught a gleam of the blue gun swinging at his hip. Dick's eyes shone warm and blue; he was shouting something. Then they all passed back out of sight. So my gaze wandered to the indistinct black line of Penetier, to the purple slopes, and up to the cold, white mountain-peaks, and Dick's voice rang in my ears like a prophecy: "You'll be back in the forests."
End of the Project Gutenberg EBook of The Young Forester, by Zane Grey
*** END OF THIS PROJECT GUTENBERG EBOOK THE YOUNG FORESTER ***
***** This file should be named 1882-h.htm or 1882-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/8/8/1882/
Produced by Bill Brewer, and David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things
you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm tradem
ark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you