by Iris Chang
In Japan serious research on the Rape of Nanking has largely been left up to the efforts of those operating outside of traditional academic communities, such as freelance authors and journalists. Ono Kenji, a factory worker, is a prime example. In 1988 he started to interview farmers in his area who had served in the Aizu Wakamatsu Battalion during the Rape of Nanking. The bachelor Ono had time to devote himself to the subject because he enjoyed thirty-six-hour breaks between long factory shifts and had no family responsibilities. Six years later it was reported that Ono Kenji had visited some six hundred homes, interviewed two hundred people, photocopied twenty out of some thirty diaries, and videotaped interviews with seven people. Some of his findings appeared in the weekly magazine Shukan Kinyobi and were hailed as the first work on the Nanking massacre to be based solely on Japanese sources. Eventually he will probably produce an important book on the subject of the Nanking massacre, but meanwhile he lives under the constant shadow of possible Japanese retaliation, refusing even to be photographed for fear of falling prey to right-wing fanatics.
SELF-IMPOSED CENSORSHIP
In Japan censorship is practiced not only by the government when it tampers with textbooks but by the media, which police themselves. In many ways private-sector self-censorship can be more insidious than government censorship because it is subtler and harder to pinpoint.
What distributors did to a scene of the Rape of Nanking in the film The Last Emperor is a revealing illustration of Japanese self-censorship at work. In 1988 the Shochiku Fuji Distribution Company removed from Bernardo Bertolucci’s film biography of Pu Yi a thirty-second scene depicting the Rape of Nanking. Bertolucci was furious, of course, when he found out. “Not only did the Japanese distributor cut the whole sequence of the ’Rape of Nanking’ without my authorization and against my will, without even informing me, but they also declared to the press that myself and the producer, Jeremy Thomas, had made the original proposition to mutilate the movie,” he announced. “This is absolutely false and revolting.”
Bertolucci’s outcry forced the distributors to restore the excised scene immediately. They offered a variety of excuses for their behavior. Kubotani Motoyuki, director of Shochiku Fuji, apologized for the “confusion and misunderstanding,” explaining that his company thought the Nanking scene was simply “too sensational” to be shown in Japan. “Cutting the film was our voluntary decision. We had no idea that it would become such a big issue,” he said. Saito Mitsuhiro, another spokesman for Shochiku Fuji, told reporters that the scene was removed “out of respect for Japanese audiences.” Takehiko Nakane, a Japanese film critic, speculated that the decision to cut the scene arose from both the distributors’ pusillanimity and the threat of ultranationalist violence. “I believe the film’s distributors and many theatre owners were afraid these right-wing groups might cause trouble outside the theaters,” the critic told reporters. “Some of these people still believe that Japan’s actions in China and during the war were part of some sacred crusade.”
DEBATES ON THE NANKING MASSACRE
Japanese who find the courage to write books about the Rape of Nanking often face unrelenting attacks. Take the example of Hora Tomio and Honda Katsuichi. Hora, a professor of Japanese history at Waseda University, visited China in 1966 to investigate Japanese atrocities in China; he later published his research on the Nanking massacre in several books. Honda Katsuichi was a prize-winning journalist at the Asahi Shimbun who broke the taboo against discussing the Nanking massacre in the Japanese press by going to mainland China in the 1970s and 1980s to interview survivors. His findings, serialized first in the Asahi Shimbun and other journals, were later expanded into full-length books. Both Hora and Honda reached the conclusion that Japanese soldiers had killed some three hundred thousand people in Nanking between 1937 and 1938.
Both also faced a vicious backlash in Japan. One vociferous critic of Hora and Honda was the ultraconservative author Suzuki Akira, who challenged their findings in an article entitled “The Illusion of the Nanjing Massacre.” Suzuki charged that some of Honda’s and Hora’s stories were fabricated, that insufficient primary source material existed to substantiate the massacre, and that the Rape of Nanking was an “illusion.” The book that resulted from his articles won the Bungei Shunju Prize in nonfiction and received eulogies from literary critics as “admirable” and “courageous.” When Hora published a series of rebuttals to Suzuki, several famous Japanese writers immediately sprang to Suzuki’s defense.
Another critic was Tanaka Masaaki, a man who claimed to be Matsui Iwane’s protégé. In 1984 he published an anti-Honda book called The Fabrication of the “Nanking Massacre,” using material from Matsui’s wartime diary. Accusing Honda of spreading “enemy propaganda,” Tanaka argued that, unlike in Europe or China, “you won’t find one instance of planned, systematic murder in the entire history of Japan.” This is because, he wrote, the Japanese have “a different sense of values” from Westerners and the Chinese. Revisionists rallied behind Tanaka and joined his attacks on Honda and Hora. The right-wing author Watanabe Shoichi, who wrote a foreword to Tanaka’s book, also blasted Honda for heaping guilt “not only on the Japanese officers and men of the time, but on all Japanese, indeed on our children yet to be born.”
A debate soon raged between the two camps. There was the liberal “massacre faction,” which consisted of Hora, Honda, and their supporters, and the conservative “illusion faction” led by Suzuki and Tanaka. The liberal camp published its findings in the Asahi Shimbun and other journals, while the conservatives contributed to right-wing publications like Bungei Shunju, Shokun!, and Seiron. The liberals demanded that the Japanese government apologize for its crimes in China, while the conservatives considered such an apology an insult to veterans and a foreign interference in Japanese internal affairs.
Ironically, attempts to disprove the Nanking massacre back-fired when the revisionists themselves began to probe into the subject for ammunition against the “massacre faction.” For instance, in the 1980s Kaikosha, a fraternity of army cadet school graduates, asked its eighteen thousand members to come forward with eyewitness accounts to discredit the Nanking massacre. To the dismay of the “illusion faction,” many Kaikosha members confirmed the details of the Rape of Nanking and described atrocities that horrified even hard-core Japanese conservatives. A former officer under Matsui estimated that some 120,000 captives were killed under the orders of a staff officer, although later, no doubt under pressure, he changed the figure to “no less than tens of thousands.” But his testimony scuttled the entire purpose of the survey, and moved even an editor of Kaikosha’s journal to write in the concluding part of the series that “there was no excuse for such massive illegal executions. As someone related to the old Japanese Army, I have to apologize deeply to the Chinese people.”
But the most embarrassing incident was yet to come. In 1985 a popular history journal, Rekishi to jinbutsu, discovered as many as nine hundred errors in the newly published Matsui wartime diary. Most of them were intentional attempts to falsify primary documents, a revelation that scandalized historians across Japan. Still more disturbing, the author of these alterations was none other than Tanaka Masaaki, who had proclaimed himself a staunch critic of historical distortion.
INTIMIDATION
What happened to Azuma Shiro, the first Japanese veteran to admit openly his crimes in Nanking, is a spectacular example of the system of Japanese intimidation at its worst. In 1987 he created a sensation when he became the first former Japanese soldier to apologize in public for his role in the Nanking massacre. On the eve of his departure to Nanking to participate in a fifty-year memorial ceremony of the great Rape, he gave interviews to newspaper and television reporters at a press conference in Kyoto. The result was an avalanche of criticism and death threats. To protect himself, Azuma retired from his company and moved with his wife into a house in a tiny village outside Kyoto, where he kept an arsenal of weapons, such as truncheons, clubs, pepper sprays, chains
, and knuckle dusters.
The troubles for Motoshima Hitoshi, the mayor of Nagasaki, began when he was asked by a Communist Party member in the city assembly what he thought of the emperor’s wartime guilt. It was December 7, 1988, the forty-seventh anniversary of the attack on Pearl Harbor. Emperor Hirohito was slowly dying of cancer, and the nation was mourning the passing of the Showa era by muting the holiday festivities. Motoshima responded that, having read accounts of the war from abroad and served as a soldier himself, he believed that the emperor bore responsibility for the war. The response to his statement was immediate. The next day enraged city legislators and the local branch of the Liberal Democratic Party demanded that the mayor retract his words. But Motoshima refused, announcing that he could not “betray his own heart.”
His opponents then embarked on a violent campaign of harassment and intimidation calculated to bring the mayor to his knees. The Liberal Democrats not only dismissed him as the counsel to their organization but succeeded in convincing the prefectural governor to refuse to cooperate politically with the mayor. Right-wing groups even called for Motoshima’s death. On December 19, 1988, twenty-four ultranationalist groups drove through Nagasaki on thirty loudspeaker trucks, blasting their demands for “divine retribution” through Motoshima’s death. Two days later the number of groups demonstrating in Nagasaki had grown to sixty-two, and the number of loudspeaker trucks to eighty-two. Representatives from numerous conservative organizations, including the office for Shinto shrines, called for his impeachment. Less than two weeks after Hirohito’s death on January 7, 1989, a right-wing fanatic shot Motoshima in the back. The bullet punctured his lungs, but miraculously, the mayor survived. The assassination attempt thrilled extremists across the nation, many of whom proclaimed the deed as nothing less than “divine punishment.”
EPILOGUE
THE RAPE OF NANKING was only one incident in a long saga of Japanese barbarism during nine years of war. Before the great massacre, Japan had already earned notoriety as the first nation to break the taboo and use airpower not only as a battlefield weapon but as a means of terrorizing civilian populations. Then it launched its armed forces on a campaign of slaughter that started in Shanghai, moved through Nanking, and proceeded inland.
While there was no Japanese equivalent of a “final solution” for the Chinese people, the imperial government endorsed policies that would wipe out everyone in certain regions in China. One of the deadliest was the “Three-all” policy (“Loot all, kill all, burn all”) in northern China, where Communist Chinese guerrillas had fought the Japanese furiously and effectively. In his diary, a frustrated Japanese colonel reveals the cruel simplicity of this policy: “I have received orders from my superior officer that every person in this place must be killed.”
The result was a massive terrorist campaign in 1941 designed to exterminate everyone in the northern Chinese countryside. It reduced the population there from 44 million to 25 million people. At least one author on China, Jules Archer, believes that the Japanese killed most of the 19 million people who disappeared from the region, though other scholars speculate that millions must have fled to safer ground. R. J. Rummel, author of China’s Bloody Century, points out that even if only 5 percent of the population loss consisted of murder victims, that would still amount to nearly 1 million Chinese.
The Japanese also waged ruthless experiments in biological warfare against the Chinese. Some of it was retaliatory and directed against Chinese villages suspected of helping American fliers during the April 1942 Doolittle raid of Tokyo. In areas that may have served as landing zones for the bombers, the Japanese massacred a quarter-million civilians and plowed up every Chinese airfield within an area of twenty thousand square miles. Here as well as elsewhere during the war, entire cities and regions were targeted for disease. We now know that Japanese aviators sprayed fleas carrying plague germs over metropolitan areas like Shanghai, Ningpo, and Changteh, and that flasks of disease-causing microbes—cholera, dysentery, typhoid, plague, anthrax, paratyphoid—were tossed into rivers, wells, reservoirs, and houses. The Japanese also mixed food with deadly germs to infect the Chinese civilian and military population. Cakes laced with typhoid were scattered around bivouac sites to entice hungry peasants; rolls syringed with typhoid and paratyphoid were given to thousands of Chinese prisoners of war before they were freed.
The final death count was almost incredible, between 1,578,000 and 6,325,000 people. R. J. Rummel gives a prudent estimate of 3,949,000 killed, of which all but 400,000 were civilians. But he points out that millions more perished from starvation and disease caused in large part by Japanese looting, bombing, and medical experimentation. If those deaths are added to the final count, then one can say that the Japanese killed more than 19 million Chinese people in its war against China.
It is impossible for most people to imagine exactly what went through the minds of Japanese soldiers and officers as they committed the atrocities. But many historians, eyewitnesses, survivors, and the perpetrators themselves have theorized about what drove the naked brutality of the Japanese imperial army.
Some Japanese scholars believe that the horrors of the Rape of Nanking and other outrages of the Sino-Japanese War were caused by a phenomenon called “the transfer of oppression.” According to Tanaka Yuki, author of Hidden Horrors: Japanese War Crimes in World War II, the modern Japanese army had great potential for brutality from the moment of its creation for two reasons: the arbitrary and cruel treatment that the military inflicted on its own officers and soldiers, and the hierarchical nature of Japanese society, in which status was dictated by proximity to the emperor. Before the invasion of Nanking, the Japanese military had subjected its own soldiers to endless humiliation. Japanese soldiers were forced to wash the underwear of officers or stand meekly while superiors slapped them until they streamed with blood. Using Orwellian language, the routine striking of Japanese soldiers, or bentatsu, was termed an “act of love” by the officers, and the violent discipline of the Japanese navy through tekken seisai, or “the iron fist,” was often called ai-no-muchi, or “whip of love.”
It has often been suggested that those with the least power are often the most sadistic if given the power of life and death over people even lower on the pecking order, and the rage engendered by this rigid pecking order was suddenly given an outlet when Japanese soldiers went abroad. In foreign lands or colonized territories, the Japanese soldiers—representatives of the emperor—enjoyed tremendous power among the subjects. In China even the lowliest Japanese private was considered superior to the most powerful and distinguished native, and it is easy to see how years of suppressed anger, hatred, and fear of authority could have erupted in uncontrollable violence at Nanking. The Japanese soldier had endured in silence whatever his superiors had chosen to deal out to him, and now the Chinese had to take whatever he chose to deal out to them.
A second factor in the atrocities, scholars believe, is the virulent contempt that many in the Japanese military reserved for Chinese people—a contempt cultivated by decades of propaganda, education, and social indoctrination. Though the Japanese and the Chinese share similar if not identical racial features (which in a distorted way may have threatened the Japanese vision of themselves as unique), there were those in the imperial army who saw the Chinese as subhuman beings whose murder would carry no greater moral weight than squashing a bug or butchering a hog. In fact, both before and during the war members of the Japanese military at all levels frequently compared the Chinese to pigs. For example, a Japanese general told a correspondent: “To be frank, your view of Chinese is totally different from mine. You regard the Chinese as human beings while I regard the Chinese as pigs.” A Japanese officer in Nanking who bound Chinese captives together in groups of ten, pushed each group into a pit, and burned them excused his actions by explaining that his feelings when committing these murders were identical to those he had when he slaughtered pigs. In 1938 the Japanese soldier Azuma Shiro confided in his diary at
Nanking that “a pig is more valuable now than the life of a [Chinese] human being. That’s because a pig is edible.”
A third factor was religion. Imbuing violence with holy meaning, the Japanese imperial army made violence a cultural imperative every bit as powerful as that which propelled Europeans during the Crusades and the Spanish Inquisition. “Every single bullet must be charged with the Imperial Way, and the end of every bayonet must have the National Virtue burnt into it,” one Japanese general declared in a speech in 1933.
Few Japanese doubted the righteousness of their mission in China. Nagatomi Hakudo, a former Japanese soldier who participated in the Rape of Nanking, said he had been reared to believe that the emperor was the natural ruler of the world, that Japanese were racially superior to the rest of the world, and that it was the destiny of Japan to control Asia. When a local Christian priest asked him, “Who is greater, God or the emperor of Japan?,” he had no doubt that “the emperor” was the correct answer.