The Dark Heart of Italy

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by Tobias Jones


  You catch the bus. You stand by the driver and end up talking about football. Since the thing is empty of passengers, he doesn’t follow the bus route but, squeezing the bus through narrow backstreets like a cork through a keyhole, drops you at your door. ‘Ci vediamo’ he says cheerfully. ‘See you around’.

  There, just below your house, is the photographer standing outside his little studio. He complains to you about the heat, and you tease him, saying the parmigiani talk about the weather all the time. It’s always either too hot, too cold, too humid. ‘You talk about the weather more than the English!’ You and the photographer both sit down on the pavement, in the shade of his shop awning. The barman next door brings out a couple of glasses of squeezed grapefruit. You talk for twenty minutes.

  Back in your flat the light is sliced thin through the shutters. You pull them up and walk out onto the balcony. The neighbours are on theirs, opposite, and shout ‘salve’. There are children everywhere. There’s something in the light. It’s the cusp between night and day and swallows are beginning to give way to the bats. It’s this light which is incredible. It bounces off the ‘Parma yellow’, the city’s favourite colour. Everything seems gentle and reposed. The reason those Thomas Jones paintings from the eighteenth century are so moving is because it’s obvious that here was a Welshman who had found, in Italy, a completely new type of light. The colours might be the same, but they’re infused with that placid, serene light which northern Europeans spend their whole lives yearning for.

  There’s something about the pace of life which makes living more enjoyable. You take your foot off the pedal which doesn’t mean (the usual stereotype) that you lie in a field of corn strumming a mandolin and sucking on a flask of wine. It’s just that you’re less driven. It’s as if you allow things the time and space to take their natural turn, not out of idleness but because you truly savour whatever it is you’re doing now and don’t yearn to rush off and do something different. There’s less need to be frantic if you’re simply happy where you are. You can allow coincidences to come and find you rather than haring around trying to fulfil some ambition. Everything is thus more surprising and more spontaneous. Life just appears – I don’t really know how to describe it – less forced, more natural somehow.

  Although you’ve been away for months you don’t even need to call anyone to know where they’ll be tonight. You remember when you first came here, you used to be amazed at the way people went out, always in groups, always with the same people week after week. In Britain, most people would be happy if they saw close friends more than once a month. The friendship wouldn’t be any less close for that, but it’s very different. People live so far apart. You pick them off one by one because they’ve all moved away or abroad and you’ll have a reunion, all together, only when someone gets married or dies. In Parma, though, you would meet the same people in an almost ritualistic way: the same places and faces, the same old stories being told for the umpteenth time. You don’t ever need to make a date, a time and a place, to see everyone. It’s as if you all meet at the usual place out of a willing submission to habit. That’s what compagnia means: having a pack of friends that you see week in, week out. Most pensioners in Parma still see, daily, the people they sat next to at school. The durability of an Italian friendship is breathtaking and creates something else which I had, at first, belittled. I used to be irritated by what I perceived as the impunity or confessionalism of Italian society whereby nobody is ever punished for wrong-doing. But through friendship I saw that there’s simply more understanding in Italy and that that isn’t a bad thing. There’s an acceptance, even anticipation, of human weakness and rather than shy away from people when they do wrong, people stand by them. There’s a permanence to family and friendships which is much rarer in Anglo-Saxon societies and consequently there is, there has to be, more understanding and empathy about our many short-comings. If you never leave home (or, at least, your home town) you’re forced to confront issues, rather than run away from them. What I used to call confessionalism is actually candour. Relationships between friends or between relatives in Italy simply appear more intimate, more profound.

  Later that night when we’re all at the usual dark grotto, a bottle of wine on the table, you realise, listening to the endless stories and laughter, that there’s another Italian word which doesn’t really have an adequate translation in English and which is the enjoyable flip-side of that solidity: estrosità. It means flair, elan, whimsy, fancy. It’s the ability to be capricious and creative, to adapt to every situation. And the amazing thing about this compagnia is that so many of them (despite having busy, full-time jobs and families) are deeply involved in voluntary work. The quiet guy with a long goatee in the corner dresses up as a clown once a week for children in the oncology department of the city’s hospital; the girl sitting next to him goes to a casa di riposo, an old-people’s home, every week to help feed the geriatric patients. They never talk about it but you know they do it, and you know that it’s par for the course in Italy. My contempt for all the corruption has, in recent years, been replaced by a sense of being humbled by the sheer humanity of this community.

  Life just feels more sophisticated here. The next day all of us go up to the mountains. We’re in the middle of nowhere, in some country villa which is as rustic as it is stylish. There are chickens clucking around antique wheelbarrows. We sit outside in the shade and can hear, from miles away, the sound of someone playing the guitar, entertaining friends with old folk songs. Filippo is passing round tiny thimbles of the chilled Erba Luigia liqueur which his grandmother has made and we start joining in the songs, old De André numbers. A couple of people have gone for a walk in the woods to pick wild strawberries for tonight’s dinner. That refinement, that delicacy with which friends enjoy the sim plest, most innocent pleasures together, is incomparable. And for all the complications, Italian life can sometimes seem incredibly simple. Sometimes I don’t even hear the noise of my gnashing molars.

  References - Revised Postscript

  1 See Perry Anderson’s discussion of the adjective in the London Review of Books (21 March 2002)

  2 Massimo Carlotto, The Colombian Mule (London, 2004)

  3 Marcello Fois, The Advocate (London, 2004)

  4 Luigi Pirandello, ‘So It Is (If You Think So)’ in Six Characters in Search of An Author and Other Plays (trans. by Marti Musa London, 1995)

  References

  1 Parole, Parole, Parole

  James T. Boulton, ed. The Letters of D. H. Lawrence, vol. 1 (Cambridge, 1979)

  Carlo Levi, Christ Stopped at Eboli (London, 1947)

  Marco Rogari, Burocrazia Fuorilegge (Milan, 2001)

  Corrado Stajano, L’Italia nichilista (Milan, 1982)

  Jacob Burckhardt, The Civilization of the Renaissance in Italy (London, 1990)

  Luigi Barzini, The Italians (London, 1964)

  Ernesto Galli della Loggia, L’identità italiana (Bologna, 1998)

  Dante, The Divine Comedy (trans. Peter Dale, London, 1996)

  Carlo Ginzburg, The Judge and the Historian (London, 1999)

  Luigi Pirandello, “So It Is (If You Think So)” in Six Characters in Search of an Author and Other Plays (trans. Mark Musa, London, 1995)

  Maurizio Dianese and Gianfranco Bettin, La Strage (Milan, 1999)

  Pier Paolo Pasolini, Lettere Luterane (Turin, 1976)

  Leonardo Sciascia, L’Affaire Moro (Milan, 1994)

  Umberto Eco, Sette anni di desiderio (Milan, 1983)

  Donald Sassoon, Contemporary Italy (New York, 1997)

  Carlo Levi, Le mille patrie (Rome, 2000)

  2 ‘The Mother of All Slaughters’

  Giovanni Fasanella, Claudio Sestieri, Giovanni Pellegrino, Segreto di Stato (Turin, 2000)

  Leonard Weinberg and William Lee Eubank, The Rise and Fall of Italian Terrorism

  (Boulder, 1987)

  Claudio Pavone, Una Guerra Civile (Turin, 1992)

  Leonard Weinberg and William Lee Eubank, The Rise
and Fall of Italian Terrorism (Boulder, 1987)

  Franco Ferraresi, Minacce alla Democrazia (Milan, 1995)

  Robert Putnam, ‘Atteggiamenti politici dell’alta burocrazia nell’ Europa occidentale’ (Rivista Italiana di Scienza Politica 3, no 1, 1973)

  Sergio Zavoli, La Notte della Repubblica (Milan, 1992)

  Alessandro Silj, Never Again Without a Rifle (New York, 1979)

  Ibid

  Maurizio Dianese and Gianfranco Bettin, La Strage (Milan, 1999)

  Corriere della Sera (13 December 1969)

  Maurizio Dianese and Gianfranco Bettin, La Strage (Milan, 1999)

  Ibid

  Giorgio Bocca, Il Filo Nero (Milan, 1995)

  Ernesto Galli della Loggia, L’identità italiana (Bologna, 1998)

  3 Penalties and Impunity

  Alan Friedman, Agnelli and the Network of Italian Power (London, 1988)

  4 ‘The Sofri Case’

  Dario Fo, Accidental Death of an Anarchist, trans Ed Emery (London, 1992)

  Adriano Sofri, Memoria (Bari, 1990)

  Daniele Biacchessi, Il Caso Sofri (Rome, 1998)

  Giorgio Bocca in La Repubblica (21 July 1982)

  Franco Ferraroti, L’ipnosi della violenza (Milan, 1980)

  Maurizio Dianese and Gianfranco Bettin, La Strage (Milan, 1999)

  Giovanni Fasanella, Claudio Sestieri, Giovanni Pellegrino, Segreto di Stato (Turin, 2000)

  5 The Means of Seduction

  Italo Calvino, La speculazione edilizia (Milan, 1994)

  Quoted in Edward Murray, Fellini the Artist (New York, 1976)

  Pier Paolo Pasolini, Lettere Luterane (Turin, 1976)

  Italo Calvino, La speculazione edilizia (Milan, 1994)

  Quoted in Ernesto Galli Della Loggia, L’identità italiana (Bologna, 1998)

  The Economist (April 24 May 4 2001)

  6 Clean Hands

  Eurostat, Enterprises in Europe (Brussels, 1996)

  Quoted in The New York Review of Books (October 18, 2001)

  Carlo Pirovano ed., Italia moderna: la difficile democrazia (Milan, 1985)

  Ibid

  Corriere della Sera (3 May 1992)

  Paul Ginsborg, L’Italia del tempo presente (Turin, 1998)

  Corriere della Sera (29 May 1992)

  Il Giornale (27 January 1994)

  7 Miracles and Mysteries

  Quoted in John Cornwell, Breaking Faith (London, 2001)

  Henry James Letters. 4 Volumes. Ed. by Leon Edel (Cambridge USA, 1984)

  Charles Dickens, Pictures from Italy, Ed. by Kate Flint (London, 1998)

  Espresso (number 40, 1981)

  Paul Ginsborg, Italy and Its Discontents (London, 2001)

  Tina Anselmi, Commissione Parlamentare d’Inchiesta sulla Loggia Massonica P2 (Rome, 1984)

  8 An Italian Story

  Alexander Stille, Excellent Cadavers (London, 1995)

  10 I Morti

  Corriere della Sera, (19 January 2002)

  La Repubblica, (20 April 2002)

  Giovanni Guareschi, The Little World of Don Camillo (New York, 1977)

  Henry James, Italian Hours (London, 1995)

  Umberto Eco, Sette anni di desiderio (Milan, 1983)

  Ibid

  Revised Postscript

  See Perry Anderson’s discussion of the adjective in the London Review of Books (21 March 2002)

  Massimo Carlotto, The Colombian Mule (London, 2004)

  Marcello Fois, The Advocate (London, 2004)

  Luigi Pirandello, ‘So It Is (If You Think So)’ in Six Characters in Search of An Author and Other Plays (trans. by Marti Musa London, 1995)

  Index

  abusivismo 1, 2

  Agrigento 1

  consumption of concrete 1

  demolition work 1

  illegal houses sanitised 1

  in election campaign 1

  Naples redevelopment 1

  therapy of the bulldozers 1, 2, 3

  Advocate, The (Marcello Fois) 1, 2

  aestheticism 1, 2, 3, 4, 5, 6, 7

  Agca, Mehmet Ali 1

  AGIP 1

  Agnelli, Gianni 1, 2, 3, 4

  senator for life 1

  Agricola, Riccardo 1

  Agrigento 1, 2

  archaeological site 1

  Calogero Sodano 1

  landslide 1

  Valley of the Temples 1

  see also abusivismo

  Alessandrini, Emilio 1

  Alighieri, Dante see Dante

  Alleanza Nazionale see National

  Alliance

  Allies in Italy 1, 2, 3

  Almirante, Giorgio 1

  Amato, Giuliano 1, 2, 3

  Ambrosini, Vittorio 1

  Ambrosoli, Giorgio 1, 2

  Amnesty International 1

  Andreotti, Giulio 1, 2, 3, 4

  anni di piombo xi, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11

  Fascist bombings 1

  Gladio 1, 2

  historiography 1

  Sofri Case 1

  see also bombings, Red Brigades,

  Ordine Nuovo, Lotta Continua

  Antonioni, Michelangelo 1

  L’Avventura 1

  La Notte 1

  Arnone, Giuseppe 1

  Arpinati, Leandro 1

  Article 1 2

  protest against repeal 1

  Asian economics 1

  Aulla 1

  Australia 1

  Azione Cattolica 1

  Azzurri see football

  Badoglio, Pietro 1

  Baggio, Dino 1

  Baldelli, Pio 1

  Banca Commerciale Italiana 1, 2

  Banca Rasini 1

  Banco Ambrosiano 1, 2

  Bank of America 1

  Bank of Italy 1, 2

  banking system 1

  Barbacetto, Gianni see Vetri, Elio

  Baresi, Franco 1

  Barzini, Luigi 1, 2

  Basile, Carlo Emanuele 1

  Batistuta, Gabriel 1

  Beneduce, Alberto 1

  Benetton Edizione Holdings 1

  Benigni, Roberto 1, 2

  Berlinguer, Enrico 1, 2

  Berlusconi, Paolo 1

  alleged corruption 1

  owner of Il Giornale 1

  Berlusconi, Silvio

  alleged corruption 1, 2

  alleged proximity to Mafia 1, 2, 3

  An Italian Story 1

  attitude towards taxation 1

  Clean Hands 1

  investigated by 1

  support for 1

  comparisons 1, 2, 3

  conflict of interests 1, 2, 3, 4

  conflicting stories of career 1

  David Mills and 1

  defence against accusations 1, 2, 3, 4

  family 1, 2

  football interests 1, 2

  AC Milan 1, 2, 3

  Lentini 1

  Foreign Secretary 1

  Forza Italia 1, 2, 3, 4, 5, 6

  future prospects 1

  horoscope 1

  hypocrisy, alleged lack of 1

  journalists sacked from RAI 1

  legislation 1

  mausoleum 1

  media interests

  Blockbuster video rentals 1

  Edilnord 1

  Il Giornale 1, 2, 3

  magazine ownership 1, 2, 3

  Mondadori publishing house 1, 2, 3

  national broadcasting sanctioned 1

  owner of Mediaset 1, 2, 3, 4

  Pagine Utili 1

  and politicisation 1

  Publitalia 1, 2, 3

  purchase of rights to American films 1

  see also Mediaset television;

  RAI television

  Mediolanum 1

  Milano 1 2, 3

  Moggi and 1

  in opposition 1

  ‘owner’ of Italy 1, 2

  P2 membership 1, 2

  personal appeal 1, 2, 3, 4, 5, 6

  ‘Pole of Liberties’ 1, 2, 3, 4, 5

  political character of 1
, 2

  promises 1, 2

  right-wing criticism 1, 2

  supporters’ reaction to author’s book 1

  The Economist 1, 2, 3

  The Italy I Have in Mind 1

  wealth 1, 2

  World Cup and 1

  Berlusconi’s government (May 2001)

  Berlusconi appoints himself foreign Secretary 1

  coalitions 1, 2, 3

  conflict of interests 1, 2, 3, 4

  criminal activity during 1

  defence of Carnevale 1

  democratic election as defence of government incursions 1

  Euroscepticism 1

  formation of government 1

  Islam denounced 1

  landslide victory 1, 2

  legislation 1, 2

  Mafia relations 1

  neutralisation of judicial processes 1

  protective escorts cut back 1, 2, 3

  realpolitik 1

  refusal to sign European arrest warrant 1

  renaming of streets 1

  signs of an authoritarian regime 1

  speed limit raised 1

  Statute of Limitations reduced 1, 2

  2006 election 1, 2

  veto on distribution of European agencies 1

  withdrawal from military transport project 1

  Bertolotti, Francesco 1

  Bertolucci, Bernardo 1

  The Spider’s Stratagem 1

  The Conformist 1

  Bertossa, Bernard 1

  Biagi, Enzo 1

  Biagi, Marco 1

  Blair, Tony 1, 2

  Blob 1

  Blunkett, David 1

  Bocca di Magra 1

  Bocca, Giorgio 1

  Boccaccio, Giovanni 1

  Bologna, University of 1

  bombings 1, 2, 3

  anni di piombo 1, 2, 3, 4, 5, 6, 7

  Bologna (1980) 1, 2

  Florence and Milan (1993) 1

  Freccia del Sud 1

 

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