Riverworld03- The Dark Design (1977)
Riverworld [3]
Philip Jose Farmer
Tom Doherty Associates (2010)
Rating: ★★★☆☆
Tags: Fiction, General, Science Fiction, Science Fiction - General, Fiction - Science Fiction, American Science Fiction And Fantasy, Farmer; Philip Jose - Prose Criticism, Science Fiction - Series
Fictionttt Generalttt Science Fictionttt Science Fiction - Generalttt Fiction - Science Fictionttt American Science Fiction And Fantasyttt Farmer; Philip Jose - Prose Criticismttt Science Fiction - Seriesttt
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SUMMARY:
Milton Firebrass, once Mark Twain's enemy and now his greatest ally, plans to build a giant airship that can fly to the North Pole of Riverworld. Once there, he hopes to learn the secret of the mysterious tower that dominates the landscape and find the answer to his most urgent question: could the tower contain the Ethicals, the enigmatic beings that created Riverworld? Meanwhile, Jill Gulbirra is challenged for the job of piloting the airship by none other than Cyrano de Bergerac. As if there were not enough challenges facing the crew, they soon suspect there is an agent of the Ethicals among their number, plotting their destruction....
Biography From Wikipedia - Philip José Farmer
Born: January 26, 1918, Terre Haute, Indiana, USA
Died: February 25, 2009 (aged 91), Peoria, Illinois, USA
Philip José Farmer (January 26, 1918 – February 25, 2009) was an American author, principally known for his award-winning science fiction and fantasy novels and short stories.
Farmer is best known for his sequences of novels, especially the World of Tiers (1965–93) and Riverworld (1971–83) series. He is noted for the pioneering use of sexual and religious themes in his work, his fascination for, and reworking of, the lore of celebrated pulp heroes, and occasional tongue-in-cheek pseudonymous works written as if by fictional characters. Farmer often mixed real and classic fictional characters and worlds and real and fake authors as epitomized by his Wold Newton family group of books. These tie all classic fictional characters together as real people and blood relatives resulting from an alien conspiracy. Such works as The Other Log of Phileas Fogg (1973) and Doc Savage: His Apocalyptic Life (1973) are early examples of literary mashup.
Literary critic Leslie Fiedler compared Farmer to Ray Bradbury as both being "provincial American eccentrics" ... who... "strain at the classic limits of the [science fiction] form", but found Farmer distinctive in that he "manages to be at once naive and sophisticated in his odd blending of theology, pornography, and adventure".
Farmer was born in North Terre Haute, Indiana. According to colleague Frederik Pohl, his middle name was in honor of an aunt, Josie. Farmer grew up in Peoria, Illinois, where he attended Peoria High School. His father was a civil engineer and a supervisor for the local power company. A voracious reader as a boy, Farmer said he resolved to become a writer in the fourth grade. He became an agnostic at the age of 14. At age 23, in 1941, he married and eventually fathered a son and a daughter. After washing out of flight training in World War II, he went to work in a local steel mill. He continued his education, however, earning a bachelor’s degree in English from Bradley University in 1950.
Farmer had his first literary success in 1952 with a novella called The Lovers, about a sexual relationship between a human and an extraterrestrial. It won him the Hugo Award as "most promising new writer", the first of three. Thus encouraged, he quit his job to become a full-time writer, entered a publisher’s contest, and promptly won the $4,000 first prize for a novel that contained the germ of his later Riverworld series. The book was not published and Farmer did not get the money. Literary success did not translate into financial security, and in 1956 he left Peoria to launch a career as a technical writer. He spent the next 14 years working in that capacity for various defense contractors, from Syracuse, New York to Los Angeles, California, while writing science fiction in his spare time.
He won a second Hugo after the publication of his 1967 novella Riders of the Purple Wage, a pastiche of James Joyce’s Finnegans Wake as well as a satire on a futuristic, cradle-to-grave welfare state. Reinvigorated, Farmer became a full-time writer again in 1969. Upon moving back to Peoria in 1970, he entered his most prolific period, publishing 25 books in 10 years. His novel To Your Scattered Bodies Go (a reworked, previously unpublished version of the prize-winning first novel of 20 years before) won him his third Hugo in 1971. A 1975 novel, Venus on the Half-Shell, created a stir in the larger literary community and media. It purported to be written in the first person by one “Kilgore Trout”, a fictional character appearing as an underappreciated science fiction writer in several of Kurt Vonnegut’s novels. The escapade did not please Vonnegut when some reviewers not only concluded that it had been written by Vonnegut himself, but that it was a worthy addition to his works. Farmer did have permission from Vonnegut to write the book, though Vonnegut later said he regretted giving permission.
Farmer had both critical champions and detractors. Leslie Fiedler proclaimed him "the greatest science fiction writer ever" and lauded his approach to storytelling as a “gargantuan lust to swallow down the whole cosmos, past, present and to come, and to spew it out again”. Isaac Asimov praised Farmer as an "excellent science fiction writer; in fact, a far more skillful writer than I am...." But Christopher Lehmann-Haupt described him in The New York Times in 1972 as “a humdrum toiler in the fields of science fiction”.
Farmer died on February 25, 2009. At the time of his death, he and his wife Bette had two children, six grandchildren and four great-grandchildren.
Riverworld series
The Riverworld series follows the adventures of such diverse characters as Richard Burton, Hermann Göring, and Samuel Clemens through a bizarre afterlife in which every human ever to have lived is simultaneously resurrected along a single river valley that stretches over an entire planet. The series consists of To Your Scattered Bodies Go (1971), The Fabulous Riverboat (1971), The Dark Design (1977), The Magic Labyrinth (1980) and Gods of Riverworld (1983). Although Riverworld and Other Stories (1979) is not part of the series as such, it does include the second-published Riverworld story, which is free-standing rather than integrated into one of the novels.
The first two Riverworld books were originally published as novellas, "The Day of the Great Shout" and "The Suicide Express", and as a two-part serial, "The Felled Star", in the science fiction magazines Worlds of Tomorrow and If between 1965 and 1967. The separate novelette "Riverworld" ran in Worlds of Tomorrow in January 1966. A final pair of linked novelettes appeared in the 1990s: "Crossing the Dark River" (in Tales of Riverworld, 1992) and "Up the Bright River" (in Quest to Riverworld, 1993). Farmer introduced himself into the series as Peter Jairus Frigate (PJF).
The Riverworld series originated in a novel, Owe for the Flesh, written in one month in 1952 as a contest entry. It won the contest, but the book was left unpublished and orphaned when the prize money was misappropriated, and Farmer nearly gave up writing altogether. The original manuscript of the novel was lost, but years later Farmer reworked the material into the Riverworld magazine stories mentioned above. Eventually, a copy of a revised version of the original novel surfaced in a box in a garage and was published as River of Eternity by Phantasia Press in 1983. Farmer's Introduction to this edition gives the details of how it all happened.
World of Tiers series
The series is set within a number of artificially constructed parallel universes, created tens of thousands of years ago by a race of human beings who had achieved an advanced level of technology which gave them almost godlike powe
r and immortality. The principal universe in which these stories take place, and from which the series derives its name, consists of an enormous tiered planet, shaped like a stack of disks or squat cylinders, of diminishing radius, one atop the other. The series follows the adventures of several of these godlike humans and several "ordinary" humans from Earth who accidentally travel to these artificial universes. (One of those "ordinary" humans was Kickaha, real name Paul Janus Finnegan (PJF) who becomes the main protagonist in the series.) The series consists of The Maker of Universes (1965), The Gates of Creation (1966), A Private Cosmos (1968), Behind the Walls of Terra (1970), The Lavalite World (1977) and More Than Fire (1993). Roger Zelazny has mentioned that The World of Tiers was something he had in his mind when he created his Amber series. A related novel is Red Orc's Rage (1991), which does not involve the principal characters of the other books directly, but does provide background information to certain events and characters portrayed in the other novels. This is the most "psychological" of Farmer's novels.
Copyright
About
Prologue
Dedication
Forethoughts
Foreword
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Copyright
This book was
copied right, in
the dark, by
Illuminati.
AboutThe
e-Book
TITLE: The Dark Design
AUTHOR: Farmer, Philip José
ABEB Version: 3.0
Hog Edition
Prologue
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Though some of the names in The Riverworld Series are fictional, the characters are or were real. You may not be mentioned, but you're here.
Dedication
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To Sam Long and my godson David, son of Doctor Doctor
Forethoughts
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And still the Weaver plies his loom, whose warp and woof is wretched
Man Weaving th' unpattern'd dark design, so dark we doubt it owns a plan.
-The Kasîdah of Hâjî Abdû al-Yazdi
"Sentence first – verdict afterwards."
-Alice in Wonderland
Foreword
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THE BOOK AT HAND IS VOLUME III OF THE RIVERWORLD SERIES.
Originally, it was to be the conclusion of a trilogy. However, the Ms. was more than 400,000 words long. Published under one cover, it would be too heavy and unwieldy for the reader.
Therefore, the publisher and myself decided to cut it into two. Volume IV, The Magic Labyrinth, will follow this book. It will definitely conclude this phase of the series, explain all the mysteries set forth in the first three volumes, tie up all ends in a knot, Gordian or otherwise.
Any novels about the Riverworld after volume IV are not to be considered as part of the mainstream of the series. These will be the "side stream", stories not directly concerned with mystery and the quests of the first three. My decision to write these is based on my belief – and that of many others – that the Riverworld concept is too big to compress within four volumes. After all, we have a planet on which a single river, or a very long and narrow sea, runs for 16,090,000 kilometers, or about 10,000,000 miles. More than thirty-six billion people live along its banks, human beings who existed from the Old Stone Age through the first part of the Electronic Age.
There is not room in the first four volumes to chronicle many events which might interest the reader. For instance, the resurrectees were not distributed along The River according to the chronological sequence in which they had been born on Earth. There was a considerable mixture of races and nationalities from different centuries. Take as an example one of the many thousands of blocs along the banks. This would be in an area ten kilometers long, and the people comprising it would be 60 percent 3rd-century A.D. Chinese, 39 percent 17th-century A.D. Russians, and 1 percent men and women from anywhere and anytime.
How would these people manage to form a viable state from anarchy? How would they succeed, or fail, in their efforts to get along with each other and to form a body which could defend itself against hostile states? What problems would they have?
In the book at hand, Jack London, Tom Mix, Nur ed-din el-Musafir, and Peter Jairus Frigate sail on the Razzle Dazzle II up The River. There is considerable characterization of Frigate and Nur in volumes III and IV. However, there was not enough space to fully develop the characters of the others. So, the "side stream" stories will give me scope to do this.
These will also relate how the crew of the Razzle Dazzle meet some major and minor representatives of various fields of human endeavor. These should include da Vinci, Rousseau, Karl Marx, Rameses II, Nietzsche, Bakunin, Alcibiades, Eddy, Ben Jonson, Li Po, Nichiren Daishonin, Asoka, an Ice Age cavewife, Joan of Arc, Gilgamesh, Edwin Booth, Faust et al.
It's been apparent to some that Peter Jairus Frigate remarkably resembles the author. It is true that I am the basis for that character, but Frigate has approximately the similarity to me that David Copperfield has to Charles Dickens. The author's physical and psychic features are only a springboard for propelling reality into that parareality – fiction.
I apologize to the readers for the cliffhanger endings of the first three volumes. The structure of the series was such that I could not emulate that of Isaac Asimov's Foundation series. In these each volume seemed to have a definite conclusion, the mystery seemingly solved, only to reveal in the sequel that the previous ending was false or misleading.
I hope to finish the series, volumes I through V (or possibly VI), before it's my time to lie down and rest while waiting to board the fabulous riverboat.
-Philip José Farmer
Chapter 1
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Dreams haunted the Riverworld.
Sleep, night's Pandora, was even more generous than on Earth. There, it had been this for you and that for your neighbor. Tomorrow, that for you and this for next door.
Here in this endless valley, along these unceasing Riverbanks, she dumped her treasure chest, showering everybody with all gifts: terror and pleasure, memory and anticipation, mystery and revelation.
Billions
stirred, muttered, groaned, whimpered, laughed, cried out, swam to wakefulness, sank back again.
Mighty engines battered the walls, and things wriggled out through the holes. Often, they did not retreat but stayed, phantoms who refused to fade at cockcrow.
Also, for some reason, dreams recurred more frequently than on the mother planet. The actors of the nocturnal Theater of the Absurd insisted on return engagements, performances which they, not the patrons, commanded. The attendees were powerless to jeer or applaud, to throw eggs and cabbages or walk out, to chatter with their seatmates or doze.
Among this captive audience was Richard Francis Burton.
Chapter 2
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Fog, grey and swirling, formed the stage and the backdrop.
Burton stood in the pit like an Elizabethan too poor to afford a seat. Above him were thirteen figures, all in chairs which floated in the mist. One of them faced the others, who were arranged in a semicircle. That man was the protagonist – himself.
There was a fourteenth person mere, though it stood in the wings and could be seen only by the Burton in the pit. It was a black, menacing shape which, now and then, chuckled hollowly.
A not quite similar scene had happened before, once in reality and many times in dreams, though who could be sure which was which? There he was, the man who'd died seven hundred and seventy times in a vain effort to elude his pursuers. And there sat the twelve who called themselves the Ethicals.
Six were men; six, women. Except for two, all had deeply tanned or heavily pigmented skins and black or dark brown hair. The eyes of two men and a woman had slight epicanthic folds, which made him think that they were Eurasians. That is, they were if they had originated on Earth.
Only two of the twelve had been named during the brief inquisition – Loga and Thanabur. Neither name seemed to be of any language he knew, and he knew at least a hundred. However, languages change, and it was possible that they might be from the fifty-second century A.D. One of their agents had told them that he came from that time. But Spruce had been under threat of torture and might have been lying.
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