"I finally got loose and staggered out to the ward. All four guards were on the floor. Two are still alive but badly hurt. The intercoms were all wrecked. The door was locked, and the pistols and knives of the outside guards were gone. I'd still be there if I wasn't so handy at picking locks and the lock wasn't pickable. Then I ran to the nearest bulkhead phone . . ."
"How long ago was it that he broke loose?"
"Twenty-five minutes ago."
"Twenty-five?"
She was dismayed. What had Thorn been doing in all that time?
"Take care of those men," she said and switched him off.
"He must have had a transmitter hidden somehow, somewhere,'' she said to Cyrano.
"But how do you know that?"
"I can't be sure. What else would take so much of his time? Nikitin, take her down to ground level! As fast as possible!"
Katamura's voice came over the intercom.
"Captain, the chopper's gone."
Cyrano swore in French.
Nikitin flipped on the general address and informed the crew that the ship would be going into dangerous maneuver. All personnel should make themselves secure.
"Forty-five degrees, Nikitin," Jill said. "Full speed."
The radar operator reported that the helicopter was on his scope. It was going south and downward at a maximum velocity at a forty-five degree angle to the horizontal.
By then, the deck of the control room was tilted downward. The others hastened to strap themselves into chairs bolted to the deck. Jill took a seat by Nikitin. She would like to have taken over the pilot's chair, but even now protocol forbade that. However, it did not matter that she was not at the controls. The wild Russian would get the dirigible down as swiftly as she could. Her job would be to make sure that he did not overdo it.
"If Thorn has a transmitter," Cyrano said, "he can use it now. We'll never make it."
Though he was pale and wide-eyed, he smiled at her.
Jill looked from Cyrano to the control panel indicators. The ship was parallel to the Valley, so there was no problem about clearing the mountain tops. The Valley looked narrow, but it was rapidly broadening. There were some lights down there, bonfires around which would be sentinels or late-night revellers. The rain clouds had dissipated swiftly, as they almost always did. The star-packed skies cast a pale light into the space between the two mountains. Was anybody down there looking up at them? If so, they must wonder what this huge object was and why it was coming down so swiftly.
Not that it was going fast enough to suit her.
Cyrano was right. If Thorn did intend to set off a bomb, he would be doing it now. Unless . . . unless he would be willing to wait until the ship had landed. After all, he had spared Graves, and he could have killed the other two guards.
Keeping an eye on the panel radar-scopes, she called the hangar bay.
Szentes answered.
"We were all in our quarters, "he said. "There's no guard posted in the bay."
"I know," she said. "Just tell me . . . quickly . . . what happened?"
"Thorn stuck his head in the door. He pointed a pistol at us. Then he ripped off the intercom, and he told us that he was going to close the door. He said he had a bomb rigged to explode if the door was opened. Then he shut it. We didn't know if we should believe him, but no one was willing to find out if he was lying or not. Then Officer Katamura opened the door. There wasn't any bomb; Thorn had lied. I'm sorry, Captain."
"You did what you should have done."
She told the radio operator to transmit their situation to the Mark Twain.
At 915 meters, a little over 3000 feet, she ordered Nikitin to tilt the propellers to give the ship an upward thrust. Also, to raise the nose by three degrees. The inertia would keep them diving despite the braking effect of the propellers. In a minute she would order the nose raised by ten degrees. This would flatten out the dive even more.
What to do when the ship straightened out at about 915 meters or somewhat over 3000 feet? If it leveled at that altitude. She was really cutting it close, though she knew the capabilities of the Parseval almost as well as she knew hers.
Should she land the ship? There was no way to moor it, and the hydrogen would have to be valved off so that it would not rise as the crew abandoned it. Otherwise, some of the men would not get off in time, and they would be carried away.
But what if Thorn had no transmitter, what if there was no bomb? The airship would be lost for no reason.
"Too fast! Too fast!" Nikitin said.
Jill was already leaning forward to set the ballast switch for a discharge of 1000 kilograms of water. She punched the button, and a few seconds later the ship rose abruptly.
"Sorry, Nikitin," .she murmured. "There wasn't any time to waste."
Radar indicated that the helicopter was hovering north of them at 300 meters altitude. Was Thorn waiting to see what they would do? If so, he did not intend to set off the bomb if they crash-landed or abandoned the ship.
What was she to do? The thought of either alternative made her grind her teeth. She could not bear the idea of wrecking or losing this beauty. The last airship.
The safety of the crew, however, had to come first.
"One hundred and fifty-two meters altitude," Nikitin said.
The propellers were turned fully upward and biting into the air at full speed. The mountains loomed on both sides; The River sparkled in starlight on the port; the plains ran smoothly beneath them.
There were dwellings below, frail bamboo structures filled with people, most of whom would be sleeping. If the dirigible landed on the plain, it would crush hundreds. If it caught fire, it would burn many more.
Jill ordered Nikitin to steer it over The River.
What to do?
Of the people along The River who had to stay awake or who wanted to, a few had looked into the white-and-black-spangled sky. These saw two silhouetted objects, one much larger than the other. The smaller one was composed of two spheres, one below the other, the larger of the spheres above the other. The greater object was long and shaped like a fat cigar.
They were moving toward each other, the smaller emitting a faint light from the lower sphere, the other sending out bright beams. One of these beams began to go on and off in measured lengths of time.
Suddenly, the larger object dipped its nose, and it came down swiftly. As it neared the ground, it emitted a strange noise.
Many did not recognize the shape of either object. They had never seen a balloon or a dirigible. Some had lived when balloons were not unknown, though many of these had only seen illustrations or photographs of them. But most of this group had never seen or heard of an airship except in illustrations of what might be expected in the future.
A very small minority recognized the larger, now diving, object as a dirigible.
Whatever their knowledge, many ran to wake up their mates and friends or to sound a general alarm.
By then some had seen the helicopter, and this caused even more curiosity and apprehension.
Drums began to beat; people, to shout. Everybody was awake by then, and the dwellings were emptied. All looked up and wondered.
The questions and the shouts became one great cry as one of the flying objects burst into flame. They screamed as it plunged, bright orange fire trailing like the glory of a falling angel.
Chapter 70
* * *
Tai-Peng wore only a garment of irontree leaves and vine blossoms. A cup of wine in his left hand, he paced back and forth, extemporizing poems with the ease of water flowing down a hill. A poem would tumble out in the court speech of the Tang dynasty, sounding to non-Chinese like dice clicking in a cup. Then he would translate it into the local Esperanto dialect.
Much of the sublety and reference were lost in the mutation, but enough was retained to move his listeners to laughter and tears.
Tai-Peng's woman, Wen-Chun, softly played on a bamboo flute. Though his voice was usually loud and screeching,
it was subdued for the occasion. In Esperanto it was almost as melodious as the flute. He wore only a garment made for the occasion, red-green-striped leaves and red-white-blue-striped blossoms. These fluttered as he walked back and forth like a great cat in a cage.
He was tall for a man of his race and time, the eighth century A.D. , lithe yet broad shouldered and heavily muscled. His long hair shone in the late noon sun; it glittered like a dark jade mirror. His eyes were large and pale green, blazing, a hungry – but wounded – tiger's.
Though he was a descendant of an emperor by a concubine, he was nine generations removed. His immediate family had been thieves and murderers. Some of his grandparents were of the hill tribes, and it was these wild people who had bequeathed him the fierce green eyes.
He and his audience were on a high hill from which the plain, The River, and the land and the mountain wall beyond could be seen. His listeners, even drunker than he, though none had drunk so much, formed a crescent. This left an opening for him to stride into and out of. Tai-Peng did not like barriers of any kind. Walls made him uneasy; prison bars, frenzied.
Though half of the audience was Chinese of the sixteenth century A.D., the others were from here and there, now and then.
Now Tai-Peng stopped composing, and he recited a poem by Chen Tzu-Ang. First, he stated that Chen had died a few years before he, Tai-Peng, was born. Though Chen was wealthy, he had died in a prison at the age of forty-two. A magistrate had put him there so he could cheat him out of his father's inheritance.
"Men of affairs are proud of their cunning and skill, But in the Tao they still have much to learn. They are proud of their exploitations, But they do not know what happens to the body. Why do they not learn from the Master of Dark Truth, Who saw the whole world in a little jade bottle? Whose bright soul was free of Earth and Heaven, For riding on Change he entered into Freedom."
Tai-Peng paused to empty his cup and hold it out for a refill.
One of the group, a black man named Tom Turpin, said, "Ain't no more wine. What about some alky?"
"No more drink of the gods? I don't want your barbarians' juice! It stupifies where wine enlivens!"
He looked around, smiled like a tiger in mating season, and he lifted Wen-Chun and strode off to his hut with her in his arms.
"When the wine stops, it's time to begin with women!"
The brightly colored leaves and blossoms fluttered to the ground as Wen-Chun mock-struggled with him. He looked like a being from ancient myth, a plant man carrying off a human female.
The others laughed, and the group began to break up before Tai-Peng had shut the door of his hut. One of them walked around the hill to his own hut. After entering, he barred the door and drew down bamboo-and-skin blinds over the windows. In the twilight he sat down on a stool. He opened the lid of his grail and sat for a while staring at it.
A man and a woman passed near his door. They were talking of the mysterious event that had taken place less than a month ago down-River. A great noisy monster had flown from over the western mountain at night and had landed on The River. The braver, or more foolish, locals had boated out toward it. But it had sunk into the waters before they could get close to it, and it had not come up again.
Was it a dragon? Some people said there never had been any dragons. These, however, were skeptics from the degenerate nineteenth and twentieth centuries. Anybody but a fool knew that dragons did exist. On the other hand, it could have been a flying machine of the beings who had made this world.
It was said that some had seen or thought they'd seen a manlike figure swimming away from where the dragon had sunk.
The man in the hut smiled.
He thought of Tai-Peng. That was not his true name. Only Tai-Peng and a few others knew what it was. His adopted name meant "The Great Phoenix," a clue to his real name since he had often boasted in Terrestrial life that he was just such.
Tai-Peng had met him long ago, but he did not know this.
The man in the hut spoke a code word. Instantly, the exterior of the grail sprang into light. The light did not shine over the entire surface. Against the grey metal were two large circles, one on each side of the cylinder. Inside each circle, which represented a hemisphere of the planet, were thousands of very thin, glowing, twisted lines. These intersected many tiny flashing circles. All were empty except for one. This enclosed a flashing pentagram, a five-pointed star.
Each circle, except for that holding the star, emitted dots and dashes of light.
The display was a chart not made to scale. The lines were the valleys, and the circles indicated men and women. The pulse group of each was an identity code.
Clemens and Burton, among others, had been told by X that he had chosen only twelve to assist him. There were twelve times twelve symbols on the lines, not counting the circled star. One hundred and forty-four in all.
A number of circles were pulsing the same group. The man sighed, and he spoke a code phrase. Instantly, the symbols emitting dash-dash-dash-dots disappeared.
Another code phrase. Two glowing symbols appeared near the top of the grail.
Only seventy recruits were still alive. Less than half of the chosen.
How many would there be forty years from now?
Of these, how many would quit before then?
However, there were many nonrecruits who now knew about the tower. Some of these even knew about the person whom Clemens called the Mysterious Stranger or X. The secret was out, and some who'd learned it second-hand were as intensely motivated as the recruits.
Given the changed situation, it was inevitable that others would get in on the quest polarward. And it was possible that not one recruit would get to the tower whereas some nonrecruits might.
He spoke another code phrase. The circles were suddenly accompanied by other symbols. Triangles, an uncircled pentagram, and one hexagram, a six-pointed star. The triangles, which pulsed code groups, were the symbols of the second-order Ethicals, the agents.
The hexagram was the Operator's.
He spoke again. A square of light appeared in the center of the hemisphere facing him. Then the display outside the square faded away. Immediately, the square expanded. It was a blow-up of the area in which the three stars and a few circles were located.
Another phrase brought forth glowing digits above the square. So, the six-pointed star was down-River by many thousands of kilometers. The Operator had failed to board the Rex. But the second paddlewheeler would be coming along, though much later.
In the neighboring valley to the east was Richard Francis Burton. So near yet so far. Only a day's walk away – if flesh could pass like a ghost through stone.
Burton was undoubtedly on the Rex Grandissimus. His circle had moved too swiftly along his line for him to be traveling by sailboat.
The Operator . . . what action would the Operator take if he did get on the Mark Twain ? Reveal a part of the truth to Clemens? All of it? Or keep silent?
There was no telling what would happen. The situation had been changed too drastically. Even the computer at HQ would not have been able to indicate more than a small percentage of the probabilities.
So far, there was only one agent on a boat, the Rex. At least ten could be picked up by the Mark Twain, but it was improbable that more than one would be. If that.
Fifty were in the line between the Rex and Virolando.
Of the total of sixty, he could identify only ten. These were upper echelon, heads of their sections.
The chances were that he would encounter none of the sixty.
But . . . what if he failed to get aboard either boat?
He felt sick.
Somehow, he would do it. He must do it.
To be realistic, he had to admit that he could fail.
At one time he had believed that he could do anything humanly possible and some things which no other humans could do. But his faith in himself had been somewhat shaken.
Perhaps this was because he had lived among the Riv
erpeople too long.
There were so many journeying up-River, driven by one great desire. By now most of them would have heard Joe Miller's story, though it was at hundredth-hand. They'd be expecting to find the towel rope up which they could climb the precipice. They'd also expect the tunnel which would permit them to detour an almost unscalable mountain. They would expect the path along the face of the mountain.
These were no more.
Neither was the tunnel at the end of the path, at the base of the mountain. It had melted into lava.
He looked again at the unencircled star. Close. Far too close by. As the situation now was, it represented the greatest danger.
Who knew how the situation would change?
Now the loud voice of Tai-Peng entered the hut. He was outside, having tumbled his woman, and he was shouting something unintelligible at the world. What a noise the man made in this world! What a blur of action!
If I cannot shake the gods on high, I will at least make an uproar in Acheron.
Now Tai-Peng was closer, and his speech could be heard clearly.
"I eat like a tiger! I crap like an elephant! I can drink three hundred cups of wine at a sitting! I have married three wives, made love to a thousand women! I outplay anyone on the lute and the flute! I write immortal poems by the thousands, but I throw them into the stream as soon as they're finished and watch the water, the wind, and the spirits carry them off to destruction!
"Water and flowers! Water and flowers! These I love the most! "Change and impermanence! These wound, pain, torture me!
"Yet it is change and ephemerality that make for beauty! Without dying and death can there be beauty? Can there be perfection? "Beauty is beautiful because it is doomed to perish! "Or is it?
"I, Tai-Peng, once thought of myself as flowing water, as a blooming flower! As a dragon!
"Rowers and dragons! Dragons are flowers of the flesh! They live in beauty while generations of flowers bloom and die! Bloom and become dust! Yet even dragons die; they bloom and become dust! A white man, pale as a ghost, blue-eyed as a demon, once told me that dragons lived for eons! Eons, I say! For ages that make the mind turn upside down to think of them! Yet. . . they all perished millions of years ago, long before Nukua created men and women from yellow mud!
Riverworld03- The Dark Design (1977) Page 50