by Lauren Groff
“Well,” Mathilde said. “Seems that ours will be your standard mother-in-law, daughter-in-law relationship, Antoinette.” They both laughed.
“You may call me Mrs. Satterwhite,” Lotto’s mother said.
“I may. Probably won’t,” Mathilde said. “How’s Mother sound to you?”
“You’re a tough little cookie, aren’t you,” said Antoinette. “Well, my Lancelot is so tenderhearted that the woman he marries has got to be a little hard. I am, however, afraid that someone won’t be you.”
“Already is,” Mathilde said. “How can I help you? What do you want?”
“The question, my girl, is what you want. I assume you know that Lancelot comes from money. Oh, of course you know! That’s why you married him. Going together for two weeks, no way you actually love the dear boy, lovable as he may be. Knowing my son as I do, he hasn’t told you yet how you aren’t going to see a penny of my money while I’ve got breath to breathe and he’s married to you. We discussed it all yesterday morning after you did the deed and he called me up to gloat. Impetuous, both of you. Acting like the children you still are. And now you’re penniless. I do wonder how you feel at this moment. I’m so sorry that all your plans are coming to naught.”
Despite herself, Mathilde caught her breath.
Antoinette continued: “Of course, that means you’d do far better for yourself to get it all annulled. Take a hundred thousand dollars and call it a day.”
“Ha!” Mathilde said.
“Darling, you name your price, I don’t mind. Not the time to be cheap, I suppose. Say the word and it’ll be done. Just ask what you require to start up your life after graduation and you’ll have it all wired this afternoon and you can sign some papers and just walk away. Leave my poor child in peace, let him sow his wild oats, eventually find himself some good, sweet girl and come home to Florida to me.”
“Interesting,” Mathilde said. “You’re possessive for a woman who couldn’t bother to visit her son for a whole year.”
“Well, darling, you grow a baby in your belly for near on a year, you see your husband and yourself in his face, of course you’ll be possessive. He’s my blood. I made him. You’ll see someday.”
“I won’t,” Mathilde said.
“Five hundred? No? Would a million do?” said Antoinette. “All you have to do is abandon ship. Take your money and run. You could do what you like with a million dollars. Travel, see foreign cultures. Open up your own business. Run your hustle on richer men. The world is your oyster, Mathilde Yoder. Consider this that first grain of sand to make your pearl.”
“You sure have the gift of the mixed metaphor,” Mathilde said. “I admire it, in a way.”
“I take it from your comment that we have come to an accord. Excellent choice. You’re not stupid. I shall call my attorney and some boy will bring the papers by in a few hours.”
“Oh, wow,” Mathilde said softly. “It is going to be so, so wonderful.”
“Yes, darling. Sensible of you to take the deal. Good chunk of change, it is.”
“No,” Mathilde said. “I meant that it will be so wonderful to think up all the ways to keep your son far away from you. It’ll be our little game. You’ll see. All the holidays, all the birthdays, all the times when you’re sick, something urgent will come up and your son will have to stay with me. He’ll be with me, not you. He will choose me, not you. Muvva—Lotto calls you Muvva, so I will, too—until you apologize, until you force yourself to be nice, you won’t lay your eyes on him again.”
She put the phone gently on the hook and unplugged it and went to take a second bath, her T-shirt having gone transparent with sweat. In a few days, she’d get the first of many notes that Antoinette would send her through the years, spiky with exclamation points. In return, Mathilde would send back photos of Lotto and Mathilde, smiling together; Lotto and Mathilde by the pool; Lotto and Mathilde in San Francisco; Mathilde in Lotto’s arms, stepping over every threshold of every new place they’d have. That evening when Lotto came back, she said nothing. They watched a sitcom. They took a shower together. Later, naked, they ate calzones.
5
TIME, AFTER LOTTO DIED, swallowed itself.
Sallie saw it was useless to try to get through; Mathilde was numb still. A force field of fury so thick nobody was going to get in. Sallie went back to Asia, to Japan this time. She’d return in a year, when Mathilde wasn’t so angry, she said.
“I’ll always be angry,” Mathilde said.
Sallie put her dry brown hand on Mathilde’s face and barely smiled.
Only Lotto’s sister returned again and again. Dear sweet Rachel, pure of heart. “Here’s an apple pie,” she’d say. “Here’s a loaf of bread. Here’s a handful of chrysanthemums. Here’s my daughter, hold her, salve your sorrow.” Everyone else gave her space. Gave her time.
“Christ, did you have any idea Mathilde could be such a bitch?” friends said, wounded, returning home. “Would you have guessed it when Lotto was alive? Can you believe what she said to us?”
“She’s possessed by some demon,” they said.
“Grief,” they all said knowingly, feeling profound. Tacitly agreed: they would return when she was her seemly, elegant, smiling self again. In their own place, they sent gifts. Samuel sent potted bromeliads. Chollie sent towers of Belgian chocolates. Danica sent her personal masseuse, whom Mathilde sent away by ignoring him. Arnie sent a case of wine. Ariel sent a long black dress in cashmere, which Mathilde curled for days within. Strange that this soft gift from an old boss would be the only perfect thing.
—
LATE ONE NIGHT Mathilde found herself on a long straight strip of road. The car a top-of-the-line Mercedes that Lotto had bought just before croaking. His mother had died half a year before her son, and they’d come into an inheritance so vast it was foolish they were driving their fifteen-year-old Honda Civic with the iffy airbags. He’d only ever cared about money when it came to his own comfort; otherwise, he left it for others to worry about.
She put the pedal to the floor. Responsive as fuck. The car shot to eighty, to ninety-five, to one-ten.
She flipped off the lights and the darkness rose to her like a daydream.
Moonless night. The car slack like a fish brushing along the walls of a cave. After one lifetime, she went stationary, suspended in darkness. Calm.
Her car hit the culvert, brushed up the embankment, vaulted a barbed-wire fence, somersaulted. It landed in a herd of sleeping Jerseys.
Mathilde’s mouth was bleeding. She’d bitten nearly through her tongue. No matter. She spoke to nobody these days. Otherwise, she was unhurt.
She climbed out of the car, swallowing the gushes of coppery heat. The heifers had moved off, were watching from the shelter of wind-block lindens. But one was still kneeling beside the car. When Mathilde walked around to it, there was a wall of blood where its neck had been.
She watched for a long time as it bled into the grass. There was nothing to be done.
There was nothing to be done and now what? Mathilde was forty-six. She was too young to be finished forever with love. Still in her prime. Fine-looking. Desirable. And uncoupled now, for good.
The story we are told of women is not this one.
The story of women is the story of love, of foundering into another. A slight deviation: longing to founder and being unable to. Being left alone in the foundering, and taking things into one’s own hands: rat poison, the wheels of a Russian train. Even the smoother and gentler story is still just a modified version of the above. In the demotic, in the key of bougie, it’s the promise of love in old age for all the good girls of the world. Hilarious ancient bodies at bath time, husband’s palsied hands soaping wife’s withered dugs, erection popping out of the bubbles like a pink periscope. I see you! There would be long, hobbledy walks under the plane trees, stories told by a single sideways glance, one
word sufficing. Anthill, he’d say; Martini! she’d say; and the thick swim of the old joke would return to them. The laughter, the beautiful reverberations. Then the bleary toddling on to an early-bird dinner, snoozing through a movie hand in hand. Their bodies like knobby sticks wrapped in vellum. One laying the other on the deathbed, feeding the overdose, dying the day after, all heart gone out of the world with the beloved breath. Oh, companionship. Oh, romance. Oh, completion. Forgive her if she believed this would be the way it would go. She had been led to this conclusion by forces greater than she.
Conquers all! All you need is! Is a many-splendored thing! Surrender to!
Like corn rammed down goose necks, this shit they’d swallowed since they were barely old enough to dress themselves in tulle.
The way the old story goes, woman needs an other to complete her circuits, to flick her to fullest blazing.
[The refutation would come. During those dusky years of her eighties, in the far-off beyond-the-horizon, she would sit solitary over tea in her London breakfast room and look up to see her own hand like an ancient map and then out the window where a blue budgerigar peered in, naturalized citizen of this unnatural subtropical world. Suddenly clear, in the small blue shape, she would see her life had not been, at its core, about love. There had been terrific love in it. Heat and magic. Lotto, her husband. Christ, there had been him. Yet—yes!—the sum of her life, she saw, was far greater than its sum of love.]
In the immediacy, though, in stingy moonlight over bruised metal, cow flesh, glass, there was only her bitten tongue and all that blood. The hot rust-tasting flood of it. And the great Now What stretching without end.
6
ONE DAY, the little girl she once was, small Aurélie, found herself with a blue suitcase in her hand and her hair scraped back from her face. She must have been five or six.
“You’re off to your Paris grandmother’s,” her tall Breton grandmother said. There had always been something off about the Paris grandmother, something embarrassing; her own mother had never spoken of her; they had rarely talked on the phone. Aurélie had never met her. There were never pretty parcels from that grandmother on her saint’s day.
They were standing in the aisle of a train. The grandmother’s frown stretched to her second chin. “Your mother’s mother was the only relative who would take you,” she said.
“I don’t care,” Aurélie said.
“Of course you don’t,” the grandmother said. She gave her a packet of sandwiches and hard-boiled eggs, a jar of warm milk, two chaussons aux pommes, and pinned a note to her coat. “Don’t you dare move from your seat,” she said, and gave the girl a bristly kiss on the cheek and wiped the red rims of her eyes with a starched handkerchief and left.
The train hooted. All Aurélie knew of the world slid out from under her feet. The village: black-and-white cows, chickens, huge Gothic church, bakery. She saw what she was searching for when the train picked up speed. There. A flash. White hatchback parked under a yew. Oh, her mother standing cross-armed, pale, in a navy dress, her hair [yes, white-blond] under a scarf, watching the train go. Her mouth a red slash in the pale. Dress, hair beginning to froth in the train’s wind. It was hard to tell what was happening on her face. Then her mother was gone.
Across from Aurélie was a man who stared at her. He had pale shining skin and puffy folds under his eyes. She squeezed hers shut to avoid him, but every time she looked, he was staring. A terrible certainty stole over her. She tried to block it, to squeeze her legs, but it was no use. She pressed both her hands against herself to hold the urine in.
The man leaned forward. “Little girl,” he said, “I will escort you to the lavatory.”
“No,” she said.
He reached forward to touch her and she gave a scream and the fat woman with the dog on her lap in the other corner opened her eyes and glared. “Silence,” she snarled.
“Come to the lavatory,” the man said. His teeth were many and tiny.
“No,” Aurélie said, and let go. The urine was deliciously hot on her thighs. The man said, “Ugh!” and left the carriage, and the pee gradually turned cold. For hours, as the train rocked eastward, the fat woman in the corner gelatined in her sleep, and her lapdog sniffed the air voluptuously, as if tasting it.
All at once, they were at the station.
The grandmother stood before her. She was a woman as pretty as Aurélie’s mother, apple cheeks and thick eyebrows, even if this version was wrinkled around the eyes. She was astonishing. Her clothes were both grand and tattered at the same time. The perfume she wore, her elegant hands like pencils in a soft suede case. The grandmother leaned over, took the packet, and looked in. “Ah! Good peasant food,” she said. She was missing a lower incisor, which gave her smile some dash. “We shall sup well tonight,” she said.
When Aurélie stood, she revealed the wetness of her lap. Over the grandmother’s face, like a roller blind flipping upward, the refusal to see.
“Come along,” she said airily, and Aurélie took her suitcase and came along. The pee dried as she walked, and chafed her thighs.
On the way home, they bought a single sausage from a butcher who appeared to be seething silently. The grandmother took the suitcase and made the girl hold the white paper package. By the time they reached the heavy blue door of the building, her hands were stained with clammy red grease.
Her grandmother’s flat was sparse, if neat. The floors were bare wood, scrubbed skinlike. There had once been pictures on the walls and they’d left dark shadows on the otherwise pale passion-flowered wallpaper. It was no warmer inside, simply less windy. The grandmother saw the girl shivering and said, “Heat costs money.” She made her jump fifty times to warm herself. “Jumping’s free!” she said. A broom handle from below made a ratatatat on the floor.
They ate. Aurélie was shown to her room: a closet with a quilt doubled for a bed on the ground, low-hanging canopy of the grandmother’s clothing, smelling powerfully of her skin. “Until I move you to the closet for the night, you will sleep in my bed,” the grandmother said. Aurélie said her prayers while the grandmother watched.
Aurélie pretended to sleep as the grandmother washed herself carefully, brushed her teeth with baking soda, put on more makeup and perfume. She left. Aurélie watched the lightbulb’s curves on the ceiling. When she woke, she was being carried to her closet. The door was closed. In the bedroom, a man’s voice, her grandmother’s, the bed squeaking. The next day it was decided that she should just stay in the closet the whole time and was given her mother’s old Tintin books and a flashlight. Over time, she would recognize three men’s voices: one rich, as if encased in fat like a pâté, one helium giggling, one with rocks in it.
The grandmother kept perishables on the windowsill, where the pigeons and rats sometimes got them. The men came and left. Aurélie dreamt of adventures in strange cartoonish lands, ignored the noises, eventually slept through them. She went off to school and delighted in neatness, the pens with their cartouches, graph paper, the cleanness of orthography. She loved the goûters that the school gave out, madeleines filled with chocolate, and milk in pouches. She loved the loudness of the other children, watched them with delight. And so it went for six years or so.
In the spring after her eleventh birthday, Aurélie came home and found her grandmother in déshabille on the bed. She was stiff, skin icy. Tongue protruding. There may have been marks on her neck or maybe they were kisses. [No.] Two of her nails had been ripped off and the fingers ended in blood.
Aurélie went slowly downstairs. The concierge was not in her apartment. Aurélie went down the street and shuddered in the greengrocer’s shop at the corner until he finished weighing asparagus for a lady in a fur hat. He was kind to Aurélie, gave her oranges in the winter. When they were alone, he leaned forward, smiling, and she whispered what she’d seen, and his face went stark. He took off running.
Later,
she found herself on a plane over the Atlantic. Below, clouds feathered. Water pleated and smoothed itself. The stranger in the seat beside her had a pillowy biceps and a gentle hand, which passed over and over Aurélie’s hair until at last the girl slept. When she woke, she was in her new country.
—
HER FRENCH PROFESSORS at Vassar had marveled: “You have no accent at all,” they said.
“Oh, well,” she said lightly. “Maybe I was a little French girl in a previous life.”
In this one she was American, sounded American. Her mother tongue stayed under the surface. But the way roots push up paving stones from beneath, her French rippled her English. The way she said “forte,” as in “Making your life run on rails, Lotto. That’s my forte,” and in her mouth it was strength, feminine. Lotto looked at her curiously, said, “For-tay, you mean?” in the American way.
For-tay: a nonsense word. “Of course,” she said.
Or the faux amis. Actually for currently. Abuse for mislead. “I cannot breathe,” she said, in the lobby on opening night, the crowd rushing Lotto, “in this affluence.” She’d meant crowd, but, well, on second thought, the other worked just as well.
Despite her fluency, she would mishear, misinterpret. Her whole adult life she would believe one kept all one’s important things—wills, birth certificates, passports, a single photo of a little girl—in a place in the bank called the Safety Posit box. Security, a hypothetical, remaining to be proved.