by Nora Roberts
Nora Roberts
Hot Ice
Sacred Sins
Brazen Virtue
Sweet Revenge
Public Secrets
Genuine Lies
Carnal Innocence
Divine Evil
Honest Illusions
Private Scandals
Hidden Riches
True Betrayals
Montana Sky
Sanctuary
Homeport
The Reef
River’s End
Carolina Moon
The Villa
Midnight Bayou
Three Fates
Birthright
Northern Lights
Blue Smoke
Angels Fall
High Noon
Tribute
Black Hills
The Search
Chasing Fire
Series
IRISH BORN TRILOGY
Born in Fire
Born in Ice
Born in Shame
DREAM TRILOGY
Daring to Dream
Holding the Dream
Finding the Dream
CHESAPEAKE BAY SAGA
Sea Swept
Rising Tides
Inner Harbor
Chesapeake Blue
GALLAGHERS OF ARDMORE TRILOGY
Jewels of the Sun
Tears of the Moon
Heart of the Sea
THREE SISTERS ISLAND TRILOGY
Dance Upon the Air
Heaven and Earth
Face the Fire
KEY TRILOGY
Key of Light
Key of Knowledge
Key of Valor
IN THE GARDEN TRILOGY
Blue Dahlia
Black Rose
Red Lily
CIRCLE TRILOGY
Morrigan’s Cross
Dance of the Gods
Valley of Silence
SIGN OF SEVEN TRILOGY
Blood Brothers
The Hollow
The Pagan Stone
BRIDE QUARTET
Vision in White
Bed of Roses
Savor the Moment
Happy Ever After
Nora Roberts & J. D. Robb
Remember When
J. D. Robb
Naked in Death
Glory in Death
Immortal in Death
Rapture in Death
Ceremony in Death
Vengeance in Death
Holiday in Death
Conspiracy in Death
Loyalty in Death
Witness in Death
Judgment in Death
Betrayal in Death
Seduction in Death
Reunion in Death
Purity in Death
Portrait in Death
Imitation in Death
Divided in Death
Visions in Death
Survivor in Death
Origin in Death
Memory in Death
Born in Death
Innocent in Death
Creation in Death
Strangers in Death
Salvation in Death
Promises in Death
Kindred in Death
Fantasy in Death
Indulgence in Death
Treachery in Death
Anthologies
From the Heart
A Little Magic
A Little Fate
Moon Shadows
(with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)
THE ONCE UPON SERIES
(with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)
Once Upon a Castle
Once Upon a Star
Once Upon a Dream
Once Upon a Rose
Once Upon a Kiss
Once Upon a Midnight
Silent Night
(with Susan Plunkett, Dee Holmes, and Claire Cross)
Out of This World
(with Laurell K. Hamilton, Susan Krinard, and Maggie Shayne)
Bump in the Night
(with Mary Blayney, Ruth Ryan Langan, and Mary Kay McComas)
Dead of Night
(with Mary Blayney, Ruth Ryan Langan, and Mary Kay McComas)
Three in Death
Suite 606
(with Mary Blayney, Ruth Ryan Langan, and Mary Kay McComas)
In Death
The Lost
(with Patricia Gaffney, Mary Blayney, and Ruth Ryan Langan)
The Other Side
(with Mary Blaney, Patricia Gaffney, Ruth Ryan Langan, and Mary Kay McComas)
Also available…
The Official Nora Roberts Companion
(edited by Denise Little and Laura Hayden)
Table of Contents
Key of Light
Key of Knowledge
Key of Valor
This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.
KEY OF LIGHT
A Jove Book / published by arrangement with the author
All rights reserved.
Copyright © 2003 by Nora Roberts
This book may not be reproduced in whole or part, by mimeograph or any other means, without permission. Making or distributing electronic copies of this book constitutes copyright infringement and could subject the infringer to criminal and civil liability.
For information address:
The Berkley Publishing Group, a division of Penguin Putnam Inc.,
375 Hudson Street, New York, New York 10014.
The Penguin Putnam Inc. World Wide Web site address is http://us.penguingroup.com
ISBN: 1-101-14649-4
A JOVE BOOK®
Jove Books first published by The Jove Publishing Group, a member of Penguin Putnam Inc.,
375 Hudson Street, New York, New York 10014.
JOVE and the “J” design are trademarks belonging to Penguin Putnam Inc.
Electronic edition: December, 2003
For Kathy Onorato,
for being my keeper
’Tis to create, and in creating live
A being more intense, that we endow
With what form our fancy, gaining as we give
The life we image.
—BYRON
Contents
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter One
THE storm ripped over the mountains, gushing torrents of rain that struck the ground with the sharp ring of metal on stone. Lightning strikes spat down, angry artillery fire that slammed against the cannon roar of thunder.
There was a gleeful kind of mean in the air, a sizzle of temper and spite that boiled with power.
It suited Malory Price’s mood perfectly.
Hadn’t she asked herself what else could go wrong? Now in answer to that weary, and completely rhetorical, question, nature—in all her maternal wrath—was showing her just how bad things could get.
There was an ominous rattling somewhere in the dash of her sweet little Mazda, and
she still had nineteen payments to go on it. In order to make those payments, she had to keep her job.
She hated her job.
That wasn’t part of the Malory Price Life Plan, which she had begun to outline at the age of eight. Twenty years later, that outline had become a detailed and organized checklist, complete with headings, subheadings, and cross-references. She revised it meticulously on the first day of each year.
She was supposed to love her job. It said so, quite clearly, under the heading of CAREER.
She’d worked at The Gallery for seven years, the last three of those as manager, which was right on schedule. And she had loved it—being surrounded by art, having an almost free hand in the displaying, the acquiring, the promotion, and the setup for showings and events.
The fact was, she’d begun to think of The Gallery as hers, and knew full well that the rest of the staff, the clients, the artists and craftsmen felt very much the same.
James P. Horace might have owned the smart little gallery, but he never questioned Malory’s decisions, and on his increasingly rare visits he complimented her, always, on the acquisitions, the ambience, the sales.
It had been perfect, which was exactly what Malory intended her life to be. After all, if it wasn’t perfect, what was the point?
Everything had changed when James ditched fifty-three years of comfortable bachelorhood and acquired himself a young, sexy wife. A wife, Malory thought with her blue-steel eyes narrowing in resentment, who’d decided to make The Gallery her personal pet.
It didn’t matter that the new Mrs. Horace knew next to nothing about art, about business, about public relations, or about managing employees. James doted on his Pamela, and Malory’s dream job had become a daily nightmare.
But she’d been dealing with it, Malory thought as she scowled through her dark, drenched windshield. She had determined her strategy: she would simply wait Pamela out. She would remain calm and self-possessed until this nasty little bump was past and the road smoothed out again.
Now that excellent strategy was out the window. She’d lost her temper when Pamela countermanded her orders on a display of art glass and turned the perfectly and beautifully organized gallery upside down with clutter and ugly fabrics.
There were some things she could tolerate, Malory told herself, but being slapped in the face with hideous taste in her own space wasn’t one of them.
Then again, blowing up at the owner’s wife was not the path to job security. Particularly when the words myopic, plebeian bimbo were employed.
Lightning split the sky over the rise ahead, and Malory winced as much in memory of her temper as from the flash. A very bad move on her part, which only showed what happened when you gave in to temper and impulse.
To top it off, she’d spilled latte on Pamela’s Escada suit. But that had been an accident.
Almost.
However fond James was of her, Malory knew her livelihood was hanging by a very slim thread. And when the thread broke, she would be sunk. Art galleries weren’t a dime a dozen in a pretty, picturesque town like Pleasant Valley. She would either have to find another area of work as a stopgap or relocate.
Neither option put a smile on her face.
She loved Pleasant Valley, loved being surrounded by the mountains of western Pennsylvania. She loved the small-town feel, the mix of quaint and sophisticated that drew the tourists, and the getaway crowds that spilled out of neighboring Pittsburgh for impulsive weekends.
Even when she was a child growing up in the suburbs of Pittsburgh, Pleasant Valley was exactly the sort of place she’d imagined living in. She craved the hills, with their shadows and textures, and the tidy streets of a valley town, the simplicity of the pace, the friendliness of neighbors.
The decision to someday fold herself into the fabric of Pleasant Valley had been made when she was fourteen and spent a long holiday weekend there with her parents.
Just as she’d decided, when she wandered through The Gallery that long-ago autumn, that she would one day be part of that space.
Of course, at the time she had thought her paintings would hang there, but that was one item on her checklist that she’d been forced to delete rather than tick off when it was accomplished.
She would never be an artist. But she had to be, needed to be, involved with and surrounded by art.
Still, she didn’t want to move back to the city. She wanted to keep her gorgeous, roomy apartment two blocks from The Gallery, with its views of the Appalachians, its creaky old floors, and its walls that she’d covered with carefully selected artwork.
But the hope of that was looking as dim as the stormy sky.
So she hadn’t been smart with her money, Malory admitted with a windy sigh. She didn’t see the point of letting it lie in some bank when it could be turned into something lovely to look at or to wear. Until it was used, money was just paper. Malory tended to use a great deal of paper.
She was overdrawn at the bank. Again. She’d maxed out her credit cards. Ditto. But, she reminded herself, she had a great wardrobe. And the start of a very impressive art collection. Which she would have to sell, piece by piece and most likely at a loss, to keep a roof over her head if Pamela brought the axe down.
But maybe tonight would buy her some time and goodwill. She hadn’t wanted to attend the cocktail reception at Warrior’s Peak. A fanciful name for a spooky old place, she thought. Another time she would’ve been thrilled at the opportunity to see the inside of the great old house so high on the ridge. And to rub elbows with people who might be patrons of the arts.
But the invitation had been odd—written in an elegant hand on heavy, stone-colored paper, with a logo of an ornate gold key in lieu of letterhead. Though it was tucked in her evening bag now along with her compact, her lipstick, her cell phone, her glasses, a fresh pen, business cards, and ten dollars, Malory remembered the wording.
The pleasure of your company is desired for cocktails and conversation
Eight P.M., September 4
Warrior’s Peak
You are the key. The lock awaits.
Now how weird was that? Malory asked herself, and gritted her teeth as the car shimmied in a sudden gust of wind. The way her luck was going, it was probably a scam for a pyramid scheme.
The house had been empty for years. She knew it had been purchased recently, but the details were sparse. An outfit called Triad, she recalled. She assumed it was some sort of corporation looking to turn the place into a hotel or a mini resort.
Which didn’t explain why they’d invited the manager of The Gallery but not the owner and his interfering wife. Pamela had been pretty peeved about the slight—so that was something.
Still, Malory would have passed on the evening. She didn’t have a date—just another aspect of her life that currently sucked—and driving alone into the mountains to a house straight out of Hollywood horror on the strength of an invitation that made her uneasy wasn’t on her list of fun things to do in the middle of the workweek.
There hadn’t even been a number or a contact for an R.S.V.P. And that, she felt, was arrogant and rude. Her intended response of ignoring the invitation would have been equally arrogant and rude, but James had spotted the envelope on her desk.
He’d been so excited, so pleased by the idea of her going, had pressed her to relay all the details of the house’s interior to him. And he’d reminded her that if she could discreetly drop the name of The Gallery into conversation from time to time, it would be good for business.
If she could score a few clients, it might offset the Escada mishap and the bimbo comment.
Her car chugged up the narrowing road that cut through the dense, dark forest. She’d always thought of those hills and woods as a kind of Sleepy Hollow effect that ringed her pretty valley. But just now, with the wind and rain and dark, the less serene aspects of that old tale were a little too much in evidence for her peace of mind.
If whatever was rattling in her dash was serious, she could en
d up broken down on the side of the road, huddled in the car listening to the moans and lashes of the storm and imagining headless horsemen while she waited for a tow truck she couldn’t afford.
Obviously, the answer was not to break down.
She thought she caught glimpses of lights beaming through the rain and trees, but her windshield wipers were whipping at the highest speed and were still barely able to shove aside the flood of rain.
As lightning snapped again, she gripped the wheel tighter. She liked a good hellcat storm as much as anyone, but she wanted to enjoy this one from someplace inside, anyplace, while drinking a nice glass of wine.
She had to be close. How far could any single road climb before it just had to start falling down the other side of the mountain? She knew Warrior’s Peak stood atop the ridge, guarding the valley below. Or lording itself over the valley, depending on your viewpoint. She hadn’t passed another car for miles.
Which only proved that anyone with half a brain wasn’t out driving in this mess, she thought.
The road forked, and the bend on the right streamed between enormous stone pillars. Malory slowed, gawked at the life-size warriors standing on each pillar. Perhaps it was the storm, the night, or her own jittery mood, but they looked more human than stone, with hair flying around their fierce faces, their hands gripping the hilts of their swords. In the shimmer of lightning she could almost see muscles rippling in their arms, over their broad, bare chests.
She had to fight the temptation to get out of the car for a closer look. But the chill that tripped down her spine as she turned through the open iron gates had her glancing back up at the warriors with as much wariness as appreciation for the skill of the sculptor.
Then she hit the brakes and fishtailed on the crushed stone of the roadbed. Her heart jammed into her throat as she stared at the stunning buck standing arrogantly a foot in front of the bumper, with the sprawling, eccentric lines of the house behind him.
For a moment she took the deer for a sculpture as well, though why any sane person would set a sculpture in the center of a driveway was beyond her. Then again, sane didn’t seem to be the operative word for anyone who would choose to live in the house on the ridge.
But the deer’s eyes gleamed, a sharp sapphire blue in the beam of her headlights, and his head with the great crowning rack turned slightly. Regally, Malory mused, mesmerized. Rain streamed off his coat, and in the next flash of light that coat seemed as white as the moon.