For an instant the men tarried with their bleeding companion. They then dragged him from the brook, and with loud oaths followed in pursuit.
Threading, for a second time, the bosky labyrinth, Luke sought the source of the stream. This was precisely the course his enemies would have desired him to pursue; and when they beheld him take it, they felt confident of his capture.
The sides of the hollow became more and more abrupt as they advanced, though they were less covered with brushwood. The fugitive made no attempt to climb the bank, but still pressed forward. The road was tortuous, and wound round a jutting point of rock. Now he was a fair mark — no, he had swept swiftly by, and was out of sight before a gun could be raised. They reached the same point. He was still before them, but his race was nearly run. Steep, slippery rocks, shelving down to the edges of a small, deep pool of water, the source of the stream, formed an apparently insurmountable barrier in that direction. Rooted — Heaven knows how! — in some reft or fissure of the rock, grew a wild ash, throwing out a few boughs over the solitary pool; this was all the support Luke could hope for, should he attempt to scale the rock. The rock was sheer — the pool deep — yet still he hurried on. He reached the muddy embankment; mounted its sides; and seemed to hesitate. The keepers were now within a hundred yards of him. Both guns were discharged. And, sudden as the reports, with a dead, splashless plunge, like a diving otter, the fugitive dropped into the water.
The pursuers were at the brink. They gazed at the pool. A few bubbles floated upon its surface, and burst. The water was slightly discolored with sand. No ruddier stain crimsoned the tide; no figure rested on the naked rock; no hand clung to the motionless tree.
“Devil take the rascal!” growled one; “I hope he harn’t escaped us, arter all.”
“Noa, noa, he be fast enough, never fear,” rejoined the other; “sticking like a snig at the bottom o’ the pond; and, dang him! he deserves it, for he’s slipped out of our fingers like a snig often enough to-night. But come, let’s be stumping, and give poor Hugh Badger a helping hand.”
Whereupon they returned to the assistance of the wounded and discomfited keeper.
* * *
CHAPTER IV. — THE HALL
I am right against my house — seat of my ancestors. — Yorkshire Tragedy.
ROOKWOOD PLACE was a fine, old, irregular pile, of considerable size, presenting a rich, picturesque outline, with its innumerable gable-ends, its fantastical coigns, and tall crest of twisted chimneys. There was no uniformity of style about the building, yet the general effect was pleasing and beautiful. Its very irregularity constituted a charm. Nothing except convenience had been consulted in its construction: additions had from time to time been made to it, but everything dropped into its proper place, and, without apparent effort or design, grew into an ornament, and heightened the beauty of the whole. It was, in short, one of those glorious manorial houses that sometimes unexpectedly greet us in our wanderings, and gladden us like the discovery of a hidden treasure. Some such ancestral hall we have occasionally encountered, in unlooked-for quarters, in our native county of Lancaster, or in its smiling sister shire; and never without feelings of intense delight, rejoicing to behold the freshness of its antiquity, and the greenness of its old age. For, be it observed in passing, a Cheshire or Lancashire hall, time-honored though it be, with its often renovated black and white squares, fancifully filled up with trefoils and quatrefoils, rosettes, and other figures, seems to bear its years so lightly, that its age, so far from detracting from its beauty, only lends it a grace; and the same mansion, to all outward appearance, fresh and perfect as it existed in the days of good Queen Bess, may be seen in admirable preservation in the days of the youthful Victoria. Such is Bramall — such Moreton, and many another we might instance; the former of these houses may, perhaps, be instanced as the best specimen of its class, — and its class in our opinion, is the best — to be met with in Cheshire, considered with reference either to the finished decoration of its exterior, rich in the chequered coloring we have alluded to, preserved with a care and neatness almost Dutch, or to the consistent taste exhibited by its possessor to the restoration and maintenance of all its original and truly national beauty within doors. As an illustration of old English hospitality — that real, hearty hospitality for which the squirearchy of this country was once so famous — Ah! why have they bartered it for other customs less substantially English? — it may be mentioned, that a road conducted the passenger directly through the great hall of this house, literally “of entertainment,” where, if he listed, strong ale, and other refreshments, awaited his acceptance and courted his stay. Well might old King, the Cheshire historian, in the pride of his honest heart, exclaim, “I know divers men, who are but farmers, that in their housekeeping may compare with a lord or baron, in some countries beyond the seas; — yea, although I named a higher degree, I were able to justify it.” We have no such “golden farmers” in these degenerate days!
The mansion, was originally built by Sir Ranulph de Rookwood — or, as it was then written, Rokewode — the first of the name, a stout Yorkist, who flourished in the reign of Edward IV., and received the fair domain and broad lands upon which the edifice was raised, from his sovereign, in reward for good service; retiring thither in the decline of life, at the close of the Wars of the Roses, to sequestrate himself from scenes of strife, and to consult his spiritual weal in the erection and endowment of the neighboring church. It was of mixed architecture, and combined the peculiarities of each successive era. Retaining some of the sterner features of earlier days, the period ere yet the embattled manor-house peculiar to the reigns of the later Henrys had been merged into the graceful and peaceable hall, the residence of the Rookwoods had early anticipated the gentler characteristics of a later day, though it could boast little of that exuberance of external ornament, luxuriance of design, and prodigality of beauty, which, under the sway of the Virgin Queen, distinguished the residence of the wealthier English landowner; and rendered the hall of Elizabeth, properly so called, the pride and boast of our domestic architecture.
The site selected by Sir Ranulph for his habitation had been already occupied by a vast fabric of oak, which he in part removed, though some vestiges might still be traced of that ancient pile. A massive edifice succeeded, with gate and tower, court and moat complete; substantial enough, one would have thought, to have endured for centuries. But even this ponderous structure grew into disuse, and Sir Ranulph’s successors, remodelling, repairing, almost rebuilding the whole mansion, in the end so metamorphosed its aspect, that at last little of its original and distinctive character remained. Still, as we said before, it was a fine old house, though some changes had taken place for the worse, which could not be readily pardoned by the eye of taste: as, for instance, the deep embayed windows had dwindled into modernized casements, of lighter construction; the wide porch, with its flight of steps leading to the great hall of entrance, had yielded to a narrow door; and the broad quadrangular court was succeeded by a gravel drive. Yet, despite all these changes, the house of the Rookwoods, for an old house — and, after all, what is like an old house? — was no undesirable or uncongenial abode for any worshipful country gentleman “who had a great estate.”
The hall was situated near the base of a gently declining hill, terminating a noble avenue of limes, and partially embosomed in an immemorial wood of the same timber, which had given its name to the family that dwelt amongst its rook-haunted shades. Descending the avenue, at the point of access afforded by a road that wound down the hill-side, towards a village distant about half a mile, as you advanced, the eye was first arrested by a singular octagonal turret of brick, of more recent construction than the house; and in all probability occupying the place where the gateway stood of yore. This tower rose to a height corresponding with the roof of the mansion; and was embellished on the side facing the house with a flamingly gilt dial, peering, like an impudent observer, at all that passed within doors. Two apartments, wh
ich it contained, were appropriated to the house-porter. Despoiled of its martial honors, the gateway still displayed the achievements of the family — the rook and the fatal branch — carved in granite, which had resisted the storms of two centuries, though stained green with moss, and mapped over with lichens. To the left, overgrown with ivy, and peeping from out a tuft of trees, appeared the hoary summit of a dovecot, indicating the near neighborhood of an ancient barn, contemporary with the earliest dwelling-house, and of a little world of offices and outbuildings buried in the thickness of the foliage. To the right was the garden — the pleasaunce of the place — formal, precise, old-fashioned, artificial, yet exquisite! — for commend us to the bygone, beautiful English garden — really a garden — not that mixture of park, meadow, and wilderness, brought up to one’s very windows — which, since the days of the innovators, Kent, and his “bold associates,” Capability Brown and Co., has obtained so largely — this was a garden! There might be seen the stately terraces, such as Watteau, and our own Wilson, in his earlier works, painted — the trim alleys exhibiting all the triumphs of topiarian art —
The sidelong walls
Of shaven yew; the holly’s prickly arms,
Trimm’d into high arcades; the tonsile box,
Wove in mosaic mode of many a curl,
Around the figured carpet of the lawn;
the gayest of parterres and greenest of lawns, with its admonitory sun-dial, its marble basin in the centre, its fountain, and conched water-god; the quaint summer-house, surmounted with its gilt vane; the statue, glimmering from out its covert of leaves; the cool cascade, the urns, the bowers, and a hundred luxuries besides, suggested and contrived by Art to render Nature most enjoyable, and to enhance the recreative delights of home-out-of-doors — for such a garden should be — , with least sacrifice of indoor comfort and convenience.
When Epicurus to the world had taught,
That pleasure was the chiefest good;
— And was perhaps i’ th’ right, if rightly understood,
His life he to his doctrine brought —
And in his garden’s shade that sovereign pleasure sought.
All these delights might once have been enjoyed. But at the time of which we write, this fair garden was for the most part a waste. Ill-kept, and unregarded, the gay parterres were disfigured with weeds; grass grew on the gravel walk; several of the urns were overthrown; the hour upon the dial was untold; the fountain was choked up, and the smooth-shaven lawn only rescued, it would seem, from the general fate, that it might answer the purpose of a bowling-green, as the implements of that game, scattered about, plainly testified.
Diverging from the garden to the house, we have before remarked that the more ancient and characteristic features of the place had been, for the most part, destroyed; less by the hand of time than to suit the tastes of different proprietors. This, however, was not so observable in the eastern wing, which overlooked the garden. Here might be discerned many indications of its antiquity. The strength and solidity of the walls, which had not been, as elsewhere, masked with brickwork; the low, Tudor arches; the mullioned bars of the windows — all attested its age. This wing was occupied by an upper and lower gallery, communicating with suites of chambers, for the most part deserted, excepting one or two, which were used as dormitories; and another little room on the ground-floor, with an oriel window opening upon the lawn, and commanding the prospect beyond — a favorite resort of the late Sir Piers. The interior was curious for his honeycomb ceiling, deeply moulded in plaster, with the arms and alliances of the Rookwoods. In the centre was the royal blazon of Elizabeth, who had once honored the hall with a visit during a progress, and whose cipher E. R. was also displayed upon the immense plate of iron which formed the fire-grate.
To return, for a moment, to the garden, which we linger about as a bee around a flower. Below the lawn there was another terrace, edged by a low balustrade of stone, commanding a lovely view of park, water, and woodland. High hanging-woods waved in the foreground, and an extensive sweep of flat champaign country stretched out to meet a line of blue, hazy hills bounding the distant horizon.
* * *
CHAPTER V. — SIR REGINALD ROOKWOOD
A king who changed his wives as easily as a woman changes her dress. He threw aside the first, cut off the second’s head, the third he disemboweled: as for the fourth, he pardoned her, and simply turned her out of doors, but to make matters even, cut off the head of number five. — Victor Hugo: Marie Tudor.
FROM the house to its inhabitants the transition is natural. Besides the connexion between them, there were many points of resemblance; many family features in common; there was the same melancholy grandeur, the same character of romance, the same fantastical display. Nor were the secret passages, peculiar to the one, wanting to the history of the other. Both had their mysteries. One blot there was in the otherwise proud escutcheon of the Rookwoods, that dimmed its splendor, and made pale its pretensions: their sun was eclipsed in blood from its rising to its meridian; and so it seemed would be its setting. This foul reproach attached to all the race; none escaped it. Traditional rumors were handed down from father to son, throughout the county, and, like all other rumors, had taken to themselves wings, and flown abroad; their crimes became a by-word. How was it they escaped punishment? How came they to evade the hand of justice? Proof was ever wanting; justice was ever baffled. They were a stern and stiff-necked people, of indomitable pride and resolution, with, for the most part, force of character sufficient to enable them to breast difficulties and dangers that would have overwhelmed ordinary individuals. No quality is so advantageous to its possessor as firmness; and the determined energy of the Rookwoods bore them harmless through a sea of trouble. Besides, they were wealthy; lavish even to profusion; and gold will do much, if skilfully administered. Yet, despite all this, a dark, ominous cloud settled over their house, and men wondered when the vengeance of Heaven, so long delayed, would fall and consume it.
Possessed of considerable landed property, once extending over nearly half the West Riding of Yorkshire, the family increased in power and importance for an uninterrupted series of years, until the outbreak of that intestine discord which ended in the civil wars, when the espousal of the royalist party, with sword and substance, by Sir Ralph Rookwood, the then lord of the mansion — a dissolute, depraved personage, who, however, had been made a Knight of the Bath at the coronation of Charles I. — , ended in his own destruction at Naseby, and the wreck of much of his property; a loss which the gratitude of Charles II., on his restoration, did not fail to make good to Sir Ralph’s youthful heir, Reginald.
Sir Ralph Rookwood left two sons, Reginald and Alan. The fate of the latter was buried in obscurity. It was even a mystery to his family. He was, it was said, a youth of much promise, and of gentle manners; who, having made an imprudent match, from jealousy, or some other motive, deserted his wife, and fled his country. Various reasons were assigned for his conduct. Amongst others, it was stated that the object of Alan’s jealous suspicions was his elder brother, Reginald; and that it was the discovery of his wife’s infidelity in this quarter which occasioned his sudden disappearance with his infant daughter. Some said he died abroad. Others, that he had appeared again for a brief space at the hall. But all now concurred in a belief of his decease. Of his child nothing was known. His inconstant wife, after enduring for some years the agonies of remorse, abandoned by Sir Reginald, and neglected by her own relatives, put an end to her existence by poison. This is all that could be gathered of the story, or the misfortunes of Alan Rookwood.
The young Sir Reginald had attended Charles, in the character of page, during his exile; and if he could not requite the devotion of the son, by absolutely reinstating the fallen fortunes of the father, the monarch could at least accord him the fostering influence of his favor and countenance; and bestow upon him certain lucrative situations in his household, as an earnest of his good-will. And thus much he did. Remarkable for his personal
attractions in youth, it is not to be wondered at that we should find the name of Reginald Rookwood recorded in the scandalous chronicles of the day, as belonging to a cavalier of infinite address and discretion, matchless wit, and marvellous pleasantry; and eminent beyond his peers for his successes with some of the most distinguished beauties who ornamented that brilliant and voluptuous court.
A career of elegant dissipation ended in matrimony. His first match was unpropitious. Foiled in his attempts upon the chastity of a lady of great beauty and high honor, he was rash enough to marry her; rash, we say, for from that fatal hour all became as darkness; the curtain fell upon the comedy of his life, to rise to tragic horrors. When, passion subsided, repentance awoke, and he became anxious for deliverance from the fetters he had so heedlessly imposed on himself, and on his unfortunate dame.
The hapless lady of Sir Reginald was a fair and fragile creature, floating on the eddying current of existence, and hurried in destruction as the summer gossamer is swept away by the rude breeze, and lost forever. So beautiful, so gentle was she, that if,
Sorrow had not made
Sorrow more beautiful than Beauty’s self,
it would have been difficult to say whether the charm of softness and sweetness was more to be admired than her faultless personal attractions. But when a tinge of melancholy came, saddening and shading the once smooth and smiling brow; when tears dimmed the blue beauty of those deep and tender eyes; when hot, hectic flushes supplied the place of healthful bloom, and despair took possession of her heart, then was it seen whatwas the charm of Lady Rookwood, if charm that could be called which was a saddening sight to see, and melted the beholder’s soul within him. All acknowledged, that exquisite as she had been before, the sad, sweet lady was now more exquisite still.
The Works of William Harrison Ainsworth Page 22