On reaching the last pillar, behind which they remained, an extraordinary and fearful spectacle burst upon them. As they had supposed, a large fire was burning in the midst of the choir, the smoke of which, ascending in eddying wreaths, formed a dark canopy overhead, where it was mixed with the steam issuing from a large black bubbling caldron set on the blazing embers. Around the fire were ranged, in a wide circle, an assemblage of men and women, but chiefly the latter, and of these almost all old, hideous, and of malignant aspect, their grim and sinister features looking ghastly in the lurid light. Above them, amid the smoke and steam, wheeled bat and flitter-mouse, horned owl and screech-owl, in mazy circles. The weird assemblage chattered together in some wild jargon, mumbling and muttering spells and incantations, chanting fearfully with hoarse, cracked voices a wild chorus, and anon breaking into a loud and long-continued peal of laughter. Then there was more mumbling, chattering, and singing, and one of the troop producing a wallet, hobbled forward.
She was a fearful old crone; hunchbacked, toothless, blear-eyed, bearded, halt, with huge gouty feet swathed in flannel. As she cast in the ingredients one by one, she chanted thus: —
“Head of monkey, brain of cat,
Eye of weasel, tail of rat,
Juice of mugwort, mastic, myrrh —
All within the pot I stir.”
“Well sung, Mother Mould-heels,” cried a little old man, whose doublet and hose were of rusty black, with a short cloak, of the same hue, over his shoulders. “Well sung, Mother Mould-heels,” he cried, advancing as the old witch retired, amidst a roar of laughter from the others, and chanting as he filled the caldron:
“Here is foam from a mad dog’s lips,
Gather’d beneath the moon’s eclipse,
Ashes of a shroud consumed,
And with deadly vapour fumed.
These within the mess I cast —
Stir the caldron — stir it fast!”
A red-haired witch then took his place, singing,
“Here are snakes from out the river,
Bones of toad and sea-calf’s liver;
Swine’s flesh fatten’d on her brood,
Wolf’s tooth, hare’s foot, weasel’s blood.
Skull of ape and fierce baboon,
And panther spotted like the moon;
Feathers of the horned owl,
Daw, pie, and other fatal fowl.
Fruit from fig-tree never sown,
Seed from cypress never grown.
All within the mess I cast,
Stir the caldron — stir it fast!”
Nance Redferne then advanced, and, taking from her wallet a small clay image, tricked out in attire intended to resemble that of James Device, plunged several pins deeply into its breast, singing as she did so, thus, —
“In his likeness it is moulded,
In his vestments ’tis enfolded.
Ye may know it, as I show it!
In its breast sharp pins I stick,
And I drive them to the quick.
They are in — they are in —
And the wretch’s pangs begin.
Now his heart,
Feels the smart;
Through his marrow,
Sharp as arrow,
Torments quiver
He shall shiver,
He shall burn,
He shall toss, and he shall turn.
Unavailingly.
Aches shall rack him,
Cramps attack him,
He shall wail,
Strength shall fail,
Till he die
Miserably!”
As Nance retired, another witch advanced, and sung thus:
“Over mountain, over valley, over woodland, over waste,
On our gallant broomsticks riding we have come with frantic haste,
And the reason of our coming, as ye wot well, is to see
Who this night, as new-made witch, to our ranks shall added be.”
A wild burst of laughter followed this address, and another wizard succeeded, chanting thus:
“Beat the water, Demdike’s daughter!
Till the tempest gather o’er us;
Till the thunder strike with wonder
And the lightnings flash before us!
Beat the water, Demdike’s daughter!
Ruin seize our foes and slaughter!”
As the words were uttered, a woman stepped from out the circle, and throwing back the grey-hooded cloak in which she was enveloped, disclosed the features of Elizabeth Device. Her presence in that fearful assemblage occasioned no surprise to Alizon, though it increased her horror. A pail of water was next set before the witch, and a broom being placed in her hand, she struck the lymph with it, sprinkling it aloft, and uttering this spell:
“Mount, water, to the skies!
Bid the sudden storm arise.
Bid the pitchy clouds advance,
Bid the forked lightnings glance,
Bid the angry thunder growl,
Bid the wild wind fiercely howl!
Bid the tempest come amain,
Thunder, lightning, wind, and rain!”
The Incantation.
As she concluded, clouds gathered thickly overhead, obscuring the stars that had hitherto shone down from the heavens. The wind suddenly arose, but in lieu of dispersing the vapours it seemed only to condense them. A flash of forked lightning cut through the air, and a loud peal of thunder rolled overhead.
Then the whole troop sang together —
“Beat the water, Demdike’s daughter!
See the tempests gathers o’er us,
Lightning flashes — thunder crashes,
Wild winds sing in lusty chorus!”
For a brief space the storm raged fearfully, and recalled the terror of that previously witnessed by Alizon, which she now began to think might have originated in a similar manner. The wind raved around the ruined pile, but its breath was not felt within it, and the rain was heard descending in deluging showers without, though no drop came through the open roof. The thunder shook the walls and pillars of the old fabric, and threatened to topple them down from their foundations, but they resisted the shocks. The lightning played around the tall spire springing from this part of the fane, and ran down from its shattered summit to its base, without doing any damage. The red bolts struck the ground innocuously, though they fell at the very feet of the weird assemblage, who laughed wildly at the awful tumult.
Whilst the storm was at its worst, while the lightning was flashing fiercely, and the thunder rattling loudly, Mother Chattox, with a chafing-dish in her hand, advanced towards the fire, and placing the pan upon it, threw certain herbs and roots into it, chanting thus: —
“Here is juice of poppy bruised,
With black hellebore infused;
Here is mandrake’s bleeding root,
Mixed with moonshade’s deadly fruit;
Viper’s bag with venom fill’d,
Taken ere the beast was kill’d;
Adder’s skin and raven’s feather,
With shell of beetle blent together;
Dragonwort and barbatus,
Hemlock black and poisonous;
Horn of hart, and storax red,
Lapwing’s blood, at midnight shed.
In the heated pan they burn,
And to pungent vapours turn.
By this strong suffumigation,
By this potent invocation,
Spirits! I compel you here!
All who list may call appear!”
After a moment’s pause, she resumed as follows: —
“White-robed brethren, who of old,
Nightly paced yon cloisters cold,
Sleeping now beneath the mould!
I bid ye rise.
“Abbots! by the weakling fear’d,
By the credulous revered,
Who this mighty fabric rear’d!
I bid ye rise!
“And thou last and guilty one!
By thy lust of
power undone,
Whom in death thy fellows shun!
I bid thee come!
“And thou fair one, who disdain’d
To keep the vows thy lips had feign’d;
And thy snowy garments stain’d!
I bid thee come!”
During this invocation, the glee of the assemblage ceased, and they looked around in hushed expectation of the result. Slowly then did a long procession of monkish forms, robed in white, glide along the aisles, and gather round the altar. The brass-covered stones within the presbytery were lifted up, as if they moved on hinges, and from the yawning graves beneath them arose solemn shapes, sixteen in number, each with mitre on head and crosier in hand, which likewise proceeded to the altar. Then a loud cry was heard, and from a side chapel burst the monkish form, in mouldering garments, which Dorothy had seen enter the oratory, and which would have mingled with its brethren at the altar, but they waved it off menacingly. Another piercing shriek followed, and a female shape, habited like a nun, and of surpassing loveliness, issued from the opposite chapel, and hovered near the fire. Content with this proof of her power, Mother Chattox waved her hand, and the long shadowy train glided off as they came. The ghostly abbots returned to their tombs, and the stones closed over them. But the shades of Paslew and Isole de Heton still lingered.
The storm had wellnigh ceased, the thunder rolled hollowly at intervals, and a flash of lightning now and then licked the walls. The weird crew had resumed their rites, when the door of the Lacy chapel flew open, and a tall female figure came forward.
Alizon doubted if she beheld aright. Could that terrific woman in the strangely-fashioned robe of white, girt by a brazen zone graven with mystic characters, with a long glittering blade in her hand, infernal fury in her wildly-rolling orbs, the livid hue of death on her cheeks, and the red brand upon her brow — could that fearful woman, with the black dishevelled tresses floating over her bare shoulders, and whose gestures were so imperious, be Mistress Nutter? Mother no longer, if it indeed were she! How came she there amid that weird assemblage? Why did they so humbly salute her, and fall prostrate before her, kissing the hem of her garment? Why did she stand proudly in the midst of them, and extend her hand, armed with the knife, over them? Was she their sovereign mistress, that they bent so lowly at her coming, and rose so reverentially at her bidding? Was this terrible woman, now seated oh a dilapidated tomb, and regarding the dark conclave with the eye of a queen who held their lives in her hands — was she her mother? Oh, no! — no! — it could not be! It must be some fiend that usurped her likeness.
Still, though Alizon thus strove to discredit the evidence of her senses, and to hold all she saw to be delusion, and the work of darkness, she could not entirely convince herself, but imperfectly recalling the fearful vision she had witnessed during her former stupor, began to connect it with the scene now passing before her. The storm had wholly ceased, and the stars again twinkled down through the shattered roof. Deep silence prevailed, broken only by the hissing and bubbling of the caldron.
Alizon’s gaze was riveted upon her mother, whose slightest gestures she watched. After numbering the assemblage thrice, Mistress Nutter majestically arose, and motioning Mother Chattox towards her, the old witch tremblingly advanced, and some words passed between them, the import of which did not reach the listener’s ear. In conclusion, however, Mistress Nutter exclaimed aloud, in accents of command— “Go, bring it at once, the sacrifice must be made.” — And on this, Mother Chattox hobbled off to one of the side chapels.
A mortal terror seized Alizon, and she could scarcely draw breath. Dark tales had been told her that unbaptised infants were sometimes sacrificed by witches, and their flesh boiled and devoured at their impious banquets, and dreading lest some such atrocity was now about to be practised, she mustered all her resolution, determined, at any risk, to interfere, and, if possible, prevent its accomplishment.
In another moment, Mother Chattox returned bearing some living thing, wrapped in a white cloth, which struggled feebly for liberation, apparently confirming Alizon’s suspicions, and she was about to rush forward, when Mistress Nutter, snatching the bundle from the old witch, opened it, and disclosed a beautiful bird, with plumage white as driven snow, whose legs were tied together, so that it could not escape. Conjecturing what was to follow, Alizon averted her eyes, and when she looked round again the bird had been slain, while Mother Chattox was in the act of throwing its body into the caldron, muttering a charm as she did so. Mistress Nutter held the ensanguined knife aloft, and casting some ruddy drops upon the glowing embers, pronounced, as they hissed and smoked, the following adjuration: —
“Thy aid I seek, infernal Power!
Be thy word sent to Malkin Tower,
That the beldame old may know
Where I will, thou’dst have her go —
What I will, thou’dst have her do!”
An immediate response was made by an awful voice issuing apparently from the bowels of the earth.
“Thou who seek’st the Demon’s aid,
Know’st the price that must be paid.”
The queen witch rejoined —
“I do. But grant the aid I crave,
And that thou wishest thou shalt have.
Another worshipper is won,
Thine to be, when all is done.”
Again the deep voice spake, with something of mockery in its accents: —
“Enough proud witch, I am content.
To Malkin Tower the word is sent,
Forth to her task the beldame goes,
And where she points the streamlet flows;
Its customary bed forsaking,
Another distant channel making.
Round about like elfets tripping,
Stock and stone, and tree are skipping;
Halting where she plants her staff,
With a wild exulting laugh.
Ho! ho! ’tis a merry sight,
Thou hast given the hag to-night.
Lo! the sheepfold, and the herd,
To another site are stirr’d!
And the rugged limestone quarry,
Where ’twas digg’d may no more tarry;
While the goblin haunted dingle,
With another dell must mingle.
Pendle Moor is in commotion,
Like the billows of the ocean,
When the winds are o’er it ranging,
Heaving, falling, bursting, changing.
Ho! ho! ’tis a merry sight
Thou hast given the hag to-night.
Lo! the moss-pool sudden flies,
In another spot to rise;
And the scanty-grown plantation,
Finds another situation,
And a more congenial soil,
Without needing woodman’s toil.
Now the warren moves — and see!
How the burrowing rabbits flee,
Hither, thither till they find it,
With another brake behind it.
Ho! ho! ’tis a merry sight
Thou hast given the hag to-night.
Lo! new lines the witch is tracing,
Every well-known mark effacing,
Elsewhere, other bounds erecting,
So the old there’s no detecting.
Ho! ho! ’tis a pastime quite,
Thou hast given the hag to-night!
The hind at eve, who wander’d o’er
The dreary waste of Pendle Moor,
Shall wake at dawn, and in surprise,
Doubt the strange sight that meets his eyes.
The pathway leading to his hut
Winds differently, — the gate is shut.
The ruin on the right that stood.
Lies on the left, and nigh the wood;
The paddock fenced with wall of stone,
Wcll-stock’d with kine, a mile hath flown,
The sheepfold and the herd are gone.
Through channels new the brooklet rushes,
Its anc
ient course conceal’d by bushes.
Where the hollow was, a mound
Rises from the upheaved ground.
Doubting, shouting with surprise,
How the fool stares, and rubs his eyes!
All’s so changed, the simple elf
Fancies he is changed himself!
Ho! ho! ’tis a merry sight
The hag shall have when dawns the light.
But see! she halts and waves her hand.
All is done as thou hast plann’d.”
After a moment’s pause the voice added,
“I have done as thou hast will’d —
Now be thy path straight fulfill’d.”
“It shall be,” replied Mistress Nutter, whose features gleamed with fierce exultation. “Bring forth the proselyte!” she shouted.
And at the words, her swarthy serving-man, Blackadder, came forth from the Lacy chapel, leading Jennet by the hand. They were followed by Tib, who, dilated to twice his former size, walked with tail erect, and eyes glowing like carbuncles.
At sight of her daughter a loud cry of rage and astonishment burst from Elizabeth Device, and, rushing forward, she would have seized her, if Tib had not kept her off by a formidable display of teeth and talons. Jennet made no effort to join her mother, but regarded her with a malicious and triumphant grin.
“This is my chilt,” screamed Elizabeth. “She canna be baptised without my consent, an ey refuse it. Ey dunna want her to be a witch — at least not yet awhile. What mays yo here, yo little plague?”
“Ey wur brought here, mother,” replied Jennet, with affected simplicity.
“Then get whoam at once, and keep there,” rejoined Elizabeth, furiously.
“Nay, eyst nah go just yet,” replied Jennet. “Ey’d fain be a witch as weel as yo.”
“Ho! ho! ho!” laughed the voice from below.
“Nah, nah — ey forbid it,” shrieked Elizabeth, “ye shanna be bapteesed. Whoy ha ye brought her here, madam?” she added to Mistress Nutter. “Yo ha’ stolen her fro’ me. Boh ey protest agen it.”
“Your consent is not required,” replied Mistress Nutter, waving her off. “Your daughter is anxious to become a witch. That is enough.”
The Works of William Harrison Ainsworth Page 394