Hide and Seek

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Hide and Seek Page 7

by Wilkie Collins


  She stopped exactly opposite to Valentine; and when she looked up, she looked on him alone.

  Was there something in the eager sympathy of his eyes as they met hers, which spoke to the little lonely heart in the sole language that could ever reach it? Did the child, with the quick instinct of the deaf and dumb, read his compassionate disposition, his pity and longing to help her, in his expression at that moment? It might have been so. Her pretty lips smiled on him as they had smiled on no one else that night; and when she held out some cards to be chosen from, she left unnoticed the eager hands extended on either side of her, and presented them to Valentine only.

  He saw the small fingers trembling as they held the cards; he saw the delicate little shoulders and the poor frail neck and chest bedizened with tawdry mock jewelry and spangles; he saw the innocent young face, whose pure beauty no soil of stage paint could disfigure, with the smile still on the parted lips, but with a patient forlornness in the sad blue eyes, as if the seeing-sense that was left, mourned always for the hearing and speaking senses that were gone—he marked all these things in an instant, and felt that his heart was sinking as he looked. A dimness stole over his sight; a suffocating sensation oppressed his breathing; the lights in the circus danced and mingled together; he bent down over the child's hand, and took it in his own; twice kissed it fervently; then, to the utter amazement of the laughing crowd about him, rose up suddenly, and forced his way out as if he had been flying for his life.

  There was a momentary confusion among the audience. But Mr. Jubber was too old an adept in stage-business of all kinds not to know how to stop the growing tumult directly, and turn it into universal applause.

  "Ladies and gentlemen," he cried, with a deep theatrical quiver in his voice—"I implore you to be seated, and to excuse the conduct of the party who has just absented himself. The talent of the Mysterious Foundling has overcome people in that way in every town of England. Do I err in believing that a Rubbleford audience can make kind allowances for their weaker fellow-creatures? Thanks, a thousand thanks in the name of this darling and talented child, for your cordial, your generous, your affectionate, your inestimable reception of her exertions to-night!" With this peroration Mr. Jubber took his pupil out of the ring, amid the most vehement cheering and waving of hats and handkerchiefs. He was too much excited by his triumph to notice that the child, as she walked after him, looked wistfully to the last in the direction by which Valentine had gone out.

  "The public like excitement," soliloquized Mr. Jubber, as he disappeared behind the red curtain. "I must have all this in the bills to-morrow. It's safe to draw at least thirty shillings extra into the house at night."

  In the meantime, Valentine, after some blundering at wrong doors, at last found his way out of the circus, and stood alone on the cool grass, in the cloudless autumn moonlight. He struck his stick violently on the ground, which at that moment represented to him the head of Mr. Jubber; and was about to return straight to the rectory, when he heard a breathless voice behind him, calling:—"Stop, sir! oh, do please stop for one minute!"

  He turned round. A buxom woman in a tawdry and tattered gown was running towards him as fast as her natural impediments to quick progression would permit.

  "Please, sir," she cried—"Please, sir, wasn't you the gentleman that was taken queer at seeing our little Foundling? I was peeping through the red curtain, sir, just at the time."

  Instead of answering the question, Valentine instantly began to rhapsodize about the child's face.

  "Oh, sir! if you know anything about her," interposed the woman, "for God's sake don't scruple to tell it to me! I'm only Mrs. Peckover, sir, the wife of Jemmy Peckover, the clown, that you saw in the circus to-night. But I took and nursed the little thing by her poor mother's own wish; and ever since that time—"

  "My dear, good soul," said Mr. Blyth, "I know nothing of the poor little creature. I only wish from the bottom of my heart that I could do something to help her and make her happy. If Lavvie and I had had such an angel of a child as that," continued Valentine, clasping his hands together fervently, "deaf and dumb as she is, we should have thanked God for her every day of our lives!"

  Mrs. Peckover was apparently not much used to hear such sentiments as these from strangers. She stared up at Mr. Blyth with two big tears rolling over her plump cheeks.

  "Mrs. Peckover! Hullo there, Peck! where are you?" roared a stern voice from the stable department of the circus, just as the clown's wife seemed about to speak again.

  Mrs. Peckover started, curtsied, and, without uttering another word, went back even faster than she had come out. Valentine looked after her intently, but made no attempt to follow: he was thinking too much of the child to think of that. When he moved again, it was to return to the rectory.

  He penetrated at once into the library, where Doctor Joyce was spelling over the "Rubbleford Mercury," while Mrs. Joyce sat opposite to him, knitting a fancy jacket for her youngest but one. He was hardly inside the door before he began to expatiate in the wildest manner on the subject of the beautiful deaf and dumb girl. If ever man was in love with a child at first sight, he was that man. As an artist, as a gentleman of refined tastes, and as the softest-hearted of male human beings, in all three capacities, he was enslaved by that little innocent, sad face. He made the Doctor's head whirl again; he fairly stopped Mrs. Joyce's progress with the fancy jacket, as he sang the child's praises, and compared her face to every angel's face that had ever been painted, from the days of Giotto to the present time. At last, when he had fairly exhausted his hearers and himself, he dashed abruptly out of the room, to cool down his excitement by a moonlight walk in the rectory garden.

  "What a very odd man he is!" said Mrs. Joyce, taking up a dropped stitch in the fancy jacket.

  "Valentine, my love, is the best creature in the world," rejoined the doctor, folding up the Rubbleford Mercury, and directing it for the post; "but, as I often used to tell his poor father (who never would believe me), a little cracked. I've known him go on in this way about children before—though I must own, not quite so wildly, perhaps, as he talked just now."

  "Do you think he'll do anything imprudent about the child? Poor thing! I'm sure I pity her as heartily as anybody can."

  "I don't presume to think," answered the doctor, calmly pressing the blotting-paper over the address he had just written. "Valentine is one of those people who defy all conjecture. No one can say what he will do, or what he won't. A man who cannot resist an application for shelter and supper from any stray cur who wags his tail at him in the street; a man who blindly believes in the troubles of begging-letter impostors; a man whom I myself caught, last time he was down here, playing at marbles with three of my charity-boys in the street, and promising to treat them to hardbake and gingerbeer afterwards, is—in short, is not a man whose actions it is possible to speculate on."

  Here the door opened, and Mr. Blyth's head was popped in, surmounted by a ragged straw hat with a sky-blue ribbon round it. "Doctor," said Valentine, "may I ask an excellent woman, with whom I have made acquaintance, to bring the child here to-morrow morning for you and Mrs. Joyce to see?"

  "Certainly," said the good-humored rector, laughing. "The child by all means, and the excellent woman too."

  "Not if it's Miss Florinda Beverley!" interposed Mrs. Joyce (who had read the Circus placard). "Florinda, indeed! Jezebel would be a better name for her!"

  "My dear Madam, it isn't Florinda," cried Valentine, eagerly. "I quite agree with you; her name ought to be Jezebel. And, what's worse, her legs are out of drawing."

  "Mr. Blyth!!!" exclaimed Mrs. Joyce, indignant at this professional criticism on Jezebel's legs.

  "Why don't you tell us at once who the excellent woman is?" cried the doctor, secretly tickled by the allusion which had shocked his wife.

  "Her name's Peckover," said Valentine; "she's a respectable married woman; she doesn't ride in the circus at all; and she nursed the poor child by her mother's own wish."
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  "We shall be delighted to see her to-morrow," said the warm-hearted rector—"or, no—stop! Not to-morrow; I shall be out. The day after. Cake and cowslip wine for the deaf and dumb child at twelve o'clock—eh, my dear?"

  "That's right! God bless you! you're always kindness itself," cried Valentine; "I'll find out Mrs. Peckover, and let her know. Not a wink of sleep for me to-night—never mind!" Here Valentine suddenly shut the door, then as suddenly opened it again, and added, "I mean to finish that infernal horse-picture to-morrow, and go to the circus again in the evening." With these words he vanished; and they heard him soon afterwards whistling his favorite "Drops of Brandy," in the rectory garden.

  "Cracked! cracked!" cried the doctor. "Dear old Valentine!"

  "I'm afraid his principles are very loose," said Mrs. Joyce, whose thoughts still ran on the unlucky professional allusion to Jezebel's legs.

  The next morning, when Mr. Blyth presented himself at the stables, and went on with the portrait of the cover-hack, the squire had no longer the slightest reason to complain of the painter's desire to combine in his work picturesqueness of effect with accuracy of resemblance. Valentine argued no longer about introducing "light and shade," or "keeping the background subdued in tone." His thoughts were all with the deaf and dumb child and Mrs. Peckover; and he smudged away recklessly, just as he was told, without once uttering so much as a word of protest. By the evening he had concluded his labor. The squire said it was one of the best portraits of a horse that had ever been taken: to which piece of criticism the writer of the present narrative is bound in common candor to add, that it was also the very worst picture that Mr. Blyth had ever painted.

  On returning to Rubbleford, Valentine proceeded at once to the circus; placing himself, as nearly as he could, in the same position which he had occupied the night before.

  The child was again applauded by the whole audience, and again went through her performance intelligently and gracefully, until she approached the place where Valentine was standing. She started as she recognized his face, and made a step forward to get nearer to him; but was stopped by Mr. Jubber, who saw that the people immediately in front of her were holding out their hands to write on her slate, and have her cards dealt round to them in their turn. The child's attention appeared to be distracted by seeing the stranger again who had kissed her hand so fervently—she began to look confused—and ended by committing an open and most palpable blunder in the very first trick that she performed.

  The spectators good-naturedly laughed, and some of them wrote on her slate, "Try again, little girl." Mr. Jubber made an apology, saying that the extreme enthusiasm of the reception accorded to his pupil had shaken her nerves; and then signed to her, with a benevolent smile, but with a very sinister expression in his eyes, to try another trick. She succeeded in this; but still showed so much hesitation, that Mr. Jubber, fearing another failure, took her away with him while there was a chance of making a creditable exit.

  As she was led across the ring, the child looked intently at Valentine.

  There was terror in her eyes—terror palpable enough to be remarked by some of the careless people near Mr. Blyth. "Poor little thing! she seems frightened at the man in the fine green jacket," said one. "And not without cause, I dare say," added another. "You don't mean that he could ever be brute enough to ill use a child like that?—it's impossible!" cried a third.

  At this moment the clown entered the ring. The instant before he shouted the well-known "Here we are!" Valentine thought he heard a strange cry behind the red curtain. He was not certain about it, but the mere doubt made his blood run chill. He listened for a minute anxiously. There was no chance now, however, for testing the correctness of his suspicion. The band had struck up a noisy jig tune, and the clown was capering and tumbling wonderfully, amid roars of laughter.

  "This may be my fault," thought Valentine. "This! What?" He was afraid to pursue that inquiry. His ruddy face suddenly turned pale; and he left the circus, determined to find out what was really going on behind the red curtain.

  He walked round the outside of the building, wasting some time before he found a door to apply at for admission. At last he came to a sort of a passage, with some tattered horse-cloths hanging over its outer entrance.

  "You can't come in here," said a shabby lad, suddenly appearing from the inside in his shirt sleeves.

  Mr. Blyth took out half-a-crown. "I want to see the deaf and dumb child directly!"

  "Oh, all right! go in," muttered the lad, pocketing the money greedily.

  Valentine hastily entered the passage. As soon as he was inside, a sound reached his ears at which his heart sickened and turned faint. No words can describe it in all the horror of its helplessness—it was the moan of pain from a dumb human creature.

  He thrust aside a curtain, and stood in a filthy place, partitioned off from the stables on one side, and the circus on the other, with canvas and old boards. There, on a wooden stool, sat the woman who had accosted him the night before, crying, and soothing the child, who lay shuddering on her bosom. The sobs of the clown's wife mingled with the inarticulate wailing, so low, yet so awful to hear; and both sounds were audible with a fearful, unnatural distinctness, through the merry melody of the jig, and the peals of hearty laughter from the audience in the circus.

  "Oh, my God!" cried Valentine, horror-struck at what he heard, "stop her! don't let her moan in that way!"

  The woman started from her seat, and put the child down, then recognized Mr. Blyth and rushed up to him.

  "Hush!" she whispered eagerly, "don't call out like that! The villain, the brutal, heartless villain is somewhere about the stables. If he hears you, he'll come in and beat her again.—Oh, hush! hush, for God's sake! It's true he beat her—the cowardly, hellish brute!—only for making that one little mistake with the cards. No! no! no! don't speak out so loud, or you'll ruin us. How did you ever get in here?—Oh! you must be quiet! There, sit down—Hark! I'm sure he's coming! Oh! go away—go away!"

  She tried to pull Valentine out of the chair into which she had thrust him but the instant before. He seized tight hold of her hand and refused to move. If Mr. Jubber had come in at that moment, he would have been thrashed within an inch of his life.

  The child had ceased moaning when she saw Valentine. She anxiously looked at him through her tears—then turned away quickly—took out her little handkerchief—and began to dry her eyes.

  "I can't go yet—I'll promise only to whisper—you must listen to me," said Mr. Blyth, pale and panting for breath; "I mean to prevent this from happening again—don't speak!—I'll take that injured, beautiful, patient little angel away from this villainous place: I will, if I go before a magistrate!"

  The woman stopped him by pointing suddenly to the child.

  She had put back the handkerchief, and was approaching him. She came close and laid one hand on his knee, and timidly raised the other as high as she could towards his neck. Standing so, she looked up quietly into his face. The pretty lips tried hard to smile once more; but they only trembled for an instant, and then closed again. The clear, soft eyes, still dim with tears, sought his with an innocent gaze of inquiry and wonder. At that moment, the expression of the sad and lovely little face seemed to say—"You look as if you wanted to be kind to me; I wish you could find out some way of telling me of it."

  Valentine's heart told him what was the only way. He caught her up in his arms, and half smothered her with kisses. The frail, childish hands rose trembling, and clasped themselves gently round his neck; and the fair head drooped lower and lower, wearily, until it lay on his shoulder.

  The clown's wife turned away her face, desperately stifling with both hands the sobs that were beginning to burst from her afresh. She whispered, "Oh, go, sir,—pray go! Some of the riders will be in here directly; you'll get us into dreadful trouble!"

  Valentine rose, still holding the child in his arms. "I'll go if you promise me—"

  "I'll promise you anything, sir!"r />
  "You know the rectory! Doctor Joyce's—the clergyman—my kind friend—"

  "Yes, sir; I know it. Do please, for little Mary's sake be quick as you can!"

  "Mary! Her name's Mary!" Valentine drew back into a corner, and began kissing the child again.

  "You must be out of your senses to keep on in that way after what I've told you!" cried the clown's wife, wringing her hands in despair, and trying to drag him out of the corner. "Jubber will be in here in another minute. She'll be beaten again, if you're caught with her; oh Lord! oh Lord! will nothing make you understand that?"

  He understood it only too well, and put the child down instantly, his face turning pale again; his agitation becoming so violent that he never noticed the hand which she held out towards him, or the appealing look that said so plainly and pathetically: "I want to bid you good-bye; but I can't say it as other children can." He never observed this; for he had taken Mrs. Peckover by the arm, and had drawn her away hurriedly after him into the passage.

  The child made no attempt to follow them: she turned aside, and, sitting down in the darkest corner of the miserable place, rested her head against the rough partition which was all that divided her from the laughing audience. Her lips began to tremble again: she took out the handkerchief once more, and hid her face in it.

  "Now, recollect your promise," whispered Valentine to the clown's wife, who was slowly pushing him out all the time he was speaking to her. "You must bring little Mary to the Rectory to-morrow morning at twelve o'clock exactly—you must! or I'll come and fetch her myself—"

  "I'll bring her, sir, if you'll only go now. I'll bring her—I will, as true as I stand here!"

  "If you don't!" cried Valentine, still distrustful, and trembling all over with agitation—"If you don't!"—He stopped; for he suddenly felt the open air blowing on his face. The clown's wife was gone, and nothing remained for him to threaten, but the tattered horse-cloths that hung over the empty doorway.

 

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