Frankenstein

by Dean Koontz

  A procession of eighty-foot purple beeches separated the inbound and the outbound lanes of the approach road. Their limbs overhung the car and collected the rain to redistribute it in thick drizzles that rapped against the windshield.

  The thump of the wipers matched the slow, heavy rhythm of John Calvino’s heart. He did not play the radio. The only sounds were the engine, the windshield wipers, the rain, the swish of tires turning on wet pavement, and a memory of the screams of dying women.

  Near the main entrance, he parked illegally under the portico. He propped the POLICE placard on the dashboard.

  John was a homicide detective, but this car belonged to him, not to the department. The use of the placard while off duty might be a minor violation of the rules. But his conscience was encrusted with worse transgressions than the abuse of police prerogatives.

  At the reception desk in the lobby sat a lean woman with close-cropped black hair. She smelled of the lunchtime cigarettes that had curbed her appetite. Her mouth was as severe as that of an iguana.

  After glancing at John’s police ID and listening to his request, she used the intercom to call an escort for him. Pen pinched in her thin fingers, white knuckles as sharp as chiseled marble, she printed his name and badge number in the visitors’ register.

  Hoping for gossip, she wanted to talk about Billy Lucas.

  Instead, John went to the nearest window. He stared at the rain without seeing it.

  A few minutes later, a massive orderly named Coleman Hanes escorted him to the third—top—floor. Hanes so filled the elevator that he seemed like a bull in a narrow stall, waiting for the door to the rodeo ring to be opened. His mahogany skin had a faint sheen, and by contrast his white uniform was radiant.

  They talked about the unseasonable weather: the rain, the almost wintry cold two weeks before summer officially ended. They discussed neither murder nor insanity.

  John did most of the talking. The orderly was self-possessed to the point of being phlegmatic.

  The elevator opened to a vestibule. A pink-faced guard sat at a desk, reading a magazine.

  “Are you armed?” he asked.

  “My service pistol.”

  “You’ll have to give it to me.”

  John removed the weapon from his shoulder rig, surrendered it.

  On the desk stood a Crestron touch-screen panel. When the guard pressed an icon, the electronic lock released the door to his left.

  Coleman Hanes led the way into what appeared to be an ordinary hospital corridor: gray vinyl tile underfoot, pale-blue walls, white ceiling with fluorescent panels.

  “Will he eventually be moved to an open floor or will he be kept under this security permanently?” John asked.

  “I’d keep him here forever. But it’s up to the doctors.”

  Hanes wore a utility belt in the pouches of which were a small can of Mace, a Taser, plastic-strap handcuffs, and a walkie-talkie.

  All the doors were closed. Each featured a lock-release keypad and a porthole.

  Seeing John’s interest, Hanes said, “Double-paned. The inner pane is shatterproof. The outer is a two-way mirror. But you’ll be seeing Billy in the consultation room.”

  This proved to be a twenty-foot-square chamber divided by a two-foot-high partition. From the top of this low wall to the ceiling were panels of thick armored glass in steel frames.

  In each panel, near the sill and just above head height, two rectangular steel grilles allowed sound to pass clearly from one side of the glass to the other.

  The nearer portion of the room was the smaller: twenty feet long, perhaps eight feet wide. Two armchairs were angled toward the glass, a small table between them.

  The farther portion of the room contained one armchair and a long couch, allowing the patient either to sit or to lie down.

  On this side of the glass, the chairs had wooden legs. The back and seat cushions were button-tufted.

  Beyond the glass, the furniture featured padded, upholstered legs. The cushions were smooth-sewn, without buttons or upholstery tacks.

  Ceiling-mounted cameras on the visitor’s side covered the entire room. From the guard’s station, Coleman Hanes could watch but not listen.

  Before leaving, the orderly indicated an intercom panel in the wall beside the door. “Call me when you’re finished.”

  Alone, John stood beside an armchair, waiting.

  The glass must have had a nonreflective coating. He could see only the faintest ghost of himself haunting that polished surface.

  In the far wall, on the patient’s side of the room, two barred windows provided a view of slashing rain and dark clouds curdled like malignant flesh.

  On the left, a door opened, and Billy Lucas entered the patient’s side of the room. He wore slippers, gray cotton pants with an elastic waistband, and a long-sleeved gray T-shirt.

  His face, as smooth as cream in a saucer, seemed to be as open and guileless as it was handsome. With pale skin and thick black hair, dressed all in gray, he resembled an Edward Steichen glamour portrait from the 1920s or ’30s.

  The only color he offered, the only color on his side of the glass, was the brilliant, limpid, burning blue of his eyes.

  Neither agitated nor lethargic from drugs, Billy crossed the room unhurriedly, with straight-shouldered confidence and an almost eerie grace. He looked at John, only at John, from the moment he entered the room until he stood before him, on the farther side of the glass partition.

  “You’re not a psychiatrist,” Billy said. His voice was clear, measured, and mellifluous. He had sung in his church choir. “You’re a detective, aren’t you?”

  “Calvino. Homicide.”

  “I confessed days ago.”

  “Yes, I know.”

  “The evidence proves I did it.”

  “Yes, it does.”

  “Then what do you want?”

  “To understand.”

  Less than a full smile, a suggestion of amusement shaped the boy’s expression. He was fourteen, the unrepentant murderer of his family, capable of unspeakable cruelty, yet the half smile made him look neither smug nor evil, but instead wistful and appealing, as though he were recalling a trip to an amusement park or a fine day at the shore.

  “Understand?” Billy said. “You mean—what was my motive?”

  “You haven’t said why.”

  “The why is easy.”

  “Then why?”

  The boy said, “Ruin.”

  2

  The windless day abruptly became turbulent and rattled raindrops like volleys of buckshot against the armored glass of the barred windows.

  That cold sound seemed to warm the boy’s blue gaze, and his eyes shone now as bright as pilot lights.

  “ ‘Ruin,’ ” John said. “What does that mean?”

  For a moment, Billy Lucas seemed to want to explain, but then he merely shrugged.

  “Will you talk to me?” John asked.

  “Did you bring me something?”

  “You mean a gift? No. Nothing.”

  “Next time, bring me something.”

  “What would you like?”

  “They won’t let me have anything sharp or anything hard and heavy. Paperback books would be okay.”

  The boy had been an honor student, in his junior year of high school, having skipped two grades.

  “What kind of books?” John asked.

  “Whatever. I read everything and rewrite it in my mind to make it what I want. In my version, every book ends with everyone dead.”

  Previously silent, the storm sky found its voice. Billy looked at the ceiling and smiled, as if the thunder spoke specifically to him. Head tilted back, he closed his eyes and stood that way even after the rumble faded.

  “Did you plan the murders or was it on impulse?”

  Rolling his head from side to side as though he were a blind musician enraptured by music, the boy said, “Oh, Johnny, I planned to kill them long, long ago.”

  “How long ago?”
>
  “Longer than you would believe, Johnny. Long, long ago.”

  “Which of them did you kill first?”

  “What does it matter if they’re all dead?”

  “It matters to me,” John Calvino said.

  Pulses of lightning brightened the windows, and fat beads of rain quivered down the panes, leaving a tracery of arteries that throbbed on the glass with each bright palpitation.

  “I killed my mother first, in her wheelchair in the kitchen. She was getting a carton of milk from the refrigerator. She dropped it when the knife went in.”

  Billy stopped rolling his head, but he continued to face the ceiling, eyes still closed. His mouth hung open. He raised his hands to his chest and slid them slowly down his torso.

  He appeared to be in the grip of a quiet ecstasy.

  When his hands reached his loins, they lingered, and then slid upward, drawing the T-shirt with them.

  “Dad was in the study, at his desk. I clubbed him from behind, twice on the head, then used the claw end of the hammer. It went through his skull and hooked so deep I couldn’t pull it loose.”

  Now Billy slipped the T-shirt over his head and down his arms, and dropped it on the floor.

  His eyes remained closed, head tipped back. His hands languidly explored his bare abdomen, chest, shoulders, and arms. He seemed enraptured by the texture of his skin, by the contours of his body.

  “Grandma was upstairs in her room, watching TV. Her dentures flew out when I punched her in the face. That made me laugh. I waited till she regained consciousness before I strangled her with a scarf.”

  He lowered his head, opened his eyes, and held his pale hands before his face to study them, as if reading the past, rather than the future, in the lines of his palms.

  “I went to the kitchen then. I was thirsty. I drank a beer and took the knife out of my mother.”

  John Calvino sat on the arm of a chair.

  He knew everything the boy told him, except the order of the killings, which Billy had not revealed to the case detectives. The medical examiner had provided a best-guess scenario based on crime-scene evidence, but John needed to know for sure how it had happened.

  Still studying his hands, Billy Lucas said, “My sister, Celine, was in her room, listening to bad music. I did her before I killed her. Did you know I did her?”

  “Yes.”

  Crossing his arms, slowly caressing his biceps, the boy met John’s eyes again.

  “Then I stabbed her precisely nine times, though I think the fourth one killed her. I just didn’t want to stop that soon.”

  Thunder rolled, torrents of rain beat upon the roof, and faint concussion waves seemed to flutter the air. John felt them shiver through the microscopic cochlear hairs deep in his ears, and he wondered if perhaps they had nothing to do with the storm.

  He saw challenge and mockery in the boy’s intense blue eyes. “Why did you say ‘precisely’?”

  “Because, Johnny, I didn’t stab her eight times, and I didn’t stab her ten. Precisely nine.”

  Billy moved so close to the glass partition that his nose almost touched it. His eyes were pools of threat and hatred, but they seemed at the same time to be desolate wells in the lonely depths of which something had drowned.

  The detective and the boy regarded each other for a long time before John said, “Didn’t you ever love them?”

  “How could I love them when I hardly knew them?”

  “But you’ve known them all your life.”

  “I know you better than I knew them.”

  A dull but persistent disquiet had compelled John to come to the state hospital. This encounter had sharpened it.

  He rose from the arm of the chair.

  “You’re not going already?” Billy asked.

  “Do you have something more to tell me?”

  The boy chewed his lower lip.

  John waited until waiting seemed pointless, and then he started toward the door.

  “Wait. Please,” the boy said, his quivering voice different from what it had been before.

  Turning, John saw a face transformed by anguish and eyes bright with desperation.

  “Help me,” the boy said. “Only you can.”

  Returning to the glass partition, John said, “Even if I wanted to, I couldn’t do anything for you now. No one can.”

  “But you know. You know.”

  “What do you think I know?”

  For a moment more, Billy Lucas appeared to be a frightened child, unsettled and uncertain. But then triumph glittered in his eyes.

  His right hand slid down his flat abdomen and under the elastic waist of his gray cotton pants. He jerked down the pants with his left hand, and with his right directed his urine at the lower grille in the glass panel.

  As the stinking stream spattered through the steel grid, John danced backward, out of range. Never had urine smelled so rank or looked so dark, as yellow-brown as the juice of spoiled fruit.

  Aware that his target had safely retreated, Billy Lucas aimed higher, hosing the glass left to right, right to left. Seen through the foul and rippling flux, the boy’s facial features melted, and he seemed about to dematerialize, as if he had been only an apparition.

  John Calvino pressed the button on the intercom panel beside the door and said to Coleman Hanes, “I’m finished here.”

  To escape the sulfurous odor of the urine, he didn’t wait for the orderly but instead stepped into the hallway.

  Behind John, the boy called out, “You should have brought me something. You should have made an offering.”

  The detective closed the door and looked down at his shoes in the fluorescent glare of the corridor. Not one drop of foulness marred their shine.

  As the door to the guard’s vestibule opened, John walked toward it, toward Coleman Hanes, whose size and presence gave him the almost mythological aura of one who battled giants and dragons.

  3

  On the second floor, one down from Billy Lucas, the hospital staff lounge featured an array of vending machines, a bulletin board, blue molded-plastic chairs, and Formica tables the color of flesh.

  John Calvino and Coleman Hanes sat at one of the tables and drank coffee from paper cups. In the detective’s coffee floated a blind white eye, a reflection of a can light overhead.

  “The stench and the darkness of the urine are related to his regimen of medications,” Hanes explained. “But he’s never done anything like that before.”

  “Maybe you better hope it’s not his new preferred form of self-expression.”

  “We don’t take chances with bodily fluids since HIV. If he does that again, we’ll restrain and catheterize him for a few days and let him decide whether he’d rather have a little freedom of movement.”

  “Won’t that bring lawyers down on you?”

  “Sure. But once he’s pissed on them, they won’t see it as a civil right anymore.”

  John glimpsed something on the orderly’s right palm that he had not noticed previously: a red, blue, and black tattoo, the eagle-globe-and-anchor emblem of the United States Marine Corps.

  “You serve over there?”

  “Two tours.”

  “Hard duty.”

  Hanes shrugged. “That whole country’s a mental hospital, just a lot bigger than this place.”

  “In your view, does Billy Lucas belong in a mental hospital?”

  The orderly’s smile was as thin as a filleting knife. “You think he should be in an orphanage?”

  “I’m just trying to understand him. He’s too young for adult prison, too dangerous for any youth correctional facility. So maybe he’s here because there was nowhere else to put him. Do you think he’s insane …?”

  Hanes finished his coffee. He crushed the paper cup in his fist. “If he’s not insane, what is he?”

  “That’s what I’m asking.”

  “I thought you had the answer. I thought I heard an implied or at the end of the question.”

  “Nothin
g implied,” John assured him.

  “If he’s not insane, his actions are. If he’s something other than insane, it’s a distinction without a difference.” He tossed the crumpled cup at a waste-basket, and scored. “I thought the case was closed. What did they send you here for?”

  John didn’t intend to reveal that he had never been assigned to the case. “Was the boy given my name before he met me?”

  Hanes shook his head slowly, and John thought of a tank turret coming to bear on a target. “No. I told him he had a visitor he was required to see. I once had a sister, John. She was raped, murdered. I don’t give Billy’s kind any more than I have to.”

  “Your sister—how long ago?”

  “Twenty-two years. But it’s like yesterday.”

  “It always is,” John said.

  The orderly fished his wallet from a hip pocket and flipped directly to the cellophane sleeve in which he kept a photo of his lost sister. “Angela Denise.”

  “She was lovely. How old is she there?”

  “Seventeen. Same age as when she was killed.”

  “Did they convict someone?”

  “He’s in one of the new prisons. Private cell. Has his own TV. They can get their own TV these days. And conjugal visits. Who knows what else they get.”

  Hanes put away his wallet, but he would never be able to put away the memory of his sister. Now that John Calvino knew about the sister, he read Hanes’s demeanor as less phlegmatic than melancholy.

  “I told Billy I was Detective Calvino. I never mentioned my first name. But the kid called me Johnny. Made a point of it.”

  “Karen Eisler at the reception desk—she saw your ID. But she couldn’t have told Lucas. There’s no phone in his room.”

  “Is there any other explanation?”

  “Maybe I lied to you.”

  “That’s one possibility I won’t waste time considering.” John hesitated. Then: “Coleman, I’m not sure how to ask this.”

  Hanes waited, as still as sculpture. He never fidgeted. He never made a sweeping gesture when a raised eyebrow would do as well.

  John said, “I know he was transferred here only four days ago. But is there anything you’ve noticed he does that’s … strange?”