"I love you, Master," she said. "I love you. I love you!" She lifted her belled wrists, her small hands, supplicatingly, piteously extended to me. "Forgive me, my Master," she said. "Do not kill me. I do not wish to die. Let me placate you! Let me placate you!"
Things had preceded precisely as I had planned. Given sufficient time, and the obligation to speak, through natural associations and continuities she had confessed her love for Jason of Victoria to me. Let her now be terrified of the wrath of her Gorean master.
I cast aside the whip and, with two hands, seizing her by the waist, I lifted her a foot from the dais; she was bent backwards in my hands, her head and feet down. "Forgive me, my Master!" she begged. Then I threw her back upon the dais. She pulled her legs up, frightened, and turned to the side.
"Please do not kill me, Master," she begged. I then, with two hands, seized her ankles and threw them widely apart, with a jangle of slave bells. I then ruthlessly had her. Later, I had her again, more methodically, her head hanging down, over the dais, on the broad stair leading to its height. Then, later, I pulled her supine to the height of the dais, and, not hurrying, spending much time looking into her eyes, and studying her expressions, had her before the curule chair.
I then, at last, with a cry of angry pleasure, withdrew from her, and stood up. I looked down upon her. There had been little sound save that of our breathing and of her bells. "I hope that I have pleased my Master," she said, frightened. As though angry I strode to the frame within which hung the small gong. With the fur-wrapped striking surface of the wand, removed from its rack, I smote the gong, once, smartly, decisively.
Swiftly, in a matter of moments, Lola ran into the room. The slave whom I had so richly used knelt, frightened, confused, on the height of the dais. "Quickly, Slave," commanded Lola, "come stand before me, at the foot of the dais, your head down." Swiftly the girl obeyed, trembling. Lola had brought with her the objects which I had specified in my instructions to her, issued even before the slave had been ordered to report to the cosmetics room.
The first object was the key to the slave's bells and collar. Lola removed the bells from her left ankle, putting them on the rug. "What is wrong, Master?" inquired the dark-haired slave. Lola then removed the bells from her right ankle, placing them, too, on the rug.
"I am sorry if I have displeased you, Master," said the dark-haired girl, frightened. Lola then removed the bells from the girl's left wrist. "Forgive me, Master," wept the girl. "I will try to be a better slave!" The bells, then, were removed from her right wrist. "Please, Master," wept the girl. "Please!" The key was then inserted into the small, heavy lock on the back of the girl's collar. "Please, my Master," begged the girl, "have mercy on me!"
Then the collar was removed from her, and placed with the belled anklets, and wristlets, on the rug. The beautiful slave, not daring to raise her head, shuddered visibly. It can be an extremely frightening thing for a slave girl to be between collars. What is to be done to her?
I then took the second object which Lola had brought into the room, an eighteen-inch length of Gorean binding fiber. Such fiber does not slip. It is designed for the binding of slaves and prisoners. The girl winced as I bound her wrists tightly behind her. I then took from Lola the third object which she had brought into the room. The slave regarded it with horror. It was a slave hood, with a gag attachment, common in many such hoods. "Do not kill me, Master!" begged the slave. "Please do not kill me!"
I thrust the thick, curled wadding of the gag deeply into her mouth. In her mouth it expanded. Then, using the cord and eyelets, I laced the two ends of the broad, flat binding surface, to which, in the front and the center, the wadding was attached, tightly together behind the back of her neck. She moaned. She was well gagged. She looked at me, wildly. It was a fitting gag for a slave, I thought. Then I took the attached hood and pulled it up and over her head, and then jerked it down, that her head be fully covered. Then, using its strap and loops, I tied the hood in place, securely shut, under her chin.
I then regarded her. The slave was well bound and hooded. I then removed the mask which I had worn, and thrust it in my pouch. I then threw her to my shoulder, her head over my back. She moaned. I then left the house of my friend. I was grateful for its use. The girl on my shoulder would know nothing of our destination. For all she knew she was being taken to a butcher shop, there to be dismembered for sleen feed. Such may be done to a girl, if it be the will of her master.
The former Miss Henderson, who had been so excruciatingly troublesome and so tantalizingly beautiful, was now over my shoulder, hooded and bound, my slave. Lola would follow, in an Ahn. I was well pleased.
Chapter 19 - I WILL PLAN A PARTY; A SLAVE IS TO BE INCLUDED IN THE ENTERTAINMENT
In the Gorean streets I attracted little attention. It is not that unusual, in such streets, for a man to carry a naked slave, bound and hooded, over his shoulder. To be sure, such girls are often tied in a slave sack. The children that we passed in the streets, playing at marbles or stone toss, scarcely glanced up. Two children, however, one boy and one girl, did run and strike the slave. She started, and squirmed, on my shoulder under the blows.
I did not admonish the children. First, it was nothing to me that they had struck her, for she was a slave. Secondly, they were free persons, and free persons on Gor may do much what they please. It is slaves who must be careful of their behavior, lest free persons find it displeasing. The boy who had struck her, I believe, had been in a fit of ill temper. I think he had just lost at stone toss.
The girl, on the other hand, I think, had had far different motivations. She had not been involved in the game, but had only been watching it. Yet she had struck the slave by far the cruelest blow. Already she had learned, as a free woman, that female slaves are to be despised and beaten. The hatred of the free woman on Gor for the female slave is an interesting phenomenon. There are probably many reasons for this.
Among them, however, would seem to be a jealousy of the female slave's desirability and beauty, a resentment of the interest of free men in imbonded women, and an envy of the slave girl's psychological and biological fulfillments, and emotional freedom and joy. Something of the same hatred and contempt tends to be felt by masculine women on Earth towards feminine women. Perhaps they hate what they are not, and perhaps cannot be. The Gorean slave girl, incidentally, can be terrorized by the mere thought that she might be sold to a free woman. I glanced at the girl who had struck the slave. She was comely. I wondered if she might one day fall slave. If so, she, too, in her turn, would surely learn to fear free women.
I took a circuitous route to my house, with many twistings and turnings. The slave, in the darkness of the hood, bound and helpless, would have no idea of where she was being taken. This was the same house which we had earlier occupied together, when I had mistakenly permitted the slave the dignity and status of the free woman. I was fond of the house, as it was fit for my needs, and, indeed, I had made it more fit, by certain additions, for my pleasure, and for the work and holding of a slave. Too, I now owned this house, having purchased it with a few gold pieces, a small portion of my share of the spoils, taken from the holding of Policrates. Riches, too, there had been to distribute, of course, not merely females.
Indeed, as Goreans went, I was now a rich man. I could have afforded a hundred girls of the sort I now carried on my shoulder. But I wanted only this one. This one, alone, I had decided, would be ample to my needs. This slave, whom I recollected from Earth, long ago, was my selection.
The house, with its walled garden to the side, is set back, and on a small hill, into which it is partially built. I approached the house from the side, climbing the hill from the side, rather than frontally. Too, of course, I did not use the steps, which might have been counted. On the stone landing, before the heavy portal of the house, I stopped. I felt her squirm in terror on my shoulder. She knew we had arrived somewhere. But where? She knew only that we had climbed to a height.
I slid her
from my shoulder into my hands and, turning her, took her by the back of the neck and the left thigh and lifted her high over my head. I held her that way for a moment. She moaned piteously, helpless and trembling. Was she to be cast from this height into a pit of sleen or perhaps into the cold waters of the Vosk? Then I lowered her again to my shoulder, her head this time forward. I could feel her shuddering in relief. Slowly I began to lower her, head first. Sensing her orientation she tried, desperately, to press her gagged mouth, beneath its binding and the leather of the hood, against my body, piteously attempting to please me.
I put her on her knees, on the stone landing, at the side of the door. She knelt with her knees widely apart, and then, piteously, opened them even more. She was in terror, desperate to appease and placate the master. I thrust the key into the door and unlocked it, and then replaced the key in my pouch. I looked down at my slave. I was pleased. I thrust the door open with my foot, and then bent down and picked up the slave. I held her in my arms. Then I crossed the threshold, carrying her. As a capture, a prize and a slave, in my arms, was she carried into the domicile of her master.
Within I put her on her knees, beneath the large beam, with the ring, chain and bracelets. The chain and bracelets had already been lowered. In moments I had untied her hands from behind her and locked her small wrists, before her belly, as she knelt, in the close-fitting steel of the bracelets. I then drew the chain back and through the ring, hauling her to her feet. She then stood with her hands high above her head. Her heels were just a quarter of an inch off the tiles.
In my house I saw fit to honor the customs of Victoria. No longer now did the girl seem frightened. Though she seemed apprehensive, now, as any slave in her position might well be, she had, as she had been pulled into position, shuddered with relief. She knew that she had been carried across a threshold as a slave, and had now been placed in a standard whipping position. This told her that her life would be spared, at least for the time, if she were sufficiently pleasing. And I had little doubt but what she would strive to be sufficiently pleasing.
I untied and loosened the slave hood, thrusting it up so that I might reach the gag. I unlaced the tight thongs, from behind the back of her neck, that held the gag binding in place. I then, carefully, little by little, extracted the curled, leather wadding of the gag from her mouth. She could now speak. I then thrust the binding and wadding, unrolled, up and under the slave hood, and readjusted the slave hood on her. I tightened it. She winced. But this time I had left her mouth uncovered. I had decided that it might please me to see her mouth, to note the trembling and movement of her lips as she spoke, and to be able to kiss those lips, or be kissed by them, if I should choose to permit this.
"I will be a good slave, Master," she said. "It will not be necessary to whip me."
I strode around her, to stand before her. She could not see me, of course, because of the slave hood, tight on her, which covered most of her face. This was, of course, by my intent.
"You may do with me as you please, of course, my Master," she said, quickly. "I am completely subject to your will." I saw her knees flex. There was a sound from the links of chain above her head as they suddenly drew against one another, for a moment suspending her full weight. She desired to kneel before me, but, of course, could not do so. The chain held her in place, perfectly. Then, again, she stood as she had before, her heels a quarter of an inch off the tiles. This is a discipline fastening, but it is not as cruel as that in which the girl is fastened on her toes.
"I meant no harm, my Master," she said. "I meant no harm!" I stood quite close to her, before her. She could doubtless feel my breath upon her body. A slave has no private space. "I meant no harm, my Master," she whispered. She lifted her chin, and extended her head towards me, pursing her lips. I gently touched them with my own. Then, delicately, we kissed. With my right hand I held her face so that she could not press her lips more fervently on mine. "I love you, my Master," she whispered. "I love you, my Gorean master."
I went from her to the side of the room, where was the wheel which controlled the chain and, nearby, on its hook, the disciplinary Gorean slave lash.
"Of course, my Master," she cried suddenly, delightedly. "I have been carried across the threshold. And now I have been put in whipping position I am being introduced into a house, in which I am to be a slave. My mysterious master must, thus, be of Victoria, or of some other city in which are practiced the customs of the capture carry and the initiatory whipping!" The point of these customs, of course, is clear.
The girl knows that she is carried into the house as a helpless slave, and then, in the initiatory whipping, learns that it is a house in which she is under discipline. These are thought to be salutary lessons for a new girl, when she is first introduced into a new house. To be sure, whether in Victoria or not, or in a city with comparable customs, new girls, in one way or another, are usually reminded, promptly and effectively, that their slavery is uncompromising and actual, and that they are fully at the disposition of their masters.
The former Miss Henderson, of course, had been in this house before. This was, however, the first time she had been brought into it as a slave. The slave girl, of course, sees a house much differently than does a free woman. Most simply she sees it as a house, and knows it, as a house in which she is a slave, whereas the free woman sees it and knows it as a house in which she is free. The houses are, accordingly, experienced quite differently.
The free woman looks into a slave kennel but she, presumably, has never occupied it, the helpless prisoner behind its bars; the free woman may see chains but she, presumably, has never worn them; she may see the whip but she, presumably, has never felt it. She sees the door, a device by means of which she gains access to her dwelling, but can it have the same meaning to her as to one who has been helplessly carried through it, as a slave? Similarly, the free woman passes through that door whenever she wishes. She does not give it a second thought. It is only a door.
To the slave, on the other hand, it is the portal to her master's house. It is, thus, a significant border in her world. Commonly, if the master is home, and she is not under orders, as in, say, running an errand, or conducting regular business, such as shopping or gardening, she must, on her knees, beg his permission to leave the house, usually specifying her itinerary and when she expects to return.
Similarly a free woman may look upon a wall and see there merely the side of a room, but the slave girl may see there an obdurate barrier, beyond which she cannot run, against which she could be thrown and stripped, a barrier at the foot of which, crouching in terror, she would have to await the pleasure of her master. The free woman may look upon the smooth tiles flooring a room but, presumably, she has never felt them on her naked flesh, on her belly, as she has kissed the feet of her master. Too, presumably, she will never have been beaten upon them, or forced, as a discipline,to clean them, prone, her hands bound behind her, a small brush held in her teeth. The free woman looks upon a stairwell. She sees a stairwell. The slave girl may also see a place where she, if her master wishes, may be conveniently tied to a railing and raped.
Much sex between a master and his slave is spontaneous and casual, occurring whenever the master wishes, and not unoften when the slave begs for it. The sweetness of these sometimes sudden and transient ravishings, of course, does not replace the lengthy feasts of love of which the Gorean is fond; rather, they merely supplement them. They are, in their way, merely another attestation of the condition of the girl, that she is truly a slave and must be ready, at any time, and in any place, to serve her master's pleasure. The same girl who, fed by hand, is lengthily ravished over a period of Ahn, or even of a day or two, may, at another time, be merely told to stretch herself over a table. She will do so, immediately, unquestioningly. She is a slave.
And how wondrously different does the bedroom of the male seem to the free woman than it does to the slave. She looks upon the couch of the male. She sees the slave ring at its foot. She sees
the furs of love, rolled against the side of the wall. She sees the lamp. She sees, coiled beneath the slave ring, a chain, with a collar or shackles. She sees the whip. But these things, as she is free, mean little to her. Imagine, however, if you will, her emotions if she entered that room as a slave girl, stripped and rightless, bearing on her upper thigh, just under her hip, the mark of bondage, her throat clasped in the light, gleaming, close-fitting, locked circlet of a slave. How different, then, would that room seem to her! She is ordered to spread the furs of love. She does so, beneath the slave ring.
She must light the lamp. She does so. She returns then to the furs of love, and kneels upon them. She is then fastened by her master to the slave ring. Perhaps this is merely done by a single ankle ring, on her left ankle, or perhaps both of her ankles are shackled, the length of chain running through the slave ring. If this is done, of course, the chaining is such that her ankles may be thrust widely, even painfully apart. Or perhaps the collar is locked upon her, with its dependent chain. She, then, feels the drag of the chain against her collar, and the chain, with its heavy links, between her bared breasts; she knows well that she is chained.
Though the light of the lamp is soft and sensuous, it is quite adequate, by design, to illuminate her; she is under no delusion on this score; her tiniest movements and her subtlest expressions, she knows, will be fully visible to her master. This is as it should be; she is his slave. Some free women, incidentally, insist on making love in the dark, because of their modesty. If such a woman should be enslaved, however, she must learn to perform in full illumination, whether it be in the soft light of a common ravishment lamp or on a dock at midday.
Norman, John - Gor 16 - Guardsman Of Gor v2.txt Page 23