"When?"
"When she got it."
"That's what I want to know!" Jones said explosively. "When did she get it?"
Morganwaite was silent while he evidently considered the matter at some length. "About a half hour ago."
"What did the message say?" Jones asked.
"I don't know. Mrs. Boone didn't say. She just left."
"What kind of a message was it? Telephone--telegraph?"
"No."
"Well, what kind?"
"A written message--in an envelope."
"Who brought it? Come on now, shake yourself and think hard."
"It was a boy," said Morganwaite pensively. "A boy in a gray uniform on a red bicycle. A small boy with freckles."
"Thanks," said Jones. He hung up, took out his handkerchief and wiped his forehead. Then he got up and walked quickly out of the hospital.
There was a taxi-stand across the street. Only one taxi was there now, and its driver was sitting disconsolately on the running-board cleaning his fingernails with a jackknife. He stood up when Jones approached and said, "Taxi?" in a not very hopeful voice.
"Is there a messenger service around town that specializes in red bikes and gray uniforms?" Jones asked him.
"Sure. Bullet Service."
"Have they got a branch office near here?"
"Sure, on Court Street. Three blocks down and one to your right."
"Show me," said Jones. He opened the door of the taxi, climbed in, and plumped himself down on the seat with a sigh of relief.
It was a 'small, neat office with a big plate glass window that ran clear across the front and had an enormous bullet painted on it with red lines trailing behind to show it was traveling at tremendous speed. There were several people waiting when Jones limped up to the high counter and leaned on it with his elbow, looking as mysterious and hard-boiled as possible in view of the fact that his feet were hurting him more and more all the time.
A clerk with a polished haircut and a vacantly cordial smile stepped up to the other side of the counter. "Yes."
"I'm a detective," Jones sneered at him. "Don't act funny. Just be natural. Treat me like anybody else."
The clerk gulped. "Police! What--"
"Shut up," said Jones. "I said act natural. I want some information about a party who sent a message by one of your boys to Mrs. Hendrick Boone at Forty-five-fifteen Raleigh Street. Was it sent from this branch?"
The clerk nodded once, then again, and finally said, "Yes," in a frightened stage whisper.
"When?"
"About--about an hour ago."
"Did a woman send it?"
"Yes," the clerk said. He swallowed and then said: "Her 'name was Sarah Boone."
"So?" said Jones sharply. "And how do you know that?"
"Well, we have a rule about messages. A few months ago someone started sending poison-pen letters--anonymous--through our messenger service. Brought us a lot of bad publicity. Now, we require anyone sending a sealed message to sign it in our presence. This lady did."
"What'd she look like?" Jones asked.
The clerk stared. "Well, she was a woman--I mean, sort of young, I think. She was veiled. I didn't notice. She had a lot of birthmarks on her arms."
"Yeah," said Jones absently. He squinted thoughtfully at the clerk for a moment, then suddenly pulled one of the blank pads of paper on the counter toward him, picked up a pencil, and wrote rapidly You're a liar.
"I'm not!" the clerk denied, instantly indignant. "You--"
Jones slapped the pad down. "I thought so! You're a shark at reading handwriting upside down, aren't you? That's the why of your signature rule, to give you boys a chance to spot a poison-pen letter before it goes out. Now, what did Sarah Boone's message say? Don't stall me."
The clerk shifted uneasily. "Well, I can't repeat it, word for word. I didn't pay enough attention. I saw right away it wasn't anything like what we've been looking for. It was headed 'Dear Mother,' and it said something about a lot of serious trouble and for the mother to meet her right away at Ten-eleven Twelfth Avenue."
"Where?" Jones asked.
"Ten-eleven Twelfth Avenue. I remembered that on account of the sequence of figures--ten, eleven, twelve. I was thinking that ought to be a lucky address--"
"Maybe not so lucky," said Jones. "Keep this under your hat--if you have a hat. Thanks."
Half the pickets were gone out of the fence, and it swayed backward wearily toward the wet brown square of earth that had once been a lawn. The house was gaunt and weather-beaten and ugly, and it had boards nailed haphazardly across the windows on the lower floor. It looked long deserted. A sign beside the gate said For Sale or Lease and gave the name of a realty company.
Jones looked from the sign to the house and back again, squinting thoughtfully. He turned his head slowly. There were no other houses within a half block.
Jones said, "Huh," to himself. He dropped his right hand into the pocket of the trench-coat. He was carrying a pair of flat brass knuckles in the pocket, and he slid his fingers through the metal loops and closed his fist. He unfastened the middle button of the coat with his left hand and touched the butt of the .38 Police Positive he carried in his waistband. Then he nudged the sagging gate open with his knee and strolled aimlessly up the narrow walk.
There were some children playing in the street a block away, and their excited cries carried high and shrill in the stillness. Jones' feet made hollow thumps on the steps, on the damp-warped boards of the porch. The front door was open about an inch. Jones took his right hand out of his coat pocket and rapped with the brass knuckles. The echoes came back from empty rooms, hollow and thin and ghostly. Jones put his right hand behind him and waited. Nothing happened.
Jones closed the fingers of his left hand more firmly around the grip of the Police Positive and then suddenly kicked the door open and stepped to one side. The door swung in a dark, silent arc and banged against the wall. After about thirty seconds, Jones looked cautiously around the edge of the doorway and saw Mrs. Boone and Sarah.
Mrs. Boone was lying in front of the door. She wore a long, old-fashioned coat with a thin fur collar and an old-fashioned hat that sat high on her gray hair. The hat was tipped sidewise now at a grotesquely jaunty angle. She was lying on her back, and she had one arm thrown across her face.
Sarah was crumpled in a heap under one of the boarded windows, and the failing sunlight made a barred pattern across her broad face. A little trickle of blood on her cheek glistened brightly. One smooth white arm was flung limply wide. Jones could see the birthmark on it. The lax fingers just touched a stubby automatic lying there beside her.
Jones came inside the room, taking one cautious step, then another. He knelt beside Mrs. Boone. She was breathing faintly. There was a swollen, blue-black welt on her cheek. Jones leaned over Sarah and touched the smooth white arm. Then he suddenly spun around and ran out of the room. He ran down the walk, through the gate, on down the street. He ran two blocks to a corner drugstore, dodged into a telephone booth, dropped a nickel in the instrument, and dialed the operator.
"Ambulance," he said breathlessly.
Dusk was a soft-gray smoothness closing down slowly over the row of houses that were just alike when Jones stopped on the sidewalk in front of the Boones' and looked up the steep front stairs at Morganwaite. Morgan-waite was sitting on the top step, leaning forward weakly, as if he had collapsed there. His broom was lying beside him, and he had the evening paper spread across his knees.
"Hello," Jones said, and climbed the steps slowly and sat down beside him..
Morganwaite's hand was trembling a little, and he touched the paper on his knees with his forefinger gingerly. "This paper--I picked it up. The newsboy--delivered it just like any other night. It says that Sarah killed her father and tried to kill her mother and then--had an attack of remorse and killed herself."
"It's mostly right," said Jones. "Only Sarah didn't kill herself. She isn't dead."
"Not dead
," Morganwaite repeated dully.
"No. They thought she was, at first. I did, too. I never saw anybody that looked deader. But the bullet was a small-caliber one. It didn't penetrate her brain. Gave her a multiple skull-fracture. It's a toss-up whether she'll pull through or not. The doc thinks she's got a good chance. Funny thing--she's in the same room her father was in at the hospital. That's the wing where they put the head injuries, and it was the only room vacant. She doesn't know it, of course. She's unconscious."
"Mrs. Boone," Morganwaite said. "There--there was no mistake about her? She's--all right?"
Jones nodded. "Just a concussion and shock. She's not even in the hospital. She's staying at a private nursing-home."
"Sarah," said Morganwaite. "I can't believe it. I can't think she'd do that."
"People do," said Jones. He stretched his feet out on the stairs, grunting painfully. "Chilblains--I get 'em every spring. They're killing me. Ever have 'em?"
"No," said Morganwaite.
Jones sighed. "You're lucky. Can you look after things around the place here for a couple days? Mrs. Boone will be O.K. by then."
"Yes," said Morganwaite.
Jones got up. "Well--I've got to go. So long."
Morganwaite didn't answer. He sat staring straight ahead with eyes that were wide and unseeing.
There were two big stone pillars on either side of the broad walk that led up to the entrance of the City Hospital. Jones was leaning against one of them, a thin indistinguishable shadow in the darkness, with his hat pulled low over his eyes. He was peering around the edge of the pillar, up toward the entrance of the hospital. After a moment, he stepped from behind the pillar, walked quickly up to the steps, pushed the plate glass door open.
A thick-set man with square, heavy shoulders was standing just inside the door. He wore a blue overcoat and a black felt hat, and he had a thin white scar on his face that ran from the corner of his left eye straight down across his cheek to the line of his jaw.
"Jones?" he asked softly.
"Yes," said Jones in a surprised voice.
The scarred man stepped forward and picked up Jones by the front of the trenchcoat. He swung Jones around and slammed him against the wall.
"Careful," said Jones. "Don't step on my feet, or I'll kill you."
He said it in such a murderously calm voice that the scarred man let go of him. Jones straightened the front of his coat with a jerk and a shrug of his shoulders. "You don't have to tell me," he said. "I know you're a cop."
"Yeah," said the scarred man. "Maybe you didn't think there were any cops in this town. Maybe you think you've been playing a little game of hide-and-seek with yourself. What's the big idea of trying to make us look like monkeys?"
"I can't help what you look like. You wanted to see me, you said."
"All right. You've been in this case from the first. In fact, you started the ball rolling. You found Hendrick Boone. Did you stick around? No, you ducked out before we got here. You found the other two. Now, just what do you think you're doing?"
"Trying to find a murderer."
The scarred man stared at him. "Are you so dumb you haven't figured it out yet? Sarah Boone did for her father and tried to do for her mother so she'd get the money her uncle left."
"Did she?" said Jones.
"Why, sure. What--" The scarred man's hard eyes narrowed. "Oh, so you've got something else up your sleeve, have you? All right, then. Who is the murderer?"
"The person I was following. You can come along and take the credit for the arrest, if you don't bother me with a lot of dumb questions."
The feet of Jones and the scarred man were soft and noiseless on the cork flooring. They walked side by side, tensely, and ahead of them was the bright, clean glitter of the glass partition that blocked off the short corridor where Hendrick Boone's room had been.
Through it they could see the nurse sitting behind her desk and looking up into Mrs. Hendrick Boone's thick glasses and shaking her head in a blank, surprised way. Jones nodded at the scarred man and then reached down and turned the knob on the glass door very softly.
"No," said Jones. "Sarah isn't here. That was just a gag to see if I couldn't get you out from under cover. You really killed Sarah. She's in the morgue. Your feet are too big, Mrs. Boone."
Mrs. Boone's skirt rustled silkily. Mrs. Boone's white-kid gloves made a blurred streak rising above the collar of her old coat, flipping down again. The knife was a flat, hissing glitter coming at Jones.
The scarred man ducked with an inarticulate cry. Jones dove under the knife and it smashed through the glass partition and rattled on the corridor floor beyond. Jones' shoulder hit against bony knees. There was a strangled cry, and Mrs. Boone's coat ballooned clumsily, falling..
Jones got up, drawing in a long breath. "You were a big help," he said to the scarred man. "Thanks." He looked at the white-faced nurse. "Sorry, Miss. I didn't figure on any knife-throwing."
The scarred man pointed. "She--Mrs. Boone--she killed her husband and daughter?"
"No," said Jones. "Of course not. Morganwaite killed them. What do you think I just tackled him for?"
"Him?" the scarred man said blankly.
Jones leaned down and picked up Mrs. Boone's glasses and loosened the collar of Mrs. Boone's coat and pulled it down. Morganwaite's face looked white and peaceful and kindly.
"Morganwaite killed Sarah and Hendrick Boone," Jones said. "He did it so he could marry Mrs. Boone and live in comfort on her money. He had been planning it even before I turned up. Mrs. Boone had a little property. The news I brought about the trust fund just gave him added incentive. I don't think there's any doubt that he would have married Mrs. Boone had his plan gone through. She was a timid, trusting soul, beaten down by years of living with her drunken husband. She wouldn't be hard for anyone as clever as Morganwaite."
"Well, how?" said the scarred man.
"Easy for him," said Jones. "He's quite a female impersonator. Must have been an old-time actor. He looks like one. First, he got rid of Sarah. On some pretext, he got her to go to that old house on Twelfth Street. He'd picked out the spot a long time ago. He shot her when he got her there-- in the temple, close enough so it would look like suicide. Then he dressed himself in Sarah's clothes, painted some birthmarks on his arms, came down here and finished Hendrick Boone. Then, still pretending to be Sarah and laying a nice plain trail, he sent a note to Mrs. Boone and signed Sarah's name to it, asking Mrs. Boone to meet Sarah at the house on Twelfth."
"Huh!" said the scarred man. "You mean the old lady didn't even know her kid's writing?"
Jones held up the thick glasses. "Morganwaite thought of that, too. He stole Mrs. Boone's glasses. Look at 'em. They're an inch thick. Mrs. Boone couldn't read anything without 'em. Some neighbor read the note to her, or else the messenger did. Of course, she didn't question the writing. She went right down to the house on Twelfth. Morganwaite was waiting there for her. He hit her on the head as she came in, before she saw him, and left her there. The set-up was supposed to look as if Sarah had planned to kill her father and mother, but that, when she got to the point of actually doing for her mother, she had an attack of remorse and killed herself, instead.
"I was pretty sure of the set-up, but I didn't have any proof. So I went around and told Morganwaite Sarah wasn't dead--that she was here. Well, that upset his whole apple cart. Sarah knew he shot her, and, if she told, why there he'd be in the soup. So he came down to finish the job. This time he dressed up in Mrs. Boone's clothes to keep from being identified. He knew Mrs. Boone wouldn't be suspected, actually, because she was in a rest-home and would have an airtight alibi."
Jones looked around. "If you've got any more questions, we'll have to go somewhere where I can sit down. My feet are killing me."
Table of Contents
Holocaust House
The Mouse in the Mountain
Oh, Murderer Mine
Sally's In the Alley
Something for the Sweeper
The Essential Works of Norbert Davis Page 53