Secondhand Spirits

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Secondhand Spirits Page 1

by Blackwell, Juliet




  Table of Contents

  Title Page

  Copyright Page

  Dedication

  Acknowledgements

  Epigraph

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Author’s Note

  Teaser chapter

  About the Author

  Praise for the Art Lover’s Mysteries by Juliet Blackwell Writing as Hailey Lind

  Brush with Death

  “Lind deftly combines a smart and witty sleuth with entertaining characters who are all engaged in a fascinating new adventure. Sprinkled in are interesting snippets about works of art and the art world, both the beauty and its dirty underbelly.”—Romantic Times

  Shooting Gallery

  “Lind’s latest creatively combines mystery, humor, and interesting art tidbits. The unique characters—including aging art forgers, art thieves, and drug smugglers—add depth to this well-plotted cozy.”—Romantic Times

  “If you enjoy Janet Evanovich’s Stephanie Plum books, Jonathan Gash’s Lovejoy series, or Ian Pears’s art history mysteries . . . then you will enjoy Shooting Gallery. . . . The book is a fun romp through San Francisco’s art scene with some romance and a couple murders and car chases thrown in for good measure.”—Gumshoe

  “An artfully crafted new mystery series!”

  —Tim Myers, Agatha Award-nominated author of A Mold for Murder

  “The art world is murder in this witty and entertaining mystery!”

  —Cleo Coyle, national bestselling author of Espresso Shot

  Feint of Art

  “Annie Kincaid is a wonderful cozy heroine. . . . It’s a rollicking good read.”—Mystery News

  OBSIDIAN

  Published by New American Library, a division of

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  First published by Obsidian, an imprint of New American Library,

  a division of Penguin Group (USA) Inc.

  First Printing, July 2009

  Copyright © Julie Goodson-Lawes, 2009

  eISBN : 978-1-101-08007-8

  All rights reserved

  OBSIDIAN and logo are trademarks of Penguin Group (USA) Inc.

  Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

  PUBLISHER’S NOTE

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

  The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.

  The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.

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  To Aunt Mem,

  my first (and favorite) witchy woman

  Acknowledgments

  As always, special thanks are due to so many.

  To my wonderful literary agent, Kristin Lindstrom, who has inordinate, obstinate faith in my writing; and Kerry Donovan, for her ongoing support and editing flair, and for encouraging me to explore my witchy ways.

  To the supportive, boisterous NorCal Sisters in Crime (y’all know who you are). To Sophie Littlefield for always egging me on, and to Cornelia Read, James Calder, and Tim Maleeny for poker, dinner in bed, and long discussions of genre and mystery. I feel like I’ve been invited to sit at the cool kids’ table.

  To the warm and welcoming Come as You Are (CAYA) coven in Berkeley, California; the wonderful staff of the Sacred Well on Grand Avenue; and to all those witches, sensitives, and sorcerers who spoke to me and wish to remain anonymous. Muchisimas gracias a todas las curanderas y brujas que me hablaron con confianza.

  To my mother’s big, unabashedly Texan family for great expressions, bear hugs, and Southern food.

  To my sister Carolyn—I missed you this go-round! Thanks for your unselfish help and laugh-out-loud suggestions. And to my sister, Susan, for her unflagging enthusiasm and novel suggestions.

  Thanks to Jace, Shay, and Suzanne for their read- throughs and critiques. To Anna for all your help. And special appreciation to Bee, Pamela, Jan, Mary, Chris, Brian, the entire Mira Vista Social Club . . . and a thousand kisses to my guy Sergio.

  And finally, a shout-out to Oscar, the suitably black cat, who insists that I will fall for his feline ways.

  Tis the witching hour of night,

  Or bed is the moon and bright,

  And the stars they glisten, glisten,

  Seeming with bright eyes to listen

  For what listen they?

  JOHN KEATS (1795-1821)

  Chapter 1

  Witches recognize their own.

  So I could tell this customer was . . . different . . . the moment he walked into my store. Not to mention the bell on the door failed to chime.

  He was gorgeous: golden hair glinting in the light of the amber sconces, eyes the blue of a perfect periwinkle, tanned skin with just a hint of whiskers inviting one’s touch. Tall and graceful, he had the too-perfect, unreal beauty seldom seen outside a movie theater. And we were a long way from Tinseltown. This was San Francisco, where “silicon” referred to computer chips, not plastic surgery. Here, people were only too real in their endearing, genuine lumpiness.

  But what really drew my eye was the energy he emitted; to a witch like me, he was as conspicuous as a roaring drunk at an AA meeting.

  The stranger approached, the lightness of his step suggesting a talent for sneakiness. I waited behind the horseshoe-shaped display counter and fingered the protective medicine bundle that hung from a braided string around my waist.

  “Lily Ivory?�


  “That’s me,” I said with a nod.

  He placed an engraved business card on the glass countertop and pushed it toward me with a graceful index finger.

  Aidan Rhodes—Male Witch

  Magickal Assistance

  Spells Cast—Curses Broken—Love Potions

  Satisfaction Guaranteed

  145 Jefferson Street, San Francisco

  “Male witch?” My eyes wandered up, down, and across his muscular frame. “Are you often mistaken for a female?”

  This was San Francisco, after all.

  “Rarely, now that you mention it.” A glint of humor lit up those too-blue eyes. “But most people don’t realize men can be witches.”

  “Sure they do. They just call them warlocks.”

  He winced. “Warlock” means “oath breaker” in Old English, and calls to mind the men who betrayed their covens in the bad old burn-the-witches-at-the-stake days. Some male practitioners called themselves “wizards” or “sorcerers,” but most preferred “witch.” It was a solidarity thing.

  There are as many different types of witches—the good, the bad, the magnificently venal—as there are familiars. Still, the vast majority of us are female. I had an inkling of the power of a traditional women’s coven, but in my experience male witches were wild cards with a tendency to stir up trouble.

  Nothing about Aidan Rhodes suggested otherwise.

  “Cute accent,” he said. “You twang.”

  “It’s not my fault. I grew up in Texas.”

  “I know. I knew your father.”

  “Really.”

  “We worked together.”

  “Is that right?” My tone was nonchalant, but my mind was racing. Aidan Rhodes was not overtly threatening, but if my father was involved, all bets were off.

  I glanced over at my coworker, Bronwyn, who was across the room preparing a concoction for a middle-aged client with a nasty case of eczema and a nastier case of an unfaithful husband. The women’s heads were bent low as Bronwyn ground up dried herbs with a wooden mortar and pestle. They appeared absorbed in the task. Too absorbed. Aidan Rhodes, male witch, must have cast a cocooning spell. If so, they wouldn’t hear a single word we said; indeed, wouldn’t be aware of his presence at all.

  “It’s not every day someone like you moves into the neighborhood, much less opens a shop.” Aidan’s long, elegant fingers caressed a pile of hand-tatted lace collars in the wicker basket on the counter. “A retail store, though—that surprises me. Unusual career path for one with your . . . talents.”

  “Is there a reason you’re here?” I asked, upgrading the man from a curiosity to an annoyance. I wasn’t usually so abrupt with potential customers, but it seemed unwise to use the shopkeeper’s standard greeting—May I help you?—in case I inadvertently obligated myself to him. There’s many a slip twixt cauldron and lip, my grandmother Graciela had drilled into me. Words mattered in the world of spell casting, and a slip of the tongue could have dire consequences.

  “As a matter of fact, there is. I brought you a housewarming present.”

  “Thank you, but that’s not necessary.”

  “I’m happy to do it.”

  “I’m afraid I can’t accept.”

  “Oh, but I insist.”

  “I said no, thank you.”

  “You don’t know what it is yet.”

  “That’s not the—”

  “Pleased ta meetcha.”

  I whirled around to find a misshapen creature perched, gargoylelike, atop an antique walnut jewelry display case. He was small and bent, with a muscular body and scaly skin, a large head, a snoutlike nose and mouth, and outsize ears like a bat’s. His fingers were long and humanlike, surprisingly graceful, but his enormous feet had three toes and long talons. His voice was deep and gravelly.

  “I’m your new familiar,” it said.

  “I’m afraid not; I’m a so—” I turned to give Aidan a piece of my mind, but he was gone, the door slowly swinging shut. The bell had once again failed to ring. I swore under my breath.

  “A so what, mistress?”

  “Excuse me?”

  “Before you started swearing you said you were a so.”

  “I wasn’t swearing.”

  “Were, too.”

  I blew out an exasperated breath. “I’m a solo act. I don’t need a familiar.”

  “You’re a witch, ain’tcha? Ya gotta have a familiar.”

  “Says who?”

  “It’s in the handbook.”

  “There is no handbook. Besides, I’m allergic to cats.”

  “I’m no cat.”

  “So I’ve noticed. But I’m probably allergic to . . . . creatures such as yourself, too. Run along home to your master.”

  “Can’t.”

  “Why not?”

  “ ’ Cause you’re my master now, mistress.” The creature attempted a smile, which took shape as a grimace.

  “I’m serious. Now scoot.”

  The grimace fell from his gnarled greenish gray face. Had it been possible, he would have paled. “You don’t want me?”

  “It’s nothing personal. I just don’t need—”

  “Don’t send me away, mistress!” he begged, jumping down from the display case. Even at full height he didn’t reach my belly button. He dropped to his knobby knees and clasped his hands, gazing up at me in supplication. “Please don’t send me away. I’ll be good, mistress, I swear.”

  “I can’t have a goblin in the shop!”

  “I’m not exactly a goblin.”

  “Gnome, then.”

  “Not really a gnome, either . . .”

  “Whatever you are, you’ll scare away customers.”

  “Howzabout a pig?”

  “A pig?”

  With a sudden twist of his scrawny shoulders, he transformed himself into a miniature Vietnamese pot bellied pig. He grunted, wagged his curly tail, and darted around the counter.

  “Hey! Get back here, you—”

  “Bless the Goddess, isn’t he sweet!” Bronwyn squealed, nearly knocking over a rack of 1950s-era chiffon prom dresses in her haste to cross the room. “Where’d he come from? I’ve always wanted one of those! George Clooney had one—did you know? They’re very smart.” Bronwyn scooped up the squealing swine and held him to her generous bosom, where, I couldn’t help but notice, he stopped kicking and snuggled right in, his pale pink snout resting on her ample cleavage. “What’s his name?”

  I sighed. I had a million things to do today. Evicting a piggish gnome—or a gnomish pig—was not one of them.

  “His name’s . . . Oscar,” I said off the top of my head, thinking of the Sesame Street character. The ugly little fellow seemed as if he would feel at home in a garbage can. “But he’s not mine. He’s a . . . loaner. He’s just visiting.”

  Bronwyn and Oscar both ignored me.

  “Oscar. Aren’t you just a darling? Aren’t you Bwon wyn’s wuvey-dovey piggy-pig-pig?” She crooned to the creature in the high-pitched, goofy tone humans reserve for cherished pets and preverbal children.

  Oscar snorted and rooted around in her cleavage. Bronwyn chuckled. I sighed.

  A plump woman in her mid-fifties, Bronwyn had fuzzy brown hair and warm brown eyes. She favored great swaths of gauzy purple clothing, lots of Celtic jewelry, and heavy black eye makeup. The first time I saw her I couldn’t decide whether she was a delightfully free spirit or just plain nuts. Shortly after I opened my vintage clothing store, Aunt Cora’s Closet, she had approached me about renting a corner of the shop for her small herb business. I welcomed the company: Bronwyn was a so-so herbalist and an amateurish witch, but she had lived in the Haight-Ashbury neighborhood since its hippie heyday and knew everyone. She would be my entrée into a new and unfamiliar city.

  Besides, Bronwyn had been one of the first people I met upon my arrival in San Francisco, and she had welcomed me with open arms. Literally. Bronwyn was a hugger of the bear variety.

  Finding a safe place to call home wasn�
��t an easy task for a natural witch from a small Texas town. For years I had traveled the globe, and finally came to the City by the Bay at the suggestion of a parrot named Barnabas, whom I’d met one memorable evening in a smoky bar in Hong Kong.

  “The Barbary Coast,” he’d said, gazing at me with one bright eye from his perch on the bar. “That’s the place for you. But be careful!”

  “Of what?” I’d asked.

  “The fog,” Barnabas had replied, holding a banana in one foot and peeling it with his beak. “Mark my words. Mark the fog.”

  “What about the fog?”

  “Mark the fog! Mark the fog!” he’d screeched. “Hey! Son of a bitch bit me! Whiskey! Whiskey and rye till the day that I die! Set up another round! Who’s buying?”

  That was the problem with parrots, I had thought as Barnabas waddled off to harass the bartender. They’re smart as heck and never forget a thing, but they do like their booze.

  I can’t normally understand animals when they speak, so I assumed he was either a shape-shifting elf—like the pig currently snuggling in Bronwyn’s ample arms—or I had been drinking way too many mai tais. But either way, I took the incident as a sign. I packed my bags and headed to San Francisco, a city that is home to so many beloved lunatics and cherished iconoclasts that for the first time in my life nobody noticed me. Or so I hoped. The unsettling appearance of Aidan Rhodes the male witch and Oscar the familiar might make keeping a low profile a challenge.

  I watched as Bronwyn embraced the wriggling pot bellied pig with her typical unguarded, openhearted enthusiasm, wishing I could do the same. I didn’t know quite what to make of my new housewarming gift. What might a male witch want from me? And why would he bring me a familiar, of all things?

  The door opened again, its bell tinkling merrily as my inventory scout walked in.

  “Maya!” gushed Bronwyn. “Come meet our sweet little Oscar.”

 

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