Contents
Title Page
Books by Rjurik Davidson
Copyright
Dedication
Acknowledgments
Epigraph
Part I: Endings Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Part II: Beginnings Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Part III: Transformations Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Part IV: Futures Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
BOOKS BY RJURIK DAVIDSON
Unwrapped Sky
The Stars Askew * (forthcoming)
The Library of Forgotten Books (collection)
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
UNWRAPPED SKY
Copyright © 2014 by Rjurik Davidson
All rights reserved.
A Tor Book
Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010
www.tor-forge.com
Tor® is a registered trademark of Tom Doherty Associates, LLC.
ISBN 978-0-7653-2988-2 (hardcover)
ISBN 978-1-4299-4838-8 (e-book)
CIP DATA—TK
Tor books may be purchased for educational, business, or promotional use. For information on bulk purchases, please contact Macmillan Corporate and Premium Sales Department at 1-800-221-7945 extension 5442 or write [email protected].
First Edition: April 2014
Printed in the United States of America
0 9 8 7 6 5 4 3 2 1
For Maryellen, Alastair, and Francesca
ACKNOWLEDGMENTS
My editors, James Frenkel and Liz Gorinsky; all my family; Tessa Kum; Scott Westerfeld; the guys at Serapeum: Andrew Macrae, Keith Stephenson, Peter Hickman; Brendan Duffy; Matthew Chrulew; Ben Peek; the ClarionSouth Class of 2005; the Supanova crit group; my comrades at Overland journal: Jeff Sparrow, Jacinda Woodhead and Alex Skutenko; and Leena Kärkkäinen.
Behold what quiet settles on the world.
Night wraps the sky in tribute from the stars,
In hours like this, one rises to address
The ages, history, and all creation.
—Vladimir Mayakovsky, “Past One O’Clock,”
PART I
ENDINGS
The God Aya was ever rebellious. When others lazed away their days in the pleasure garden, he could be found digging curiously at the things that lay beneath the ground, or performing one-man shows to entertain himself.
“Sit down!” Alerion yelled.
“No!” Aya danced a little dance, something like a jig. There was a twinkle in his eyes.
Alerion sighed and rolled over to sun himself once again. He splashed water on his face. “You’ll be the ruin of us.”
But Aya did not hear, for he was already building a great palace from crystals he had found deep beneath the earth. The palace glinted in the sun and when Aya laughed, the sound echoed through its many passageways like a stream tinkling over stones.
That was the way of it: the other gods, happy and passive; Aya, searching always for something new, building and creating, restless. The joy Aya took in his many ventures upset the other gods; deep within, they wished to subdue him. This was before the War and the Cataclysm, yet their causes were to be found in the gods’ resentment toward their restless comrade.
As Aya admired his palace, he did not notice Alerion’s brooding eyes settling on him.
—from The Legend of Aya
ONE
For the first time in ten years the minotaurs came to the city of Caeli-Amur from the winding road that led through the foothills to the north. There were three hundred or more of them. From the city they appeared as tiny figures—refugees perhaps. But as they approached, the size of their massive bodies, the magnificence of their horned bull heads, the shape of their serrated short-swords, became apparent. The minotaurs had come for the Festival of the Bull. When the week was over, they would descend from the white cliffs on which the city perched and board the ships that would carry them out over the Sunken City and home to their island of Aya.
The citizens watched the minotaurs silently, from their balconies or the city’s white walls. Some of the elderly leaned toward each other and whispered: “So few? There are so few of them.” Many of the children, especially from the factory districts, ran out to meet the magnificent creatures, laughing and calling to them until they drew close and the power and size of the minotaurs quieted them. Gliders swung out over the creatures and watched them from above, safe on the cool currents of air that swept in from the sea. Finally, when the minotaurs arrived at the city, some, who still held to the old ways, fell onto their knees in supplication. The minotaurs were still worshipped as gods by a few, though to harm them was considered a crime by all.
The orderly line broke apart when the minotaurs entered the city and spread out like tributaries into a delta: some climbed their way down to the water palaces and steam baths that ran along the peninsula at the northeast side of Caeli-Amur. Others caught the sooty street-trams through the windy streets along the cliffs, or took the cable car that ran from the massive machine tower near the piers to the top of the cliffs. Those minotaurs seeking knowledge ventured to Caeli-Amur’s famous cafés, where philosopher-assassins debated in the afternoon, drinking coffee and eating fruit. By nightfall, the minotaurs could be found in the liquor palaces and beer halls.
In one such drinking tavern called the Ruins, long after the sun had descended over the mountains to the west, Kata eyed a group of minotaurs. They dominated the place, which, perched on the edge of the factory district close to the city’s northern gate, was typical of workers’ establishments of the area. The proprietor of the Ruins had decorated the hot and dirty hall with a bar along one wall with fragments of ancient technology scavenged from the old places. In one corner, a lamp was cleverly constructed from a ragged half of a broken metallic sphere; the remnants of its insides—an intricate latticework of fine metals—were blackened and twisted. Strange angular implements hung on the walls: here what seemed to be a bulging glove ending in protuberances of unknown function, there a shield-sized fragment of a larger curved structure, geometr
ic shapes cut into it. Had these pieces functioned in any way, the Houses would long ago have confiscated them. But as they were ruined, they remained weirdly beautiful decorations reminding the patrons of the long-lost glories of the world.
Usually filled with gray-eyed factory workers—the older ones keen to deaden their aching bodies with cheap beer, the young ones filled with rage and likely to end up fists flying in the surrounding alleys—the wooden stools and tables were as rough and worn as its clients. This evening, the men sat frightened and quiet in the corners, or slunk past the minotaurs, hoping not to brush against them. Minotaurs were quick to anger, especially when they were filled with beer or hot-liquor.
Kata knew she would have to approach; she needed two of them. But first things first, she thought as she took a drink of the bitter liquid from the flask at her waist. She kept her face still, though she wanted to grimace. The medicine tasted earthy and pungent, like dirt and ul-tree roots mixed together.
She watched and scratched distractedly at the metal sheaths that rubbed against her skin beneath her shirt. Realizing what she was doing, she stopped. The shirt was dark and loose, and she wore a skirt that reached her knees. Together they showed off her shoulder-length hair, which was black as the minotaurs’ eyes. Beneath her clothes Kata was lithe and unusually muscular; she was an athlete, of sorts.
A group of four minotaurs sat laughing at the front of the room, telling one another jokes about labyrinths and reminiscing about the Numerian Wars. She remembered the Festival of the Bull a decade earlier, when she was living on the streets after her mother’s death, but had forgotten the sheer physical presence of the minotaurs. Their shoulders and chests were like the statues of Caeli-Amur’s heroes that stood in the water-parks to the south of the city, where waterfalls and canals flowed gently through manicured gardens. The statues were seven, eight feet of white marble, muscles sculpted beneath their stone cloaks. But it was the minotaurs’ heads, those most valuable of trophies, that emanated majesty: the flaring nostrils, the wiry and perfumed hide, and most especially, the deep and dark eyes, mesmerizing and inhuman. Kata was afraid to look into the eyes, but she would have to.
To one side along the bar sat a slightly smaller minotaur with a dark hide. He did not speak but seemed to be brooding.
That one, she thought.
She slid down the bar and stood next to him.
“Why are you watching us?” he asked.
She could not look him in the eye; she felt guilty. “How far is it to Aya, across the sea?”
“Five days, if the wind is good.”
“Why don’t you use steamers? You could be sure to arrive in time.”
“Tradition. Anyway, I do not trust steamers. What if they break on the open sea? What if those wheels along their sides fall off? Give me the wind any day. It cannot be conquered but offers its gifts freely. It is a trusty partner, at times.”
She looked up into his left eye and then away from its glistening darkness. Its inky magnificence horrified her.
“What have you here, Aemilius?” The booming voice came from another minotaur. She forced herself to look up at the massive head towering over her. She held his eye for a moment before looking away.
“You know,” he said, stepping toward her so his chest came close to her face, “there was a time when a minotaur could stay wherever he liked during the Festival of the Bull.”
The smaller one sat impassively. “Those days are gone, Cyriacus.”
Kata stood up and placed her hand against Cyriacus’s chest, which was like a solid wall close to her face. He must have been almost seven feet tall. His presence was magnetic, his strength palpable. She pushed against him. He didn’t move. She pushed harder, and he took a step backwards. “It’s rude to stand so close to someone you do not know,” she said.
Cyriacus laughed and turned. “Hey, Dexion. We have a spirited one here.”
Aemilius leaned into her and said, “It is not wise to play with minotaurs. They are unpredictable and dangerous.”
“I can hold my own,” she replied. He nodded, turned, and walked away, leaving her with Cyriacus.
“Have a drink,” the minotaur said, handing her his own tankard.
She took a swig of the liquor, which burned her throat. She held back the cough. “Anlusian hot-wine,” she said, feeling her lips and mouth burn with the spices, the vapor rushing into her nose, making her eyes water.
“Yes. These new liquors fire the belly and the mind.”
“I live close to here,” she said. “I have more wine there, and it is free.”
He stood close to her again, and she felt the heat of his breath on her face. She forced herself to look up into his deep black eyes and put her hand against his chest again. This time she did not push him away.
The edge of the factory district was filled with families and older workers who had managed to escape living in the center of that industrial quarter. Here the apartment blocks rose to four and five stories and were built from bricks and concrete. Not crammed together like those in the center or the district or the slums close to the Arena, yet without the vastness of the Arantine where the elite of House Arbor built their mansions, Kata’s neighborhood was reflected its citizens’ status. Here they could breathe the fresh air that drifted from the sea, only occasionally punctuated by billows of smoke.
As Kata and Cyriacus walked along the narrow street where her apartment was located, the little street-child Henri ran next to them, “Kata, Kata! Yensa fudge, Yensa fudge?” Offering them a pouch of the toxic hallucinogen, he was unmoved by the minotaur. Kata liked that about the boy, whose face looked pure, despite the streaks of grime across it. She’d known a hundred like him: their innocent faces shrouded violent and animalistic instincts, the kind you needed to survive on the streets. Even now his eyes were wide as saucers, a sure sign he had eaten his own fudge.
She pushed the boy away. “Not now.”
The boy scurried around them to Cyriacus’s side. “Yensa fudge? Yensa fudge?”
The minotaur swung his arm out and the boy flew into the gutter, his eyes blinking rapidly. Kata looked back at him and shook her head quickly, as if to say, stop it.
Leaving the boy coughing behind them, Kata and Cyriacus climbed up the stairs that ran along the side of the building. Kata’s apartment was on the third floor of her building.
The key rattled in the lock, and the door swung open. Kata lit the lamp by the door. It was her windowless parlor, a kitchen off to one side. More stairs led up to her bedroom and a balcony that overlooked the eastern parts of the city, the Opera House and the docks.
Kata walked over to the table and leaned against it. Cyriacus slammed the door behind him—it shuddered on its hinges. He strode toward her, grasped her by the waist, lifted her like a doll, and sat her on the table, leaning in so she could smell the hot spices of the Anlusian wine and his hide, scented with pungent ginger and clove perfume. She touched the side of his face, feeling the thick, wiry hair. But still she could not look him in the eyes. Quickly she took her hands from his face so she would be ready.
Cyriacus stepped in and pulled her closer by the hips, so their bodies were hard against each other, Kata’s legs splayed around his trunklike thighs, her skirt riding up her legs. She placed her hands on the table behind her as he slowly and carefully unbuttoned her shirt with thick, powerful fingers. He looked down to see the waistband that held the sheaths behind her back.
“What?” he said, laughing. “A knife belt? What would a little—?”
But Kata had already drawn both long-daggers. She plunged them into his ribs. Cyriacus let out a deafening roar and threw the table away from him. Kata flew through the air backwards, the table rolling and spinning beneath her. She struck the wall and fell to the floor, the table crashing against her shins. She felt no pain yet, just the rush of adrenaline.
Cyriacus stared down at the two daggers, his head shifting from left to right in disbelief. Only the handles were visible, one j
utting from each side. Blood coursed in deep red streams down his waist and onto his thighs. He snorted, looked up at her, and said, “You’ve killed me.”
Kata struggled to her feet and stared back at him. She was horrified by the scene: everything was wrong. Though she had killed before, it had always been in the wars between the Houses. She had felled three men with her knives, watching them collapse in seconds before her. It was war and she felt no remorse. Now she could hardly bear the sight of this magnificent creature at the end of its life.
Astonishingly, Cyriacus came at her. She turned and ran to the stairs that led up to her bedroom, thumping footsteps close behind her. She pushed herself, taking the steps three at a time, her heart rattling in her chest. If she could make it to her bedside table, she might stand a chance.
She burst into the room and dived across the bed, reaching for her bolt-thrower on the small table. From the corner of her eye she saw him charge into the room. She turned, raised the bulky weapon, and fired a bolt. Blood spurted from his abdomen like pollen from an open flower.
He staggered back and came at her again. His nose flared and a rumbling sound—either in anger or pain, she couldn’t tell—came from his chest and throat.
She threw open the doors and ran onto the balcony, reloading the thrower. No man could withstand such physical punishment, yet Cyriacus still came at her, immense and godlike. She heard the final click of the thrower and raised it, but it was too late. He was on her, his force crushing her against the balcony wall. A cry escaped her lips. So, she thought, this is how it ends—I was wrong to commit this blasphemy.
His breath steamed from his nostrils; his long, thick tongue lolled from his mouth. “I will crack your neck like a rabbit’s,” he said, grasping the top of her head in one huge hand. “I will take you with me, woman, to the land of light.”
“Please,” she said, her voice broken with fear and resignation.
Cyriacus looked at her in puzzlement, blinked slowly, his hands losing their strength, and crashed to the floor like a cliff into the sea.
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