Louise arrived, at her work the following day in a cheerful mood. She passed through the open front door - the doors and windows of the house were always open. Miss Greenshaw appeared to have no fear of burglars, and was probably justified, as most things in the house weighed several tons and were of no marketable value.
Louise had passed Alfred in the drive. When she first noticed him he had been leaning against a tree smoking a cigarette, but as soon as he had caught sight of her he had seized a broom and begun diligently to sweep leaves. An idle young man, she thought, but good-looking. His features reminded her of someone. As she passed through the hall on the way upstairs to the library, she glanced at the large picture of Nathaniel Greenshaw which presided over the mantelpiece, showing him in the acme of Victorian prosperity, leaning back in a large armchair, his hands resting on the gold Albert chain across his capacious stomach. As her glance swept up from the stomach to the face with its heavy jowls, its bushy eyebrows and its flourishing black moustache, the thought occurred to her that Nathaniel Greenshaw must have been handsome as a young man. He had looked, perhaps, a little like Alfred…
She went into the library on the second floor, shut the door behind her, opened her typewriter, and got out the diaries from the drawer at the side of her desk. Through the open window she caught a glimpse of Miss Greenshaw below, in a puce-coloured sprigged print, bending over the rockery, weeding assiduously. They had had two wet days, of which the weeds had taken full advantage.
Louise, a town-bred girl, decided that if she ever had a garden, it would never contain a rockery which needed weeding by hand. Then she settled down to her work.
When Mrs. Cresswell entered the library with the coffee tray at half-past eleven, she was clearly in a very bad temper. She banged the tray down on the table and observed to the universe: 'Company for lunch - and nothing in the house! What am I supposed to do, I should like to know? And no sign of Alfred.'
'He was sweeping the drive when I got here,' Louise offered.
'I daresay. A nice soft job.'
Mrs. Cresswell swept out of the room, slamming the door behind her. Louise grinned to herself. She wondered what 'the nephew' would be like. She finished her coffee and settled down to her work again. It was so absorbing that time passed quickly. Nathaniel Greenshaw, when he started to keep a diary, had succumbed to the pleasures of frankness. Typing out a passage relating to the personal charms of a barmaid in the neighbouring town, Louise reflected that a good deal of editing would be necessary.
As she was thinking this, she was startled by the scream from the garden. Jumping up, she ran to the open window. Below her Miss Greenshaw was staggering away from the rockery toward the house. Her hands were clasped to her breast, and between her hands there protruded a feathered shaft that Louise recognized with stupefaction to be the shaft of an arrow. Miss Greenshaw's head, in its battered straw hat, fell forward on her breast. She called up to Louise in a failing voice: '… shot… he shot me… with an arrow… get help…'
Louise rushed to the door. She turned the handle, but the door would not open. It took her a moment or two of futile endeavour to realize that she was locked in. She ran back to the window and called down.
'I'm locked in!'
Miss Greenshaw, her back toward Louise and swaying a little on her feet, was calling up to the housekeeper at a window farther along.
'Ring police… telephone…'
Then, lurching from side to side like a drunkard, Miss Greenshaw disappeared from Louise's view through the window and staggered into the drawing-room on the ground floor. A moment later Louise heard a crash of broken china, a heavy fall, and then silence. Her imagination reconstructed the scene. Miss Greenshaw must have stumbled blindly into a small table with a Sevres tea set on it.
Desperately Louise pounded on the library door, calling and shouting. There was no creeper or drainpipe outside the window that could help her to get out that way. Tired at last of beating on the door, Louise returned to the window. From the window of her sitting-room farther along the housekeeper's head appeared.
'Come and let me out, Mrs. Oxley. I'm locked in.'
'So am I,' said Louise.
'Oh, dear, isn't it awful? I've telephoned the police. There's an extension in this room, but what I can't understand, Mrs. Oxley, is our being locked in. I never heard a key turn, did you?'
'No, I didn't hear anything at all. Oh, dear, what shall we do? Perhaps Alfred might hear us.' Louise shouted at the top of her voice, 'Alfred, Alfred.'
'Gone to his dinner as likely as not. What time is it?' Louise glanced at her watch.
'Twenty-five past twelve.'
'He's not supposed to go until half-past, but he sneaks off earlier whenever he can.'
'Do you think - do you think -' Louise meant to ask, 'Do you think she's dead?' - but the words stuck in her throat.
There was nothing to do but wait. She sat down on the window sill. It seemed an eternity before the stolid helmeted figure of a police constable came round the corner of the house. She leaned out of the window and he looked up at her, shading his eyes with his hand.
'What's going on here?' he demanded.
From their respective windows Louise and Mrs. Cresswell poured a flood of excited information down on him. The constable produced a notebook and pencil. 'You ladies ran upstairs and locked yourselves in? Can I have your names, please?'
'Somebody locked us in. Come and let us out.'
The constable said reprovingly, 'All in good time,' and disappeared through the French window below.
Once again time seemed infinite. Louise heard the sound of a car arriving, and after what seemed an hour, but was actually only three minutes, first Mrs. Cresswell and then Louise were released by a police sergeant more alert than the original constable.
'Miss Greenshaw?' Louise's voice faltered. 'What - what's happened?' The sergeant cleared his throat.
'I'm sorry to have to tell you, madam,' he said, 'what I've already told Mrs. Cresswell here. Miss Greenshaw is dead.'
'Murdered,' said Mrs. Cresswell. 'That's what it is - murder?
The sergeant said dubiously, 'Could have been an accident - some country lads shooting arrows.'
Again there was the sound of a car arriving.
The sergeant said, 'That'll be the M.O.,' and he started downstairs.
But it was not the M.O. As Louise and Mrs. Cresswell came down the stairs, a young man stepped hesitatingly through the front door and paused, looking around him with a somewhat bewildered air. Then, speaking in a pleasant voice that in some way seemed familiar to Louise - perhaps it reminded her of Miss Greenshaw's - he asked, 'Excuse me, does - er - does Miss Greenshaw live here?'
'May I have your name if you please?' said the sergeant, advancing upon him.
'Fletcher,' said the young man. 'Nat Fletcher. I'm Miss Greenshaw's nephew, as a matter of fact.'
'Indeed, sir, well - I'm sorry -'
'Has anything happened?' asked Nat Fletcher.
'There's been an - accident. Your aunt was shot with an arrow - penetrated the jugular vein -'
Mrs. Cresswell spoke hysterically and without her usual refinement: 'Your h'aunt's been murdered, that's what's happened. Your h'aunt's been murdered.'
Inspector Welch drew his chair a little nearer to the table and let his gaze wander from one to the other of the four people in the room. It was evening of the same day. He had called at the Wests' house to take Louise Oxley once more over her statement.
'You are sure of the exact words? Shot - he shot me - with an arrow - get help?' Louise nodded.
'And the time?'
'I looked at my watch a minute or two later - it was then twelve twenty-five -'
'Your watch keeps good time?'
'I looked at the clock as well.' Louise left no doubt of her accuracy.
The inspector turned to Raymond West.
'It appears, sir, that about a week ago you and a Mr. Horace Bindler were witnesses to Miss Greenshaw's will
?'
Briefly Raymond recounted the events of the afternoon visit he and Horace Bindler had paid to Greenshaw's Folly.
'This testimony of yours may be important,' said Welch. 'Miss Greenshaw distinctly told you, did she, that her will was being made in favour of Mrs. Cresswell, the housekeeper, and that she was not paying Mrs. Cresswell any wages in view of the expectations Mrs. Cresswell had of profiting by her death?'
'That is what she told me - yes.'
'Would you say that Mrs. Cresswell was definitely aware of these facts?'
'I should say undoubtedly. Miss Greenshaw made a reference in my presence to beneficiaries not being able to witness a will, and Mrs. Cresswell clearly understood what she meant by it. Moreover, Miss Greenshaw herself told me that she had come to this arrangement with Mrs. Cresswell.'
'So Mrs. Cresswell had reason to believe she was an interested party. Motive clear enough in her case, and I daresay she'd be our chief suspect now if it wasn't for the fact that she was securely locked in her room like Mrs. Oxley here, and also that Miss Greenshaw definitely said a man shot her -'
'She definitely was locked in her room?'
'Oh yes. Sergeant Cayley let her out. It's a big old-fashioned lock with a big old-fashioned key. The key was in the lock and there's not a chance that it could have been turned from inside or any hanky-panky of that kind. No, you can take it definitely that Mrs. Cresswell was locked inside that room and couldn't get out. And there were no bows and arrows in the room and Miss Greenshaw couldn't in any case have been shot from her window - the angle forbids it. No, Mrs. Cresswell's out.' He paused, then went on: 'Would you say that Miss Greenshaw, in your opinion, was a practical joker?'
Miss Marple looked up sharply from her corner. 'So the will wasn't in Mrs. Cresswell's favour after all?' she said.
Inspector Welch looked over at her in a rather surprised fashion. 'That's a very clever guess of yours, madam,' he said. 'No, Mrs. Cresswell isn't named as beneficiary.'
'Just like Mr. Naysmith,' said Miss Marple, nodding her head. 'Miss Greenshaw told Mrs. Cresswell she was going to leave her everything and so got out of paying her wages, and then she left her money to somebody else. No doubt she was vastly pleased with herself. No wonder she chortled when she put the will away in Lady Audley's Secret.'
'It was lucky Mrs. Oxley was able to tell us about the will and where it was put,' said the inspector. 'We might have had a long hunt for it otherwise.'
'A Victorian sense of humour,' murmured Raymond West.
'So she left her money to her nephew after all,' said Louise.
The inspector shook his head.
'No,' he said, 'she didn't leave it to Nat Fletcher. The story goes around here - of course, I'm new to the place and I only get the gossip that's second-hand but it seems that in the old days both Miss Greenshaw and her sister were set on the handsome young riding master, and the sister got him. No, she didn't leave the money to her nephew -' Inspector Welch paused, rubbing his chin. 'She left it to Alfred,' he said.
'Alfred - the gardener?' Joan spoke in a surprised voice. 'Yes, Mrs. West. Alfred Pollock.'
'But why?' cried Louise.
'I daresay,' said Miss Marple, 'that she thought Alfred Pollock might have a pride in the house, might even want to live in it, whereas her nephew would almost certainly have no use for it whatever and would sell it as soon as he could possibly do so. He's an actor, isn't he? What play exactly is he acting in at present?'
Trust an old lady to wander from the point, thought Inspector Welch; but he replied civilly, 'I believe, madam, they are doing a season of Sir James M. Barrie's plays.' 'Barrie,' said Miss Marple thoughtfully.
'What Every Woman Knows,' said Inspector Welch, and then blushed. 'Name of a play,' he said quickly. 'I'm not much of a theatre-goer myself,' he added, 'but the wife went along and saw it last week. Quite well done, she said it was.'
'Barrie, wrote some very charming plays,' said Miss Marple, 'though I must say that when I went with an old friend of mine, General Easterly, to see Barrie's Little Mary' - she shook her head sadly - 'neither of us knew where to look.'
The inspector, unacquainted with the play Little Mary, seemed completely fogged.
Miss Marple explained: 'When I was a girl, Inspector, nobody ever mentioned the word stomach.'
The inspector looked even more at sea. Miss Marple was murmuring titles under her breath. 'The Admirable Crichton. Very clever. Mary Rose - a charming play. I cried, I remember. Quality Street I didn't care for so much. Then there was A Kiss for Cinderella. Oh, of course!'
Inspector Welch had no time to waste on theatrical discussion. He returned to the matter at hand.
'The question is,' he said, 'did Alfred Pollock know the old lady had made a will in his favour? Did she tell him?' He added, 'You see - there's an archery club over at Bore-ham - and Alfred Pollock's a member. He's a very good shot indeed with a bow and arrow.'
'Then isn't your case quite clear?' asked Raymond West. 'It would fit in with the doors being locked on the two women - he'd know just where they were in the house.'
The inspector looked at him. He spoke with deep melancholy. 'He's got an alibi,' said the inspector.
'I always think alibis are definitely suspicious,' Raymond remarked.
'Maybe, sir,' said Inspector Welch. 'You're talking as a writer.'
'I don't write detective stories,' said Raymond West, horrified at the mere idea.
'Easy enough to say that alibis are suspicious,' went on Inspector Welch, 'but unfortunately we've got to deal with facts.' He sighed. 'We've got three good suspects,' he went on. 'Three people who, as it happened, were very close upon the scene at the time. Yet the odd thing is that it looks as though none of the three could have done it. The housekeeper I've already dealt with; the nephew, Nat Fletcher, at the moment Miss Greenshaw was shot, was a couple of miles away, filling up his car at a garage and asking his way; as for Alfred Pollock, six people will swear that he entered the Dog and Duck at twenty past twelve and was there for an hour, having his usual bread and cheese and beer.'
'Deliberately establishing an alibi,' said Raymond West hopefully.
'Maybe,' said Inspector Welch, 'but if so, he did establish it.'
There was a long silence. Then Raymond turned his head to where Miss Marple sat upright and thoughtful. 'It's up to you, Aunt Jane,' he said. 'The inspector's baffled, the sergeant's baffled, Joan's baffled, Louise is baffled. But to you, Art Jane, it is crystal clear. Am I right?'
'I wouldn't Say that,' said Miss Marple, 'not crystal clear. And murder, dear Raymond, isn't a game. I don't suppose poor Miss Greenshaw wanted to die, and it was a particularly brutal murder. Very well-planned and quite cold-blooded. It's not a thing to make jokes about.'
'I'm sorry,' said Raymond. 'I'm not really as callous as I sound. One treats a thing lightly to take away from the - well, the horror of it.'
'That is, I believe, the modern tendency,' said Miss Marple. 'All these are, and having to joke about funerals. Yes, perhaps I was thoughtless when I implied that you were callous.'
'It isn't,' said Joan, 'as though we'd known her at all well.'
'That is very true,' said Miss Marple. 'You, dear Joan, did not know her at all. I did not know her at all. Raymond gathered an impression of her from one afternoon's conversation. Louise knew her for only two days.'
'Come now, Aunt Jane,' said Raymond, 'tell us your views. You don't mind, Inspector?'
'Not at all,' said the inspector politely.
'Well, my dear, it would seem that we have three people who had - or might have thought they had - a motive to kill the old lady. And three quite simple reasons why none of the three could have done so. The housekeeper could not have killed Miss Greenshaw because she was locked in her room and because her mistress definitely stated that a man shot her. The gardener was inside the Dog and Duck at the time, the nephew at the garage.'
'Very clearly put, madam,' said the inspector.
'And since
it seems most unlikely that any outsider should have done it, where, then, are we?'
'That's what the inspector wants to know,' said Raymond West.
'One so often looks at a thing the wrong way round,' said Miss Marple apologetically. 'If we can't alter the movements or the positions of those three people, then couldn't we perhaps alter the time of the murder?'
'You mean that both my watch and the clock were wrong?' asked Louise.
'No, dear,' said Miss Marple, 'I didn't mean that at all. I mean that the murder didn't occur when you thought it occurred.'
'But I saw it,' cried Louise.
'Well, what I have been wondering, my dear, was whether you weren't meant to see it. I've been asking myself, you know, whether that wasn't the real reason why you were engaged for this job.'
'What do you mean, Aunt Jane?'
'Well, dear, it seems odd. Miss Greenshaw did not like spending money - yet she engaged you and agreed quite willingly to the terms you asked. It seems to me that perhaps you were meant to be there in that library on the second floor, looking out of the window so that you could be the key witness - someone from outside of irreproachably good character - to fix a definite time and place for the murder.'
'But you can't mean,' said Louise incredulously, 'that Miss Greenshaw intended to be murdered.'
'What I mean, dear,' said Miss Marple, 'is that you didn't really know Miss Greenshaw. There's no real reason, is there, why the Miss Greenshaw you saw when you went up to the house should be the same Miss Greenshaw that Raymond saw a few days earlier? Oh yes, I know,' she went on, to prevent Louise's reply, 'she was wearing the peculiar old-fashioned print dress and the strange straw hat and had unkempt hair. She corresponded exactly to the description Raymond gave us last weekend. But those two women, you know, were much the same age, height, and size. The housekeeper, I mean, and Miss Greenshaw.'
'But the housekeeper is fat!' Louise exclaimed. 'She's got an enormous bosom.'
Miss Marple coughed. 'But, my dear, surely, nowadays I have seen them myself in shops most indelicately displayed. It is very easy for anyone to have a - a bosom - of any size and dimension.' 'What are you trying to say?' demanded Raymond.
Complete Short Stories Of Miss Marple mm-16 Page 26