‘One of this century’s most evocative writers’ Anne Tyler
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GABRIEL GARCÍA MÁRQUEZ
LEAF STORM
‘Márquez writes in this lyrical, magical language that no-one else can do’ Salman Rushdie
‘Suddenly, as if a whirlwind had set down roots in the centre of the town, the banana company arrived, pursued by the leaf storm’
As a blizzard of warehouses and amusement parlours and slums descends on the small town of Macondo, the inhabitants reel at the accompanying stench of rubbish that makes their home unrecognizable. When the banana company leaves town as fast as it arrived, all they are left with is a void of decay.
Living in this devastated and soulless wasteland is one last honourable man, the Colonel, who is determined to fulfil a longstanding promise, no matter how unpalatable it may be. With the death of the detested Doctor, he must provide an honourable burial – and incur the wrath of the rest of Macondo, who would rather see the Doctor rot, forgotten and unattended.
‘The most important writer of fiction in any language’ Bill Clinton
‘Márquez is a retailer of wonders’ Sunday Times
‘An exquisite writer, wise, compassionate, and extremely funny’ Sunday Telegraph
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GABRIEL GARCÍA MÁRQUEZ
LIVING TO TELL THE TALE
‘A treasure trove, a discovery of a lost land we knew existed but couldn’t find. A thrilling miracle of a book’ The Times
Living to Tell the Tale spans Gabriel García Márquez’s life from his birth in Colombia in 1927, through his emerging career as a writer, up to the 1950s and his proposal to the woman who would become his wife. Insightful, daring and beguiling in equal measure, it charts how García Márquez’s astonishing early life influenced the man who, more than any other, has been hailed as the twentieth century’s greatest and most-beloved writer.
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GABRIEL GARCÍA MÁRQUEZ
LOVE IN THE TIME OF CHOLERA
‘An amazing celebration of the many kinds of love between men and women’ The Times
‘It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love …’
Fifty-one years, nine months and four days have passed since Fermina Daza rebuffed hopeless romantic Florentino Ariza’s impassioned advances and married Dr. Juvenal Urbino instead. During that half century, Florentino has fallen into the arms of many delighted women, but has loved none but Fermina. Having sworn his eternal love to her, he lives for the day when he can court her again.
When Fermina’s husband is killed trying to retrieve his pet parrot from a mango tree, Florentino seizes his chance to declare his enduring love. But can young love find new life in the twilight of their lives?
‘A love story of astonishing power and delicious comedy’ Newsweek
‘A delight’ Melvyn Bragg
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GABRIEL GARCÍA MÁRQUEZ
MEMORIES OF MY MELANCHOLY WHORES
‘A velvety pleasure to read. Márquez has composed, with his usual sensual gravity and Olympian humour, a love letter to the dying light’ John Updike
‘The year I turned ninety, I wanted to give myself a gift of a night of wild love with an adolescent virgin …’
He has never married, never loved and never gone to bed with a woman he didn’t pay. But on finding a young girl naked and asleep on the brothel owner’s bed, a passion is ignited in his heart – and he feels, for the first time, the urgent pangs of love.
Each night, exhausted by her factory work, ‘Delgadina’ sleeps peacefully whilst he watches her quietly. During these solitary early hours, his love for her deepens and he finds himself reflecting on his newly found passion and the loveless life he had led. By day, his columns in the local newspaper are read avidly by those who recognize in his outpourings the enlivening and transformative power of love.
‘Márquez describes this amorous, sometimes disturbing journey with the grace and vigour of a master storyteller’ Daily Mail
‘There is not one stale sentence, redundant word, or unfinished thought’ The Times
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GABRIEL GARCÍA MÁRQUEZ
NEWS OF A KIDNAPPING
‘A story only a writer of Márquez’s stature could tell so brilliantly’ Mail on Sunday
‘She looked over her should before getting into the car to be sure no one was following her …’
Pablo Escobar: billionaire drugs baron; ruthless manipulator, brutal killer and jefe of the infamous Medellín cartel. A man whose importance in the international drug trade and renown for his charitable work among the poor brought him influence and power in his home country of Colombia, and the unwanted attention of the American courts.
Terrified of the new Colombian President’s determination to extradite him to America, Escobar found the best bargaining tools he could find: hostages.
In the winter of 1990, ten relatives of Colombian politicians, mostly women, were abducted and held hostage as Escobar attempted to strong-arm the government into blocking his extradition. Two died, the rest survived, and from their harrowing stories Márquez retells, with vivid clarity, the terror and uncertainty of those dark and volatile months.
‘Reads with an urgency which belongs to the finest fiction. I have never read anything which gave me a better sense of the way Colombia was in its worst times’ Daily Telegraph
‘A piece of remarkable investigative journalism made all the more brilliant by the author’s talent for magical storytelling’ Financial Times
‘Compellingly readable’ Sunday Times
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GABRIEL GARCÍA MÁRQUEZ
NO ONE WRITES TO THE COLONEL
‘An imaginative writer of genius, the topmost pinnacle of an entire generation of Latin American novelists of cathedral-like proportions’ Guardian
In a decaying Colombian town the Colonel and his sick wife are living from day to day, scraping together funds for food and medicine. Each Friday the Colonel waits for a letter to come in the post, hoping for the pension he is owed that will change their lives. While he waits the Colonel puts his hopes in his rooster – a prize bird that will make him money when cockfighting comes into season. But until then the bird – like the Colonel and his ailing wife – must somehow be fed …
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GABRIEL GARCÍA MÁRQUEZ
OF LOVE AND OTHER DEMONS
‘Superb and intensely readable’ Time Out
‘An ash-gray dog with a white blaze on its forehead burst onto the rough terrain of the market on the first Sunday of December …’
When a witch doctor appears on the doorstep of the Marquis de Casalduero prophesizing a plague of rabies in their Colombian seaport, he dismisses her claims – until, that is, he hears that his young daughter, Sierva María, was one of four people bitten by a rabid dog, and the only one to survive.
Sierva María appears completely unscathed – but as rumours of the plague spread, the Marquis and his wife wonder at her continuing good health. In a town consumed by superstition, it’s not long before they, and everyone else, put her survival down to a demonic possession and begin to see her supernatural powers as the cause of the town’s woes. Only the young priest charged with exorcising the evil spirit recognizes the girl’s sanity, but can he convince the town that it’s not her that needs healing?
‘Brilliantly moving. A tour de force’ A.S. Byatt
‘A compassionate, witty and unforgettable masterpiece’ Daily Telegraph
‘At once nostalgic and satiric, a resplendent fable’ Sunday Times
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GABRIEL GARCÍA MÁRQUEZ
STRANGE PILGRIMS
‘Filled with greedy joys, with small pleasures, polished like apples against a sleeve’ Observer
‘The first thing Señora Prudencia Linero noticed when she reached the port of Naples was that it had the
same smell as the port of Riohacha …’
Their distant, nostalgic memories of home, their sense of anonymity in a foreign land, the terrifying pang of vulnerability they feel as they step over the threshold into an alien world …
Márquez’s strange pilgrims – the ageing prostitute preparing for death by teaching her dog to weep at her grave, the panicked husband scared for the life of his injured wife, the old man who allows his mind to wander on a long-haul flight from Paris – experience with all his humour, warmth and colour, what it is to be a Latin American adrift in Europe or, indeed, any outsider living far from home.
‘Celebratory and full of strange relish at life’s oddness. The stories draw their strength from Márquez’s generous feel for character, good and bad, boorish and innocent’ William Boyd
‘The most important writer of fiction in any language’ Bill Clinton
‘Often touching, often funny, always unexpected, the experience is as enriching as travel itself’ New Statesman
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GABRIEL GARCÍA MÁRQUEZ
THE AUTUMN OF THE PATRIARCH
‘It asks to be read more than twice, and the rewards are dazzling’ Observer
‘Over the weekend the vultures got into the presidential palace by pecking through the screens on the balcony windows and the flapping of their wings stirred up the stagnant time inside …’
As the citizens of an unnamed Caribbean nation creep through dusty corridors in search of their tyrannical leader, they cannot comprehend that the frail and withered man laying dead on the floor can be the self-styled General of the Universe. Their egocentric, maniacally violent leader, known for serving up traitors to dinner guests and drowning young children at sea, can surely not die the humiliating death of a mere mortal?
Tracing the demands of a man whose egocentric excesses mask the loneliness of isolation and whose lies have become so ingrained that they are indistinguishable from truth, Márquez has created a fantastical portrait of despotism that rings with an air of reality.
‘Delights with its quirky humanity and black humour and impresses by its total originality’ Vogue
‘Captures perfectly the moral squalor and political paralysis that enshrouds a society awaiting the death of a long-term dictator’ Guardian
‘Márquez writes in this lyrical, magical language that no-one else can do’ Salman Rushdie
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GABRIEL GARCÍA MÁRQUEZ
THE GENERAL IN HIS LABYRINTH
‘The vigour and coherence of Márquez’s vision, the brilliance and beauty of his imagery, the narrative tension … coursing through his pages … makes it difficult to put down’ Daily Telegraph
At the age of forty-six General Simón Bolívar, who drove the Spanish from his lands and became the Liberator of South America, takes himself into exile. He makes a final journey down the Magdalene River, revisiting the cities along its shores, reliving the triumphs, passions and betrayals of his youth. Consumed by the memories of what he has done and what he failed to do, Bolívar hopes to see a way out of the labyrinth in which he has lived all his life …
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GABRIEL GARCÍA MÁRQUEZ
THE STORY OF A SHIPWRECKED SAILOR
‘A gripping tale of survival’ The Times
‘On February 22 we were told that we would be returning to Colombia …’
In 1955, eight crew members of Caldas, a Colombian destroyer, were swept overboard. Velasco alone survived, drifting on a raft for ten days without food or water. Márquez retells the survivor’s amazing tale of endurance, from his loneliness and thirst to his determination to survive.
The Story of a Shipwrecked Sailor was Márquez’s first major, and controversial, work, published in a Colombian newspaper, El Espectador, in 1955 and then in book form in 1970.
‘The story of Velasco on his raft, his battle with sharks over a succulent fish, his hallucinations, his capture of a seagull which he was unable to eat, his subsequent droll rescue, has all the grip of archetypal myth. Reads like an epic’ Independent
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THE BEGINNING
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First published as Cien Años de Soledad 1967
This translation first published in Great Britain by Jonathan Cape 1970
Published in Penguin Books 1972
This edition published 2014
Copyright © Gabriel García Márquez, 1967
Translation copyright © Harper and Row, Publishers, Inc., 1970
Cover © Wendy Bevan
All rights reserved
The moral right of the author and translator has been asserted
ISBN: 978-0-241-96859-8
One Hundred Years of Solitude Page 43