Underlying all the peculiarities of his nature, its strength and its weakness, its exuberance and its reserves, was the nervous excitability of which I have spoken in an earlier chapter. I have heard him say: ‘I am nervous to such a degree that I might fancy I could not enter a drawing-room, if I did not know from long experience that I can do it.’ He did not desire to conceal this fact, nor need others conceal it for him; since it was only calculated to disarm criticism and to strengthen sympathy. The special vital power which he derived from this organization need not be reaffirmed. It carried also its inevitable disablements. Its resources were not always under his own control; and he frequently complained of the lack of presence of mind which would seize him on any conventional emergency not included in the daily social routine. In a real one he was never at fault. He never failed in a sympathetic response or a playful retort; he was always provided with the exact counter requisite in a game of words. In this respect indeed he had all the powers of the conversationalist; and the perfect ease and grace and geniality of his manner on such occasions, arose probably far more from his innate human and social qualities than from even his familiar intercourse with the world. But he could not extemporize a speech. He could not on the spur of the moment string together the more or less set phrases which an after-dinner oration demands. All his friends knew this, and spared him the necessity of refusing. He had once a headache all day, because at a dinner, the night before, a false report had reached him that he was going to be asked to speak. This alone would have sufficed to prevent him from accepting any public post. He confesses the disability in a pretty note to Professor Knight, written in reference to a recent meeting of the Wordsworth Society.
19, Warwick Crescent, W.: May 9, ‘84.
My dear Professor Knight, — I seem ungracious and ungrateful, but am neither; though, now that your festival is over, I wish I could have overcome my scruples and apprehensions. It is hard to say — when kind people press one to ‘just speak for a minute’ — that the business, so easy to almost anybody, is too bewildering for oneself. Ever truly yours, Robert Browning.
A Rectorial Address need probably not have been extemporized, but it would also have been irksome to him to prepare. He was not accustomed to uttering himself in prose except within the limits, and under the incitements, of private correspondence. The ceremonial publicity attaching to all official proceedings would also have inevitably been a trial to him. He did at one of the Wordsworth Society meetings speak a sentence from the chair, in the absence of the appointed chairman, who had not yet arrived; and when he had received his degree from the University of Edinburgh he was persuaded to say a few words to the assembled students, in which I believe he thanked them for their warm welcome; but such exceptions only proved the rule.
We cannot doubt that the excited stream of talk which sometimes flowed from him was, in the given conditions of mind and imagination, due to a nervous impulse which he could not always restrain; and that the effusiveness of manner with which he greeted alike old friends and new, arose also from a momentary want of self-possession. We may admit this the more readily that in both cases it was allied to real kindness of intention, above all in the latter, where the fear of seeming cold towards even a friend’s friend, strove increasingly with the defective memory for names and faces which were not quite familiar to him. He was also profoundly averse to the idea of posing as a man of superior gifts; having indeed, in regard to social intercourse, as little of the fastidiousness of genius as of its bohemianism. He, therefore, made it a rule, from the moment he took his place as a celebrity in the London world, to exert himself for the amusement of his fellow-guests at a dinner-table, whether their own mental resources were great or small; and this gave rise to a frequent effort at conversation, which converted itself into a habit, and ended by carrying him away. This at least was his own conviction in the matter. The loud voice, which so many persons must have learned to think habitual with him, bore also traces of this half-unconscious nervous stimulation.* It was natural to him in anger or excitement, but did not express his gentler or more equable states of feeling; and when he read to others on a subject which moved him, his utterance often subsided into a tremulous softness which left it scarcely audible.
* Miss Browning reminds me that loud speaking had become
natural to him through the deafness of several of his
intimate friends: Landor, Kirkup, Barry Cornwall, and
previously his uncle Reuben, whose hearing had been impaired
in early life by a blow from a cricket ball. This fact
necessarily modifies my impression of the case, but does not
quite destroy it.
The mental conditions under which his powers of sympathy were exercised imposed no limits on his spontaneous human kindness. This characteristic benevolence, or power of love, is not fully represented in Mr. Browning’s works; it is certainly not prominent in those of the later period, during which it found the widest scope in his life; but he has in some sense given its measure in what was intended as an illustration of the opposite quality. He tells us, in ‘Fifine at the Fair’, that while the best strength of women is to be found in their love, the best product of a man is only yielded to hate. It is the ‘indignant wine’ which has been wrung from the grape plant by its external mutilation. He could depict it dramatically in more malignant forms of emotion; but he could only think of it personally as the reaction of a nobler feeling which has been gratuitously outraged or repressed.
He more directly, and still more truly, described himself when he said at about the same time, ‘I have never at any period of my life been deaf to an appeal made to me in the name of love.’ He was referring to an experience of many years before, in which he had even yielded his better judgment to such an appeal; and it was love in the larger sense for which the concession had been claimed.
It was impossible that so genuine a poet, and so real a man, should be otherwise than sensitive to the varied forms of feminine attraction. He avowedly preferred the society of women to that of men; they were, as I have already said, his habitual confidants, and, evidently, his most frequent correspondents; and though he could have dispensed with woman friends as he dispensed with many other things — though he most often won them without knowing it — his frank interest in their sex, and the often caressing kindness of manner in which it was revealed, might justly be interpreted by individual women into a conscious appeal to their sympathy. It was therefore doubly remarkable that on the ground of benevolence, he scarcely discriminated between the claim on him of a woman, and that of a man; and his attitude towards women was in this respect so distinctive as to merit some words of notice. It was large, generous, and unconventional; but, for that very reason, it was not, in the received sense of the word, chivalrous. Chivalry proceeds on the assumption that women not only cannot, but should not, take care of themselves in any active struggle with life; Mr. Browning had no theoretical objection to a woman’s taking care of herself. He saw no reason why, if she was hit, she should not hit back again, or even why, if she hit, she should not receive an answering blow. He responded swiftly to every feminine appeal to his kindness or his protection, whether arising from physical weakness or any other obvious cause of helplessness or suffering; but the appeal in such cases lay first to his humanity, and only in second order to his consideration of sex. He would have had a man flogged who beat his wife; he would have had one flogged who ill-used a child — or an animal: he was notedly opposed to any sweeping principle or practice of vivisection. But he never quite understood that the strongest women are weak, or at all events vulnerable, in the very fact of their sex, through the minor traditions and conventions with which society justly, indeed necessarily, surrounds them. Still less did he understand those real, if impalpable, differences between men and women which correspond to the difference of position. He admitted the broad distinctions which have become proverbial, and are therefore only a rough measure of the truth. He could say
on occasion: ‘You ought to be better; you are a woman; I ought to know better; I am a man.’ But he had had too large an experience of human nature to attach permanent weight to such generalizations; and they found certainly no expression in his works. Scarcely an instance of a conventional, or so-called man’s woman, occurs in their whole range. Excepting perhaps the speaker in ‘A Woman’s Last Word’, ‘Pompilia’ and ‘Mildred’ are the nearest approach to it; and in both of these we find qualities of imagination or thought which place them outside the conventional type. He instinctively judged women, both morally and intellectually, by the same standards as men; and when confronted by some divergence of thought or feeling, which meant, in the woman’s case, neither quality nor defect in any strict sense of the word, but simply a nature trained to different points of view, an element of perplexity entered into his probable opposition. When the difference presented itself in a neutral aspect, it affected him like the casual peculiarities of a family or a group, or a casual disagreement between things of the same kind. He would say to a woman friend: ‘You women are so different from men!’ in the tone in which he might have said, ‘You Irish, or you Scotch, are so different from Englishmen;’ or again, ‘It is impossible for a man to judge how a woman would act in such or such a case; you are so different;’ the case being sometimes one in which it would be inconceivable to a normal woman, and therefore to the generality of men, that she should act in any but one way.
The vague sense of mystery with which the poet’s mind usually invests a being of the opposite sex, had thus often in him its counterpart in a puzzled dramatic curiosity which constituted an equal ground of interest.
This virtual admission of equality between the sexes, combined with his Liberal principles to dispose him favourably towards the movement for Female Emancipation. He approved of everything that had been done for the higher instruction of women, and would, not very long ago, have supported their admission to the Franchise. But he was so much displeased by the more recent action of some of the lady advocates of Women’s Rights, that, during the last year of his life, after various modifications of opinion, he frankly pledged himself to the opposite view. He had even visions of writing a tragedy or drama in support of it. The plot was roughly sketched, and some dialogue composed, though I believe no trace of this remains.
It is almost implied by all I have said, that he possessed in every mood the charm of perfect simplicity of manner. On this point he resembled his father. His tastes lay also in the direction of great simplicity of life, though circumstances did not allow of his indulging them to the same extent. It may interest those who never saw him to know that he always dressed as well as the occasion required, and always with great indifference to the subject. In Florence he wore loose clothes which were adapted to the climate; in London his coats were cut by a good tailor in whatever was the prevailing fashion; the change was simply with him an incident of the situation. He had also a look of dainty cleanliness which was heightened by the smooth healthy texture of the skin, and in later life by the silvery whiteness of his hair.
His best photographic likenesses were those taken by Mr. Fradelle in 1881, Mr. Cameron and Mr. William Grove in 1888 and 1889.
Chapter 21
1887-1889
Marriage of Mr. Barrett Browning — Removal to De Vere Gardens — Symptoms of failing Strength — New Poems; New Edition of his Works — Letters to Mr. George Bainton, Mr. Smith, and Lady Martin — Primiero and Venice — Letters to Miss Keep — The last Year in London — Asolo — Letters to Mrs. Fitz-Gerald, Mrs. Skirrow, and Mr. G. M. Smith.
The last years of Mr. Browning’s life were introduced by two auspicious events, in themselves of very unequal importance, but each in its own way significant for his happiness and his health. One was his son’s marriage on October 4, 1887, to Miss Fannie Coddington, of New York, a lady towards whom Mr. Barrett Browning had been strongly attracted when he was a very young man and she little more than a child; the other, his own removal from Warwick Crescent to De Vere Gardens, which took place in the previous June. The change of residence had long been with him only a question of opportunity. He was once even in treaty for a piece of ground at Kensington, and intended building a house. That in which he had lived for so many years had faults of construction and situation which the lapse of time rendered only more conspicuous; the Regent’s Canal Bill had also doomed it to demolition; and when an opening presented itself for securing one in all essentials more suitable, he was glad to seize it, though at the eleventh hour. He had mentally fixed on the new locality in those earlier days in which he still thought his son might eventually settle in London; and it possessed at the same time many advantages for himself. It was warmer and more sheltered than any which he could have found on the north side of the Park; and, in that close vicinity to Kensington Gardens, walking might be contemplated as a pleasure, instead of mere compulsory motion from place to place. It was only too soon apparent that the time had passed when he could reap much benefit from the event; but he became aware from the first moment of his installation in the new home that the conditions of physical life had become more favourable for him. He found an almost pathetic pleasure in completing the internal arrangements of the well-built, commodious house. It seems, on looking back, as if the veil had dropped before his eyes which sometimes shrouds the keenest vision in face of an impending change; and he had imagined, in spite of casual utterances which disclaimed the hope, that a new lease of life was being given to him. He had for several years been preparing for the more roomy dwelling which he would probably some day inhabit; and handsome pieces of old furniture had been stowed away in the house in Warwick Crescent, pending the occasion for their use. He loved antiquities of this kind, in a manner which sometimes recalled his father’s affection for old books; and most of these had been bought in Venice, where frequent visits to the noted curiosity-shops had been his one bond of habit with his tourist countrymen in that city. They matched the carved oak and massive gildings and valuable tapestries which had carried something of Casa Guidi into his first London home. Brass lamps that had once hung inside chapels in some Catholic church, had long occupied the place of the habitual gaselier; and to these was added in the following year one of silver, also brought from Venice — the Jewish ‘Sabbath lamp’. Another acquisition, made only a few months, if indeed so long, before he left London for the last time, was that of a set of casts representing the Seasons, which were to stand at intervals on brackets in a certain unsightly space on his drawing-room wall; and he had said of these, which I think his son was procuring for him: ‘Only my four little heads, and then I shall not buy another thing for the house’ — in a tone of childlike satisfaction at his completed work.
This summer he merely went to St. Moritz, where he and his sister were, for the greater part of their stay, again guests of Mrs. Bloomfield Moore. He was determined to give the London winter a fuller trial in the more promising circumstances of his new life, and there was much to be done in De Vere Gardens after his return. His father’s six thousand books, together with those he had himself accumulated, were for the first time to be spread out in their proper array, instead of crowding together in rows, behind and behind each other. The new bookcases, which could stand in the large new study, were waiting to receive them. He did not know until he tried to fulfil it how greatly the task would tax his strength. The library was, I believe, never completely arranged.
During this winter of 1887-8 his friends first perceived that a change had come over him. They did not realize that his life was drawing to a close; it was difficult to do so when so much of the former elasticity remained; when he still proclaimed himself ‘quite well’ so long as he was not definitely suffering. But he was often suffering; one terrible cold followed another. There was general evidence that he had at last grown old. He, however, made no distinct change in his mode of life. Old habits, suspended by his longer imprisonments to the house, were resumed as soon as he was set free. He still dined out; stil
l attended the private view of every, or almost every art exhibition. He kept up his unceasing correspondence — in one or two cases voluntarily added to it; though he would complain day after day that his fingers ached from the number of hours through which he had held his pen. One of the interesting letters of this period was written to Mr. George Bainton, of Coventry, to be used, as that gentleman tells me, in the preparation of a lecture on the ‘Art of Effective Written Composition’. It confirms the statement I have had occasion to make, that no extraneous influence ever permanently impressed itself on Mr. Browning’s style.
29, De Vere Gardens: Oct. 6, ‘87.
Dear Sir, — I was absent from London when your kind letter reached this house, to which I removed some time ago — hence the delay in acknowledging your kindness and replying, in some degree, to your request. All I can say, however, is this much — and very little — that, by the indulgence of my father and mother, I was allowed to live my own life and choose my own course in it; which, having been the same from the beginning to the end, necessitated a permission to read nearly all sorts of books, in a well-stocked and very miscellaneous library. I had no other direction than my parents’ taste for whatever was highest and best in literature; but I found out for myself many forgotten fields which proved the richest of pastures: and, so far as a preference of a particular ‘style’ is concerned, I believe mine was just the same at first as at last. I cannot name any one author who exclusively influenced me in that respect, — as to the fittest expression of thought — but thought itself had many impulsions from very various sources, a matter not to your present purpose. I repeat, this is very little to say, but all in my power — and it is heartily at your service — if not as of any value, at least as a proof that I gratefully feel your kindness, and am, dear Sir Yours very truly, Robert Browning.
Robert Browning - Delphi Poets Series Page 430