However frightful the circumstances may be, a man like Arsène Lupin controls himself and commands the situation as soon as he learns what it is. So, Arsène Lupin quickly brought his lantern into use. A woman was lying before him, covered with blood. Her neck and shoulders were covered with gaping wounds. He leaned over her and made a closer examination. She was dead.
“Dead! Dead!” he repeated, with a bewildered air.
He stared at those fixed eyes, that grim mouth, that livid flesh, and that blood—all that blood which had flowed over the carpet and congealed there in thick, black spots. He arose and turned on the electric lights. Then he beheld all the marks of a desperate struggle. The bed was in a state of great disorder. On the floor, the candlestick, and the clock, with the hands pointing to twenty minutes after eleven; then, further away, an overturned chair; and, everywhere, there was blood, spots of blood and pools of blood.
“And the black pearl?” he murmured.
The box of letter-paper was in its place. He opened it, eagerly. The jewel-case was there, but it was empty.
“Fichtre!” he muttered. “You boasted of your good fortune much too soon, my friend Lupin. With the countess lying cold and dead, and the black pearl vanished, the situation is anything but pleasant. Get out of here as soon as you can, or you may get into serious trouble.”
Yet, he did not move.
“Get out of here? Yes, of course. Any person would, except Arsène Lupin. He has something better to do. Now, to proceed in an orderly way. At all events, you have a clear conscience. Let us suppose that you are the commissary of police and that you are proceeding to make an inquiry concerning this affair—Yes, but in order to do that, I require a clearer brain. Mine is muddled like a ragout.”
He tumbled into an armchair, with his clenched hands pressed against his burning forehead.
* * * *
The murder of the avenue Hoche is one of those which have recently surprised and puzzled the Parisian public, and, certainly, I should never have mentioned the affair if the veil of mystery had not been removed by Arsène Lupin himself. No one knew the exact truth of the case.
Who did not know—from having met her in the Bois—the fair Léotine Zalti, the once-famous cantatrice, wife and widow of the Count d’Andillot; the Zalti, whose luxury dazzled all Paris some twenty years ago; the Zalti who acquired an European reputation for the magnificence of her diamonds and pearls? It was said that she wore upon her shoulders the capital of several banking houses and the gold mines of numerous Australian companies. Skilful jewelers worked for Zalti as they had formerly wrought for kings and queens. And who does not remember the catastrophe in which all that wealth was swallowed up? Of all that marvelous collection, nothing remained except the famous black pearl. The black pearl! That is to say a fortune, if she had wished to part with it.
But she preferred to keep it, to live in a commonplace apartment with her companion, her cook, and a man-servant, rather than sell that inestimable jewel. There was a reason for it; a reason she was not afraid to disclose: the black pearl was the gift of an emperor! Almost ruined, and reduced to the most mediocre existence, she remained faithful to the companion of her happy and brilliant youth. The black pearl never left her possession. She wore it during the day, and, at night, concealed it in a place known to her alone.
All these facts, being republished in the columns of the public press, served to stimulate curiosity; and, strange to say, but quite obvious to those who have the key to the mystery, the arrest of the presumed assassin only complicated the question and prolonged the excitement. Two days later, the newspapers published the following item:
“Information has reached us of the arrest of Victor Danègre, the servant of the Countess d’Andillot. The evidence against him is clear and convincing. On the silken sleeve of his liveried waistcoat, which chief detective Dudouis found in his garret between the mattresses of his bed, several spots of blood were discovered. In addition, a cloth-covered button was missing from that garment, and this button was found beneath the bed of the victim.
“It is supposed that, after dinner, in place of going to his own room, Danègre slipped into the wardrobe-closet, and, through the glass door, had seen the countess hide the precious black pearl. This is simply a theory, as yet unverified by any evidence. There is, also, another obscure point. At seven o’clock in the morning, Danègre went to the tobacco-shop on the Boulevard de Courcelles; the concierge and the shop-keeper both affirm this fact. On the other hand, the countess’ companion and cook, who sleep at the end of the hall, both declare that, when they arose at eight o’clock, the door of the antechamber and the door of the kitchen were locked. These two persons have been in the service of the countess for twenty years, and are above suspicion. The question is: How did Danègre leave the apartment? Did he have another key? These are matters that the police will investigate.”
As a matter of fact, the police investigation threw no light on the mystery. It was learned that Victor Danègre was a dangerous criminal, a drunkard and a debauchee. But, as they proceeded with the investigation, the mystery deepened and new complications arose. In the first place, a young woman, Mlle. De Sinclèves, the cousin and sole heiress of the countess, declared that the countess, a month before her death, had written a letter to her and in it described the manner in which the black pearl was concealed. The letter disappeared the day after she received it. Who had stolen it?
Again, the concierge related how she had opened the door for a person who had inquired for Doctor Harel. On being questioned, the doctor testified that no one had rung his bell. Then who was that person? And accomplice?
The theory of an accomplice was thereupon adopted by the press and public, and also by Ganimard, the famous detective.
“Lupin is at the bottom of this affair,” he said to the judge.
“Bah!” exclaimed the judge, “you have Lupin on the brain. You see him everywhere.”
“I see him everywhere, because he is everywhere.”
“Say rather that you see him every time you encounter something you cannot explain. Besides, you overlook the fact that the crime was committed at twenty minutes past eleven in the evening, as is shown by the clock, while the nocturnal visit, mentioned by the concierge, occurred at three o’clock in the morning.”
Officers of the law frequently form a hasty conviction as to the guilt of a suspected person, and then distort all subsequent discoveries to conform to their established theory. The deplorable antecedents of Victor Danègre, habitual criminal, drunkard and rake, influenced the judge, and despite the fact that nothing new was discovered in corroboration of the early clues, his official opinion remained firm and unshaken. He closed his investigation, and, a few weeks later, the trial commenced. It proved to be slow and tedious. The judge was listless, and the public prosecutor presented the case in a careless manner. Under those circumstances, Danègre’s counsel had an easy task. He pointed out the defects and inconsistencies of the case for the prosecution, and argued that the evidence was quite insufficient to convict the accused. Who had made the key, the indispensable key without which Danègre, on leaving the apartment, could not have locked the door behind him? Who had ever seen such a key, and what had become of it? Who had seen the assassin’s knife, and where is it now?
“In any event,” argued the prisoner’s counsel, “the prosecution must prove, beyond any reasonable doubt, that the prisoner committed the murder. The prosecution must show that the mysterious individual who entered the house at three o’clock in the morning is not the guilty party. To be sure, the clock indicated eleven o’clock. But what of that? I contend, that proves nothing. The assassin could turn the hands of the clock to any hour he pleased, and thus deceive us in regard to the exact hour of the crime.”
Victor Danègre was acquitted.
He left the prison on Friday about dusk in the evening, weak
and depressed by his six months’ imprisonment. The inquisition, the solitude, the trial, the deliberations of the jury, combined to fill him with a nervous fear. At night, he had been afflicted with terrible nightmares and haunted by weird visions of the scaffold. He was a mental and physical wreck.
Under the assumed name of Anatole Dufour, he rented a small room on the heights of Montmartre, and lived by doing odd jobs wherever he could find them. He led a pitiful existence. Three times, he obtained regular employment, only to be recognized and then discharged. Sometimes, he had an idea that men were following him—detectives, no doubt, who were seeking to trap and denounce him. He could almost feel the strong hand of the law clutching him by the collar.
One evening, as he was eating his dinner at a neighboring restaurant, a man entered and took a seat at the same table. He was a person about forty years of age, and wore a frock-coat of doubtful cleanliness. He ordered soup, vegetables, and a bottle of wine. After he had finished his soup, he turned his eyes on Danègre, and gazed at him intently. Danègre winced. He was certain that this was one of the men who had been following him for several weeks. What did he want? Danègre tried to rise, but failed. His limbs refused to support him. The man poured himself a glass of wine, and then filled Danègre’s glass. The man raised his glass, and said:
“To your health, Victor Danègre.”
Victor started in alarm, and stammered:
“I!… I!…no, no.… I swear to you.…”
“You will swear what? That you are not yourself? The servant of the countess?”
“What servant? My name is Dufour. Ask the proprietor.”
“Yes, Anatole Dufour to the proprietor of this restaurant, but Victor Danègre to the officers of the law.”
“That’s not true! Some one has lied to you.”
The new-comer took a card from his pocket and handed it to Victor, who read on it: “Grimaudan, ex-inspector of the detective force. Private business transacted.” Victor shuddered as he said:
“You are connected with the police?”
“No, not now, but I have a liking for the business and I continue to work at it in a manner more—profitable. From time to time I strike upon a golden opportunity—such as your case presents.”
“My case?”
“Yes, yours. I assure you it is a most promising affair, provided you are inclined to be reasonable.”
“But if I am not reasonable?”
“Oh! my good fellow, you are not in a position to refuse me anything I may ask.”
“What is it…you want?” stammered Victor, fearfully.
“Well, I will inform you in a few words. I am sent by Mademoiselle de Sinclèves, the heiress of the Countess d’Andillot.”
“What for?”
“To recover the black pearl.”
“Black pearl?”
“That you stole.”
“But I haven’t got it.”
“You have it.”
“If I had, then I would be the assassin.”
“You are the assassin.”
Danègre showed a forced smile.
“Fortunately for me, monsieur, the Assizecourt was not of your opinion. The jury returned an unanimous verdict of acquittal. And when a man has a clear conscience and twelve good men in his favor—”
The ex-inspector seized him by the arm and said:
“No fine phrases, my boy. Now, listen to me and weigh my words carefully. You will find they are worthy of your consideration. Now, Danègre, three weeks before the murder, you abstracted the cook’s key to the servants’ door, and had a duplicate key made by a locksmith named Outard, 244 rue Oberkampf.”
“It’s a lie—it’s a lie!” growled Victor. “No person has seen that key. There is no such key.”
“Here it is.”
After a silence, Grimaudan continued:
“You killed the countess with a knife purchased by you at the Bazar de la Republique on the same day as you ordered the duplicate key. It has a triangular blade with a groove running from end to end.”
“That is all nonsense. You are simply guessing at something you don’t know. No one ever saw the knife.”
“Here it is.”
Victor Danègre recoiled. The ex-inspector continued:
“There are some spots of rust upon it. Shall I tell you how they came there?”
“Well!…you have a key and a knife. Who can prove that they belong to me?”
“The locksmith, and the clerk from whom you bought the knife. I have already refreshed their memories, and, when you confront them, they cannot fail to recognize you.”
His speech was dry and hard, with a tone of firmness and precision. Danègre was trembling with fear, and yet he struggled desperately to maintain an air of indifference.
“Is that all the evidence you have?”
“Oh! no, not at all. I have plenty more. For instance, after the crime, you went out the same way you had entered. But, in the centre of the wardrobe-room, being seized by some sudden fear, you leaned against the wall for support.”
“How do you know that? No one could know such a thing,” argued the desperate man.
“The police know nothing about it, of course. They never think of lighting a candle and examining the walls. But if they had done so, they would have found on the white plaster a faint red spot, quite distinct, however, to trace in it the imprint of your thumb which you had pressed against the wall while it was wet with blood. Now, as you are well aware, under the Bertillon system, thumb-marks are one of the principal means of identification.”
Victor Danègre was livid; great drops of perspiration rolled down his face and fell upon the table. He gazed, with a wild look, at the strange man who had narrated the story of his crime as faithfully as if he had been an invisible witness to it. Overcome and powerless, Victor bowed his head. He felt that it was useless to struggle against this marvelous man. So he said:
“How much will you give me, if I give you the pearl?”
“Nothing.”
“Oh! you are joking! Or do you mean that I should give you an article worth thousands and hundreds of thousands and get nothing in return?”
“You will get your life. Is that nothing?”
The unfortunate man shuddered. Then Grimaudan added, in a milder tone:
“Come, Danègre, that pearl has no value in your hands. It is quite impossible for you to sell it; so what is the use of your keeping it?”
“There are pawnbrokers…and, some day, I will be able to get something for it.”
“But that day may be too late.”
“Why?”
“Because by that time you may be in the hands of the police, and, with the evidence that I can furnish—the knife, the key, the thumb-mark—what will become of you?”
Victor rested his head on his hands and reflected. He felt that he was lost, irremediably lost, and, at the same time, a sense of weariness and depression overcame him. He murmured, faintly:
“When must I give it to you?”
“Tonight—-within an hour.”
“If I refuse?”
“If you refuse, I shall post this letter to the Procureur of the Republic; in which letter Mademoiselle de Sinclèves denounces you as the assassin.”
Danègre poured out two glasses of wine which he drank in rapid succession, then, rising, said:
“Pay the bill, and let us go. I have had enough of the cursed affair.”
Night had fallen. The two men walked down the rue Lepic and followed the exterior boulevards in the direction of the Place de l’Etoile. They pursued their way in silence; Victor had a stooping carriage and a dejected face. When they reached the Parc Monceau, he said:
“We are near the house.”
“Parb
leu! You only left the house once, before your arrest, and that was to go to the tobacco-shop.”
“Here it is,” said Danègre, in a dull voice.
They passed along the garden wall of the countess’ house, and crossed a street on a corner of which stood the tobacco-shop. A few steps further on, Danègre stopped; his limbs shook beneath him, and he sank to a bench.
“Well! what now?” demanded his companion.
“It is there.”
“Where? Come, now, no nonsense!”
“There—in front of us.”
“Where?”
“Between two paving-stones.”
“Which?”
“Look for it.”
“Which stones?”
Victor made no reply.
“Ah; I see!” exclaimed Grimaudan, “you want me to pay for the information.”
“No…but.… I am afraid I will starve to death.”
“So! that is why you hesitate. Well, I’ll not be hard on you. How much do you want?”
“Enough to buy a steerage pass to America.”
“All right.”
“And a hundred francs to keep me until I get work there.”
“You shall have two hundred. Now, speak.”
“Count the paving-stones to the right from the sewer-hole. The pearl is between the twelfth and thirteenth.”
“In the gutter?”
“Yes, close to the sidewalk.”
Grimaudan glanced around to see if anyone were looking. Some tram-cars and pedestrians were passing. But, bah, they will not suspect anything. He opened his pocketknife and thrust it between the twelfth and thirteenth stones.
“And if it is not there?” he said to Victor.
“It must be there, unless someone saw me stoop down and hide it.”
Could it be possible that the back pearl had been cast into the mud and filth of the gutter to be picked up by the first comer? The black pearl—a fortune!
The Victorian Rogues MEGAPACK ™: 28 Classic Tales Page 84