When actors tell television interviewers that they don't mind what the critics say so long as the public enjoys what they do, they are lying. Few actors care anything for the public's opinion when set against the verdict of the critics and their peers. To be valued and given status behind the proscenium arch is their goal. If it can be accompanied by public adulation, fame and money — so much the better. At the core of the business is a clique whose pre-eminence in 'correct' work is unassailable, and Simon had ever longed to be included in it. The stars and directors, the writers and designers who count among this number patronise all but the most tumultuous public stardom. Their names may be linked to many causes, their interview manner and (certainly) their clothes may seem like a rejection of distinction, but the fact remains they form an elite whose exclusivity rivals that of the noblesse d'épée at the court of Versailles. Simon ached to be a member of this golden group who always get good reviews from Time Out and are never off the list at BAFTA.
His dreams were not realistic. On this particular evening, for example, he'd only been invited because he was in the papers.
Despite their high-sounding principles, these players share one characteristic with their Hollywood brethren: they love to be with famous people. If they lunch with Labour politicians, they like them to be front bench Labour politicians, if they march in a cause, they like to march next to Ian McKellen or Anita Roddick, not some obscure enthusiast from Harlow. But if Miss Grey had taken Simon up because he was In The News, she was incurious about his talent.
===OO=OOO=OO===
The party was in a house in Hampstead, which seemed to Edith to have taken about a year to get to and which, from the street anyway, did not appear to be worth the effort. Inside, every trace of the labourer, whose domestic arrangements it was designed to house in the 1890s, had been swept away in a sea of gleaming wooden floors and concealed lighting. There were knots of earnest discussion in the large living room, which opened off the hall, but the loudest noise was, inevitably, coming from the kitchen downstairs. Adela and I were standing by the stove, surrounded by bowls of pulses and pasta interlarded with strange creatures from the deep, when they came in. I felt Adela nudge me with her elbow as she went on talking animatedly to the unemployed designer we had got stuck with.
Our hostess advanced to Simon and kissed him, staring at Edith throughout. 'Now first you must have a drink and then you must let me introduce you. Do you know David Samson?' She indicated a famous comedy star who had planted himself at her elbow almost as soon as the couple had appeared. Edith smiled and took his hand only to find that hers had been raised to his hoary lips.
'Lady Broughton.' His fruity and familiar tones rolled the name round his tongue, savouring its flavour. He spoke loudly enough for bystanders to turn in curiosity and connect Simon and Edith with the stories they had read or vaguely heard of.
There was a faint buzz of awareness. Edith received Samson's adulation coldly, I thought, with a murmured, 'Edith. Please.'
Samson was not to be put off. He drew her arm through his and prepared to wheel her about the room. He turned to an inquisitive group nearby, booming out, 'Do you know the Countess of Broughton?'
Edith, needless to say, was in hell.
I would have rescued her earlier but Adela restrained me. I wonder if she didn't take a malicious pleasure in seeing Edith exhibited like a captive in a Roman Triumph. Adela had never endangered her footing in the old camp when she ventured into this new one and I suppose it was hard for her not to feel a tremor of victory. Simon came up to us, beaming. There are some who shudder at the thought of being an 'item' in the news. There are, conversely, others who cannot live without it. Simon was on the latter team. As the half-curious eyes followed him about the room, he was in his element. We broke away, leaving Adela to work over a rather grim-faced casting director on my behalf.
'How are you getting on?' I asked.
'Fine,' said Simon. 'Great.'
'So what happens next?'
'What do you mean?'
'Well, divorce, marriage, statements to the press?'
Simon raised his hands and eyebrows. 'Woah!' he cried with a spangled laugh. 'You sound like my mother.' It is easy to forget that even people like Simon have mothers. Some decent widow of a civil servant sitting in a flat in Leatherhead wondering what on earth was going on. He made me rather cross.
'You do know that you've got in very deep here? You do see that a lot of people are very upset about all this?'
He stroked my cheek. 'Oh well,' he said.
Of course, Adela enjoyed the whole evening hugely. Quite as much as Edith detested it, paraded round the rooms, as she was, like a sacred cow. Adela watched her struggling for small talk with these people who were so remarkably like ordinary people — the very people, in fact, that Edith had spent her twenties trying to escape from forever. The irony of all this was that, for all her hatred of the world of the Name Exchange, Edith had grown used to the comforting snugness of its limited membership. Suddenly she was back in open country where nobody seemed to know anyone she'd ever met. She felt something akin to panic. What did one talk about to people with whom one had no interest and no acquaintance in common?
After her time in Broughtonland, she had forgotten.
'Well, I hope she's enjoying herself.' Adela snuggled down into her coat as we started the long trek south.
'Do you?'
'Well, really! What has she done? And to leave without producing a child! So when the door shuts it's shut for ever. What a fool!'
I was still capable of being shocked by my wife's intense worldliness that lived so happily alongside her great, and I knew quite genuine, kindness.
'Isn't it better that there aren't any children?'
'Better for whom? Better for Charles and Googie. Not for her. To produce the heir is the only effective second act for a first wife. Think of Consuelo Vanderbilt's triumph when she returned to hated Blenheim as the mother of the new duke.
There'll be none of that for little Edith.' She sighed wearily. 'As for him!'
'I thought you rather liked him.'
'He's pleasant enough in his silly, blond way but hardly the craft to be entrusted with the cargo of life's happiness. What is she thinking of?'
===OO=OOO=OO===
Similar thoughts were flickering somewhere at the back of Edith's brain at just that moment as they too sped back towards what she regarded as Civilisation. She was conscious of a kind of dull disappointment deep in her vitals. She had just been to another 'show business party' and as the phrase echoed through her brain she remembered the image it used to conjure up: vivid actresses, over made-up beauties in sequinned haute couture, intense, Jewish writers lecturing groups in the corners of the room, singers helping out a drunken pianist and, all the time, glassy laughter slashing the air… In fact, when she thought about it, she realised that the whole scene had been taken, more or less unchewed, from All About Eve. It seemed to have so little to do with this pack of suburbanites, eating health food and talking about their holidays in Greece.
Nor did she care for their fascination with her as the envoy of a different, and obviously disapproved of, world. She was not indifferent to the glamour of the stage but she had started to see that the quality of glamour as such was no longer rated by the fashionable thespians themselves. To make matters worse, she felt that she had entered this strange arena not as a star (which privately she had counted on) but as a freak.
'What a ghastly bunch! Who were those people?'
Simon never answered these questions, which were in truth more or less rhetorical. They both knew that what Edith was pointing out was that she found theatre folk 'common', though she would never quite say it. Simon, partly because he was not interested in whether they were common or not because it wasn't relevant, and partly because he suspected (deep in his heart) that by her standards he was pretty common himself, never rose to this one. 'I had a good time,' he said.
'You didn't have some
frightful man with a voice like a bowl of fruit salad slobbering over your hand all evening. Are all your parties going to be like that?'
'Are all your parties going to consist of six Sloane Rangers and someone who lost money in Lloyd's? Because, if so, I'll take the fruit salad. Any day of the week.'
They drove home in silence.
SIXTEEN
It happened that I was in the Fulham Road late one afternoon running various errands and Adela had asked me to look in on Colefax and Fowler to collect some braid she had ordered a few weeks before. Normally I would have refused the commission since at that time (unlike today) all the assistants there seemed to have taken a degree in Higher Rudeness, but she insisted and in fact I was dealt with by a pleasant enough woman. Even though, as Adela had expected, the order had still not arrived, she did seem quite sorry about it.
At any rate, I was just receiving my token apology together with the standard assurances that it would be in next week when I glanced back towards the street and there, leafing idly through the racks of samples, was Edith's mother. I had last seen Mrs Lavery almost exactly two years before, around the time of the festivities of the wedding. It moved me now to think of that victorious figure, trembling with satisfied ambition in the Red Saloon at Broughton, as I looked at this lost and broken soul. She stared glassily at the huge flapping areas of pattern as they waved past her face but she saw nothing. Nothing, that is, except the ruin of all her dreams, which clearly played endlessly like a cursed tableau in her brain.
'Hello, Mrs Lavery,' I said.
She turned to me, gathered the knowledge of who I was from some distant mental shelf and nodded a greeting. 'Hello,' she answered in a hollow, frigid tone.
I learned later that she blamed me for introducing Simon to the Broughton family. With some justice, I suppose. It is customary nowadays for people to shrug off guilt in this sort of thing by saying 'it would have happened anyway' but I am not at all convinced by this argument. Most of our lives are not the fulfilling of some inexorable design laid down at birth but rather the sum total of a series of random events. If Edith had never met Simon — or not met him until after she'd had a child
— I think it quite unlikely that the whole thing would have happened. However, she had met him. And it did happen. And, when all is said and done, I had introduced them.
'Have you seen anything of Edith lately?' I said. The sense of her daughter's Banquo-like presence in the room, of her daughter's story, was making us both uncomfortable. It seemed easier to normalise the situation by talking about it.
'Not very much, no.' She shook her head. 'But she…' she hesitated, 'they are coming to dinner tonight. I dare say I shall catch up then.'
I nodded. 'Well, give her my love.'
But Mrs Lavery was not quite prepared to let me go. 'You know him, I gather. This new fellow.'
'Simon? Yes, I know him. Not very well but we were in a film together. Down at Broughton. That's how they met.'
'Yes.' She stared at the floor for a moment. 'And is he nice?'
I was rather touched at this. Mrs Lavery was trying to force herself to be a Good Mother and to concentrate on the timeless values in assessing her daughter's new beau when we both knew that if Simon had been the nicest man in Europe he could never have repaid what had been lost with Charles. 'Very nice,' I said. 'In his way.'
'I don't suppose you've seen much of Charles? Since all the — business happened?'
'I have, in fact. I had lunch with him the other day.'
Mrs Lavery was surprised. I suppose in her romantic imaginings of her son-in-law's world she had erected much fiercer divisions than in fact exist. Also my admission gave the impression that I might not have encouraged Edith in her folly. She softened noticeably. By this time she had convinced herself, of course, that her affection for Charles was genuine and based entirely on his qualities as a man. It wasn't but I don't know that it was any the less felt for that. 'How is he? I'd love to see him but…' She trailed off miserably.
'Oh, you know. I'm sure he'd love to see you,' I lied. 'He's still pretty cast down.'
'Well, he would be.' She sighed wearily and without hope. 'I'd better get going. They're coming at eight and I haven't done a thing.'
And she left the shop, her shoulders stooping as she pulled at the heavy door. When I had last seen her she had resembled a character from some frothy Coward comedy. Now she looked like Mother Courage.
===OO=OOO=OO===
Simon was oddly nervous as they turned right off the King's Road down the Vale towards Elm Park Gardens. He'd been fiddling with his tie every time they stopped at a light and as they drew closer, he started picking at his nails. Edith could feel herself tensing with irritation. She couldn't decide if he was apprehensive because he thought her parents were much grander than they in fact were — or if he was nervous of his role as a Wrecker of Marital Bliss. Either way she just wished he'd relax, as the evening promised to be quite sticky enough as it was.
'What is the matter with you?'
Simon just smiled and shook his head. He himself was not exactly clear as to why he had such butterflies although it was true he did think that the Laverys were smarter than they were. He had a very unclear idea of the nuances of London Society and, since he had no knowledge of the Inner Circle whatever, he was unaware of the extent to which Edith had been an outsider at the time of her marriage. Since he still thought of his new mistress as fearfully smart he imagined her background was correspondingly impressive. But that was not actually the source of his unease on this particular evening. Probably it was the more ordinary complaint that this formalisation of their relationship, this presentation to the parents, seemed to set some sort of seal of finality on what had originally been nothing more than a flirtation. He had not really, even now, faced that he was heading into the realms of 'divorce' and 'division of property' and 'maintenance' and 'custody' and all sorts of other depressing words and phrases and yet that is what suddenly seemed to loom ahead. He supposed that in some perhaps roundabout way Mr Lavery was going to ask him about his 'intentions' and it struck him that he didn't really have any intentions — not absolutely fixed ones anyway. But then he glanced across at Edith and she did look very lovely when he thought about it and he was aware of how much prettier her profile was than Deirdre's, who had always looked just a little gormless from sideways on and he thought that after all he could do worse. And thus mollified and heartened he got out of the car.
Mrs Lavery had confided in her husband about her meeting in Colefax. The words of the conversation had gone round and round her head until she had tried to spin them into a skein of hope. Even as she cooked for her daughter's lover she shouted through to the drawing room, 'What do you think he meant by "cast down" exactly?'
Kenneth Lavery was almost as unhappy as his wife over the turn events had taken but for more honourable motives. He hated to see his beloved 'Princess' involved in a public scandal. He hated to witness his wife's despair. And he was not insensible to the fact that his daughter had thrown away a position of power from which she might have achieved fine things and run instead to a place barely within decent society. He had been proud of his daughter as a Great Lady and he was saddened by her fall. Having said that, he was a good deal more philosophical about the nature of Edith's folly than his wife.
Unlike her he had never deluded himself that Edith's marriage was going to make all that much of a difference in his own life.
'I think he meant what he said. Charles is cast down. Of course he's cast down. His wife has just gone off with another man. What would you expect him to be?'
Stella Lavery stuck her head round the door. 'I just meant that it sounds as if Charles still hasn't got used to the idea. I wondered if there was any point in perhaps getting in touch with him…?' Her voice trailed away, as her husband started to shake his head slowly but firmly from side to side.
'My dear, it is not Charles who decided to end the marriage. It doesn't matter what he thinks.
He is not to blame for this.
Nor do I think it fair to start trying to stir him up. Maybe he is getting over her, maybe he isn't. Either way it will not help him to have his hopes revived by you. He is a nice man and our daughter has behaved badly to him. It is fitting for us to keep out of his way.' So saying he returned to the television.
His wife did not resent this treatment by her husband because in her heart she agreed with it. Try as she might to affect some sort of modern tolerance the fact remained that she was deeply, deeply ashamed of Edith's behaviour. As long as she could remember she had imagined herself perfectly suited for a Great Role in the public life of England. She would daydream as she watched those ladies-in-waiting hovering behind the Queen in Parliament, all dressed in their fifties Hartnell frocks, and she had thought how well she, Stella Lavery, would have acquitted herself as Duchess of Grafton or Countess of Airlie if fate had only called her. She would have served well, she knew, even if, like the little mermaid, every step had been taken on knives. And all this fantasy had been passed on to her daughter who had, miraculously, made it come true. But now, instead of hearing that Edith had been asked to chair the Red Cross or to join the household of one of the princesses, the telephone had rung to tell her that it was all over. That her dream was in ruins. And at the bottom of this pit of slime into which she had been hurled was the bitter gall of knowing that all over London people were tut-tutting and saying that after all Charles had married beneath him, that Edith was a little nobody who just couldn't 'handle it' and that he should have stuck to his own kind.
The doorbell went but before they could get to it Edith had let herself in and was calling to them through the flat. As the lovers entered the drawing room, she hurried to kiss her father. He gave her an affectionate squeeze and she knew he at least would be no trouble as she led him over to be introduced to Simon. One glance at the frozen statue of her mother framed in the doorway, however, told her all she needed to know about the evening to come.
Snobs: A Novel Page 407